How does Li Bai express the poet's feelings in Xia Sai Qutian Xue Shan in May?

How does Li Bai express the poet's feelings in Xia Sai Qu Tianshan Five In the snow? 1. This poem expresses the patriotic feelings of frontier fortress soldiers, and embodies the author's love and praise for frontier fortress soldiers.

Second, the detailed explanation is as follows:

1, the original poem is as follows:

Border songs

Lipper

The mountains in May are still full of snow, only cold, and the grass can't see the grass.

Spring can only be imagined in the flute "Folding Willow", but it has never been seen in reality.

The soldiers fought the enemy in the golden drum during the day and slept in the saddle at night.

I am willing to cut Loulan with a sword around my waist.

2. The translation is as follows:

In May, there was still snow in the mountains, but there was only biting cold in the snow. The flute plays willow songs, where to find willow green spring. Playing golden drums during the day, sleeping on the saddle at night, I only want to wear a sword around my waist, and overcome the enemy.

The next sentence of "Five In the snow in Tianshan Mountain" in Li Bai's Song of the Frontier.

The mountains in May are still full of snow, only cold, and the grass can't see the grass.

Spring can only be imagined in the flute "Folding Willow", but it has never been seen in reality.

The soldiers fought the enemy in the golden drum during the day and slept in the saddle at night.

I hope that the sword hanging around my waist can quickly pacify the border and serve my country.

What thoughts and feelings did Li Bai's song Xia Sai (Tianshan Five In the snow) express? This song expresses the patriotic feelings of the border guards and reflects their love and praise for the border guards.

"Five In the snow in Tianshan Mountains" in Li Bai's Six Poems. Writing background The History of the New Tang Dynasty records what Li Bai wrote when he was on a mission to the Western Regions. At that time, Li Bai was working in Chang 'an and had not been demoted. According to unofficial history's Wind and Smoke Canon, which records the poet's experience at that time, the farewell was Yu Wenji.

Li Bai's sediment: Five In the snow in Tianshan Mountains —— Sediment of Liangzhou Ci in Wang Zhihuan —— Li Bai.

The mountains in May are still full of snow, only cold, and the grass can't see the grass.

Spring can only be imagined in the flute "Folding Willow", but it has never been seen in reality.

The soldiers fought the enemy in the golden drum during the day and slept in the saddle at night.

I hope that the sword hanging around my waist can quickly pacify the border and serve my country.

Liangzhou song

Don Wang Zhihuan

The Yellow River is far above the white clouds.

Wan Ren is an isolated city.

Why should a strong brother complain about willow?

The spring breeze does not pass through Yumen Pass.

Similarities: they all describe the Yellow River.

Difference: The scenes described are different.

Li Bai's song "Five In the snow in Tianshan Mountain" belongs to five words.

this is a

Li Bai's Xia Sai Qu

The mountains in May are still full of snow, only cold, and the grass can't see the grass. Spring can only be imagined in the flute "Folding Willow", but it has never been seen in reality. The soldiers fought the enemy in the golden drum during the day and slept in the saddle at night. I hope that the sword hanging around my waist can quickly pacify the border and serve my country.

