1,000-word selection of thoughts after reading "Tomorrow"

Tomorrow, this word always only means the future, but Lu Xun gave it a deeper meaning. Today I am here to share some 1,000-word selections of my thoughts after reading "Tomorrow" with you. Everyone is welcome to read!

Lu Xun's thoughts after reading "Tomorrow"

Tomorrow represents new life and hope. When we talk about tomorrow, we often think about beautiful wishes. However, the poor and helpless Shan Si's sister-in-law hopes that the condition of the sick child will improve tomorrow, but what "tomorrow" brings to her is despair and the greater misfortune of losing her son.

"Tomorrow" is a story about a child dying and a mother losing hope. The time of the story is simple and concentrated: three nights and two days. On the first night, the widowed Sister-in-law Shan was guarding her sick son Bao'er, hoping that Bao'er's illness would be better in the morning. On the second day, Sister-in-law Dan took Bao'er to see a doctor, but in the second half of the day, Bao'er died of illness. In the evening, Sister-in-law Dan Si kept guarding Bao'er's body and cried bitterly until dawn. On the afternoon of the third day, Bao'er was buried. At night, Sister-in-law Dan Si was alone in the "too quiet", "too big" and "space" room, missing her Bao'er and thinking Have a dream of seeing your son? But even if you have such a dream, so what? Bao'er is dead and the widowed fourth sister-in-law, in the eyes of ordinary people, even in her own eyes, what hope does she have?

At the beginning of the novel, it is said that Lu Town has some ancient customs: before the first watch, everyone closes the door and goes to bed. There are only two people who are awake in the middle of the night? Xianheng Hotel and Shan Si’s sister-in-law’s house. The hotel is in the service business, and according to its professional nature, it should be brightly lit. But this fourth sister-in-law, whose husband has lost her son, can only make a living by spinning yarn, which she does at sunrise and continues at sunset. Therefore, only the lights in her house were abrupt, and all other doors were closed, except for her.

Of course this cannot be explained by the traditional diligence of Chinese women. This is precisely a miserable scene under a specific social environment. This light not only shines on the hardships of a poor family, but also shines on the indifference and callousness of neighbors and their indifference to the poor and weak. They are indifferent to supporting the weak and cannot bear to look down on the weak, so they all close the door early, although they may not actually sleep.

The work "Tomorrow" profoundly reflects the estrangement between people and the darkness of the soul. Her sister-in-law's husband died and she relied on spinning to support herself and her three-year-old Bao'er. The only strength she had the courage to endure was her son. When Bao'er said innocently, "Mom! Dad sells wontons, I will also sell wontons when I grow up. I will give them all to you for a lot of money." Her miserable, lonely, desolate and broken heart felt infinite warmth. Even the cotton yarn spun seems to be interesting and alive every inch. In order to cure her son's disease, Sister-in-law Shan Si tried her best. Pray to God, make wishes, take prescriptions, and finally get the last resort? Look to Dr. He. But Bao'er still couldn't avoid the bad luck of death. This may be where Si Ming belongs and cannot be saved by medicine. In the end, her son's departure completely shattered her dreams and pushed her into the abyss of death.

In feudal society, the life of widows was very miserable. No matter how hard they struggled, they could not escape the shackles imposed on them by society. The tragedy of Shan Si's sister-in-law is suffocating. The reasons for the tragedy are probably as follows: First, the numbness of the nerves. Thousands of years of feudal ethics have numbed her nerves. The only thing she understands is to raise Bao'er so that she can earn money to support herself until she is old. But when living in poverty, a little life of just three years old is so fragile. However, after Bao'er died, she couldn't think of anything, and it was impossible to think of anything. She just felt that the room was too quiet, too big, and too empty. The huge house surrounded her on all sides, and the things in space pressed against her on all sides, making her breathless. Second, the indifference of the world. There is still some ancient style in Lu Town. There is no care between people. Ignorance, numbness, ignorance, indifference, and harm to others have become common social problems. When Shan's fourth sister-in-law fell into misery because of her child, she did not receive any sympathy or help. Instead, she was persecuted by wind and frost. Superstition and quackery defrauded her of her poor spinning savings and harmed her son.

The person who had moved his hands and opened his mouth ate her bereavement, causing her to lose her only son and the little money and material she had saved through frugality. She fell into a state of spiritual and material depression. Desperate situation. This is chilling.

After finishing sorting out Bao'er's burial arrangements, Wang Jiumama scrutinized it and finally couldn't figure out what was missing. But is there really nothing missing? The dead are long gone, but what about the living? This is a question that Mr. Lu Xun left us to think about.

