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Changshu Yushan Tea Poems

1. Poems about Yushan Mountain (Song Chen Meng)

The wild shop is full of apricot flowers, and the weather in Jiangnan is early spring. Castle Peak laughs at why I'm late. White hair makes people old.

Clouds, sinuses, snow, dragons, and valleys are exhausted, and the stork nest is in danger. The Ming Dynasty wanted to board the stars, and it was also the time when the clouds emerged.

There are four buildings with lakes and mountains (arranged in parallel)

One (Gu Ying at the end of Yuan Dynasty and the beginning of Ming Dynasty)

The wind blew across the lake, after the rain cleared, the stream flowed out of the Woods. Upstairs, you don't know the heat, so watch Yushan wine through the hook curtain.

Two Poems by Fan Yushan and Gentleman

One (Wang Mingshizhen)

It is an endless green hill, which can be seen after the rain. A few idle clouds flow by, and the waterfall scatters Duan Lin.

The prodigal girl spends thousands of flowers and sings cold. I don't need to doubt the wine lamp, so I can't dress up.

Two Poems by Fan Yushan and Gentleman

Second (Wang Mingshizhen)

Drums are all over Jiangnan, and our tour is quite masculine. The sky is suspicious of breaking the column brake, and the mountain seems to push it one by one.

The spring flute sounded outside, in the rain. Thousands of seals are turning, so don't be poor.

2. Joy's poem about Yushan Mountain in Changshu, Zen House after Breaking the Mountain Temple, is a wall poem often written by poets in the Tang Dynasty, and there are many existing versions.

In the Tang Dynasty, a Buddhist retreat behind the Broken Mountain Temple: a clear morning, in Changjian near the ancient temple, where the early sunshine points to the treetops. A secluded place with bamboo paths, branches and flowers, to a Buddhist retreat.

Here, birds live in the mountain light, and people's hearts feel quiet in the pond. All is silent here, but the bell is ringing.

(Version 1) In the pure morning, near the ancient temple, the early sunshine points to the treetops. A winding path leads to a hidden place, and the Buddhist temple is surrounded by branches and flowers.

Here, birds live in the mountain light, and people's hearts feel quiet in the pond. A thousand voices were silenced by the breath of church bells.

(Version 2) On a pure morning, near an ancient temple, the early sunlight points to the treetops. A secluded place with bamboo paths, branches and flowers, to a Buddhist retreat.

Here, birds live in the mountain light, and people's hearts feel quiet in the pond. A thousand voices were quiet, but the bell rang.

(Version 3) On a pure morning, near the ancient temple, the early sunlight pointed to the treetops. A winding path leads to a hidden place, and the Buddhist temple is surrounded by branches and flowers.

Here, birds live in the mountain light, and people's hearts feel quiet in the pond. A thousand voices were quiet, but the bell rang.

Remarks: 1. Broken Mountain Temple: A temporary temple named Fushi, located on Yushan Mountain in the northwest of Changshu City, Jiangsu Province. It was built by Ni Deguang, the secretariat of Chenzhou.

2. Morning: Good morning. Enter: Enter.

Ancient temple: refers to the broken mountain temple. 3. The first day: the morning sun.

Figure: Shining. Gao Lin: A forest of tall trees.

4. Bamboo Path: One is a "winding path" and the other is a "path". Tong: Have a "chance encounter".

Quiet: Quiet. 5. Zen room: the place where monks live and practice.

6. Yue: It is used to amuse .... 7. pool shadow: the reflection in the clear pool water.

This is causative usage, making ... empty. The meaning of this sentence is that the water in the pool is empty and the beach is photographed, which makes people's thoughts disappear.

8. Various sounds. Lai, sound coming from the hole, generally refers to sound.

This: here, that is, in the Houchan Temple. All: one is "all".

9, but in: only stay. One is "only surplus" and the other is "only smell".

Zhong Qin: A percussion instrument used to summon monks in Buddhist temples. Qing, a curved percussion instrument made of jade or metal in ancient times.

Commentary: Walking into this ancient temple early in the morning, the rising sun reflected the Woods on the mountain. The path hidden by bamboo forest leads to the depths, and the flowers and trees before and after the meditation room are lush and colorful.

Bright mountain scenery makes birds happier, and the clear pool water makes people feel relaxed and happy. At this moment, everything was silent, except the sound of ringing the bell.

About the author: Chang Jian, a poet in the Tang Dynasty. Kaiyuan (7 13-742 AD, the first year of Emperor Xuanzong of the Tang Dynasty) was a scholar, ranking with Wang Changling.

He used to be Xu Yiwei. Frustrated in his official career, he lived in seclusion in Wuchang, Ezhou (now Hubei).

His poems are mostly five words, often taking mountains and temples as the theme. And some frontier poems.

There is also often. Extended data:

This poem is about Buddhist temples, expressing the author's seclusion of forgetting the secular world and expressing his feelings for mountains and rivers.

The poet climbed the mountain in the morning and entered Xiaofu Temple. The rising sun shone on Shan Ye Woods. Buddhists call the place where monks gather "jungle", so it means to praise Buddhist temples, which shows the feeling of praising Buddhism and metaphor in the scene of lighting up the forest.

