Brief introduction of Qu, a famous painter and calligrapher in China?

? Qu is a famous painter and calligrapher in China.

Qu is a famous painter and calligrapher in China.

Qu (1965 ~) is a native of Dazhou, Sichuan. Army painters learned from famous painters Wei Yuping, Xu Bojian, Li Yan and Guan Shanyue, and visited famous painters Zhang Ding, Liu Wenxi, Qi Gong, Shen Peng, Yang Zhiguang, Liu Chunhua and Sun Qifeng, which benefited a lot. He is currently the vice chairman of Xizang Autonomous Region Calligraphers Association, the vice president of Tibet Yellow River Poetry Painting and Calligraphy Institute, a member of Xizang Autonomous Region Artists Association, the deputy director and visiting professor of Sichuan Normal University's Institute of Chinese Studies, the president of Sichuan Tibet Chamber of Commerce Painting and Calligraphy Institute, the executive director of Sichuan Collectors Association, the vice president of People's Art Painting and Calligraphy Institute, the deputy director of the Belt and Road Cultural Work Committee of China Enterprise Culture Promotion Association, the deputy director (researcher) of the Belt and Road Cultural Expert Committee, the international cultural exchange center in western Sichuan and the president of China Retired Military Painting and Calligraphy Institute (to be established). He is good at calligraphy and Chinese painting, especially calligraphy, cursive script, list book and Chinese painting, such as flowers and birds, Gesanghua and Tibetan antelope.

His works have been collected by China National Museum, Potala Palace in Tibet and other cultural and artistic institutions, as well as famous domestic and foreign enterprises and collectors. In recent years, more than ten national painting and calligraphy art exhibitions have been planned and held. At the same time, he participated in the planning and construction of urban characteristic blocks and old courtyards, such as Sansheng Painter Village in Chengdu, Cuihu Pear Township Scenic Area in Dalin, Shuangliu, and Taibai Art Forest Scenic Area in Jiangyou, and received good social effects. He used to be the executive editor-in-chief of Bi Tibet Travel magazine, and has written many books, such as Chongqing Market Guide, Tibet Market Guide and China Hard Pen Calligrapher Dictionary (Cooperation). His works have won many national gold medals and first prizes. He loves charity and public welfare undertakings, and his works have participated in charity and public welfare activities many times, and have been rated as charity painters and painters by relevant departments. The embellishment of his works is 6.5438+0.2 million yuan per square foot.

Personal experience

Learn from famous painters Wei Yuping, Xu Bojian, Li Yan and Guan Shanyue, and visit famous teachers Zhang Ding, Liu Wenxi, Qi Gong, Shen Peng, Yang Zhiguang and Liu Chunhua.

? He used to be the executive editor of Bi Tibet Travel magazine, and wrote many works such as Chongqing Market Guide, Tibet Market Guide and Bi China Hard Pen Calligrapher's Dictionary (cooperation).

? He is currently the vice chairman of Xizang Autonomous Region Calligraphers Association, the vice president of Tibet Yellow River Poetry Painting and Calligraphy Institute, a member of Xizang Autonomous Region Artists Association, the deputy director and visiting professor of Sichuan Normal University's Institute of Chinese Studies, the president of Sichuan Tibet Chamber of Commerce Painting and Calligraphy Institute, the executive director of Sichuan Collectors Association, the vice president of People's Art Painting and Calligraphy Institute, the deputy director of the Belt and Road Cultural Work Committee of China Enterprise Culture Promotion Association, the deputy director (researcher) of the Belt and Road Cultural Expert Committee, the international cultural exchange center in western Sichuan and the president of China Retired Military Painting and Calligraphy Institute (to be established).

Personal work

? 1983 Up to now, he has published more than 400 essays and calligraphy works in Liberation Army Daily, Zhanqi Daily, Tibet Daily, Communication Warrior and Calligraphy, edited and published China Hard Pen Calligraphers Dictionary, Chengdu Market Guide and Tibet Travel Guide (cooperation), and participated in editing and publishing.

Evaluation by famous experts

The heart of the book, the depth of calligraphy? -reading calligrapher qu's works

Text/Xu Wenlong (famous writer and painter)

Calligraphy is a fascinating art, and calligraphers are free and elegant. He has received strict calligraphy training and formal calligraphy education, which is systematic, complete and strict. It is also a long period of calligraphy practice and creation. His works have accumulated rich and solid artistic foundation. He is deeply involved in all kinds of calligraphy creation, including seal script, official script, regular script, running script and cursive script, especially running script and cursive script.

