Seven Ancient Poems Searching for Flowers Alone by the River

Seven quatrains on the riverside consists of seven poems by Du Fu, a great poet in the Tang Dynasty.

The reason why the first song was written about finding flowers alone began with annoying flowers; The second song is about seeing many flowers by the river; The third song is about some people's flowers, dazzling red and dazzling white. The fourth song is to see the flowers in a small town, imagine the prosperity of flowers and the joy of people; The fifth song is about the peach blossom in front of Master Huang's tower. The sixth song writes that Huang Si's maiden is full of flowers; The seventh song summarizes the appreciation, love and cherish of flowers. The first four poems in the group describe the feelings of annoying flowers, fearing spring, welcoming spring and pitying flowers respectively, showing sadness; The last three songs show the joy of Shang Huashi, implying that it is difficult to stay in spring. The whole poem is a unique flower-seeking picture with clear context and orderly levels, which shows Du Fu's love for flowers, lingering for a better life and unchanging hope for beautiful things.

original work

Looking for flowers alone in the seven quatrains by the river

one

The spring flowers by the river bother me so much that I have to go everywhere.

He came to the south to find a drinker and went out for a drink ten days ago.

Secondly,

Flowers are like splendid flowers, like rivers, and my heart is really afraid of spring.

But now poetry and wine can listen to me, and I don't have to bear any psychological burden for my bald head.

third

There are two or three families living in the bamboo forest beside the river bank, and the provocative red flowers set off the white flowers.

I have a place to repay the happiness of spring. Joan can take her time at the hotel.

Fourth.

Look east at the flowers and cigarettes in Shaocheng. It's time for the high glistening in western restaurants to resolve jealousy.

Who can take me to drink, call a beautiful woman, sing, laugh, dance and have a good life?

Fifth.

The water in front of the Yellow River flows eastward, giving people a sense of sleepiness and spring breeze in spring.

Clusters of peach blossoms bloom by the river. Are they dark red or light red?

Sixth.

Four yellow maiden flowers thrive on the road covered, and thousands of flowers bow and the branches are low.

The butterflies in the flowers are dancing, and the soft yinger in freedom is just singing happily.

Seventh.

Love flowers don't want to die, but they are afraid to spend all their years urging each other.

Bloom is prone to falling flowers at the peak. Bud, please discuss it slowly.

Sentence annotation

1. Jiang: It refers to Huanhuaxi, the author's thatched cottage in Chengdu. Walking alone: Walking alone.

2. Car: Yes, I have.

3. Crazy: bohemian. A little bit, that is, "epilepsy."

4. South neighbor: refers to Hu Sirong. The original note of the poem: "Hu Sirong, my drinker."

5. Ten days: Ten days is ten days.

6. thickness: density. Fear (wēi): Passing through the "ē", where the scenery is curved. One is Li.

7. walk: steps. Ooh (ask ooh): askew. Reality: One is "independence".

8.In: auxiliary word, equivalent to "de". Saying "in" is equivalent to saying "when".

9. Cooking: Tidy up and help. White-headed man: the old man. The author mentions himself in the poem.

10. A lot of things: it means provocation here.

1 1. Send: Send. Career: life.

12. Shaocheng: small town. Chengdu is divided into big cities and small cities, and small cities are in the west of big cities. According to Yuanhe County Records, Shaocheng is located in the southwest of Chengdu County.

13. Poor: cute.

14. Lights: one is "lock".

15. Beauty: refers to official prostitutes. Feast: a sumptuous feast.

16. Yellowstone pagoda: a pagoda for burying monks. Lu You's Notes on the Old Learning Temple: I went to xipu on business, and I went through the pine forest. I asked Yu Zu, where is this? A: "The teacher tower is also." Shu people call monks teachers and are buried in the tower, which is the sentence of "Huang in front of the tower" in Shaoling.

17. Lazy and sleepy: tired and sleepy.

18. No owner: let it die, no one cares, no one enjoys.

19. Love: one is "reflection" and the other is "harmony".

20. Huang Siniang: Du Fu's neighbor when he lived in Chengdu Caotang. Path(xρ): the path.

2 1. lingering: reluctant to leave.

22. Jiao: Cute look. Cha-cha: Onomatopoeia, which describes the harmony and sweetness of birds' songs. When we say "Chen Wenjing" is a Tang dialect, that's what it means.

