Please write a poem about the Yellow Crane Tower, Wang Tengting and Yueyang Tower.

The fairy of the past has flown away by the yellow crane, leaving only an empty Yellow Crane Tower. The yellow crane never revisited earth, there have been no long white clouds for thousands of years.

Every tree in Hanyang has become clear due to sunlight, and Nautilus Island is covered with sweet grass. But I looked home, and the twilight was getting thicker. The river is shrouded in mist, which brings people deep melancholy.

Note: Qingchuan refers to the Han River that shines during the day. Hanyang: Hanyang District, Wuhan City, Hubei Province, located at the angle between the Yangtze River and Hanshui River, facing the Yellow Crane Tower in Wuchang across the river. Parrot Island: Located on the Yangtze River in Erli, southeast of Hanyang, it is gradually washed away by the river. At the end of the Eastern Han Dynasty, Huang Zu killed Miheng and was buried in the mainland. Mi Fei once wrote "Parrot Fu", which was later called Parrot Island.

A brief analysis of attracting readers into the past and returning to reality with rich imagination. All kinds of feelings and natural scenery blend together, and no one can but feel its sadness and desolation. This poem has always been highly praised by people and is listed as the first of the seven laws in the Tang Dynasty.

Legend has it that Li Bai traveled around the world in his prime, leaving poems everywhere. When he boarded the Yellow Crane Tower, he was fascinated by the beautiful scenery upstairs and downstairs. When he was about to write a poem as a souvenir, he suddenly looked up and saw Cui Hao's poem upstairs:

The meaning of this poem is: all the immortals in the past flew away with the Yellow Crane, leaving only an empty Yellow Crane Tower here; The yellow crane never revisited earth, I saw a thousand years of white clouds; Hanyang trees are clearly visible in the sun, and Nautilus Island is covered with green grass. It is getting late. Looking into the distance, where is my hometown? In front of me, I saw a mist hanging over the river, which brought people deep sorrow.

This poem is full of scenery before writing, and lyrical after writing, which is natural. Even a generation of Li Bai, who is known as the "Poet Fairy", can't help admiring again and again, and thinks it is better to stop writing for a while. To this end, Li Bai also sighed with regret and said: "There is no good scenery in front of me, and Cui Hao wrote a poem on it!"

In the Yuan Dynasty, the new biography of talented people in Tang Dynasty recorded that Li Bai once wrote poems on the Yellow Crane Tower. When he saw Cui Hao's works, he closed his hand and said, "The scenery in front of him can't be seen. Cui Hao wrote a poem on it." Legend or attachment of later generations may not be true. But Li Bai did write poems twice to imitate this poetic style. The first four sentences of his poem Nautilus Island say: "The parrot crossed the Wujiang River eastward, and its name spread to the upper reaches of the river. The parrot flies to Longshan in the west, and the tree of Zhou Fang is He Qingqing. " Just like Cui Shi. There is also a poem "On the Phoenix Terrace in Nanjing", which is obviously copied. Because of this, many poets have a reputation of oral communication. For example, Yan Yu's Canglang Poetry says, "Cui Hao's Yellow Crane Tower should be the first of seven-character poems in the Tang Dynasty." Gal, Cui Hao's "Yellow Crane Tower" is even more famous.

The Yellow Crane Tower is named after its Yellow Crane Mountain (also known as Snake Mountain) in Wuchang. Legend has it that in ancient times there was a fairy who crossed here by yellow crane (see Zhi); It is also said that Fei went to the immortal to drive a crane (see "Taiping Universe", quoted from "Tu Jing"). Poetry is to think about the origin of the name of a building, from legend to writing, and then grow out. What is the fairy crossing the crane? What is it now? If it is said to be "gone forever", there will be regrets that the years are gone and the ancients are gone; The fairy went to the empty building, leaving only the white clouds in the sky, which lasted for thousands of years and could show the boundless generosity of the world. The poet's strokes describe the feelings that people who boarded the Yellow Crane Tower at that time often felt, with boundless spirit and sincere feelings.