Lu Xun used a series of images of greedy, vulgar, selfish, and snobbish people such as Wang Jiuma to illustrate the coldness of the world and the moral flaws between people. At the same time, it also shows that if the dark society does not change, tomorrow will never bring hope. If we want to bring hope tomorrow, we can only sweep away the cannibals, tear down the feast, destroy the kitchen, and create Chinese history. A third era that has never existed in the world?.

Thoughts after reading "Tomorrow"

Tomorrow, the word always only means the future, but Lu Xun gave it a deeper meaning.

In the article, Sister-in-law Shan seems to be getting rid of "today" and escaping to "tomorrow", escaping from reality and longing for the empty future. The Lu town in the article has some ancient customs: before the first watch, everyone is closed and sleeping. There are only two places that are awake in the middle of the night: Xianheng Hotel and Shan Si's sister-in-law's house. The hotel is in the service business. According to its professional nature, it should be opened at sunset and closed at sunrise. But this fourth sister-in-law, whose husband has lost her son, can only make a living by spinning yarn, which she does at sunrise and continues at sunset. Therefore, only the lights in her house were abrupt, and all other doors were closed, except for her. Of course, this cannot be explained by the traditional hard work of Chinese women. On the contrary, this is exactly the sad phenomenon in a certain social environment. This light not only shines on the hardships of a poor family, but also shines on the indifference and callousness of neighbors and their indifference to the poor and weak. They are indifferent to supporting the weak and cannot bear to look down on the weak, so they all close the door early, although they may not actually sleep. Thousands of years of Chinese civilization have not been able to break away from the ancient custom of "chickens and dogs hear each other, and never interact with each other until old age and death", which is really chilling. A brightly lit Xianheng Hotel and a dimly lit dilapidated house contrast with each other, making them even more miserable.

The people in the article, such as the shopkeepers and diners of Xianheng Hotel, are more willing to spend their spare money on eating, drinking and having fun, but do not give a thought to helping the poor and weak. On the contrary, they shamelessly plundered the poor and weak when they were at their most grieving. When helping to pay for the funeral of the son of Shan Si's sister-in-law, they took all the money without caring about the life or death of the poor and weak. Their indifference and indifference seemed entirely natural. In order to cure her son's illness, the protagonist, the fourth sister-in-law, Shan, the fourth sister-in-law, tried her best to cure her son's illness. Pray to God, make wishes, take prescriptions, and get to the last one? The final trick is to rely on Dr. He. But Baoer still cannot avoid the fate of his life. This may be where Si Ming belongs and cannot be saved by medicine. But it does not rule out that insensitive and quack doctors regard the lives of the poor and weak as nothing, use fake prescriptions and abuse drugs, and even die young. According to Dr. He's cold reply when asked about his condition, this is possible. Is there at least one thing that can give us a glimpse into society's ills? Even a rough woman like Sister-in-law Shan Si thought that Dr. He, Jia's Pharmacy and herself had a relationship of interest. The medicinal materials prescribed by Dr. He can only be found in Jia's old Jishi store, which shows that the He and Jia families are related in terms of financial interests. This is out-and-out cruelty for the sake of wealth.

There are also "spectators" in the article. Lu Xun used these spectators to criticize their inner ugliness. After Shan Si's sister-in-law died of Bao'er, Lao Gong and Lanpi Ah Wu helped her. In fact, this cannot be said to be help in essence. At best, they can only be old-time actors with the image of knights. Through this kind of distorted and alienated compassion, the vulgar purpose of elevating one's own status is achieved. What's more, these two bachelors still want to take advantage of Shan Si's sister-in-law! Back then, Lu Xun gave up medicine and followed literature. In his writing, there is a theme running through it, that is, to save the spectators. Mr. Lu Xun was extremely disgusted with his attitude towards these onlookers, but when he wrote about these ugly onlookers, he was more helpless than to be angry at them and sad at their misfortune. However, the image of spectators is an eternal topic in his works of different genres in different creative periods.

Mr. Lu Xun made the image of "spectators" appear to be of equal status, treating them as an important part of life, playing different roles in the artistic environment and playing their respective roles, with huge spatial and temporal ductility and vividness. The beauty of power.

In short, "Tomorrow" is one of Lu Xun's novels that focuses on reflecting the tragic fate of women. Through the description of the widow Shan Sisao's tragic loss of her only son, it shockingly shows a picture of Chinese women's isolation and helplessness, while at the same time criticizing the cannibalistic nature of the dark society and the ruthlessness and indifference of people in the declining society. His cold writing style shows his resentment towards the dark society. This reminds me of another novel "Medicine" by Lu Xun. "Medicine" and "Tomorrow" are two novels with the same theme. Their plot patterns are that parents are full of hope and send their children to death. Although in reality, it was disease that took away the lives of two children, Lu Xun's establishment of causality seems to have a deeper reason.

We will always look up to the eternal Lu Xun. Every word he said is deeply imprinted with sadness and anger towards the people of the country. They are all cries from his heart!