23. Love: Be a "look". Ken: Still "spelling". One is "desire" and the other is "demand".

24. One after another: too many and messy.

25. Bud: refers to a flower in bud.

Translation of works

one

I was so bored by the spring flowers by the river that I had nowhere to tell my heart, so I had to wander around.

My neighbor came to Nannan to find a drinking partner, but his bed was empty and he went out to drink ten days ago.

Secondly,

Flowers and flowers are winding around the river like brilliant flowers, and I am really afraid of spring when I walk askew.

But at present, poetry and wine can still be driven away by me, and there is no need to have any psychological burden on me.

third

There are two or three families living in the quiet bamboo forest next to the deep river bank, and the provocative red flowers set off the white flowers.

I have a place to repay the splendid spring scenery, and the Joan oars in the hotel can send away my years.

Fourth.

Looking to the east at the smoky city, the tall glistening restaurant is even more eye-catching.

Who can bring me wine to drink and call beautiful people to sing, laugh and dance on holidays?

Fifth.

I came to the east bank of the river in front of Huangshi Tower, sleepy and lazy, bathed in the warm spring breeze.

A peach blossom with no owner is in full bloom. Should I love crimson or light red?

Sixth.

The flowers in the yellow silk girl covered the path, and thousands of flowers bent lower and lower from the ground.

The colorful butterflies in the fragrant flowers have been dancing, and the free and soft oriole just cried with joy.

Seventh.

It's not that I love flowers to death, but that I'm afraid I'll be forced to move to my old place if I run out of flowers.

Flowers are easy to fall off when they are in full bloom. Buds, please discuss and open slowly.

Creation background

This group of poems was written in the spring of the 2nd year of Shangyuan in Tang Suzong (76 1) or the first year of Baoying in Tang Daizong (762) after Du Fu settled in Chengdu Caotang. In the first year of Shangyuan (760), Du Fu lived in Chengdu, Sichuan, and built a thatched cottage beside Huanhuaxi in the western suburbs, looking for a temporary residence. Du Fu lives in a thatched cottage on the outskirts of Chengdu, which is "the western end of Huanhuaxi and the owner is cousin Brin" ("Buju"); The poet was very satisfied. "But an old friend offered him rice. What else can I ask for?" (Jiangcun). Therefore, it is spring, but also enjoyment. Du Fu loves life. This is his life and emotional basis for writing this group of poems. In the second year (the third year), in the season of warm spring in bloom, he walked alone along the Jinjiang River to enjoy flowers and wrote a group of poems "Looking for Flowers Alone by the River".

works appreciation

In the spring season, Du Fu wanted to find a companion to enjoy the flowers, but he couldn't find one, so he had to walk alone by the Jinjiang River in Chengdu, writing a place for each experience. Write a place, change a meaning; A series of seven poems, * * * into a system, each poem has its own system. The first poem in this group is about looking for flowers alone, which is quite abrupt from the beginning of annoying flowers. The second song was written by the river to see more flowers, and suddenly it said that it was afraid of spring, and the language was extremely strange. Actually, it's ironic The third song is about some people's flowers, dazzling red and dazzling white. The fourth song is about seeing the flowers in a small town, imagining the prosperity of flowers and the joy of people. The fifth is about the peach blossom in front of Master Huang's tower, the sixth is about the flowers of Huang Si's family, and the seventh is about enjoying flowers, loving flowers and loving flowers. This group of poems has clear context and orderly levels, which is a one-step flower-seeking map. It shows Du Fu's love for flowers, nostalgia for a better life and hope for the safety of things.

This group of poems is closely related to the theme of finding flowers and is written in various capitals, where there are flowers. The first sentence "the river annoys flowers" echoes the last sentence "I want to die without looking at flowers" Really like a long mountain snake. There should be a tail behind the first button, and a tail behind the first button. Among them, the capital is painted flowers, which runs through.

The first song: "The river annoys flowers", flowers are annoying, but flowers make people love. The flowers on the river, the shadow of the flowers make the water surface flatter, and the water surface is colorful and more lovely. The word "crazy" vividly describes the modality of loving flowers. So the poet looked for companions to enjoy flowers, "looking for wine companions in the south." We can see Du Fu looking for neighbors to enjoy flowers together. Drinking alone in bed after ten days clearly says that this wine lover is drinking, but it is time for him to enjoy flowers alone. This "Madman with Nowhere to Tell" is about two people-they both went to the river alone to look for flowers. There may be many people looking for flowers, and everyone has a love of beauty. These seven quatrains are all looking for flowers, running through the word "crazy" This poem is about solving problems.