Born in 1964, this middle-aged calligrapher is currently the vice chairman of Xizang Autonomous Region Calligraphers Association, a member of Xizang Autonomous Region Artists Association, and the vice president of People's Art Painting and Calligraphy Institute. His works have participated in many national art exhibitions and won numerous awards.

Qu's calligraphy is lyrical and full of life. His pen is smooth and elegant, with uneven levels and rich changes. The row spacing is sparse and dense, and there is no cramped state in the dense place, and there is no sense of emptiness in the wide place. The font size, distance, level and layout are appropriate, which shows that he has made great efforts in his business position and looks elegant and elegant.

In the whole process of calligraphy creation, Mr. Qu's dynamic and static, rigid and flexible, fast and slow, virtual and real transformation, and the realm of harmony between man and nature can be perfectly unified.

I really appreciate the lines in Mr. Qu's works. His works are not only comfortable, smooth and lively, but also vigorous, elegant, lively and powerful, with formal beauty and melody. The lines of his calligraphy works often reflect his aesthetic taste in a series of contradictions such as size, length, dryness, fineness and sharpness. Full of uncertainty and various possibilities, his works, big or small, all contain the tension of the times.

Qu has made many years of hard exploration in understanding the ups and downs, squares, strokes and turning points of brushwork. Just like his many years of military life, it is a harsh beating and tempering under special circumstances, and it often shines inadvertently.

Artists practice all their lives, and there is no end. It is also true that calligraphers can carve small tricks, cultivate self-cultivation and enjoy themselves.

Qu's calligraphy brush is deep and natural, so it has rich varieties, delicate brushwork and strong sense of rhythm and movement. In the flowing beauty and elegance, he saw the sinking, the pen and ink became lighter and thicker, vivid and peaceful, which showed his inner peace and leisure when he created calligraphy. With the temperament of a scholar, "book is heart" found the best interpretation in his works.

"The pure magnolia in the world is excellent, and the sages have bamboo and grass." Qu not only pays attention to the use of pens, but also makes great efforts to choose words and make sentences, avoiding words and giving way, keeping a distance and refining lines, showing a strong bookish spirit. Any art has its own laws of beauty creation and objective aesthetic standards. In his view, once a good calligraphy work is read, it has a kind of "harmony" effect, that is, multiple voices are unfolded on the same picture at the same time, which has a strong artistic appeal and a long aftertaste, giving people a beautiful enjoyment.

Liu Xizai's "A Brief Introduction to Arts and Literature" said: "A book is like a book, like its learning, like its talent, like its ambition. In short, it's like a person. " He also said: the interest of literature and ink lies in human temperament. Tessa's books are warm and handsome, abnormal people's books have fallen, and talented people's books are beautiful.

Qu's works reflect his high generalization ability and "processing" ability of calligraphy art, as well as his peaceful and quiet mind. Very savvy about calligraphy.

When things change, time is often the time to form ancient and modern times. Art depends on understanding and cultivation. Self-cultivation is the accumulation of decades and a process of "transformation". "Tian is used online, and the beauty of cutting is not in the knife ruler." This is Mr. Qu's calligraphy practice.

There is no end to art. Only by taking it lightly and getting rid of the interference of interest desire can we send noble feelings to the end. It is a further understanding and integration of art from vivid to fluent.

I am convinced that Mr. Qu, with his diligence and understanding, has tempered his heart to be true and perfect, and "bringing forth new ideas in statutes and sending strange ideas abroad". With his diligence and persistence, he can achieve the complete unity of words and books, and we believe that in the near future, he will reach a higher artistic realm and goal.

Main honor

His works won the first prize of 1990 book collection law competition and the second prize of 1988 Laoshan cup calligraphy competition. His works won the first prize in the Painting and Calligraphy Competition of the General Staff College, the silver prize in the calligraphy exhibition of the "Laoshan Cup" of the whole army, the gold prize in the calligraphy exhibition of the 6th Flower Expo, the first prize in the Potala Palace Cup International Tibetan and Chinese Painting and Calligraphy Exhibition co-sponsored by the China Calligraphers Association and the Xizang Autonomous Region Municipal People's Government in 1995, the silver prize in the 11th Asian Wedding Culture Festival, and the gold medal in the national painting and calligraphy invitation exhibition to commemorate the first anniversary of the Wenchuan earthquake. His works have participated in charitable activities many times and have been rated as charitable painters and painters by relevant departments.