Its shape is also beautiful and graceful as Youlong. Rongyao Qiuju, Hua Mao Chunsong. What does it mean to be like a light cloud covering the moon and fluttering like a wind flowing back to snow?

"Its shape is also beautiful, and it is as graceful as Youlong. Rongyao Qiuju, Hua Mao Chunsong. It' s like a light cloud covering the moon, and it' s like a snow. " She is like a swan flying in fright, graceful as a swimming dragon. Radiant as chrysanthemums in autumn, plump as pines in spring breeze. She is like a light cloud cage moon, floating and drifting like returning air and spinning snow.

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Source: Luoshen Fu by Cao Zhi in the Han Dynasty

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Original:

In the third year of Huang, he was the capital of the Yu Dynasty and returned to Luochuan. The ancients said: The God of Water is called Fu Fei. Feeling Song Yu's concern for the goddess of Chu, he wrote a poem. His words said:

I came from Beijing, and I returned to the East Fan, carrying the Yi Que on my back, crossing the shaft, passing through the valley, and passing through the Lingshan Mountain. The sun is setting to the west, and the car is dangerous. Er is the tax driving on Gao, on Zhitian, on Yanglin, on Luochuan. Therefore, the essence is moving, and I suddenly think about it. If you look down, you will not see it, but if you look up, you will see it differently. See a beauty, on the bank of the rock. But he helped the imperial protector and told him, "Do you trust him? Who is he, if this is gorgeous! " The charioteer said to him, "I have heard of the God of Heluo, whose name is Fu Fei. But what the king sees is nothing! What is its shape? I am willing to hear it. "

I told you: its shape is also beautiful, and it is graceful like Youlong. Rongyao Qiuju, Hua Mao Chunsong. Beards and beards are like light clouds covering the moon, and they float like snow flowing in the wind. Looking at it from a distance, if the sun rises in the morning glow; If you are forced to examine it, it will burn like a wave. If you are fine, you can trim the fit. If the shoulders are cut, the waist is as good as the element. The neck is extended and the neck is beautiful, and the quality is exposed. Fangze is not added, and lead is rich. The clouds are towering, and the eyebrows are trimmed. Red lips are bright outside, white teeth are fresh inside. Bright eyes are good at looking forward to it, and bad eyes help to inherit power. You look gorgeous and easy, and you are quiet and relaxed. Tender feelings, charming in language. Amazing clothes are outstanding, and the bone image should be mapped. The splendor of wearing a sweater is the splendor of Yao and Bi. Wear gold and jade jewelry, embellish pearls to show off your body. To practice the writing of a long journey is to drag the fog lightly. The fragrance of the tiny orchid lingers in the corner of the mountain. So suddenly how longitudinal body, to roam to play. Leaning on the left, leaning on the laurel flag on the right. I am busy with my wrist, and I adopt the mysterious wisdom of turbulent wrasse.

I am fond of her beauty, but my heart is oscillating and unhappy. Unscrupulous media greeted Huan Xi and made a speech with the help of microwaves. I hope that sincerity will come first, and Yu Pei will be understood. A beautiful woman's faith is cultivated, and a strong man practices courtesy and knows poetry. Anti-Qiong is a kind of harmony, which means diving into the abyss for a period of time. Pay close attention to your family's money, and you are afraid of being bullied by me. I feel that I have just given up my words, but I am hesitant and suspicious. Be calm and calm, and be self-sustaining when honoring.

So Luo was so inspired that he hesitated. God's light is on and off, and it's yin and yang at first sight. Light body to stand out, if you will fly but not fly. The practice of pepper coating is fierce, and the steps are thin and fragrant. Super-long songs are always admired, and the sound is sorrowful and long. You are a mixed bag of souls, and you are a lonely couple. Or play clean, or Xiang Shenzhu, or pick pearls, or pick up jade feathers. From the second concubine of Nanxiang, she took the traveling girl of Hanbin. Sigh that there is no horse in the melon, and sing about the solitude of the morning glory. Young people are arrogant and arrogant, and they repair their sleeves to delay. The body is fast and flying, and it is erratic. Lingbo micro-step, Luo socks are dusty. If it is impermanent, if it is dangerous, it will be safe; Enter the difficult period, if you go, if you return. Turn to liquid sperm, smooth and beautiful. If you don't spit your words, you will be angry. Huarong is graceful, which makes me forget my meal.