Brief introduction of the author

Li Bai (70 1-762), born in 70 1, Han nationality, is 6' 6, with the word Taibai, and his name is Qinglian layman. Li Bai was born in the broken leaves of Central Asia. (The Chu River basin south of Balkhash Lake was under the jurisdiction of Anxi Prefecture in the Tang Dynasty). When I was young, I moved to Qinglian Township, Changlong, Mianzhou (now Jiangyou, Sichuan) with my father. He was a great romantic poet in Tang Dynasty. His poetic style is bold and elegant, with rich imagination, fluent and natural language and harmonious temperament. He is good at absorbing nutrients from folk songs and myths, forming his unique magnificent and gorgeous colors, which is the new peak of active romantic poetry since Qu Yuan. He and Du Fu are also called "Da Du Li" and "Poet Fairy". There are six poems in Li Bai's poetry collection, all of which are based on the popular Yuefu theme in Tang Dynasty. Among them, the fourth book, Always in My Heart and Others, is about thinking about women's longing for a long journey. In addition, Wudu also expressed the poet's ideal of "going forward bravely and not being chaotic in World War I". It is one of the wonderful works in frontier fortress poems in the prosperous Tang Dynasty. This poem is the first in a series. The first sentence "Five In the snow in Tianshan Mountains" has been closely related to the theme. May, midsummer in mainland China. Han Yu said, "Pomegranates are blooming in May, and children begin to grow." Zhao Wei said, "Harmony is like spring and autumn, and it is better to travel in May." However, the May written by Li Bai is under the jam. In Tianshan Mountain, what you see and feel is very different. Tianshan Mountain is isolated from the world, with snow all year round. This huge contrast between the scenery of the mainland and the fortress in the same season was keenly captured by the poet. But he did not describe it in detail and objectively, but slowly expressed his inner feelings with a faint pen: "There are no flowers, only cold." The word "cold" vaguely reveals the fluctuation of the poet's mood, not to mention the bleak tune of "Folding Willow" in the cold wind! Spring is invisible in the frontier, and people can only receive it from the flute and enjoy it. "Folding Willow" is a cross-wind song for Yuefu, which is more about the sadness of travelers. Here, the poet's writing of "Wen Liu" also contains a layer of desolate and bitter emotions. He plays the flute to make up the atmosphere. Shen Deqian commented on the first four sentences of "Song of Xia Sai" and said: "Four words go straight down, which was not available before." He also said: "If you are angry, you will not be bound." Poetry is the five laws, and the two couplets are used to it. However, Li Bai's desolate artistic conception, which followed the trend of the first couplet and refused to converge slightly, broke through the fetters of metrical poems and was characterized by straight and unrestrained language. "Sean Xiao follows the golden drum and sleeps on the jade saddle at night." In ancient times, it was necessary to beat the drums to control the advance and retreat of foot soldiers. I wrote five or six sentences about this situation. The semantic change has changed from desolation to grandeur. The poet imagined that he came to the frontier fortress at the foot of Tianshan Mountain and lived a tense fighting life all day. March in the sound of gongs and drums during the day and take a nap in the saddle at night. Here, "Sean Xiao" corresponds to "sleeping at night". When the author intends to sum up his life in the army for one day, the military situation is tense and urgent. The word "sui" is forbidden in the orders of foot soldiers. The word "Bao" depicts the situation of foot soldiers guarding at night. The second sentence is about the life scene of foot soldiers, and their mentality of guarding the border and preparing for war, everyone courageously striving for the first place, and striving for the first place is also revealed. The couplet "I would like to cut Loulan with a machete" tells the story of Fu Jiezi's generous revenge, which shows the poet's ambition to go to the battlefield to kill the enemy for his country. The words "straight" and "willing" echo each other, with strong tone, and a group of voices, bursting out, have their own artistic appeal. Note [1] Killing Loulan: According to the Biography of Xiezi in Han Fu, "Loulan Kingdom, which was located in the western regions during the Han Dynasty, often killed the envoys of the Han Dynasty. When Fu Jiezi went to the Western Regions, King Loulan was greedy for the gold and silk he offered, so he lured him into his own account and killed him, so he gave him back his head. " In May, the mountains are still covered with snow, and there are no flowers, only the ground is frozen and the weather is cold. Although there is a flute playing "Broken Willow", there is still no trace of spring scenery. Go to war with the drums early in the morning and doze off with the saddle in your arms at night. I hope I can kill the country and destroy the enemy with my sword like Fu Zijie.

If you are satisfied, please adopt it, haha!