The second song: "Flowers Panic and Fear the Riverside" is derived from the first song "Flowers on the River are Bored". The flowers on the river are countless flowers and messy pistils around the banks of the river, and Huanhuaxi is a sea of flowers. The first sentence of the first song says "flowers annoy the river", while the second sentence of this song says "walking in danger is afraid of spring". In Du Yi, Wang Siyuan gave a thorough description of the form and psychology of madness. Flowers are so intoxicating, and then I wrote a poem, "I don't have to take care of myself." This is the charm of writing flowers. Flowers add poetry and wine, and flowers make youth grow. This is philosophical and reasonable.

The third song: "There are two or three quiet households in the Shenjiang River, and red flowers reflect white flowers." These two sentences are derived from the first sentence of the second sentence, "flowers are like flowers, afraid of the river", which narrows the large scope to the small one, two, three. The scope has narrowed, but the flowers are busy. The first sentence of the poem is static, and red flowers and white flowers are also common. Add the word "how troublesome" and it feels very lively. "Trouble" comes from the annoying flowers in front, and its strangeness is also reflected in the front and back. The last two sentences are lyrical and personify spring scenery. "To repay the kindness of spring, you must have good wine to send your career." It seems to be a wonderful realization and a relief, but its affection should still be the love of flowers.

The fourth song: "Looking east, the city is full of smoke and clouds, and the tall buildings with flowers and flowers are even more pitiful." On the next floor, the poems are written about colorful flowers on the edge of West China, which are seen by villagers. At this time, the author imagined the flowers in one of the few cities in Chengdu. "The tall buildings with flowers are even more pitiful." This sentence is very similar to his later "flowers, as high as my window, hurt the hearts of wanderers." The first half of the two sentences are very similar, but the last three sentences are very different. "How pathetic" is how cute. Looking at the flowers in a small town from a distance, it turns out to be misty fireworks, but there are no fireworks. Instead, it is said that the flowers are full of smoke, just like Du Yi said, "Turning decay into magic". In this way, the flowers in the city will be used to set off the flowers of people in rural areas of Jiang Shang and Jiang Bin. Although the distance is different, the fun is the same. The last two sentences end with a question, "Who can bring wine to open the golden lantern and invite beautiful people to dance and embroider the banquet?" No one drinks it all at once, leaving only imagination and endless aftertaste.

The fifth song: write about watching flowers in front of the Yellowstone Tower. "Yellowstone Tower is in front of the river, and the water flows eastward", and write down the specific location. "Spring is lazy and sleepy, leaning on the breeze" is about a person's fatigue. People who are warm in spring are easy to be lazy and tired, so they rest by the wind. But this is to see the flowers better. Look at the sentence "Peach blossoms have no owner, lovely crimson loves light red". The words "love", "love crimson", "love light red" and "love this and love that" are stacked here, followed by the words "open and ownerless". "Open without the owner" means to open freely, as far as possible, wide and special, so the next sentence is even more gorgeous and beautiful, and the poem is like brocade.

