A poem about the image of the wind

Images and poems about the wind 1. Poetic images and sentences about the wind

Image Analysis of "Wind" in Ancient Poetry

The ancient poetry in the treasure house of China traditional culture is a bright pearl, and the artistic conception is the life of the ancient poetry. Artistic conception is also called image. What is image? To put it simply, image is an image with meaning, an objective image used to entrust subjective feelings, and the realm and artistic conception embodied in the image description in the works. Poetry expresses the natural scenery in the works, that is, it takes images from nature to express its feelings. Image is the soul of poetry. In the long development of China's classical poetry, many traditional images have been formed, such as "moon", "water" and "flower". There are many poems about "wind" in various places, and there are also many famous works: expressing the feelings of lovesickness and parting, or feeling sad about one's life experience and the suffering of being displaced from place to place, or expressing one's broad-minded and chic mind, or praising the world.

1. Entrust the homesickness to the wind and express the homesickness.

For example, in the Qing Dynasty, Nalan Xingde Sauvignon Blanc said, "The wind is more frequent, the snow is more frequent, and it is impossible to break the homesickness dream. There is no such sound in the garden." This winter's wind and snow broke the hearts of homesick people. In the Yuan Dynasty, Liu bid farewell to the river. "The good wind makes the guests worry, and the waning moon wakes up in the curtain." When the night wind strikes, lonely guests wake up and never dream of going home again. What a sad feeling. But as far as the "good wind" is concerned, it is in sharp contrast with the mood. In Liu Che's autumn wind poem in Han Dynasty, "Autumn wind starts in Bai Yunfei, and the vegetation falls to the south". In the preface to autumn wind by Liu Yuxi in the Tang Dynasty, "Autumn wind enters the courtyard tree, and the lonely guest hears it first". It's all about autumn wind blowing, wind blowing, flowers falling and geese flying south. In this case, there will be no other emotions, only homesickness. The autumn wind all over the sky brings ubiquitous depression and leads to lovesickness.

Second, use the wind to render the sad atmosphere and set off the sad feelings.

"The wind is raining, and Chen Tuan can't sleep"; "The curtain rolls west wind, and people are thinner than yellow flowers"; "Autumn wind blows the Weihe River and leaves are full of Chang 'an"; I have known her for a long time, but we have been apart for a long time. The east wind rises and a hundred flowers blossom. "Spring breeze is not worried about being blown away by the wind, but spring will cause long-term hatred" and so on. These numerous poems contain the literati's sentimental life experience and the pain of displacement. Changfeng blows out bleak loneliness, which is infinitely bleak to read. It's really "full of worries." "

Third, show heroism with the wind.

"Yunfei winds up and the weaver girl returns to the sea" is a heroic wind; "The sky is grey, the wild is boundless, the wind blows grass and the cattle and sheep are low", which is the boundless wind beyond the Great Wall; "The wind is rustling in Shui Han, and the strong man is gone forever." This is another tragic wind. In these artistic conceptions, sadness and sadness have completely disappeared. The wind is no longer a gentle and sad image, but an invisible hand plucks the heroic and broad-minded strings in the world, which makes people feel passionate. This kind of wind is momentum and strength, and it is the carrier of the Chinese nation's high-spirited spirit.

Fourth, show vitality with the wind.

"Wildfire never completely devoured them, and they grew tall again in the spring breeze"; "Waiting for the east wind will always be spring"; "Thousands of trees bloom in the east wind night"; "The wind blows the willow flower shop full of fragrance", and when the wind sweeps away the haze, it brings people vitality and is the driving force to stretch their body and mind, so the spring breeze at this time is "busier than passers-by" and spreads the vitality of spring. "Wind" has become a symbol of vigorous vitality. At this time, only when the wind blows the hearts of literati at the earliest, let them listen to the joy of the world and express the beauty of spring lyrically on paper.