so the screen died down, and there were still waves behind the river. Feng Yi sings drums and Nu Wa sings songs. Teng Wen fish rode by police, and Ming Yu died together. The six dragons are the first of their kind, carrying the cloud car. Whales jump and clamp the hub, and waterfowl fly for the guard. So he went north, crossed Nangang, took the lead, and returned to Qingyang. Move lips to Xu Yan, Chen handover outline. The way to hate people and gods is different, and it is not appropriate to hate the prime of life. Resist Luo Mei to cover up tears, and the waves of tears flow. Mourn for the eternal farewell of the good society, and mourn for the passing of a foreign land. Love each other with no affection, and offer the wisdom of the south of the Yangtze River. Although he is in the lunar shadow, he has a long heart for the king. Suddenly I don't realize what I'm giving up, and I'm disappointed that God is hiding the light at night.

So he carried his back high enough to stay with God. Imagine your last feelings, and look forward to your worries. The complex shape of the spirit body of Ji is traced back to the royal canoe. Floating in the long river and forgetting the opposite, thinking continuously and increasing admiration. Sleepless at night, stained with numerous frosts. I'll go to the east road if I'm driven by a servant. I'm reluctant to go, but I can't go.

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Translation:

In the third year of Huang, I came to Kyoto to make a pilgrimage and returned to Luoshui. The ancients once said that the name of this water god was Fu Fei. I wrote this essay because I felt what Song Yu said to the king of Chu about the goddess. Fu wenyun:

I started from Luoyang, Kyoto, and returned to Juancheng, the fief, eastward, passing through yique mountain, leaving it behind, crossing the shaft, passing through Tonggu and climbing Jingshan. At this time, the sun is setting in the west, and the car is tired. So he unloaded the car on the shore covered with grass and fed the horses in the field covered with grass. Himself strolled in Yanglin, overlooking the vast Luochuan. So I don't feel trance and my thoughts drift away. I didn't see anything when I bowed my head. When I looked up, I found an unusual scene. I saw a wonderful beauty standing next to the rock. I couldn't help pulling the coachman beside me and saying to him, "Did you see that man? Who is that, so gorgeous! " The coachman replied, "I heard that the name of the God of Heluo is Fu Fei, but now what the king sees is her! I'd like to hear about her shape. "

I told him: her figure is as graceful as a flying swan and graceful as a swimming dragon. Radiant as chrysanthemums in autumn, plump as pines in spring breeze. She is like a light cloud cage moon, floating and drifting like returning air and spinning snow. Looking at it from a distance, it is as clear as the rising sun in the morning glow; Looking at it closely, it is as beautiful as a new lotus blooming between green waves. She has a moderate figure, height and height, narrow shoulders, thin waist and fair skin on her beautiful neck. Neither fat nor powder, the bun is towering like a cloud, the long eyebrows are curved and slender, the red lips are fresh and moist, the teeth are white, a pair of shining eyes that are good at looking around, and two sweet dimples under the cheekbones. She is elegant and charming, gentle and demure in manner, soft and smooth in manner, and graceful in words. Luoshen's costume is gorgeous and peerless, and his physique is the same as that painted on the picture. She is dressed in bright Luo clothes and exquisite jade. Wearing gold, silver and jade jewelry, decorated with shining pearls all over. She lingered on the hillside with long-distance shoes decorated with patterns and a misty skirt, faintly emitting the fragrance of orchids. Suddenly, he floated lightly and played, leaning against the colored pheasant on the left and shaded by the laurel flag on the right, reaching out on the beach and picking black grass by the water.