The sixth song: looking for flowers for Huang Si's family. This poem narrates the scene and feelings of Shang Huashi, a girl from Huangsi Temple, depicts the splendid spring scenery around the thatched cottage, and expresses her love and comfort for beautiful things. The beauty of spring flowers, the cordial harmony between man and nature, are all on paper. The first sentence points out that the place to look for flowers is on the path of "Huangsiniangjia". This sentence is written in a poem by a famous person, which has a strong interest in life and a folk song flavor. The second sentence "a thousand flowers" is the embodiment of the word "full" in the previous sentence. "The branches are very low", which depicts the flowers bending the branches heavily, and the scenery is lifelike. The words "pressure" and "low" are used accurately and vividly. In the third sentence, colorful butterflies on the flower branches wander around, and they "linger" because they love flowers, suggesting that the flowers are fragrant and fresh. The flowers are lovely, and the dancing of butterflies is also lovely, which inevitably makes people who walk "linger". But he may not stop, but move on, because the scenery is infinite and there are many beautiful scenery. "Always" is not an occasional sight. Using this word, the fun of spring is rendered. Just when it was pleasing to the eye, a string of beautiful songs by oriole happened to wake up the poet who was intoxicated with flowers. This is the artistic conception of the last sentence. The word "jiao" describes Yinger's soft voice. "Freedom" is not only an objective portrayal of Jiao Ying's posture, but also conveys the author's psychological pleasure and relaxed feeling. The poem ends with Ying Ge's "Chen Wenjing", which is full of charm. This poem is about appreciating the scenery, which is common in the quatrains of the prosperous Tang Dynasty. However, it is rare to see such a poem with a very delicate description and unusually beautiful colors. For example, "So people are at the peach blossom bank until the stream flows in front of the door" (Chang Jian's "Looking for Li Jiuzhuang in Three Days"), "Last night, the wind opened the peach well, and the moon was high in the front hall of Weiyang" (Wang Changling's "Spring Palace Song"), these scenes all appear "beautiful"; After Du Fu's Flowers Blooming, a Thousand Flowers, butterflies and songs were added, and the scenery was beautiful. This kind of writing is unprecedented. Secondly, people in the prosperous Tang Dynasty paid great attention to the harmony of poetic tone. Their quatrains can often be strung together, so they are very harmonious. Du Fu's quatrains are not written for singing, but purely poetry, so there are often awkward sentences. According to the law, the sentence "flowers are pressing branches" in this poem should be flat. But this "contradiction" is by no means an arbitrary destruction of the melody, and the overlap of "letting a hundred flowers blossom" has a taste of beauty. Although the word "duo" of "Qianhua" and the word "four" in the same position in the previous sentence belong to the same tone, the rising tone and falling tone are different from each other, and the tone still changes. It's not that poets don't pay attention to the musical beauty of poetry. This is manifested in the use of disyllabic words, onomatopoeic words and reduplicated words in three or four sentences. "Liulian" and "Freedom" are both disyllabic words, such as a perfect match and a turning tone. "Yes" and "Chen Wenjing" are overlapping words. Even if the upper and lower sentences form antithesis, the meaning is stronger and more vivid, which can better express the poet's sudden joy when he is infatuated with Hua Hudie and suddenly awakened by the sound of warblers. Except for the words "dance" and "warbler", these two sentences are all tongue-toothed sounds. The use of these series of tongue-toothed sounds creates a sense of language of soliloquy and vividly shows the viewer's feeling of being intoxicated and surprised by the beautiful scenery. The utility of sound is very helpful to the expression of emotions. Syntactically, most of the poems in the prosperous Tang Dynasty were naturally mixed, but Du Fu was different from them. For example, "antithesis" (later couplets) is the style of quatrains in the early Tang Dynasty, and there are few quatrains in the prosperous Tang Dynasty, because it is difficult to achieve a perfect ending. However, Du Fu's poetry couplet is not only stable in antithesis, but also full of charm, and it is used properly: when it is pleasing to the eye, it adds a lot of interest to hear Ying Ge's "Cha Cha" sound. Besides, according to customary grammar, these two sentences should be written like this: butterflies dance when they play, and yinger crows freely. Putting "Linglian" and "Freedom" at the beginning of a sentence is not only for phonological needs, but also for semantic emphasis, which makes the meaning easier to understand and the syntax more novel and changeable.

The seventh song: "Love flowers and die". Happy simply, don't hide. Du Fu used to fight to the end, often using harsh words, such as "words are not surprising and never stop", that's all. He also wrote: "I'm afraid the flowers will disappear." What I'm afraid of is that flowers will wither and people will get old. The next two sentences are about the scenery, about the easy falling of flowers, the slow blooming of flowers, and the deep affection of flowers in the scenery, so as to express pairs, which are even more intimate and affectionate.

Famous comments

one

Ming and Li Yi Tang Shiyuan: I'm looking for flowers. I'm crazy and lonely. I'm very interesting. I want to see this ancient world.

Xing and Tan Gui Tang Poetry: Gordon pai' ea chung-hoon: wonderful (the first sentence below). Gordon pai' ea chung-hoon: Only by tasting these seven words can we know the beauty of the word "bored", and the same is true in poetry (under the sentence "nowhere to tell").

Du Yi from Siyuan, Wang Ming: The first song "Flowers are Tired" and the second song "Afraid of Spring" are satire; And "walking in danger" is also rooted in "madness" and "worry" and "fear".