In the traditional culture of China, the image of wind often becomes the carrier of human thoughts and emotions. Because of the author's different moods, different ancient poems often express different meanings, which reflects the richness of their meanings. Different connotations form different aesthetic artistic conception, which sets off different feelings of poets and poets. The inner thoughts, feelings and styles reflect each other, which promotes the literary taste, ideological connotation and artistic attainments of poetry, by going up one flight of stairs.

2. Style Poetry and Artistic Conception

Appreciation of the ancient poem "Wind"

"Three autumn leaves can blossom in February. Crossing the thousands of feet waves, the bamboo branches are oblique. " This poem was written by Li Qiao in the Tang Dynasty. There is no word "wind" in the whole poem, nor does it directly describe the external form and explicit characteristics of the wind, but it shows the gentleness and tenacity of the wind through the changes of the original or original state of foreign objects under the action of the wind. Release and Openness show the tenderness of the wind vividly, and also deeply touch the readers' apathy that may have been a little early, and reawaken people's feelings for a better life. Looking at this poem, the poet indirectly expresses various forms of the wind by grasping the variability of four natural images: leaves, flowers, waves and bamboo, which makes people truly feel the charm and strength of the wind.

3. There is an urgent need for some poems with the image of the wind.

Why do you blame the willows in the spring breeze for blowing a strong flute? The spring breeze is just like Yumenguan —— In Wang Tangzhihuan's "Liangzhou Ci", firecrackers are one year old, and the spring breeze sends warmth into Tu Su —— Wang Song Anshi's "January Day", spring breeze, since I dare not know you, why do you divide the silk curtain in front of my bed? ? Wildfire never quite consumes them, the spring breeze is blowing high —— Spring Thoughts by Tang Li Bai —— Farewell to the Original Grass by Tang Bai Juyi. When will the bright moon shine on me in Jiang Nanan —— It is easy to distinguish the east wind by boating in Guazhou, Anshi, and it is always spring —— Wet apricot flowers rain in spring, blowing noodles.

-Zhi 'an, a monk in the Southern Tang Dynasty, "Jueju" Autumn wind curled up in the autumn wind, and waves curled up under the leaves of trees in Dongting: describe the breeze blowing. Dongting: Dongting Lake, in the north of Hunan Province.

Waves: microwave flooding. Muye: Yellow leaves.

Chu Ci of the Warring States Period Qu Yuan's "Nine Songs, Lady Xiang" is sorrowful and indignant! A bleak, withered grass, withered, if it is a long trip, the mountain climbing near the water will also be bleak: lonely, depressed. Liao Li: Desolate.

If you travel far away: It seems that people travel far away. In the Warring States Period, Chu, Song and Yu argued that the autumn wind started, the vegetation turned yellow, and the geese returned to the south. The autumn wind in Liu Che is bleak, the weather is cool and the vegetation is exposed to frost. Wei Xing has many fallen leaves, so he knows it is autumn: Lvxiang Courtyard.

Tao Jin Yuanming's "Appreciating Willow, Wood and Mulberry" is a new autumn night, graceful and graceful, and the moon will be far away: describing the length of the night. Tingting: It's far away.

In Tao Jin Yuanming's "Fire in June in Wushen", it shows the whereabouts of Furong Lou, Liu Yangyue, and Furong Shu: Lotus. In the Southern Dynasties, Yan Qiu Si looked at the cold city, and Pingchu was in the cold city: the cold has invaded the city.

Look: Look into the distance. Pingchu: Ye Ping.

Cangran: The appearance of lush vegetation. Write two sentences about the scene of early autumn.

In the Southern Dynasties, the pavilion "Looking at Xuancheng County" is under the leaves, and the pavilion is high in autumn: horizontal. Konoha: Leaves.

Dragon Head: The mountain name is between Shaanxi and Gansu today. In the Southern Dynasties, Liang and Liu mixed the poem "On Dressing". The fog in Jincheng was low, and the grass under Yumen was low: the grass withered.

Under the tree: leaves are falling. Jincheng: the name of an ancient county, between Yuzhong, Gansu and Xining, Qinghai.

Yumen: Yumen Pass, in the west of Dunhuang, Gansu. Write two sentences about the cold autumn scenery in the northwest.