I am deeply in love with her beauty, and I feel uneasy. Because there is no suitable matchmaker to intercede, we can only use microwaves to transmit words. I hope my sincere heart can precede others. Chen Da, I took off Yu Pei and sent her an invitation. Alas, the beautiful woman is really beautiful, both polite and good at words. She answered me with Qiong Yu and pointed to the deep water for expectation. I am sincere as soon as possible, and I am afraid of being deceived by this goddess. Feeling that Zheng Jiaofu had met the goddess who broke his promise, he felt melancholy, hesitant and hesitant, so he calmed down and held himself by courtesy.

at this time, Luo Shen was deeply moved, and he wandered back and forth, and the divine light was on and off, flickering. She raised her light body like a crane, as if she would fly without flying; And stepping on the path full of fragrant pepper, walking through the grass of Polygonum multiflorum to make the aromatic gas flow. Suddenly, I sang a long song to express my deep yearning, and my voice was sad and long. Therefore, the gods flocked to various places, and some of them played in the clear water, some flew in the miraculous little house, some were collecting pearls, and some were picking up the feathers of kingfishers. Luo Shen was accompanied by E Huang and Nv Ying Nanxiang, two concubines. She held hands with the God of Hanshui, sighing for the absence of Gougua Star and lamenting for the solitude of Altair. Sometimes raise the coat that flutters with the wind, cover the light with long sleeves and stand for a long time; Sometimes, the body is as light as flying, and it is erratic. She walked on the water waves, and the foam splashed by stockings was like dust. Her movements are irregular, like crisis and leisure; Advance and retreat are unpredictable, like leaving and returning. Her eyes are shining, her face is radiant and moist, but her words are not exported, but she is already fragrant. Her graceful appearance made me think about tea and rice.

At this time, the wind god silenced the evening breeze, and the water god stopped the waves after the river. Feng Yi sounded the drum and Nu Wa sang a clear song. The flying wenyu guards Luo Shen's car, and the gods leave together with jingling Yuluan. Six dragons go hand in hand, driving a cloud car calmly. Whales and salamanders prance on both sides of the driver's car, and waterfowl guard around. Car ride through the sandbar in the north, across the hills in the south, Luo Shen turned Bai Jie's neck, turned back to a delicate look, lips slightly parted, and slowly stated the outline of the handover. I only hate the difference between man and god, although we are all in the prime of life and can't get what we want. When I said this, I couldn't help but lift my sleeves to hide my face and cry. I couldn't stop crying and wetting my skirt. The meeting of mourning and joy was never over. Now I am in two places, and I have never expressed my love with subtle tenderness. I can only give it to Ming Jun as a permanent memorial. Although I am deep in the moon, I always miss the king. Luo Shen said that he suddenly didn't know where to go, and I was deeply disappointed that all the spirits disappeared for a while and lost their luster.

so I climb higher, and though my steps move, my mind remains in the same place. I am full of emotion, imagining the scene of meeting and the appearance of Luo Shen from time to time; Looking back, it is even more melancholy. Full of hope that Luo Shen would reappear, he drove a canoe against the current in desperation. Sailing in the long waterinfo, I forgot to return, but my yearning for love kept growing stronger and stronger, so that I couldn't sleep all night, and my body was covered with thick frost until dawn. I had no choice but to order my servant to get ready and set foot on the road of returning to the east, but when I was holding the reins and raising my whip to make a plan, I was disappointed and attached, and I couldn't leave.

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Creation background:

According to the preface, Cao Zhi wrote this assignment, which was made after he entered Luoyang, the capital of the DPRK, in the third year of Huang Dynasty in Wei Wendi (in 222), and passed through Luoshui on his way back to Juancheng, a fief. At that time, shortly after Cao Pi became emperor, he killed Cao Zhi's close friends, Rockett and Ding Kuang. Cao Zhi himself played "Drunk, Slow, Threatening Ambassadors" for the supervisor of the country after he left China, and was demoted to Hou of Anxiang, later renamed Hou of Juancheng, and then made King of Juancheng.

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Appreciation:

Cao Zhi has made outstanding achievements in the creation of poetry and ci fu. His fu inherits the tradition of lyrical small fu since the Han Dynasty and absorbs the romantic spirit of Chu Ci, which opens up a new realm for the development of ci fu. Luo Shen Fu is an outstanding work in Cao Zhi's Ci Fu. The author describes the sincere love between man and god in a romantic way through a dreamy realm, but he is disappointed and separated because of the "different ways between man and god".