He Qing Chao's Reading the Secretary of Yimen: "Go to the South Neighborhood, Love Wine as Company", and "South Neighborhood" has been published, and the word "independence" in the title has been washed. The word "single empty bed" is wonderful when lying drunk.

Yang Qinglun's Du Shi Jing Quan: The first two sentences are divided into six chapters. I can't find a drinking partner, so I'm looking for flowers alone. Jiang Yun: With the word "annoying", I'm looking for a flower-obsessed scene, but I don't describe it myself (under the sentence "flowers on the river").

Secondly,

Wu Song Ke's Poem of Diving into the Sea: Old Du Shiyun: "Walking in danger is afraid of spring." The language "fear of spring" is a combination of no combination and no combination. The word "fear" is useless in the word "spring", but it is used now, so it is very strange.

Xing and Tan Gui Tang Poetry: Zhong Yun: The word "wrapped" (according to "fear" as "inside") is strange (under the first sentence). Gordon pai' ea chung-hoon: "annoying", don't look at the word "annoying"; "I am really afraid of spring", don't take it as "fear", everyone is extremely happy and helpless, and every sentence is the beauty of this word.

Du Yi from Siyuan, Wang Ming: Poetry and wine say "hurry" and Whitehead people say "endure", which are all strange words.

Qingpu Qilong's Reading Du Xin Jie: The second part, full of flowers, "fear of the river". Not "afraid of the river", but actually "afraid of spring" when I am old. Looking at spring from the "stamen", the language is very curved.

Yang Qinglun's Du Shi Jing Quan: Tragic words are inevitable (under the sentence of "taking risks"). Xuanmiao (under the sentence "Poetry and wine are still comparable").

third

Du Yi from Siyuan, Wang Ming: Red flowers and white flowers are disdainful, but it is strange to add "much trouble".

Fourth.

Wang Ming Siyuan's "Du Yi": Turning fireworks into "eyeful smoke clouds" and turning decay into magic.

Fifth.

Notes on Laoxue Temple by Song Luyou (Volume 9): In Chengdu, I occasionally go to xipu for business and go through the pine forest. I asked Yu Zu, "Where is this?" A: "The teacher tower is also." Gai refers to the tower where monks are buried. Therefore, it is a sentence in Du Fu's poem that "the Yellow Sect Tower is in front of the river and the water flows eastward".

Ming Lu Shi Yong's poetry mirror: deep affection and shallow interest, deep affection and shallow interest. Du Zimei said, "Peach blossoms have no owners. Lovely scarlet loves light red? " I think both colors are good, but the natural ones are lovely.

The mirror of Tang poetry: old and coquettish.

Du Yi from Siyuan, Wang Ming: The Spring Breeze is Lazy and Sleepy, which seems incomprehensible, but beyond the troubles and fears, it is wonderful. Peach blossom without owner, lovely crimson? Light red? Let everyone choose.

Detailed Notes on Du Fu's Poems by Zhao Ao in the Qing Dynasty: Wu Lun: This poem was written in front of Huangshi Tower. I am lazy and tired in spring, so I go against the wind and have little rest. If a teacher dies without a teacher, he will be deep and shallow, and he will be rewarded. Zhu Note: Is the overlapping word "love" crimson? Is the repression of love pale red? It's overwhelming

Qingpu Qilong's Reading Du Xinjie: "Love" is a good word.

Yang Qinglun's Du's Classic Complete: Besides, the spring god comes out, and people who are ambiguous want to die (under the sentence of "lazy and tired in spring").

Huang Qing Ziyun's Wild Poems: (Seven Unique) The Dragon Label and the Sacrifice have been on the scene for a long time, and the beauty is beautiful, which is a little awkward ... Often the third sentence just wants to take something fresh and sing it as a trend, and in the end it either pours down or echoes back. I woke up just after reciting it, and chewed wax after three times. Huanhua deeply understands this disadvantage and is swept away; Not by words, not by meaning, but by charm, and the better the song, the better. For example, there is a saying in "Looking for Flowers and Asking for Willow": "Poetry and wine are still driving, so you don't have to pay attention to the white-headed man." He also said, "Peach blossoms are in full bloom, and lovely deep red loves light red." ..... Shaoling's Seven Wonders comes from "300 Articles", and there are many lords and Li.

Sixth.