The autumn sounds of trees and trees in "Another Kind" written by the Southern Dynasty Cloud, and the autumn sounds of mountains and mountains in cold colors: autumn wind blowing, scattered vegetation, cold and noisy. North's Epitaph of Bulugu's Family, the Lady of Zhou Qiaocheng, was written by Wei Jiuyue: auxiliary words, meaningless.

Foreword: season. Don Wang Bo's Preface to the Autumn Pavilion: The sunset and the lonely Qi Fei are the same: the name of the bird, the wild duck.

Qi Fei: The sun sets from the sky, and I am lonely from bottom to top, competing with Qi Fei. A color: the water in autumn is blue, and the sky is blue, reflecting the water and forming a color.

Tang Wang Bo's farewell preface to Autumn Knee Palace is full of bamboo in autumn, while the cool Wuling Song Tang Li Qi's looking at Qinchuan is full of autumn leaves, and the curtain of the night pearl is not frosted. Tang Wang Changling's "Autumn Letter" contains five poems: "The phoenix tree in the golden well is full of autumn leaves, and the curtain of the night pearl does not roll frost. The smoked jade pillow has no color, and you can listen to the Nangong for a long time. "

Bai Yue reflects the cold pool, and autumn rain grows moss. Liu Tang Changqing's "You Xian Zen Master Shuangfeng Temple" went to the wild field in the south, because the leaves had fallen, and the wind in the cold zone was not far from the autumn in North Haoran's "Huai Chu Han Jiang", so it was cold to go out. Tang Li Bai's "Gift to the Master" makes the rain cold and the wind cool and clear. Tang Li Bai's "Reward for a Rain" Autumn geese are escorted by Changfeng. I face them from this villa and drink my wine full. Tang Li Bai's "Uncle Lou Farewell to the School in Xie Tiao, Xuan Zhou" is a high bird, and it is dusk in Huang Yun, and a tree is cold in autumn. Tang Du Fu's "Late Autumn Changsha Cai Wu Waiting for the Imperial Banquet to Send Liu Yin to Join the Army and Return to Fengjie Province" is still vague. Yan Fei stayed in the clear autumn: staying for two nights.

So: still. Tang Du Fu's Eight Poems of Autumn Prosperity is in Qujiangtou, Xiakou of Zhaitang, and Wan Lifeng's smoke meets autumn sand on the far shore of Tang Du Fu's Eight Poems of Autumn Prosperity. Even the mountains are illuminated by night, and autumn is near in the sky. The moon on earth is clear, and Du Fu of Tang Dynasty cries in August and autumn. My home is Sanlian Caotang. cogon

Describe the scene of vilen in late autumn: the wind blows the thatch on the vilen and the wild fire burns the withered mulberry trees. Don Cen Can's "Going to the Girder but Sending a Mad City Master" Autumn wind moves Wan Li, and the setting sun shines high. Tang Censhen's "Gongbei Qiuxing sends Cui Mingyun" winter wind? Si=4 East wind, spring, Song and Zhu Shengsun, looking for fragrance and exploring the shore, the boundless scene is new for a while.

Wait a minute and you'll know that the east wind is always spring. Beat the sun: a sunny day. 2. Looking for fragrance: spring outing, hiking.

3. Surabaya: The name of this river is in Shandong Province. 4. Leisure: normal and relaxed.

The meaning of waiting for knowledge is easy to identify. 5. East wind: spring breeze.

[Analysis] It is generally believed that this is a poem describing a spring outing. Judging from the scenery written in the poem, it is also very similar.

The first sentence is "winning the sun to find the fragrance of Surabaya", and "winning the sun" refers to sunny days, indicating the weather. "Surabaya" indicates the location.

"Looking for fragrance" means looking for beautiful spring scenery and pointing out the theme. The following three sentences are what you saw when you wrote "Looking for Incense".

The second sentence, "boundless scenery is new for a while", is about the initial impression gained by watching spring scenery. Use "boundless" to describe all the scenery in front of you.