Then, the poet crossed the bamboo path in the temple and went deep into the backyard, and found that the meditation room for chanting and worshipping Buddha was deep in the flower forest in the backyard. Such a quiet and wonderful environment makes the poet amazed, intoxicated and ecstatic.

He lifted up his eyes and saw the green hills behind the temple being illuminated by the sun, and the birds flying and singing freely; When I walked to the clear pool, I saw the world and my own figure shaking in the water. Zhan Ran was empty and bright, and the worldly distractions in my heart were suddenly washed away. At this moment, the poet seemed to understand the mystery of Zen, get rid of all worldly troubles, and be as free and carefree as a bird.

It seems that other sounds in nature and the world are silent, and only the sound of Zhong Qing is melodious and loud, bringing people into a pure and pleasant realm. Obviously, the poet appreciates the beautiful residence of this Buddhist temple, appreciates the artistic conception of this empty door, and places his feelings of seclusion.

This is a five-character poem, but it is archaic in style, simple in language and flexible in meter. Its first couplet is a flowing pair, and the second couplet does not match because of the need of conception and conception.

This poem has been highly appreciated since the Tang Dynasty, mainly because of its beautiful artistic conception and rich interest. The poem expresses seclusion and interest by chanting Buddhist temples, ends with the praise and detachment of the morning visit to the mountain temple, and simply writes scenery and expresses emotion, which is still unfinished.

This kind of euphemistic and implicit idea. Most of the landscape poems in the prosperous Tang Dynasty praised seclusion and interest, all of which had an artistic conception of leisure, but each had its own unique style and achievements.

Chang Jian's poem, written in Jueyou, has the general artistic conception of landscape poetry in the prosperous Tang Dynasty, but its style is elegant, which is different from Wang Wei's loftiness and Meng Haoran's plainness in art and is really unique. Broken Mountain is located in Changshu, Jiangsu, and the temple refers to Xiaofu Temple. It was rebuilt by Ni Deguang, the secretariat of Chenzhou in Southern Qi Dynasty, and is an ancient temple in Tang Dynasty.

This poem expresses the impression of the Buddhist temple after visiting the temple in the morning. It has simple style, simple description, profound image, vague artistic conception and quite complete art. It is a unique masterpiece among the landscape poems in the prosperous Tang Dynasty. Baidu Encyclopedia-Buddhism behind the Broken Mountain Temple.

3. The poem describing Changshu says: "Seven streams and thousands of waters all lead to the sea, and ten miles of green hills enter the city."

"Green water flows around the city, and Qingshan goes to the county seat", "

"The mountains are beautiful and wild, the southeast wins, and the sky is even the light of the lake."

4. What folk arts are there in Changshu's poems and songs? In the 3000-year development of Guqin art, among musicians with various artistic viewpoints and playing styles, some people with the same characteristics are called Qinpai.

Their similarities and differences generally depend on the local color, the origin of the teacher and the score. From the sounds of "Wu" and "Shu" in the Tang Dynasty to "Shen" and "Zhu" in the Song Dynasty, and then to Jiangxi Pu in the Song Dynasty, the development process of the Qin School before its formation was recorded, which accumulated increasingly mature conditions for the formation of the Qin School.

Because the Qin school refers to a group of Qin people, the early "sound" or "spectrum" is not a formal Qin school, but only its embryonic form. The famous Qin schools in history mainly include Zhejiang School, Yushan School and Guangling School. At the end of Yuan Dynasty and the beginning of Ming Dynasty, Xu was born in Xiaoshan, the grandson of Xu, the founder of The True Story of Xu Men, and a famous teacher of Zhejiang School. Therefore, it can be said that he prepared the conditions for the emergence of Changshu Yushan School, a generation of master, the founder of Yushan School Yan Cheng (No. Tianchi) and Xu Shangying (no castle peak) are both the same teachers.

At the end of the Ming Dynasty, Yushan School flourished in Changshu, Jiangsu Province, and was named after the local Yushan School (also known as Shu School and Qinchuan School). Its founder, Yan Tianchi, organized the first piano club organization in China-Yiqinchuan Piano Club in Changshu. He inherited Chen's excellent tradition, absorbed the creation of Qin school and formed a piano style of "clear, subtle, light and far-reaching".

Yan Tianchi emphasized the artistic expression of music itself in the preface of Songxiange Qinpu, and severely refuted the lyrics-writing atmosphere at that time. In addition, Yan Tianchi, the son of Wen Jing Na, was once a magistrate, and his prominent position has always been concerned.

Another disciple of Chen achieved even greater success. He summarized the aesthetic view of piano performance into 24 articles, namely "The Case of Xishan Piano, an Important Town in the Aesthetic History of China". He made up for Yan Tianchi's one-sided emphasis on "late" and advocated that there are late and fast, such as cold and summer seasons. He also included Allegro Luo Chaofei, Wu Yeti, Xiaoxiang, etc., which were rejected by the Yan family, in the Great Ring Qin Song Book, which can be said to be a comprehensive inheritance and enrichment of the piano research of Yushan School.

