Jiang Shenzi's original style of wine flag in Xinghua Village Pavilion

Jiang Shenzi Xinghua Village Pavilion Wine Flag Wind [Author] Xie Yi? Song dynasty

Wine flag wind in Xinghua Village Pavilion. Water soluble. Yang remains red. Crossing the boat in the wild, willow green is shaded. Looking at the mountains in the south of the Yangtze River, people are far away and the grass is empty.

Smoke cage outside the sunset building. The powder melts. Pale eyebrows I remember when I met you on the screen. Only the Guanshan Mountain tonight is the same as the moon thousands of miles away.

The wine flag of Xinghua Village Pavilion is facing the wind. The river dissolved and the red color faded. No one crossed the wild boat, and the willows on both sides were thick with green shade. Looking at the mountains in the south of the Yangtze River, there is no figure.

Only grass is even blue. The sunset outside the building is a smoke cage. The powder is fragrant and the eyebrows are pale. I remember last year, I saw you in the photo. The mountains are heavy tonight, thousands of miles away, and the bright moon is with you.

Notes on Jiang Shenzi's Xinghua Village Pavilion 1 Jiang Chengzi: The inscription is also called Jiang Shenzi.

② "Xinghua Village Pavilion": namely Xinghua Village Post Office. It is said to be located in Qiting Town, Macheng, Hubei. "Wine Flag Wind" ── The wind that makes the wine flag sway.

(3) "Dissolution": refers to the way the river ripples and flows slowly. It means flying, which means floating. "Residual red": a metaphor for withered flowers.

4 "Wild Ferry": Murano Ferry.

⑤ "Look away": refers to looking until you can't see it.

⑥ "If you don't see people, the grass is even empty": It means that you don't see the old friends you miss, only the grass is connected to the sky.

⑦ "Late Smoke Cage": refers to the scene of smog at dusk.

8 "melting": melting, melting, melting. Another interpretation of this sentence is: powder fragrance, which describes the beauty of the air in the scene; The faint eyebrow peak is a description of the beauty of the distant mountains shrouded in smoke. Fools don't think so, but tend to understand it as writing people. Because this sentence also belongs to the following "remember" and "meet" sentences; There are both inversions and omissions, but they are simple and clear. Exquisite sentences are no less than the pen of genius.

9 "Year": This refers to "then". "In painting" should mean "in a picturesque scene", not a screen or barrier with paintings and poems upstairs.

⑩ "Guanshan": According to 33 citations in the back volume of Tiaoxi Fishing Hidden Conghua, it should refer to Guanshan in Huangzhou.

? "Plain": This refers to the bright moonlight.

Appreciation of JIANG Shen-zi's Poems on Wine Flag in Xinghua Village Pavilion The theme of his poems is to cherish the memory of people and express the feelings of lovesickness in reminiscing about the past. First of all, start with space and expand a three-dimensional space realm. The wine flag of Xinghua Village Pavilion flutters gently in the breeze, and the clear water flows quietly. Flowers have withered, and the spring breeze is blowing, rolling up bursts of residual red. This is the late spring village and the specific environment in which the author lives. All this shows that "running water is weaker than spring", which adds a bit of melancholy to the author's mentality. The relationship between Xinghua Village and wine originated from Du Mu's Tomb-Sweeping Day. "Excuse me, where is the restaurant? The shepherd boy refers to Xinghua Village. " Later, hotels were named after Xinghua Village.

