Describe what Lu Xun's hometown looks like in memory, reality and ideal language. thank you

Lu Xun commemorates his hometown in his novel Hometown, but in fact, there is nothing to commemorate that hometown. As a result, the past dreams were shattered by the sunshine of reality, leaving only sadness. But there is also hope that the younger generation will have their new life, which we have never experienced before. There is a cloud at the end of the original text: "I think it doesn't matter whether hope exists or not." It's like a road on the ground; In fact, there is no road on the ground. If there are many people walking, it will become a road. "This is a good motto, and it is also very good. Not as profound as Nietzsche, but much deeper. The "severe cold" in the first paragraph describes the cold weather and sets off the desire to go home.

There are two hometowns here, one is the past and the other is the present. In the past, my hometown was centered on the leap soil. I used this teenager to write about my childhood fascination: a golden full moon hung in the deep blue sky, and there were endless green watermelons on the beach below. Now let's start with the leap soil. The real name of this leap soil is Zhang Lianshui. In the novel, the word "water" is replaced by the word "earth", which is homophonic and also a replacement. In Guoyin, it's a little isolated. His father is Zhang Fuqing, a native of Du Pu Village, Daoxu Township, northeast of the city. There is a seaside. He grows sand, but he is a craftsman. He can make bamboo products and have a "busy month" in Zhou Jia, which means helping. Sometimes he comes to fetch grass ash and bring water, but one year, because of the value sacrifice, the sacrificial vessels in front of the New Year pictures need to be guarded, so he looks for water to serve as it. As usual, the New Year lasted until the 18th day of the first month, so the "hometown" in his memory was that time.

The hometown in memory is a beautiful hometown with magical colors. Its "beauty", we can at least feel it from the following aspects:

This is a colorful world.

There are "deep blue" skies, "golden" full moons and "green" watermelons. Young Runtu has a purple round face and a silvery white collar around his neck. There are five-color shells, red and green, ghosts and Guanyin players on the beach, all kinds.

This is a quiet and vibrant world.

When I think of my childhood hometown, the first thing I think of is the dark blue sky, the golden full moon and the green watermelon on the beach. The whole nature is so quiet and serene, but in this quiet world, there is a fresh life. This lively life brings a sense of movement to this quiet world. "A boy of eleven or twelve, with a silver ring around his neck and a steel fork in his hand, stabbed a horse with all his strength. The man twisted and ran away from his crotch." "The moon is underground, you listen, la la ring, yan is biting melon. You are holding the Hu fork and walking gently ... "It is quiet but not dull, lively and not messy. There is movement in stillness, stillness in movement, harmony and nature, which is a refreshing world.

This is a vast and vivid world.

What a vast world the "hometown" in memory is! There are high blue sky, endless sea and vast beaches. But between this vast world, there are all kinds of people and things, such as lively teenagers, Yan, badger pig, hedgehog, rice chicken, horn chicken, herring, blue back, colorful shells, golden full moon, green watermelon ... The world is vast and fresh, not narrow at all.

We can see that the "hometown" in my memory is not only a real world, but also an imaginary world, which is a beautiful picture I imagined in my contact and emotional exchange with teenagers. It is also a reflection of the mental state of the "I" teenager. This soul is pure, natural, lively and sensitive, and at the same time it is full of beautiful fantasy and rich imagination. It is not bound by "the sky at the four corners of the high wall in the yard", but spreads its wings of imagination in the emotional communication with the young leap soil, opening up a vast and beautiful world for itself.

So, how does this vast and beautiful world of young "me" unfold? Because of the natural fusion of two virgin hearts. The teenager's "I" is pure and natural, and so is the teenager's leap soil. The relationship between them is not organized by feudal ethics, but linked by the natural needs of two hearts. Young Runtu does not regard me as a "master" who is nobler than himself, nor as a "poor boy" who is lower than himself. They don't know the inequality between people. The emotional communication between them is unimpeded, without any scruples and hesitation. When we reread the dialogue between them, we can feel that they have spoken their own thoughts and spoken their own thoughts. They said these things not to please each other, nor to hurt each other, but to say something of common interest. The hearts of two people are fused together in this unrestrained dialogue. It is also in this integration that each becomes rich. When the boy came to this city, he "saw many things he had never seen before"; Through talking with the teenager Runtu, the teenager "I" seems to have seen a world I have never seen before.

In a word, the "hometown" in my memory is a beautiful world, which is actually the reflection of the beautiful mind of the young "me" and the product of the harmonious spiritual relationship between the young "me" and the young. However, this mentality is not fixed, and this spiritual relationship cannot last long. Social life makes people's hearts heavier and the relationship between people more complicated. When the "I" of that year returned to the "hometown after more than 20 years", the "hometown" in this memory was gone forever. At this time, he saw a realistic "hometown" composed of adults.

(B) the reality of "hometown"

What is the real "hometown"? We can use this sentence to summarize our specific feelings about this "hometown": it is a "hometown" that has lost its spiritual vitality under the pressure of real social life.

The "hometown" at this time is composed of three different people and their three different spiritual relationships.