There used to be a saying that "writing is based on qi". The first four sentences of this poem seem to be spoken casually, spinning in one breath and going down the trend without hindrance. The word "Yellow Crane" appears repeatedly, but because of its momentum, readers "wave five strings to see Hong Fei" and read on in a hurry, which is a taboo in metrical poems. The poet seems to have forgotten that he wrote the seven laws of "floating before cutting", and every word has a fixed tone. Try it: the five or six words in the first couplet are the same as "Yellow Crane"; The third sentence is almost all snoring; The fourth sentence ends with a three-level tone such as "empty leisurely"; No matter any confrontation, it is based on the syntax of ancient poetry. Is this because the seven laws were not finalized at that time? No, there are already seven standardized laws, which were written by Cui Hao himself. Is it the poet who deliberately writes disharmonious laws? Not necessarily. He is different from Du Fu's later metrical poems in that he deliberately created his own tune. It seems that I still ignored it. As Lin Daiyu said when she taught people to write poems in A Dream of Red Mansions, "If there are strange sentences, even the truth is wrong." Here, Cui Hao practiced according to the principles of "focusing on intention" and "not hurting meaning with words", which is why he wrote such a rare poem in the Seven Laws. Shen Deqian commented on this poem, thinking that "the meaning is like the first, the implication is between the lines, and he writes with a vertical pen, so he is good at making great achievements through the ages" (Volume XIII of Tang Poetry), which means this.

In the first half of this poem, put things right, and in the second half, I wrote about what I saw and felt in the building, and wrote about the homesickness caused by the grass and trees overlooking Hanyang City and Nautilus Island from upstairs. This is put first and then collected. If you just let nature take its course, don't accept it, don't stick to the rules, and don't return to the meter, then it's not seven tones, but seven ancient ones. This poem seems to be divided into two parts, but in fact, the text is always focused from beginning to end, with only one breath in the middle. This seemingly continuous connection is also the most organized from the perspective of the beginning, inheritance, transformation and combination of rhythmic poetry. When discussing that the second couplet of legal poems should be attached to the first couplet, Yuan Yang wrote several poets and legalists: "This couplet should be broken (the first couplet), like a dragon ball, and should be firmly adhered to." This is the case in the first four sentences of this poem, which tells the legend of a fairy riding a crane. Couplets and puzzles embrace each other and are integrated. Yang Zai also said that the "turn" of the neck couplet: "Avoid the meaning of the former couplet, and change it, such as thunder breaking the mountain, the viewer is amazed." The metaphor of thunder is intended to show that there should be a sudden change in the first five or six sentences, which is unexpected. At the turning point of this poem, the style turns from right to right, and the realm is completely different from that of the former couplet, which just meets this requirement of the law. The sudden death of a native Syrian yellow crane gives people a feeling of unknowability. Suddenly it became a grass tree in Qingchuan, and I can vividly see the scene in front of Manchuria. This contrast can not only dye away the sadness of those who climb the building and overlook, but also make the literature change. It is also in line with the law of poetry to let poetry return to the invisible state at the beginning to cope with the "combination" in front, such as the tail of a leopard.

It is precisely because of its superb art and great success that this poem is regarded as the swan song of the Yellow Crane Tower, which is understandable.

Later, Li Bai went upstairs, also full of poetry. When he found Cui's poems in the building, he repeatedly shouted "wonderful, wonderful!" " According to legend, Li Bai wrote four "doggerel poems" to express his feelings: "Hit the Yellow Crane Tower with one punch, and kick over Parrot Island with one foot. There is a scene in front of him in which Cui Hao wrote a poem. " I stopped writing. Young Ding laughed at Li Bai: "The Yellow Crane Tower is still intact, but it can't be beaten." Li Bai also explained in a poem: "It's really a disaster. It was only because the yellow Crane Immortal cried to the Jade Emperor that the Yellow Crane Tower was rebuilt, and the yellow Crane Immortal returned upstairs. " It's really serious. That's great. Later generations built a pavilion on the east side of the Yellow Crane Tower, named Li Bai's Writing Pavilion, to show his ambition. On the double eaves, it re-entered the Tao and became a place for Yan You. In fact, Li Bai's love for the Yellow Crane Tower is hard to find. He is passionate and even called it "one guest in Qingyun, three guests in Yellow Crane Tower". Mountains and rivers depend on humanities, and the name of Yellow Crane Tower is more prominent.