"A Moment of Novelty" not only describes the return of spring to the earth, the natural scenery is brand-new, but also describes the refreshing joy of the author during his outing. The word "knowledge" in the third sentence inherits the word "search" in the first sentence.

"You can easily know" means that the features and features of spring are easy to recognize. "East wind" refers to spring.

The fourth sentence, "colorful is always spring", means that this colorful scene is made up of spring, and people know spring from this colorful scene. This specifically answers why we can "wait for the east wind".

The "colorful" in this sentence also takes care of the "new situation" in the second sentence. The third sentence and the fourth sentence describe the new situation and the gains from finding incense in vivid language.

Literally, this poem seems to describe the impression of a spring outing, but the place to look for fragrance is the shore of Surabaya, which was occupied by Jin people in the Song Dynasty. Zhu has never been to the north, and of course it is impossible to swim to Surabaya in spring.

In fact, the word "Surabaya" in the poem implies Confucius, because in the Spring and Autumn Period, Confucius taught his disciples with string songs between Zhu and Si. Therefore, the so-called "seeking incense" refers to the way of seeking saints.

"Colorful" is a metaphor for Confucianism.

4. What is the image of "wind" in ancient poetry?

Original publisher: Long Yuan Journal Network.

When a poet writes a poem, it is often "the words don't convey the meaning, but the image is wonderful". This kind of image is an objective image of the author's subjective feelings, usually taken from nature, and "wind" is the poet's favorite image. Ancient poems often express their feelings with the wind, express their aspirations with the wind, and create artistic conception with the wind, thus achieving the artistic effect of "endless words and endless meanings".

Keywords: wind image of ancient poetry

When a poet writes a poem, it is often "the words are not full of meaning, but the image is better". This "image" is the objective image of the author's subjective feelings in the poem, usually taken from nature, and "wind" is the poet's favorite image. Many famous poems, such as "Wildfire never goes out, spring breeze is high", "Autumn wind blows my heart, and I will always go to Yumen Pass", "At night, the south wind rises, and the wheat is full of yellow", "Reunion after a long separation, the east wind rises, and a hundred flowers bloom", "The west wind makes people grow old all night, and all the flowers are white" and "The north wind rolls white grass, and In the snow crosses Tatar. The author put all his joys and sorrows, joys and sorrows. "Whether it is southeast wind or northwest wind", what enters poetry is no longer a purely objective natural phenomenon caused by airflow, but a carrier of emotion and an image that touches the poet's feelings. Image is the soul of poetic art, and its function lies in conveying feelings, expressing aspirations and creating artistic conception with the wind, so as to achieve the artistic effect of "endless words and endless meanings". Now take the ancient poetry in middle school textbooks as an example.

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5. What does the image of "wind" in ancient poetry mean?

Wind is a common image in ancient poetry. Different winds-east wind, south wind, west wind and north wind-have different meanings in ancient poetry.

I. Dongfeng

The east wind in ancient poetry generally refers to the vitality and joy of spring, such as Zhu's Spring Day and Xin Qiji's Green Jade Case. It is worth noting that the east wind in ancient poems is often used in some special ways: (1) to set off the feeling of "bereavement", such as "The small building was easterly again last night in Yu Meiren by Li Yu, so the country can't look back on the moon"; (2) Rendering parting emotions, such as "Time is long before meeting her, and time is longer after parting, and the east wind rises and a hundred flowers blossom" in Li Shangyin's Untitled; (3) It symbolizes the autocratic monarch and evil forces that caused the tragedy, such as "Dongfeng evil, with fickle joy, sad for several years" in Lu You's Hairpin Phoenix; (4) Metaphor is an important condition, such as Mutu's "Red Cliff" saying that "the east wind is not convenient for Zhou Lang, and Er Qiao Tongquetai is locked in spring" and "everything is ready except the east wind".