Interpretation of the words of the Five In the snow in Tianshan Mountain: Song of Xia Sai comes from the songs of Han Yuefu, such as Out of the Village and Into the Village. It is a cross-blowing song, which is the theme of the new Yuefu in the Tang Dynasty. Most of the songs are about the life of the frontier army. This is the first of six songs written by Li Bai. The author is a genius. As a rhythmic poem, he also escaped from Lingyun and created a unique environment. Like this poem, it almost completely breaks through the routine of connecting and combining in metrical poems. Generally speaking, the first four sentences, five or six sentences and the last two sentences are completely new. Starting with Snow in Tianshan Mountains, point out "under the plug" and write about the cold in the frontier. May is a hot summer in the mainland, but there is still snow in Tianshan Mountain. But the snow here is not flying snow, but snow. Although there are no snowflakes flying in the air ("no flowers"), I just feel chilly. There are still no flowers in midsummer and May, so you can imagine how cold it is in the remaining dog days (especially in winter). So these two sentences are light and heavy, and the words are vague and ambiguous. At the same time, the word "no flowers" is a pun on the meaning of bloom, which is closely related to three sentences: "You heard the willow in the flute". "Zheliu" is the provincial name of Zheliu in Song Dynasty. On the surface, this sentence smells the flute while writing, but in fact there is an implication, which means that there is no willow to fold in front of you, and the matter of "folding willow" can only be heard in the flute. Bright flowers and dark willows are a symbol of spring scenery. "No flowers and no willows", that is, "spring scenery has never been seen". The meaning of these four sentences runs through, "If you are in a straight line, you are not bound" (Shen Deqian's On Poetry). The wording is natural, profound and elegant, and informal, such as the opening of an ancient poem, which is not available to predecessors. Five or six sentences closely carry forward the previous meaning and write the tension of military life. In ancient times, marching sounded golden bells (such as cymbals and bracelets) and drummed quick march. If you don't advance, you will retreat. Writing "golden drums" will set off tension and make military discipline serious. Just saying "Sean Xiao" means marching and fighting all day. I can only take a nap with my saddle in my arms at night, especially the tension of military life. Sleeping on the jade saddle at night may be more in line with the habits of soldiers. It is easy to "hug" without saying "pillow", and the tension is particularly prominent. It seems that once the police are called, people with saddles can turn over and mount their horses and attack bravely. Writing "may" in four sentences makes it almost four o'clock; These two sentences only write a "dawn" and a "night", but they don't describe the whole day's life, and they are also general. The whole article only uses these two sentences as antithesis, which is rigorous in form and suitable for serious content, and enhances the expression effect. The above six sentences are all about the hardships of life in frontier fortress. If there is resentment, the last two sentences suddenly change, and the voice and tone suddenly change. Here is the story of Fu Jiezi in the Western Han Dynasty. Because Loulan Wang (the western domain name) was greedy for money, he sheltered and killed many Chinese envoys to the western regions. Fu Jiezi was sent by Huo Guang to behead King Loulan in the Western Regions to make contributions to the country. The last two sentences of this poem express the patriotic feelings of frontier soldiers: "I would like to put my sword under my waist and cut Loulan straight." The words "willing" and "straight" are cut in tone and generous enough to inspire the whole article. This is the crowning touch of a poem. A strong ending is inseparable from the negative contrast of the first six sentences. Without such a hard background, it is not enough to show such outstanding spirit. "Always write the first six sentences for the latter two languages" (Wang Fuzhi), so this poem is extremely desolate and magnificent, and its artistic conception is muddy. Speak boldly when you open your mouth and feel weak. This kind of writing is similar to the sentence "Yellow sand wears golden armor in hundreds of battles, and the broken loulan is not returned". This poem is not only unique in style, but also unconventional in antithesis. "In the body of law, flying to Yao's potential and carrying away strange thoughts" (in Yao Nai) is naturally a masterpiece of the Five Laws. [2]

Li Bai's> Tianshan Snow in May and Tianshan Snow in Betty Wong. Dizziness. Which song is the right solution? Next song.

Tang Libai

The mountains in May are still full of snow, only cold, and the grass can't see the grass.

Spring can only be imagined in the flute "Folding Willow", but it has never been seen in reality.

The soldiers fought the enemy in the golden drum during the day and slept in the saddle at night.

I hope that the sword hanging around my waist can quickly pacify the border and serve my country.