Listen to Li Bai playing the flute with Shilang Zhongqin on the Yellow Crane Tower.

Once people take a back seat, like Jia Yi in Changsha, they look far and wide, but they can't see Chang 'an or their hometown. There was a flute sound of "Plum Blossom" from the Yellow Crane Tower, and another drop of plum blossom was seen on the river bank in May.

This is what Li Bai did when he exiled Yelang to Wuchang in the first year of Gan Yuan (758). This poem is about visiting the Yellow Crane Tower and listening to the flute, which expresses the poet's exile abroad. Jia Yi in the Western Han Dynasty was relegated to Changsha by the powerful minister for accusing the current politics. Li Bai was also implicated in the Li Lin incident in Wang Yong, and was exiled to Yelang on the charge of "disobedience". So the poet quoted Jia Yi as a homonym. "One is to move the capital to Changsha", which is to use Jia Yi's misfortune to compare his own experience, to reveal the resentment of innocent victims, and also to mean self-defense. But the political blow did not make the poet forget the state affairs. On the way to exile, he couldn't help looking to Chang 'an in the west. There are memories of the past, worries about national luck, and attachment to the imperial court. However, Chang 'an, Wan Li, is a long way away, how far is it from the relocated people! I can't help but be disappointed if I don't see it. When I heard the flute playing plum blossoms on the Yellow Crane Tower, I felt particularly desolate, as if the Jiangcheng in May was full of plum blossoms.

The poet skillfully used the flute to render sadness. Wang Qi quoted Guo Maoqian's Yuefu poems to illustrate the theme: "Plum blossoms are also a tune in the flute." In May and early summer in Jiangcheng, of course, there are no plum blossoms, but because the flute of plum blossoms is beautiful, it seems to see the scene of plum blossoms falling all over the sky. Plum blossoms bloom in winter, and although the scenery is beautiful, it inevitably gives people a feeling of awe, which is a portrayal of the poet's cold mood. At the same time, it also reminds people of the historical legend that Zou Yan was imprisoned and suffered great injustice. The expressive technique of linking music with musical images is what poetic theorists call "synaesthesia". The poet thought of plum blossom from flute, appealed to vision from hearing, and interwoven with synaesthesia, depicting the desolate scenery consistent with the cold mood, thus effectively setting off the sad mood of returning home and homesickness. Therefore, it is insightful to comment on this poem "Infinite Love Blows in the Flute" in the direct interpretation of Tang poetry. Shen Deqian in Qing Dynasty said: "It is more important to keep your mouth shut when you are away from feelings. They only pay attention to the prospect and oral language, but there are overtones that make people out of reach, too white and meaningful. " (Volume 20 of Tang Poetry) This seven-character quatrain is good at "words are close to feelings, but words are not revealed", which makes people hear the poet's argot from the perspective of "blowing the jade emperor" and "falling plum blossoms".

In addition, the unique artistic structure of this poem is also very good. Poetry is written with the feeling of listening to the flute, but not in the order of smelling the flute and feeling, but feeling first and then smelling the flute. The first half describes the typical action of "looking west", vividly expressing the feeling of missing the imperial city and the sadness of "looking but not seeing". In the second half, I heard the flute, which revealed the bleak scene of "plum blossoms falling in May in Jiangcheng", and used the scenery to express emotion, so that the scene before and after lived together.

Yellow Crane Tower (1) sends Meng Haoran (2) (3) Guangling (4) Tang Libai.

An old friend [5] left the Yellow Crane Tower in the west, and fireworks [6] went to Yangzhou in March.

Sailing alone in the blue sky, only the Yangtze River flows in the sky.

To annotate ...

(1) Yellow Crane Tower: Yellow Chicken located in Sheshan, Wuchang, Wuhan City, Hubei Province. It is said that there are immortals riding yellow cranes here, so it is called Yellow Crane Tower.

Meng Haoran: Li Bai's friend.

(3) One: Go.

⑷ Guangling: namely Yangzhou.

5] Old friend: Old friend, this refers to Meng Haoran.

Fireworks: refers to gorgeous spring scenery.

Once: disappear.

(8) just look: just look.

(9) Horizon: Horizon.

translate

My old friend said goodbye to me at the Yellow Crane Tower in the west.