"Crossing the boat in the wild, willow green is shaded." In the sentence "Wild Crossing", Wei's poem "Xixi Chuzhou" is used to express the sadness of the environment. The scene of "a bright future" inevitably adds a touch of sadness to the poets. Willow is often associated with sadness and hatred of parting, and willow has become a symbol of parting. "In front of the building, the green and black road branches, with a touch of willow and an inch of tenderness." Wu Wenying's "hyacinthus orientalis, Listen to the Wind and Rain") "Blue and black" also means blue and black. The quiet and desolate wild crossing symbolizes the willow tree that leaves sorrow and does not hate, which contrasts with the light melancholy color formed above. All this paves the way for the homesickness of "the mountains in the south of the Yangtze River are far away, no one can see them, and the grass is empty", rendering the environmental atmosphere. After the above rendering and bedding, the "invisible" "people" did not appear out of thin air. "Wangjiang Nanshan, people are not seen, the grass is empty." Xie Yi is from Linchuan, Jiangxi, and also from Jiangnan. Although he was able to write poetry all his life, he got off to a bad start in the examination room, tried and tested, and died in cloth. Such a down-and-out scholar, in a foreign land, is in a miserable mood. It goes without saying that he looks at the south of the Yangtze River, and the green hills are faint and endless, and the feeling of acacia separation arises spontaneously. The only thrill is far away in Jiangnan, but I can't see it. All he can see is endless spring grass, which is connected with the sky and extends to the infinite distance. Spring grass is the object that easily causes parting lovesickness. "The Songs of Chu Recruit Hermits": "Wang Sun swims without returning, and spring grass grows." "If you stay away from hate like spring grass, you can go further and live." Li Yu's "Qing Ping Le, Don't Come to Spring Half") The poet looked at the spring grass in the distance with a telephoto lens. I don't know where it is. They are fascinated and hate.

After the film, the pain of lovesickness, which people can't see, naturally turns to recalling the past. The five sentences in Sunset ... The words in the picture are all memories of the past, the time from the first movie to the next movie. The five sentences are all about "remembering", and all of them should be dominated by "remembering". However, the phrase "writing is like looking at a mountain, and I don't like peace" is particularly taboo, so the author begins with memories and immediately describes the image, not the narrative. In the beautiful moment of sunset, the smoke outside the building is light, and in this charming environment, there is a stunning beauty. The powder is tender and full, the aroma is pleasant, and the eyebrows are pale. Instead of describing her face and figure, the poet used parts to replace the whole metonymy rhetoric, only writing her eyebrows and pink incense, and the rest can be imagined. This is even more fascinating than telling stories at will. This is a very vivid image that will never disappear on the fluorescent screen of the poet's memory. Then fill in the past with a supplementary writing: "I still remember the year when we met." This shows that everything above happened in the upstairs painting screen. Finally, the author asks a question: "Did you leave soon after you met, or did you live together for a while?" The author no longer gives any explanation. Lyrics are like paintings. Painting can't occupy the whole paper, but draw everything, leaving appropriate blanks. There should also be blanks in the lyrics, leaving readers room for imagination.

Recalling this, I suddenly stopped and pulled the time back to my eyes. "Only Guanshan is here tonight, thousands of miles away, and the light is the same." After the sail of memories passed, the poet had to face the reality. After the mountain, spring grass is in the sky, looking at the beautiful woman, goodbye for no reason. The poet thought: There is only a bright moon in the sky tonight, shining on me, a stranger, and on her, a thousand miles away. We can only pour out our lovesickness to the bright moon. Let's exchange ideas through the bright moon! "Beauty walks in the dust, and the moon is thousands of miles away." (Xie Zhuang's Yuefu in the Southern Song Dynasty) "I hope that people will live for a long time and have a good scenery for thousands of miles." Su Shi's poet mood at this time may be similar to this. Xie Yi writes Xitang Ci. Mao Yun said, "Xitang's small orders are light and lovely." Etymological Congtan said that the word "beautiful and meaningful" is also quite close.

After the word was written, everyone living in this room recited it repeatedly and asked the postman for a pen, ink and paper to copy it down. The postman thought it was very troublesome, so he secretly smeared the words with white powder to make people stop copying. This shows how popular the word was at that time. The word Appreciation 2 expresses homesickness in a foreign land. The style of the whole poem is beautiful and elegant, the scenery is natural, the feelings are rippling, and it seems to be heartfelt.

The first sentence comes from Du Mu's poem: "Excuse me, where is the restaurant? The shepherd boy refers to Xinghua Village (Qingming). The season is in late spring and early summer, at the roadside near the water in the suburb of Nomura. At this time, the first thing you see is the wine flag fluttering slightly in the breeze. Looking down, I saw the Xinghua Village pub. The following scenery writing and lyric are all from now on.