The poem "Xia Sai Qu Li Bai" expresses the poet's thoughts and feelings. This group of poems is considered to be Tianbao No.2 of Emperor Xuanzong of the Tang Dynasty (743). Li Bai entered Chang 'an at the beginning of last year, and now he is devoted to Hanlin and has political ambitions to make contributions.

Six Poems by Xia Sai is a set of poems by Li Bai, a great poet in the Tang Dynasty. These six poems use the popular Yuefu theme in the Tang Dynasty to write current events and express their heartfelt feelings, mainly describing the historical facts that Emperor Wu of the Han Dynasty pacified the Xiongnu intrusion, and reflecting the spiritual outlook of the prosperous Tang Dynasty with an optimistic tone and magnificent artistic conception. There are praises for the brave warrior Jin Goma Tie, and there are also descriptions of the tenderness of the boudoir. The content is extremely rich, the style is loose and unrestrained, and the heroism is full, which expresses the poet's noble patriotic sentiment.

Six songs under the plug

one

It snowed in May, and there were no flowers, only cold.

I heard the sound of the flute, but I didn't see the spring scenery.

Sean Xiao follows the golden drum (III) and sleeps on the jade saddle at night.

I hope that the sword hanging around my waist can quickly pacify the border and serve my country.

Secondly,

Mountain soldiers are barren in the north, and Hu Ma wants to drink in the south.

It is a great honor to have fought many battles.

Holding Xue Hai rice, blowing sand to sleep [6].

Why not break the moon's family and then raise your pillow?

third

Ma Rufeng, whip the bridge.

Bow a bow to bid farewell to the moon, insert feathers to break the arrogance of heaven.

When the stars dissolve, the sea fog disappears.

The successful painting of Lin Ting is unique to Huo Puyao.

Fourth.

White horse Kinsey, clouds of sand around the dream.

This is a sad festival, and I remember the distant border town.

In autumn, the window of fireflies is full, and the moon frost is late.

Destroy the leaves of the plane tree and the branches of the flowering crabapple [13].

I have never seen [14] a person, and I didn't know myself until I burst into tears.

Fifth.

Sailu takes advantage of autumn, and the heavenly soldiers leave the Han family.

General points tiger bamboo, warrior Wolong sand ⒂.

There is a bow shadow on the edge of the moon, and Shuang Hu blows a sword flower [14].

Jade did not enter, * * * Mochang.

Sixth.

The bonfire moves the desert and even shines on the clouds in the spring.

Emperor Xian of Han raised his sword and called General Li.

Soldiers are in the sky, drums are at the bottom of dragons.

Run bravely, and the devil's breath will be clean in World War I. ..

Li Bai's Song of the Frontier expresses the poet's thoughts and feelings. It snowed in May, and there were no flowers, only cold.

Spring can only be imagined in the flute "Folding Willow", but it has never been seen in reality.

The soldiers fought the enemy in the golden drum during the day and slept in the saddle at night.

I would like a machete to fold Loulan from my waist.

Song of Xia Sai is a new theme of Yuefu in the Tang Dynasty, which mostly describes the hardships of the frontier fortress army life and the homesickness of the soldiers guarding the frontier. Its writing style is also different from that of the regular poems, which pay strict attention to flatness, opposition and transformation. Li Bai wrote six songs, this is the first one. Desolate and unique scenery, sad feelings, majestic and heroic, which contains touching and inspiring artistic appeal. With his bold brushwork and desolate and vigorous artistic conception, the poet showed us a prosperous atmosphere of "sadness without sorrow and bitterness without resentment"-

"In the midsummer of May, Tianshan Mountain is still snowy and the cold wind is swishing; There are no flowers in the room, and there are no graceful snowflakes. Only cold air invades the bone marrow. You can't see the beautiful spring scenery here. Only from the melodious flute sound can we receive and relive the beautiful scenery of our hometown. During the day, in the sound of small drums, charge, advance and retreat; Take a nap with a saddle at night and stay alert. I am willing to go to the unique domain to fight the sword, just to kill the enemy and serve the country, and to make immortal contributions to opening up the territory ... "

The poet's first couplet describes the scenery with a deduction: "No flowers", which means no flowers, no snowflakes. "Cold" refers to both the cold weather and the inner feelings. In May, it was midsummer in Guanzhong, but the Tianshan Mountains beyond the Great Wall were covered with snow all year round, and the chill was pressing. The contrast between the two highlights the great difference between the frontier fortress climate and local customs. The midsummer is still snowy, and the coldness of the other three seasons is self-evident. There are no green trees and flowers, not even a little elegant snow! The harsh environment in which the frontier soldiers lived was hard, cold and desolate, which was revealed by the poet's simple words, making them feel even more desolate and miserable.