Go to Yangzhou, in the fog of March and the spring of flowers.

The sail shadow of the lonely boat faded away and disappeared at the end of the blue sky.

I only see the Yangtze River flowing to the horizon.

Notes on the title or background of a book.

Li Bai is a poet who loves nature and likes to make friends. His book According to a Constant Habit in My Life covers almost the whole of China, leaving many works praising the beauty of nature and friendship. Farewell to Meng Haoran on the Yellow Crane Tower is a famous sentence that has been sung all the time. This poem was written by Li Bai when he was traveling in Sichuan. It describes the poet's infinite attachment when he bid farewell to his friends, and also describes the magnificence of the motherland.

Make an appreciative comment

In the 13th year of Emperor Xuanzong of the Tang Dynasty, Li Bai left Sichuan and lived in Anlu (now Anlu, Hubei) for ten years. During this time, I met Meng Haoran who lived in seclusion in Lumen Mountain, Xiangyang. Meng Haoran is also a famous poet, older than Li Bai. At this time, he already had a good reputation in the poetry circle, and Li Bai admired him very much. Meng Haoran is called an "old friend" in the poem, which shows that they are old friends and have deep feelings for each other.

The original site of the Yellow Crane Tower is by the river in Wuchang District, Wuhan. It has always been a tourist attraction, and many poets have left poems upstairs. Guangling is the most prosperous city in the Tang Dynasty, Yangzhou, which has always been called "Yangyi 12" (Yangzhou was the first and Chengdu was the second). Jiangnan's wealth was transported from Yangzhou to Luoyang and then to Chang 'an by canal. Industry and commerce are very developed here. The word "zhi" in the title as a verb means "go".

At this time, the era known as "Kaiyuan Shi Sheng" in history was strong in national strength and generous in human feelings, so when I left, although I was disappointed, I was not sad.

At the beginning of the poem, the fact of parting is told. Wuhan is in the west, Yangzhou in the east, and from Wuhan to Yangzhou, it is natural to bid farewell to the Yellow Crane Tower in the northwest. This kind of sentence is really handy and needs no carving. The second sentence is well connected. Where is he going? Go to Yangzhou. The beauty lies in Fireworks in March, which not only points out the season of parting, but also expresses the mood at that time. Fireworks refer to the beautiful scenery shrouded in mist in spring. Spring in the south of the Yangtze River has always been praised by scholars. Qiu Chi of the Liang Dynasty wrote such a touching description in his book With Chen Bo: "In the spring of March, the grass grows in the south of the Yangtze River." Meng Haoran will encounter such a scene along the way. What about Yangzhou? It is also a flower name embroidered bead, which is where he is going. Imagine, with the fireworks in March in the south of the Yangtze River, can you not feel relaxed and happy all the way to Yangzhou Shili Fireworks Site? Don't think that these two poems only write the farewell person, place, time and destination on the surface, but express their inner feelings through words.

After saying goodbye, Meng Haoran boarded the ship and set off. I saw a lone boat sailing through the waves. The pedestrians drifted away, but the people who saw me off still stood by the river. The solitary sail gradually disappeared between the white clouds and the clear water. At this time, only the turbulent waves of a river are left, rushing to the end of the blue sky, as if to catch up with pedestrians. Li Bai skillfully expressed his feelings after farewell, such as taking a close-up of a movie to take care of Fanying and moving forward gradually. Where the water meets the sky, the sail shadow disappears, so the Yangtze River flows to the sky. At this time, the audience and visitors will pin their feelings on the running water, and the feeling of the whole picture will naturally come to mind. Describe the scenery in this way, reflect the feelings in the scenery, make the scenery blend into one, and make people feel memorable after watching it.

Classical poetry, the vast majority of chapters are nothing more than lyrical scenery. Although it is difficult to completely separate the two in writing, only a master can skillfully integrate them. Landscape is the objective existence of nature. We should give life to poetry and make it have a long-lasting effect. We should not only accurately express this kind of scenery, but also melt into strong feelings, so that we can see the depth of description in vivid images. In this poem, Li Bai expresses his farewell feelings by describing natural scenery, which is a good example of this method.

