The representative figure of Dongyang woodcarving

Huang Xiaoming, a master of arts and crafts in China and a representative inheritor of Dongyang woodcarving,

65,438+06 years old engaged in artistic sculpture. He studied under Feng, a master of arts and crafts in the Asia-Pacific region and China, and obtained an EMBA degree from Fudan University.

As the backbone of modern and contemporary Dongyang woodcarving, he combined the previous experience with the successor's * * * to form a rich but fresh and ethereal creative style, and became the pioneer of Dongyang modern woodcarving.

The "Sketch Wood Carving" initiated by him combines the sketching techniques in art theory with Dongyang wood carving, making the picture look elegant, agile and highly decorative.

His original "ultra-realistic woodcarving" enhances the three-dimensional sense of modeling with delicate and realistic textures, and realizes the integration of China woodcarving and western sculpture, which is very modern.

The "Bamboo Slip Woodcarving" and "Frame Woodcarving" designed by him have enriched the expression form and decoration scope of Dongyang woodcarving, and displayed the humanistic temperament and classical situation of Dongyang woodcarving.

Bao Yue Golden Lotus, designed by him, created a new realm of Dongyang woodcarving three-dimensional sculpture with the combination of various materials and the landscaping technique of raising lotus in water tanks.

His woodcarving mosaic "Peace in Qing Ji" was preserved in the "Shenzhou-10 Space Theme Art Chip", and followed the "Shenzhou-10" to witness the great moment in the process of Chinese national rejuvenation.

The woodcarving "Antelope" inspired by his travels was permanently collected by the Zhejiang Provincial Museum.

More than 30 national and 40 provincial gold and silver awards are the best annotations of his outstanding woodcarving creativity.

It took him two years to copy the Qianlong throne of the Forbidden City in Beijing, which integrates the art of carving, wood and lacquer, and is consistent with the original in form, material, art and rhyme. It was praised by experts in the Palace Museum as "a landmark masterpiece in the history of Dongyang woodcarving".

The interior decoration project of Dayuan Cultural Park in Jiuhuashan, Anhui Province, which was designed by him, used various woodcarving languages to subtly expound the Dayuan culture of Tibetan Bodhisattva. It is a model of modern design among the four famous Buddhist mountains in China, and it is called "Sanskrit under a meat cleaver".

He created various woodcarving decorations for the Buddha's Top Palace and the Eight Pagodas in Niushou Mountain, Nanjing, and once again interpreted the new form of Buddhist art with Dongyang woodcarving, truly interpreting the Buddhist realm of "the Buddha in Niushou Mountain is in hand, but his heart is gone"!

He presided over the design of Beijing Hotel Decoration, Hangzhou Leifeng Tower Large-scale Wall Hanging, Kunming Cuihu Hotel Decoration, Jilin Dunhua Liudingshan, Zhenjiang Beigushan Multi-view Building Decoration, Yixing Luyiyuan Teahouse Decoration, Beijing Guo Lin Hotel, Jiangxi Guitai, Shandong Qingdao Jimo Ancient City and many other large-scale projects. Simplicity contains fashion, luxury shows simplicity, and aesthetics is integrated into practice.

He designed large screens, Chinese furniture and wood carvings for the main venue of the G20 Summit in Hangzhou, the dedicated terminal of Xiaoshan Airport and the banquet hall of the West Lake State Guesthouse. , and demonstrated the cultural orthodoxy of China with Dongyang woodcarving skills, which blended the charm of the south of the Yangtze River in Hangzhou, where the G20 was held, and conveyed a strong Chinese style, which amazed the world.