Second, the south wind

The south wind in ancient poems, namely Xia Feng, is often a symbol of prosperity and is often used to express a relaxed and happy mood, such as "The south wind rises at night and the wheat turns yellow" in Bai Juyi's "Watching Wheat". The south wind is sometimes used to express homesickness, such as "the south wind blows before the door" in Li Bai's "Sending Two Children to the East Foot". It is worth noting that there are some special usages of the south wind in ancient poems: (1) used to contrast the tranquil artistic conception, such as "Only the south wind knows each other old, stealing doors and turning over books" in Liu Ban's Xin Qing; (2) The south wind is also called "Xunfeng", such as Su Shi's Ruan Langgui Early Summer: "Green Gao Huai Liuyan New Zen, Xunfeng enters the string first. The blue screen window sank into the water and the sound of chess was shocking. "

Third, the west wind

The west wind in ancient poems, namely autumn wind, often symbolizes the chill of autumn, and most of them contain dignified and sad colors. It is worth noting that the west wind in ancient poetry is often used in such a special way: (1) to express the feeling of lovesickness, such as "the curtain rolls up the west wind, and people are thinner than yellow flowers" in Li Qingzhao's "Drunk Flowers"; (2) Affectionate youth has passed away, such as "Last night, the west wind withered the green trees, and I was alone in the tall building, looking at the horizon" in Yan Shu's Liang Zhu; (3) Render the bleak atmosphere and express the injury of life experience, such as Ma Zhiyuan's "The West Wind in Qiu Si is sparse, and the setting sun is heartbroken in the end of the world", Xin Qiji's "Shui Long Yin" is not so bad, and Wang Shifu's "Long Pavilion" and so on. (4) Create a vast and tragic beauty, such as "the sound and dust are exhausted, the west wind still shines, and the Han family is lost" in Li Bai's Memory.

Fourth, the north wind

The north wind in ancient poetry, that is, the wind in winter, is often used to symbolize the cold in winter, and most of them contain the bitterness and bitterness of the poet. It is worth noting that the north wind in ancient poems is often used in some special ways: (1) exaggerates the thoughts of homesick wanderers, such as "Humayi's north wind, crossing the south branch of the bird's nest" in Go Again by an anonymous person in the Han Dynasty; (2) Express sadness, such as "Huang Yun is a thousand miles away in the daytime, and geese and snow are blowing in the north wind" in Gao Shi's Don't Move Big; (3) Metaphor is a powerful force, such as "The north wind blows the grass, eight In the snow crosses the Tatar sky" in "Bai Xuege Farewell to Tian Wu's Home" and "Ning Zhi Xiang dies" in "Cold Chrysanthemum".

6. What is the image of "wind" in ancient poetry?

Open a library member with a minimum of 0.27 yuan to view the full content > Original Publisher: Long Yuan Journal Network Abstract: When a poet writes a poem, it is often "the words are not full, and the image is the best". This "image" is the objective image of the author's subjective feelings in poetry, usually taken from nature, and "wind" is the poet's favorite object.

Ancient poems often express their feelings with the wind, express their aspirations with the wind, and create artistic conception with the wind, thus achieving the artistic effect of "endless words and endless meanings". Keywords: the poet's poetic style. When a poet writes a poem, he often "expresses his feelings in words, but establishes an image". This image is an objective image that projects the author's subjective feelings in poetry, usually taken from nature, and "wind" is the poet's favorite image.

Many famous poems, such as "Wildfire never goes out, spring breeze is high", "Autumn wind blows my heart, and I will always go to Yumen Pass", "At night, the south wind rises, and the wheat is full of yellow", "Reunion after a long separation, the east wind rises, and a hundred flowers bloom", "The west wind makes people grow old all night, and all the flowers are white" and "The north wind rolls white grass, and In the snow crosses Tatar. The author put all his joys and sorrows, joys and sorrows. "Whether it is southeast wind or northwest wind", what enters poetry is no longer a purely objective natural phenomenon caused by airflow, but a carrier of emotion and an image that touches the poet's feelings.

Image is the soul of poetic art, and its function lies in conveying feelings, expressing aspirations and creating artistic conception with the wind, so as to achieve the artistic effect of "endless words and endless meanings". This paper takes the ancient poetry in middle school textbooks as an example to analyze [2].