Yellow Crane Tower: Yan Boli

In the southwest corner of the city, there is the Yellow Crane Tower. According to the "Atlas", "Fei Yi ascended the immortal, and wanted to drive the Yellow Crane back here, so it was called the famous tower." The things listed in The Legend of the Immortal trace back to the ambition of "explaining differences". Look at its towering structure, high standard, leaning on the river, downstream; Double eaves wing pavilion, four rosy clouds open; Peek at Jing Yi and shoot clouds: Jing Hewu is the best. Why Lai Xiang's Nine Columns and Dongyang's Eight Chants? Those who can appreciate things and gather spirits and immortals can enjoy them.

In the southwest corner of Ezhou City, there is a Yellow Crane Tower.

The Book of Pictures says: "Fei Yi, a general of Shu and Han Dynasties, became immortal in the Three Kingdoms. He once rode a yellow crane back here to rest, so he named the building after the yellow crane. " This matter is recorded in the Biography of Immortals, and related deeds are still preserved in different recorded narratives.

Look at this towering building, standing tall and magnificent. Its top is close to the Milky Way and its bottom is close to the river: there are two eaves, and the cornices are as high as the wings of birds on the house. The doors on all sides are tall and spacious. Sitting upstairs, you can overlook the urban and rural scenery and bow your head to beat the clouds: this is also the most beautiful place in the mountains and rivers of Chu.

The Yellow Crane Tower is a famous historical attraction at home and abroad. It stands on the bank of the Yangtze River, at the top of the Snake Mountain, backed by Wuchang City, where thousands of families stand. Facing the surging Yangtze River, it is relatively simple and beautiful, just at the intersection of the Yangtze River and the Beijing-Guangzhou line, that is, the intersection of the east-west waterway and the north-south land. The beautiful scenery of the Yellow Crane Tower in Wuhan is vivid, and the splendid mountains and rivers in the vast China are also panoramic. Due to this unique geographical location and the poems, essays, couplets, plaques, stone carvings and folk stories handed down by predecessors, the Yellow Crane Tower has become a famous cultural building with mountains and rivers and human landscapes, and has always enjoyed the reputation of "the first scene in the world" and "the first building in the world". The Yellow Crane Tower was built in 223 AD, when Sun Quan, the Lord of Wu, built the earliest Yellow Crane Tower in history in the southwest of Wuchang City, facing the Xiakou City of the Yangtze River, for military purposes. The Yellow Crane Tower was just a "military building" in the corner of Xiakou City during the Three Kingdoms period, during which disputes and wars continued. After the downfall of Wu Dong in the Jin Dynasty, the three countries were unified. While losing its military value, this building has gradually evolved into an ornamental building for official business and business trips with the development of Jiangxia city. For thousands of years, the Yellow Crane Tower has been destroyed, built and hidden. After war and smoke, things have changed, and the Yellow Crane Tower was built and destroyed seven times in the Ming and Qing Dynasties alone. In A.D. 1884, the last pavilion in the Qing Dynasty was reduced to ashes in a fire. A hundred years later, a magnificent pavilion was born, which can be described as an historic event, with Sanchu River and Mountain as the only building. There are two views on the name of the Yellow Crane Tower: "because of the mountain" and "because of the fairy". The theory of becoming immortal is divided into two parts. According to legend, there was a fairy driving a crane through here, hence the name. It is said that a Taoist once painted a dancing yellow crane on the wall of Xin's Hotel here, and the business in the store was very prosperous. Ten years later, the Taoist priest came back, used his flute to attract the yellow crane and flew there by crane, so the Xin family invested in building the building. These myths and legends are very interesting and moving, but they are not the real origin of the name of Yellow Crane Tower. According to historical research, the Yellow Crane Tower was named after it was built on Huanggu Mountain. In ancient times, the words "mandarin fish" and "crane" changed from one sound to another, which were common to each other, hence the name "Yellow Crane Tower". The saying that the Yellow Crane Tower is named after a mountain has laid a geographical foundation, but the saying that it is named after a fairy gives the watchmen wings of imagination and satisfies people's desire for beauty and spiritual transcendence. Both versions have their own functions. It used to go hand in hand and complement each other. They will shine on each other in the future, and * * * will last forever.