1. Tofu Beauty is my sister Yang Er.

Sister-in-law Yang Er is a ridiculous, exasperating, hateful and pitiful figure. Why is she pitiful? Because she is a person who needs material security. When a person can't get his minimum material security through normal efforts, in order to save his life, he must get this security through some abnormal and despised means. In this sense, she is worthy of sympathy. She used to run a tofu shop. In order to earn more money, she smeared white powder and sat all day. In fact, she used her young beauty to attract customers. "Because of Iraq, the business of this tofu shop is very good." Beauty is no longer a spiritual need, but a means to obtain material benefits. Material interests became the only purpose of her life. For this purpose, she can sacrifice her moral name. When her youth and beauty are gone, she takes everything as a means to obtain material benefits. Her life has completely turned into a material life, a narrow and selfish life. Such people are only close to material interests and have no ability to feel the feelings of others. In this kind of person's feelings, "profit" is "affection" and "affection" is "profit". There is no "feeling" except "benefit", and there is nothing more than a word "benefit" between heaven and earth. She can't feel the sincere feelings of others, and she can't have such feelings for others. "Emotion" has only become a means to gain benefits. Her eyes are only "things", only "profit", only "money", no "people" and no feelings. People with moral and spiritual needs. In this world, she can fish, cheat, steal and rob. However, human society exists and develops in interrelation. In order to live and develop together, human beings need spiritual communication, emotional connection, moral cultivation and spiritual quality beautification. A person who has no sense of morality, such as Yang Erchuan, a beancurd beauty, always does business at the expense of others, which can not but arouse people's disgust and even hatred. Therefore, as far as her own tragic fate is concerned, she is pitiful, and as far as her attitude towards others is concerned, she is hateful. What makes her laugh is that long-term narrow selfishness has made her lose her normal feeling about herself. She regards hypocrisy as emotional expression and petty theft as cleverness. She belongs to the so-called "articulate", "quick", "neat" and "not stupid" woman in secular society. But in the eyes of normal people, her clever tricks can't fool people, and they can't fool people. Therefore, people think that her words and deeds are ridiculous. People can't respect her, love her or even really help her. She is a contemptible person. If all the words and deeds of teenagers "I" and "moistening the soil" are characterized by nature and innocence, then all the words and deeds of Yang Er, a tofu beauty, are characterized by "unnatural" and "insincerity". In her case, everything is exaggerated and distorted according to her own actual interests. As soon as she appeared, she made a kind of "sharp strange sound" and "sudden cry", which was the result of her surprise. Her characteristics are also formed in a long-term unnatural life. She only learned a "thin lip" and a "glib tongue" in her life, but her face soon aged, leaving only a "convex cheekbone" that did not have the charm of the year. Her standing posture is also unnatural, pretending to be arrogant on purpose. In fact, she has lost her confidence and pride in being a human being, but she hopes others will respect her. Respect her. She has no attachment to me. She has no feelings, but she pretends to have feelings on purpose. All she can say is "I hugged you!" Such a trivial fact is very serious, as if it is of great goodwill to me, as if "I" must thank her and firmly remember her importance. She doesn't care about others, so she won't know their living conditions and understand their thoughts and feelings. Through her own imagination, she painted other people's lives extremely rich and rich, just to get more benefits from others.

Sister-in-law Yang Er, the beauty of tofu, embodies the characteristics of people who I call "living a hard life". Her life is hard, but this kind of hardship also crushed her moral conscience, making her have no faith, no integrity, no sincere feelings, no morality, selfish and narrow-minded.

2. Adult leap soil

The young Runtu is a lively and lovely child and an expressive teenager. "His father loves him very much", and his life is full of vitality, freedom of thought and kindness. What is beating is fresh life. Compared with the teenager "I", the teenager is more expressive and has more fresh life and fresh feelings to express. Teenagers' understanding of "I" seems to be obtained from books, while teenagers' understanding of leap soil is obtained from nature and their true feelings about life. He lives in nature and in his own life. He is more like a language artist than the teenager "I". How vivid, fluent and infectious his language is! It immediately attracted the teenager "I" and left an indelible impression on him. However, this energetic and expressive young boy has now become a numb and taciturn person. I just feel bitter, but I can't describe it. Why can he feel it when he was a teenager and describe it, but now he can't describe it? Because "at that time, he was still a child, ignorant", but ignorant, he was a lively person. Now that he is sensible, he has become a puppet. Why is this? Because the "thing" mentioned here is actually a set of traditional feudal etiquette and law relations in China, and the feudal hierarchy maintained by this etiquette and law relationship.

