What is the content of translation appreciation of Zhao Yi on the Red Cliff?

The correct one should be "Red Cliff" written by the poet Zhao Yi, and "Red Cliff Zhao Yi" is a wrong description.

Chibi is a seven-character poem written by Zhao Yi, a poet in Qing Dynasty. This poem expresses the feelings of the past and the present from the difference between history and reality and the contrast between time and space, and expresses the seclusion ambition of "abandoning officials and returning home, indifferent to fame and fortune" with calm and distant pen and ink. The whole poem is natural in allusion, neat in antithesis, broad in realm and rich in emotion.

Original text:

Still better than the shape of Jingxiang, the old base in front of Chibi Mountain is long.

Black magpie flies south without Wei land, river of no return.

Millennium figures are divided into three countries, with hundreds of battlefields.

Today's story has passed, and fishermen sing canglang in the moonlight.

Translation:

The victory of the past still holds the road from Chibi to Jingzhou and Xiangyang. In front of Chibi Mountain, the ancient bunker is long. When the black magpie flew south again, there was no Wei; River of no return, where is Zhou Yu? Ancient figures will live forever, and Wei Shu and Wu have three pillars. This great land is just a battlefield that has experienced many battles. What happened today was a long time ago. Everything has become a historical relic, and only fishermen sing in the moonlight.

Appreciate:

From the differences between history and reality and the comparison of time and space, the whole poem fully expresses his feelings about the past and the present, and ridicules his ambition of seclusion, which is weaker than fame and fortune.

The first couplet is better than the mountains and rivers. Chibi guards the road leading to Jingzhou and Xiangyang, so it has become a battleground for ancient military strategists. The prisoner-of-war camps built during the Three Kingdoms period are indistinguishable, the mountains and rivers still exist, and the terrain is dangerous. The "old base area" naturally uses Su Shi's famous sentence "West of the old base area, humanity is the red cliff of Zhou Lang in the Three Kingdoms" (Nian Nujiao). Although these two sentences are about geography, the words "still" and "old base area" draw a deep sense of history. Zhuan Xu skillfully used the sentence of "the moon stars are scarce, birds fly south" in Cao Cao's short songs, and the sentence of "One river does not return, and the waves wash away all the romantic figures of the ages" in Su Shi's Niannujiao, which seems to depict the scenery, but actually implies the historical picture that Cao Cao was defeated here and Zhou Yude was a hero. "Black magpie flying south" and "gone forever" are timeless natural scenes, but in the author's works, they borrowed the association of allusions and brought rich meanings to each other. Moreover, the two men are skilled in fighting, which shows the author's ability to control words.

Necklaces are naturally matched by time and place. Sun Quan, Liu Bei, Zhou Yu and Cao Cao, temporary historical figures, spread for thousands of years, and Battle of Red Cliffs laid the foundation for Wei, Shu and Wu to divide the world into three parts. The mountains and rivers in front of us are the places where countless battles have been fought in those years. Every sentence is to cherish the memory of history, and every sentence is what you see; It shows the connection between ancient and modern times, the regret of mountain and river relics, the transition from reality to nature, and the self-expression of Taiwan Union. On this day, after passing through Chibi, many heroes have become the past. Only the bright moon shines on the river, and the fisherman's dusk song comes from time to time. "Singing Canglang" is about "the water of Canglang is crystal clear and can accommodate me; The turbid water in the rough waves can be used to drown my feet. Compared with the carefree fishermen in Xiao's novels, those politicians who were once prominent were also pitiful. These two sentences at the end are not only in sharp contrast with the grand atmosphere of the first six sentences, but also end the whole poem with leisurely and distant pen and ink, making it poetic and memorable; At the same time, it also coincides with the poet's state of mind of abandoning his official position and returning home, indifferent to fame and fortune, thus playing the role of borrowing the past from the present.

The whole poem is flowing, although it is turned into words, it is fresh and smooth, with a broad realm and emotional agitation, which can be called an epic masterpiece.

Precautions:

(1) Sheng Xing: Excellent geographical position and dangerous terrain. Asphyxiation: control, asphyxiation. Jing Xiang: Jingzhou and Xiangyang.

(2) Old base: ancient fortress.

⑶ Black Magpie: refers to magpies, or crows and magpies. Cao Cao's "Short Songs": "The moon stars are rare, and the black magpies fly south."

(4) Zhou Lang: Zhou Yu.

5. Past deeds.

⑹ Canglang (láng): refers to fishing songs.

Creative background:

At the end of the thirty-seventh year of Qianlong (1772), Zhao Yi was transferred to the first level because of the proposal of the old case department of Guangzhou Prison. He gave up his official position in Guangxi as a resignation and entered the Yangtze River from Changde via Dongting Lake the following year. When the Three Kingdoms fought fiercely in Chibi, he wrote this poem to mourn the past and the present.

About the author:

Zhao Yi (1727 ~1814 65438+10/0) was a writer and historian in Qing Dynasty. The word Yun Song and the word Yun Song are called Oubei and Qiuchuli. Is a 35-year-old man, Han nationality, Jiangsu Yanghu (now Changzhou, Jiangsu). Qianlong was a scholar in the twenty-sixth year. Officials are the most important. Announced his resignation and gave lectures at Anding College. He is good at history and textual research. On the poet's originality and anti-imitation. Some of the May 7th Poems ridiculed Neo-Confucianism, implying dissatisfaction with current politics, and they were called the three masters of spiritualism in Qing Dynasty together with Yuan Mei and Zhang Wentao. Notes on Twenty-two Histories, Wang Mingsheng's Comments on Seventeen Histories and Qian Daxin's Textual Research on Twenty-two Histories are collectively called the three great historical masterpieces of Qing Dynasty.