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How to understand Baudelaire's The Rotten Body?

The rotting corpse is a love poem dedicated by the poet to his lover Jenny Duval, but when you start reading it, you will never believe that it is a poem written for your lover. The whole poem is full of imagination, and the rotting corpse is the image throughout the poem.

Most poets in the whole poem are describing the horror of carrion from the side, front and all angles. At the beginning of the poem, the poet began to recall a rotting corpse he saw with his lover. This is an ugly and dirty corpse, full of maggots and flies, and a wild dog is waiting to pounce on it and grab the rest of the carrion.

At first glance, this poem should never be a love poem for lovers, but the last two sentences of the poem have been greatly reversed. "My beauty, please tell them that the maggots who kissed you and ate you have broken up their old love, but I have preserved the shape and essence of love!" .

My love, one day you will become a rotting corpse and a bone, but although your magic has dissipated, my love for you will never change. The poet fully feels the poet's deep love for his lover through the ugly image of the rotting corpse. This love is not based on physical and material love, but on spiritual eternal love.

In his poems, the poet also compares rotten meat with buds and beauty, and puts extremely ugly and extremely beautiful together, which shows that the poet is good at discovering the characteristics of beauty from ugliness. In the eyes of poets, all ugly things contain beauty.

As a symbolic poet, the image of carrion in this novel symbolizes death and death. Anyone is helpless in the face of death, and we can't resist the footsteps of death. But death can harvest life and separate lovers from yin and yang, but he can't cut off the love between lovers. Nothing in the world can stop the love of two deeply loved people, and true love will never compromise to death.

Poets, like lovers, show that I love you and will not change because of death. I love your face, but I love your soul more This is the poet's eternal love for his lover.

The image of the rotting corpse in The Rotting Body is totally inconsistent with the theme of love, but the poet makes us feel his love for his lover through the rotting corpse.

Extended data

The carrion comes from Charles Baudelaire's (182 1- 1867) poetry anthology Flowers of Evil. The poems in Flowers of Evil are not arranged in chronological order, but belong to six groups of poems according to content and theme, and each group has its own title: melancholy and ideal, Paris scenery, Paris scenery. The arrangement of the six parts actually draws the trajectory of the conflict between melancholy and ideal.

theme

The Flower of Evil by Baudelaire, a great French poet, is a poetic work that expresses the western spirit and social pathology. However, illness is not necessarily a kind of beauty. Baudelaire's genius is precisely that he can find beauty in the evil world, feel the existence of evil in the experience of beauty, and turn decay into magic through poetry. Therefore, in a sense, Flowers of Evil is an evil art, not an evil ode.

Expressing the ugliness of modern city, the hypocrisy of modern civilization and the poverty and emptiness of modern people's spiritual world with poetry is the unique contribution of Flowers of Evil to the poetry world, and it is also the beneficial enlightenment provided by Baudelaire to future modernism. With rare courage, the poet showed all kinds of ugliness and debauchery, and also poured out his deep depression and distress.

The theme of the book is evil and the relationship between good and evil around evil. Evil refers not only to evil, but also to depression, pain and disease. Flowers can be understood as goodness and beauty. Baudelaire broke away from the view of good and evil for thousands of years, and observed evil from a unique perspective, believing that evil has dual nature, both evil and special beauty.

On the one hand, it corrodes and infringes on human beings, on the other hand, it is full of the spirit of challenge and resistance, encouraging people to fight against their own laziness and social injustice, so Baudelaire hates and praises evil, and fears and yearns for it. He lives in evil, but he tries not to be swallowed up by evil. On the contrary, he faced evil critically and analyzed it.

If it is a morbid flower, it is an evil flower, which means that the environment in which it grows is morbid and evil. Baudelaire believes that "all good and noble things are the result of human efforts" and "good is always the product of human efforts" from the Christian theory of "original sin", so we can only dig out evil through our own efforts. Picking the flowers of evil is to tap hope in evil and draw moral lessons from it.

The flower of evil is a wonderful flower that blooms in the transitional period when the great tradition has disappeared and the new tradition has not yet formed. It has elements of romanticism, symbolism and realism. Baudelaire became the last poet of French classical poetry and the first poet of modern poetry with the poem Flower of Evil.

Because of his richness and complexity, he became the spiritual leader that many different schools competed for later. The Flower of Evil is a collection of poems, but it is not a collection of ordinary poems, but a book with strict logic, strict structure and perfection.

The poems in Flowers of Evil are not arranged in chronological order, but belong to six groups of poems according to content and theme, each with its own title, among which melancholy and ideal are the most important. The arrangement of the six parts actually draws the trajectory of the conflict between melancholy and ideal.

The poet used an English word "spleen" to express his mental pain, hoping to end his mental pain and struggle by running away and traveling far away. So, he turned his eyes from the inner world to the outer material world and turned to Paris where he lived.

What he saw and heard in the streets of Paris constitutes the content of the second book "Paris is a Scene". Scenery of Paris is a portrait of a naked industrial metropolis. In this part, the struggle between melancholy and ideal gives way to the struggle between evil and good. Paris in the poet's eyes is an ugly hell on earth full of hostility.

Bullied beggars, lonely old people, blind people who are numb and silent, ugly and old prostitutes, patients who linger on, gamblers, thieves, zombies and so on. , have been overwhelmed by powerful evil forces. The poet can't find comfort in the spiritual world and the material world, so he has to anesthetize himself with alcohol, stimulate his illusion and build an "artificial paradise".

He seems to see the garbage collector intoxicated with his own glory and immersed in the illusion of being on cloud nine. The devil disguised as a beautiful woman came to seduce him, coquettish women winked at him, and lovers held glasses in their hands ... he galloped freely in the dream of losing the garden. However, the dreamland in drunkenness is not reliable after all. After waking up, he returned to the real hell from the artificial paradise. This is a place full of sin, but full of flowers.

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