What sustains the traditional society in China is a set of feudal etiquette and law relations, and all these feudal etiquette and law relations are based on the unequal relations between people. Kings and subjects, big officials and small officials, bureaucrats and people, teachers and students. Father and son, brother and younger brother, male and female, are all regarded as superior and subordinate relations. There is no equal status between them and no equal right to speak. The superior is superior to the subordinate. The superior is an order, an order and an instruction to the subordinate, and the subordinate is obedient, tame and obedient to the superior. The reason why Runtu said that he was "not sensible" when he was a child is based on the relationship between etiquette and law that he now understands. "I" is a young master, and he is the son of a long-term worker. The two are unequal. I respect him. He is very modest. He didn't realize his humble position at that time, and it was extremely inappropriate for him to say so many words in front of "I". But at that time, I was still young, so I can forgive you. Once I am an adult, China people must abide by such a set of etiquette and legal relations. Those who don't abide by this relationship of propriety and law will be regarded as those who don't obey the "rules" and "morality" in China society, and will be punished from all aspects of society. Runtu grew up under the education of such a set of etiquette and law relations. He is an "honest man" and a man of "morality". However, once this relationship of propriety and law is taken as the criterion for dealing with interpersonal relationships, people's thoughts and feelings can't communicate normally and people's hearts can't be integrated. This is a spiritual tragedy between "me" and moistening the soil. I miss moistening the soil, and moistening the soil also misses me. They established an equal and friendly relationship in the state of childlike innocence. This relationship left beautiful, warm and happy memories in the hearts of both of them. When I think of my hometown, the first thing I think of is leap soil. In fact, leap soil keeps saying "I". "Every time he comes to my house, he always asks about you and wants to see you." As long as I think of the scene where he played with "me" when I was a child, I can think that these words of Runtu are by no means ordinary pleasantries. When two people meet again, "I" and "I am very excited", and Runtu is also very excited: "My face shows joy and desolation; Move your lips "shows how many sincere feelings he has in his heart! But the feudal relationship between etiquette and law blocked these feelings in his heart. I can't describe, I can't show. Finally, he shouted respectfully and clearly, "Sir! ..... "Here, we can hear the bloody sound when two originally fused hearts are torn alive. Runtu no longer just regards "I" as an equal and friendly friend. He put "I" in a position that he couldn't reach. His own pain and sorrow can no longer be told and expressed in front of such a noble person. This title carries a kind of "respect", but it also reveals a kind of "coldness". In this "cold" atmosphere, the feelings of "I" have also solidified in my heart. Two hearts are blocked by this name and cannot communicate and merge. So I shivered and knew that there was a "thick barrier of sadness" between two people. Hometown shows us that only the relationship between boys and boys "I" is in line with human nature. Later, this feudal relationship between etiquette and law was not inherent in human nature, but formed under the pressure of society, which was a distorted human nature. In the development of nature, human beings will not regard themselves as humble and incompetent people. The feudal etiquette concept of people like Runtu was gradually formed under long-term coercive pressure. Society suppresses a person's humanity and his natural life, making him accustomed to passively enduring all external pressures. Endure all mental and material pain. How vigorous it is to stab Yan's leap soil with a steel fork! How brave! However, the feudal relationship between etiquette and law gradually suppressed his vitality, making him have to passively endure all hardships and misfortunes. Only when we realize that Leap Earth has lost its youthful vitality can we understand why "many children, famine, exorbitant taxes, soldiers, bandits, officials and gentry" can "make him look like a puppet". He doesn't have the unfortunate spiritual strength to resist the reality, and he sees all this as invincible at all. He can only endure, endure. He tried not to think about his misfortune and forget his hardships as soon as possible. He no longer dares to feel the world, think about life and think about himself. Over time, his thoughts shriveled, his sensibility shrank, his expressive power weakened, his spirit became numb day by day, and he became a puppet without sensibility, thinking ability and expressive ability. Only religion can give him distant and hazy hope for the future. His spirit is dead and his body is rapidly aging. Adult leap soil embodies the characteristics of people who "live a hard and numb life" as I said. These people are kind, moral and disciplined. However, traditional morality suppresses human vitality. They lost the vitality of life and became numb under the bondage of feudal morality.

3. Adult "I"

I am a modern intellectual. He has lost the foundation of existence and spiritual foothold in his hometown. Like a wandering soul, he lost his spiritual "hometown". The intellectuals in ancient China were bureaucratic landlords. Economically, he is a landlord, politically, he is a bureaucrat, and he is a rich and powerful man. But modern intellectuals are people who make a living in cities. He has no solid economic foundation and no political power. In the eyes of Sister-in-law Yang Er, a bean curd beauty, it is worthy of awe and respect to be a "rich man" who is a "Taoist platform", "has three concubines" and "goes out in a big sedan chair". Now "I" is not "rich", I no longer fear and respect him, but become the object that she can plunder and steal at any time. He sympathized with his sister-in-law Yang Er's life fate, but his sister-in-law Yang Er, a tofu beauty, did not sympathize with him. He can't establish a spiritual connection with her. What he felt in her was the helplessness of being discriminated against and plundered. Runtu is a close figure in his heart, but Runtu still regards him as a traditional bureaucrat, landlord and intellectual, so that he can no longer have normal spiritual communication with Runtu. He is mentally lonely. What he seeks is an equal relationship between people, which can't be found in the present "hometown". In short, the real "hometown" is the "hometown" where the spirit is separated, the vitality of life is lost, and the warm and happy emotional relationship between people is lost.

Living in the city for quite a long time.