Traditional Culture Encyclopedia - Hotel accommodation - Analysis of the scenes before and after Sihui shouts "Tuo Tuo Tuo" in "I'm Not the God of Medicine"

Analysis of the scenes before and after Sihui shouts "Tuo Tuo Tuo" in "I'm Not the God of Medicine"

When Cheng Yong made money, he distributed the money to those who worked together. The scene where he distributed money to Huang Mao showed righteousness, and everyone was even more convinced by Brother Yong. Any business boss or small boss will understand what the greasy Brother Yong says and does. Boss, that's it.

However, here’s a twist: I personally find it awkward that the priest is here calmly watching everyone receive money while waiting for his turn. If it were based on my understanding, I would have seen the priest there, and then found out that it was a cent, and would have found an excuse to avoid it. Cheng Yong had to give it to the priest in private. Otherwise, the priest's religious character is not firm enough in the section where he begins to convince the priest.

Go on to say that the bosses understand very well that this is what the boss is like: he can go to a five-star hotel, go to a karaoke OK, eat at a roadside stall, have three religions and nine schools, the underworld and the white... and then go to the group. establish. We went to the bar where Sihui worked as a striptease artist. There are many benefits to going to this place for team building.

In terms of character creation, the characters who use this scene to shape their characters are Cheng Yong and Si Hui, and the secondary characters are Huang Mao.

Because there is a scene in it. When the waiter came over and called Sihui for the second time, Huang Mao grabbed a beer bottle with his hand. This was a signal that he was ready to take action at any time. This is to convince the audience of Huang Mao’s character. I like people around me who are righteous when friends are in need. I like Huang Mao even more.

Responsibility for Cheng Yong is much more complicated. It can be completed here. Cheng Yong has a relationship with the leukemia patient Lu Yiyi, Father Huang Mao. They work together to make money, and they have a mutually beneficial relationship. play. Cheng Yong's desire to solve his own personal problems has evolved into his desire to single-handedly solve the problems of disadvantaged groups. This is a solid foreshadowing of Cheng Yong's change in personality as he decides to buy and sell medicines when he doesn't want to make money. These leukemia patients are none other than brothers, a matter of friendship. They came out together. Li Sihui, one of several people selling medicine together, is a family member of a leukemia patient. Not a leukemia patient. But why in the bar where Sihui works? It's not sex scenes just for the sake of sex scenes, why is that?

There are only a few characters. Will the priest go to the strip bar, or will Huang Maolu benefit from it? Or is Sihui going on her own? Apparently not. There was only one person, Cheng Yong, who decided on the location. Here, he subjectively expected something to happen. This is related to the later scene where Cheng Yong calls a taxi and insists on sending Si Hui away.

The little boss is so righteous and generous, and the word sex comes naturally when wine and meat pass through his intestines.

Choosing here means that he already has his own little idea. The handsome guy at the back gave her money to buy one to vent her anger on Sihui. There was a scene in the drama where Cheng Yong was watching Sihui's emotional changes. She finally suppressed and tolerated it, released her anger "Tao Tuo Tuo", and then depressed again. process. Cheng Yong's inner lust came to the fore. According to the boy's understanding, the heroine must be interested in him anyway. He felt that it would be natural for him to call a taxi later. Cheng Yong's character before sublimation is strengthened here.

Where is Sihui? What character does Sihui want to strengthen? Sihui is forced to make a living? She dances so beautifully and has an outstanding temperament. However, the erotic dance made me guess about her previous dance education and her childhood life...

However, I have no life experience, so I never guessed. What is the identity of the villain who asked Sihui to dance as a waiter? He looks like Sihui's superior? Why did he ask Sihui to dance just to get into trouble with Sihui? Doesn’t Sihui want to make money by dancing? This is how Sihui earns money for her daughter’s medicine. Even though she is morally disgusted in her heart, she has no choice but to save her daughter. Sihui has weighed emotion and reason and should take this job very seriously. Of course, we can't talk about cherishing it. In such a big market, this is not the only bar where she can go to dance. Indeed, when Sihui entered this bar, was she a staff member or a guest? Does dancing also require work and non-work schedules?

My lack of common sense in this drama really didn’t make sense. So, I guess the waiter is really a villain just for the sake of being a villain, right? Rather than having a reasonable reason.

Okay, as the plot develops, the wisdom of Sihui Life Church has already guessed what is going on. In the bar, Miley Yong looked at Sihui affectionately and glanced at Sihui many times. There was no other more direct signal that she did not Understand.

But she immediately declined the first sentence of calling a taxi to see her off. However, after asking twice, she already understood and pushed a few times to get to this point. She found it difficult to escape without paying, so she accepted Cheng Yong's request. mean. Then there was the drama at Sihui's house.

Cheng Yong saw Sihui’s home and Sihui’s children, and suddenly returned to the real world from the ambiguous dream, and was pulled back to the fact that Sihui was an orphan and a widowed mother. Here is the daily life of Sihui’s family. The photo seems to include one of a ballet dancer... At this moment, we can see the grace and calmness that Sihui once had.

Here, I suddenly feel very sad. A few old photos correspond to the present. Once there is a patient in the family, life will plummet...

There are such elegant thoughts in the past. Hui will not fall in love with a greasy little boss. Sihui, who can make money by doing striptease, will not trust her money to a small boss who sells "fake" medicine and will split the money for justice.

This naturally overturns the possibility that the male and female protagonists will have emotional dramas in the future. At the same time, if Cheng Yong stops selling medicine later, it won't be Sihui who comes to kneel down and cry.

However, the students’ views and expressions of this scene will be different from what I saw. Some classmates looked like Sihui turned off the lights when she got home. She took the initiative to develop a relationship between men and women. Cheng Yong didn't mean it and he was involved. Why?

Could it be that the plot here does not use one or two scenes to resolve who chose to go to Sihui’s bar to unite? The particularity of going to the bar where Sihui works to have something happen is not because it has been used before, so it is so simple to continue to use it later. But it requires a reason.

If this reason is not obtained by GET, there will be subsequent deviations.

I still have to continue with Crooked Floor. I always feel that there are too many action scenes for Lu Yiyi, a patient in the movie. Chasing and fighting, using the mask for a while, not using it for a while, the sterile environment is very important, and going to the bar... This, these processes, made me very nervous.