There are three main features of this Fu:

The first feature is rich imagination. The author set out from Luoyang, the capital, and returned to Juancheng, a fief in the east. On the way, on the edge of Luochuan, I stopped to drink horses, and when I strolled in Yanglin, I saw Fu Fei, the goddess of Luo. This is imagination. Her posture is swaying like a startled wild goose, graceful and gentle like Youlong in the water, more delicious and gorgeous than Qiuju and Maosong, as beautiful as sunrise, as pure as hibiscus and absolute beauty. Then he had an affection for her, sent her a message from Shuibo, and sent Yu Pei a promise. However, her holiness and nobility made him afraid to expect anything. Luo Shen was finally moved by his true feelings, met him and poured out his feelings. But in the end, because of the different ways of man and god, there is no hope of combining them, so I bid farewell to them. The imagination is gorgeous, and the romantic and mournful feelings are light and unchanging, which makes people sigh and feel melancholy. However, this imagination is not bizarre, so the fu is written with feelings of Song Yu's two fu poems, Goddess Fu and Gaotang Fu.

the second feature is that the words are gorgeous but not impetuous, and the fresh air is refreshing. Pay attention to the arrangement of couples, antithesis, temperament, and the language is put in order, concise, vivid and beautiful. There is no match for the conception of Han Fu based on materials. This pen is the creation of an atmosphere that is plain and strange. Just as Tao Yuanming's Peach Blossom Garden narrates the beginning of Wu Lingren's boat trip, the wonderland appears without warning beforehand. But at this moment, the author suddenly witnessed an unforgettable scene: a pretty woman, Luo Shen, appeared. Then the author tries to describe the beauty and pain of Luo Shen as if he wanted to compete with Song Yu's Wushan Goddess. Then writing Luo Shen leads the crowd to leave, which is similar to Qu Yuan's "Lisao" to describe the scene of the tragic death of the protagonist.

the third feature is vivid description, which is combined with metaphor and contrast. The intricate changes are ingenious and appropriate, giving people a sense of grandeur without annoyance, beauty without shock, and making people feel like watching a wonderful Danqing, in which the characters are flesh and blood, without making people feel a sense of nothingness. When describing Luo Shen's figure, facial features, posture, etc., it conveys Luo Shen's appearance of sinking fish and the capacity of falling geese. At the same time, there is a fresh and noble "clear water produces hibiscus, and natural carving". In the description of Luo Shen's manner when he met him, people feel that the Sri Lankan people emerge in front of them and are graceful. As for Luo Shen's description when he broke up with him, "the screen is gathering wind, the river is quiet, Feng Laiming drums, and Nuwa Qingge." The sincerity and purity of love, everything is so beautiful, so that after parting, people go to the heart to stay, and their feelings continue. The beautiful image of Luo Shen and the scene when they met and knew each other are vivid, romantic and bitter, and their minds are uneasy and they can't bear to leave.

The predecessors have highly appraised the ideological and artistic achievements of the Ode to Luoshen, and the most obvious thing is that it is often compared with Qu Yuan's Ode to Nine Songs and Song Yu's Ode to Goddess. In fact, Cao Zhi's Fu has both. It has the strong lyrical elements of Xiang Jun and Mrs Xiang, and at the same time it has the exquisite description of female beauty in Song Yu's Fu. In addition, its plot is complete, its technique is changeable and its form is meaningful, which is inferior to previous works.

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About the author:

Cao Zhi (192-232), born in Zi Zijian and Pei Guoqiao (now Bozhou City, Anhui Province). Cao Wei, a famous writer in the Three Kingdoms, was a representative of Jian 'an literature. The son of Cao Cao, Emperor Wudi of Wei Dynasty, and the brother of Cao Pi, Emperor Wendi of Wei Dynasty, used to be King Chen before his death. After his death, posthumous title "thought", so he was also called King Chen Si. Later generations called him "Three Caos" with Cao Cao and Cao Pi because of his literary attainments, and Xie Lingyun, a writer in the Southern Song Dynasty, even commented that "there is only one stone in the world, and Cao Zijian monopolizes eight fights". Wang Shizhen commented that poets in the two thousand years since the Han and Wei Dynasties were called "immortals", and Cao Zhi, Li Bai and Su Shi were three people.