Then write the scene in front of you in two short three-word sentences: "The water is gone, but the face is still red". Write a word about water and a word about wind. Dissolved, flowing appearance. The sparkling blue waves are a refreshing beauty. However, the last sentence is very different: "Residual Red". "Red" has been "disabled", not to mention "embarrassed"! At this time, when I saw "Residual Red", the poet's thoughts were the sadness of hurting the spring and passing away.

The Wild Boat uses Wei's poem Xixi Chuzhou. Although the original poem is picturesque and full of wild interest, the poet's loneliness is leisurely visible. In the early Song Dynasty, Kou Zhun divided Wei's poems into two sentences: "No one crosses the wild water, but the boat crosses the sun", and the artistic conception remains the same. In a word, the word "wild boat crossing" implies the desolation in front of "Xinghua Village Pavilion" and gives the poet a feeling of "lingering red". But the next sentence, "There is another village with bright flowers", has a different taste: a bay of water, willows on both sides, and green leaves are shaded by the sun, which has a beautiful taste.

The following four sentences are "water soluble". This painting in light ink, the first two sentences are close-ups, and the last two sentences are long shots; One or four sentences of inspiration, two or three sentences of sadness; Through the contrast between scene and emotion, we can skillfully see through the influence of microwave on the poet's emotion.

It was not until the words "Wangjiang Nanshan, people can't see, the grass is even empty" that people appeared in the front between the lines. The mountains in the south of the Yangtze River are endless. How can I see it all? The word "far" is Wei's description of Zhongnanshan: "Lianshan to Haiyu" ("Zhongnanshan"); Du Fu's description of Mount Tai: "The greenery is dripping, and the land is high." (Wang Yue).

The mountain is far away and the road is far away, so people who want to see it can't see it. All they can see is "the grass is even empty." These three words, such as Qin Guan's meaning of "mourning the grass in the sky". However, the three sentences in the thank-you words are connected: what you see are mountains and clouds, grass and trees, a natural scenery, but what you can't see is people! Therefore, the poet told the truth and told the whole story.

After writing "I can't see you" in three sentences, the poet's mind came up with a warm and charming picture of the sunset outside the building. Soon, the twilight deepened and the evening smoke was hazy. In this magical environment, there is a beautiful woman who wears makeup in the morning and evening. Poets use metonymy, but they don't write about people's charm and beauty. They only smell her warm and fragrant powder, and only see her light-swept moth eyebrows. These three sentences were written with a real pen in the environment, but the writer was virtual and real, using a sideline pen. Then, I went back to the present reality and said it directly, adding, "Remember when I met you in the picture?" It was last year that we met in a painting. These five sentences are all about remembering the past. The artistic conception of three sentences of "sunset" reappears in my mind, ethereal and detached, and two sentences of "remember" are completely realistic. Seeing both emptiness and reality, reality and reality can coexist.

Finally, it ended with a sigh: "Only tonight, Guanshan and the bright moon thousands of miles away are the same as Su Guang." There are thousands of waters in Qian Shan, and there are many grasses in the sky. "People can't see" is for sure. When people fall into depression that is hard to get rid of, they often comfort themselves and forcibly get rid of it. This ending is. Xie Zhuang's "Moon Fu" in the Southern Song Dynasty says: "Beauty walks away from the dust, thousands of miles away, and the moon shines. The wind will sigh and rest, and the road is long. " Although the ending rhyme of this word only uses one sentence, it also contains all four sentences. At the end of this, it can be said that "if the spring rushes back to the sea, the cycle is satisfied" (Jiang Shunyi's "Integrated Words? Law ") a better ending.

Legend has it that the author wrote this word on the wall when he was playing in Xinghua Village Inn in Guanshan, Huangzhou, and the audience was like a cloud. It can be seen that the name of this word is more important than it was then. Investigate its beauty and share the words beauty and sparseness. Xie Yi (1068-113), the author of Jiang Shenzi's Xinghua Village Pavilion, introduced1013. Linchuan (now Fuzhou City, Jiangxi Province) was a southerner in the Song Dynasty. A writer in the Northern Song Dynasty, one of the 25 inheritors of Jiangxi Poetry School.

Xie Yi's other works are thousands of years, chanting summer scenery.

○ Pick mulberry seeds and compete for frost forest.

○ Like a dream, the door goes out.

Send Dong Yuanda.

○ More works by Xie Yi