Stone "Dongpo Inscription and Postscript": Although this poem is not very good, it can be seen that the son is beautiful and wild, and the servant likes to write it.

Du Yi by Wang Mingsi: The sixth beauty is lingering and comfortable, and swinging in spring is annoying.

Detailed notes on Du Fu's poems in the Qing Dynasty: The tower of teachers, the Huang family, the dead are different, the spring scenery is changeable, and all roads lead to the same goal. So there is a feeling of being old and urging. The significance of these three chapters also lies in:

Qing Pu Qilong's Reading Du Xin Jie: "Huang Siniang" is a prostitute, "butterfly hunting" and "Jiao Ying" are just right, and four are better than three.

Yang Qinglun's Du Shi Jing Quan: When it comes to love.

Song Qing Zongyuan's comments on Tang poetry: "Dance when you dance", so it is called "lingering" and "just crying", so it is called "freedom". The second language warblers and butterflies flourish, and the yellow silk flowers are pleasant.

Bu Hua's poem "On Maids" in Qing Dynasty: "Huang Si Niangniang's home is full of flowers ..." This poem is not good, but the syllables are lovely. Dongpo's "Flying Butterfly in bloom in a Strange Sky" is also the school.

Modern Yu Biyun's "A Brief Introduction to Poetry": These two poems are sung by the river, regardless of whether there are flowers or not, and they are read every time. On the bank of Miss Huang Tower, you can evaluate the depth of red, and you can enjoy thousands of flowers in the yellow girl. Shaoling poems take Tang as a hero and are not famous for quatrains, but quatrains are not ornamental, and they are unique in one painting.

Seventh.

Zhong Xing: This second language means that you are tired of flowers and afraid of spring (under the sentence "don't love flowers"). Gordon pai' ea chung-hoon: This song has another meaning.

Wang Ming Siyuan's "Du Yi": memorable, not lonely.

Detailed Notes on Du Fu's Poems by Zhao Ao in the Qing Dynasty: Far Note: The summary of the previous chapter is a word of cherishing flowers. ..... Many branches are easy to fall, and those who are outdated will thank; Buds are blooming and new people are waiting: it also means mourning the old and cherishing the small.

Reading Du Xin Jie by Qilong in Qingpu: Flowers always have countless troubles, which is a second language.

Yang Qinglun's "Du Shi Jing Quan": It's wonderful to refuse to admit it (under the sentence "don't love flowers").

General comments

Song Hewen's Poems on Zhu Zhuang: Forbidden: Ancient poems are full of wine, so are the seven quatrains by the river alone.

Wang Ming Philip Burkart's Du Yi: This is Zhi Zhu's tone sandhi, and the word "crazy" is the outline of seven poems.

Detailed Notes on Zhao Ao Du Fu's Poems in the Qing Dynasty: Far Note: Every poem looking for flowers can be changed in composition.

Aisingiorro Hongli's Poems in Tang and Song Dynasties in Qing Dynasty: The quatrains of Lao Du's seven words were unique in the prosperous Tang Dynasty, and many critics criticized them. Clouds are not decent, and using them is short rhyme. There is inevitably an image of being bent, just like a thousand miles a day, catching rats is not as good as catching raccoons, which is not enough for illness. However, I didn't intend to work in the meantime, but there was no wind. I didn't like several songs such as Huaqing and Year of the Tortoise for a long time. In other words, why didn't Feng adjust these works? Therefore, readers should have different eyes instead of eating for their ears.

Yang Qinglun's Du Shi Jing Quan: Wang Ruanting said: How charming it is to read the four absolutely! Liu said: every time you recite it, you can sing and dance, which can make the elderly less.

Brief introduction of the author

Du Fu (7 12 ~ 770), with beautiful words, was named Shaoling and Yelao, and was known as Du Shaoling. Take Jinshi as an example. He used to be a foreign minister in the school department, so he was called Du Gongbu internationally. He is the greatest realistic poet in the Tang Dynasty, and is known as the "poet saint" after the Song Dynasty, and is also called "Du Li" with Li Bai. His poems boldly exposed the social contradictions at that time and expressed deep sympathy for the poor people. Many excellent works show the historical process of the Tang Dynasty from prosperity to decline, which is called "the history of poetry". In art, he is good at using various forms of poetry, especially rhythmic poetry; Various styles, mainly depression; Refined language with high expressive force. There are more than 1400 poems, including Du Gongbu Collection.