Traditional Culture Encyclopedia - Weather inquiry - What does it mean to be a teenager who doesn't know the taste of sadness?

What does it mean to be a teenager who doesn't know the taste of sadness?

When I was a teenager, I didn't know what sorrow was. I liked to climb tall buildings when I was free.

The Ugly Girl's Book Bo Shan's Writing in the Road is a poem by Xin Qiji, a poet in the Song Dynasty. This word is full of sadness. The first film depicts a teenager who is inexperienced but pretends to be deep. The second movie is about a depression full of sadness but nowhere to talk. Through the comparison between "juvenile" and "present", the author's pain of being suppressed, excluded and unable to serve the country is expressed.

Full text: teenagers don't know the taste of sorrow and fall in love with the floor. Fall in love with the floor and worry about adding new words. ? Now that I know what it's like to worry, I want to talk about it. I want to say I'd better have a rest, but I said it's cold and autumn.

When I was a teenager, I didn't know what sorrow was. I liked to climb tall buildings when I was free. I like climbing tall buildings, but I have to say that I am worried that I can't write new words. Now that I have tasted sadness, I wanted to say it but didn't say it. Want to say sorrow instead of sorrow, but say "autumn is crisp!" " "

Extended data:

"Teenagers don't know the taste of sorrow" is the core of the last film. Xin Qiji grew up in the enemy-occupied area of Central Plains. As a teenager, he not only experienced the sufferings of the people, but also witnessed the cruelty of the Jin people. At the same time, he was greatly encouraged by the heroic struggle spirit of the people in the north. He not only has the courage and talent to resist national rejuvenation, but also believes that the Central Plains can be recovered and the Jin invaders can be driven away.

So, he doesn't know what "worry" is. In order to imitate the previous generation of writers and express a little so-called "sadness", he "fell in love with the floor" and looked for it carefree. The author used two words in succession "fall in love with the floor". The use of this overlapping sentence avoids general description, but effectively leads to the following content.

The former sentence "falling in love with the first floor" and the first sentence constitute a causal complex sentence, which means that the author didn't know what sorrow was when he was young, so he liked to go upstairs to entertain himself. There is a causal relationship between "falling in love with the first floor" and "saying I am worried about adding new words", that is, falling in love with tall buildings leads to poetry.

At that time, in the case of "I don't know the taste of sorrow", I should barely say something similar to "melancholy". The use of this overlapping sentence links two different levels and fully expresses the idea of "I don't know the sorrow" in the last film.