The couplets carry the atmosphere of contrast: "Folding willow", and Yuefu's cross-wind song "Folding willow" contains the sadness of leaving people to stay. At the border of "the spring breeze is not enough to cross Yumenguan", the cold wind is cold and there is a bleak tune of "breaking willows". "Who can't afford to miss home?" The beautiful scenery of spring and the friendly scenery of hometown can only be received and recalled from the flute. With the trend of the first couplet, the poet used the flute to contrast the hardships of frontier fortress soldiers leaving their hometown and living in a foreign land, as well as their homesickness for their loved ones, with far-reaching and graceful artistic conception.

The necklace couplet continued to describe the life scene of the frontier fortress: "Golden Drum", where the ancient army commanded soldiers to advance and retreat, beat drums to advance, and sounded gongs to retreat; "Jade saddle", saddle, decorated with "jade", reflects the nobility and majesty of the imperial heavenly army; "Sean Xiao" and "Xiao Mian" have different meanings, which sum up the life of a typical army in one day: except fighting, it is rest; The "Sui" shape allows soldiers to be disciplined and fight bravely during the day; The word "hug" depicts soldiers on high alert at night and ready to cross the horse at any time. The tension and fatigue of military life and the heroic vigilance of border guards are vividly on the paper; The urgent mentality of killing the enemy and making meritorious deeds and the great ambition of opening up the country to serve the country are naturally revealed.

We can't help but wonder: in such a difficult environment in the first league, in such a miserable feeling in the league and in such a tense atmosphere in the neck league, will the frontier fortress soldiers resent the pain brought to them by the war? Will you be depressed and pessimistic because you are homesick? Even so, it is understandable human nature! ) Why on earth should they risk their lives so much?

Lyric couplets, telling the reasons: "wish", wish; "Sword under the waist", the sword on the waist, refers to the ability of the whole body; "Straight for", only for; "Chopping Loulan" is a classic. During the Western Han Dynasty, King Loulan (an ancient name, in the southeast of Shanshan County, Xinjiang) was greedy for money and repeatedly robbed the envoys of the Han people who sent to the western regions. Fu Zijie was sent to the Western Regions by Huo Guang, killing King Loulan with one move and making great achievements. The conclusion is impassioned, and hit the floor is not only the heroic oath of frontier fortress soldiers to kill the enemy and serve the country, but also the patriotic declaration of the people in the prosperous Tang Dynasty (including the poet himself) who are determined to serve the country and do their best until they die. The oath and persistence of "Yellow Sand wears golden armor in hundreds of battles, and Loulan will never return", and the mission and lofty sentiments of "Every man is responsible for the rise and fall of the world" gushed out, making people excited and strong.

The whole poem breaks through the rhythm, and usually takes couplets as the unit for inheritance and transformation: the first four sentences are "Qi", writing frontier fortress, and five or six sentences are "Cheng", including frontier fortress life; The last two sentences "conversion" express heroic pride; The qi pulse is direct, unique. The contrast is delicate, and the heroic spirit of the last two sentences is set off by the hard environment written in the first six sentences. The scenery is solemn and stirring, and things are bitter and extravagant. The pen is vigorous, the style is broad-minded, and the artistic conception is desolate and magnificent. It is hard to say without genius!

I tried to use poetry to explain:

Since ancient times, there have been many sad voices.

Taibai flute plays lofty sentiments.

Take saddles and drums for granted,

This sword broke Loulan's reputation all over the world.