Yan Tianchi has a deep relationship with Qin studies and profound theoretical achievements, so Yushan School is popular all over the world and has a very wide influence. There are more than a dozen of its main scores, which are covered by the flowing wind. Even the Guangling Qin School that appeared later is considered to be "the same taste as the familiar Qin School" (the essence of the Erxiang Qin School). From a historical point of view, Yushan School inherited the essence of Zhejiang School, inspired Guangling Qinfeng and made outstanding contributions, so it was later called "authentic ancient sound" and "vulgar sound".

Over the past 300 years, there have been many disciples of Yushan Qinpai, and many famous artists have come forth in large numbers, especially Mr. Wu Jinglue, a contemporary pianist. Mr. Wu Jinglue has a profound knowledge of Jiangnan folk music, the courage of Bona and the innovative spirit of pioneering.

His playing style is coherent and smooth, gorgeous and colorful, with the characteristics of lyricism, femininity and song style, which is unique in southern China. In femininity, there are often ups and downs, passionate charm, novel style and fascinating today.

He not only perfectly interpreted the aesthetic essence of the Guqin art of Yushan School, but also pushed Guqin to the level of professional colleges and trained a number of contemporary masters such as Wu and Li Xiangting. Their contribution and influence in the field of Guqin can be described as enormous and far-reaching. Calligraphy Changshu calligraphy has a deep foundation and a long history.

Zhang Gu's "Advocating Leisure" in the Tang Dynasty tells the story of Zhang Xu, a cursive master known as "the sage of books", and an old man in Changshu discussing books. According to the statistics of China Artists' Surnames Dictionary, there are nearly 200 Changshu calligraphers selected.

There are so many calligraphy talents that there are only a handful of similar cities in China. Although Zhang Xu is not from Changshu, his calligraphy is getting better and better because he met a good calligrapher when he was a county captain in Changshu, so his personal achievements are outstanding and he has reached the point of perfection, which has opened up the atmosphere of cultivating literacy with calligraphy for Changshu.

Up to now, there are still monuments and legends of books such as Zuiwei Street and Xiyan Lake in the city. Since the Yuan Dynasty, there have been many calligraphers in Changshu, especially Yang Yisun, Weng Tonghe and Xiao Tuo, who emerged in the late Qing Dynasty and the early Republic of China.

Yang Yisun devoted himself to the study of calligraphy since childhood, especially the study of seal script. His seal script absorbed the seal script of inscriptions on bronze, bronze, bronze and bronze, and was unique. Wu Dacheng, Wu Changshuo and Luo Zhenyu, great calligraphers in Jin Dynasty, all studied Yang's seal script.

Xiao tui has been diligent in learning calligraphy and practicing calligraphy since childhood, and his calligraphy attainments are quite famous in his prime. Seal script is abundant but not bloated, official script is good at beauty, cursive script is pure and natural, and running script is round and lively. It can be said that all four books are excellent, and they are known as "the first calligrapher in Jiangnan".

Weng Tonghe, the emperor of the two dynasties, studied Europe, Chu, Liu and Zhao in his early years. Middle-aged people learn to look good, and they have character. They even went to Su Mi, so they are called "children's bodies".

In his later years, he learned to be a servant, returned to his wrist to write books and pursued silence. When people get a piece of paper, they regard it as a treasure.

Documents such as the Draft of the History of Qing Dynasty call Weng's calligraphy "unique and a tradition in the world", "Tongzhi and Guangxu are the best in the world" and "a good person". Changshu Museum has a collection of Mo Bao calligraphy works by Yang Yisun, Weng Tonghe and Xiao Die.

Painting Changshu, a famous historical and cultural city in China, attracted many painters. According to incomplete statistics, by the end of Qing Dynasty, there were more than 1000 painters, which can be described as a generation with bright stars.

Among them, the "Yushan Painting School", which combines the northern and southern sects in one furnace, has a long lasting charm. Changshu paintings can be traced back to Huang in Yuan Dynasty.

Huang is versatile and good at calligraphy, poetry and Sanqu, especially landscape painting. The creation pays attention to sketching, and the materials are mostly based on the mountains and rivers in Yushan and Fuchun, or painted in light crimson or ink.

The composition is vigorous, and the landscapes he described are all "rich in mountains and lush in grass", which is known as the first of "Yuan Sijia" and has a far-reaching influence on landscape paintings in Ming and Qing Dynasties. There are about twenty works handed down by Huang Chuanshi, which are regarded as treasures by the world.

Among them, Fuchun Shan Jutu is the most famous volume. Now this painting is half hidden in Chinese mainland and half in Taiwan Province. After Huang's death, the tomb was at the foot of Yushan Mountain.

Zhou Zhiming, a famous painter in the south of the Yangtze River in the Ming Dynasty, painted flowers and dyed clusters, and became a school of his own, which was called "the school of hooking flowers with leaves" in the history of painting. Zhou has more than 30 works handed down from ancient times, mainly.

5. Joy's poem about Yushan Mountain in Changshu, Zen House after Breaking the Mountain Temple, is a wall poem often written by poets in the Tang Dynasty, and there are many existing versions.