Brief introduction of claude simon

Claude simon (French: claude simon, 19 13 10/October 10-July 6, 2005), a representative writer of French New Fiction School, won the Nobel Prize in Literature in 1985. His masterpiece and masterpiece Flanders Expressway. 19 13 10 was born in Madagascar, a former French colony. 1985, he won the Nobel Prize in Literature for "combining the rich imagination of poets and painters with a deep understanding of the role of time", which deeply shocked and surprised French and world literary circles. Because critics have always regarded Rob as the leader of a genre, Natalie Sarot and Michelle Bhutto ranked second and third, and Simon always ranked fourth. Simon is not only keen on literary creation, but also keen on contemporary social problems. Simon wrote more than 20 novels in his life. His first work The Forger was published in 1945, and his first important work The Wind was published in 1957. Since then, he has entered the peak of his creation.

Chinese name: claude simon.

Claude Simon

Place of birth: Madagascar, a former French colony.

Date of birth: 19 13.

Date of death: 2005

Occupation: writer

Graduate institutions: Oxford University, Cambridge University

Major achievements: Nobel Prize in Literature (1985)

Representative Works: Flanders Highway

Personal profile

Claude Simon

(ClaudeSimon, 19 13—2005), 19 13 10 was born in Madagascar, a former French colony. When he was less than 1 year old, his father, who came from the army, was killed in a battle. The mother returned to France with her children and settled in Berpinan, the southern part of Luxiong, languedoc. When Simon was less than 1 1, his mother died. He was brought up by his grandmother and moved to Paris. After graduating from stanislas Middle School, he went to Oxford University and Cambridge University in England. 1933, he gave up the opportunity to go to the naval school and studied painting with the cubist painter Andre Lott. From 65438 to 0936, Simon rushed to Barcelona in support of the Spanish government, which was fighting fiercely with the rebels. This brutal civil war had a profound impact on his life. After the outbreak of World War II, Simon was drafted into the army. As a member of the cavalry regiment, he participated in the Battle of Gamez in 1939, and was captured by the Germans in May of that year. Five months later, he escaped from prison and returned to China to join the underground resistance movement. After the war, he traveled to many countries and settled in the Pyrenees from 1946, growing grapes while writing.

Simon is not only keen on literary creation, but also keen on contemporary social problems. In addition to traveling in Spain in his early years, he also signed a letter with other writers and artists in 1983 to express his concern about the "arms race among great powers". 1996, together with other 8/kloc-0 nobel prize winners, he called for solving the crime of forcing "child sex prostitution" as soon as possible. In view of this social situation, Simon said that words and deeds in any way are more beneficial than keeping silent.

Main contribution

"New Novel" is a genre of modernist literature. Popular in 1950s and 1960s, there are four representative writers: Allen Rob Geyer, Natalie sallot, Michel Butao and claude simon. In addition, writers such as marguerite duras were once considered to belong to the New Fiction School. Previously, in the 1930s, this writing style had appeared in the works of the famous French writer Natalie Salo.

The "new novel" school opposes the traditional novel creation method, and advocates that writers get rid of the inherent moral concepts and thoughts and feelings, break the restrictions of traditional novels on time and space structure and narrative order, and use the methods of stream of consciousness, alternation of reality and time and space inversion to describe the world of things purely and objectively. This kind of novels avoid social problems and focus on revealing the absurdity of the world and life. It has great influence in Europe and even the world, and began to decline in the late 1960s. The New Fiction School is not a conscious and organized school, and every writer has his own characteristics in his creation.

In the writing technique of the new novel school, Simon showed it incisively and vividly. His previous painting experience had a great influence on novel creation. Grand Hotel is claude simon's first attempt to combine writing with painting. The Grand Hotel has only a few vague characters and no clear plot. The whole novel has no beginning or end, but the plot of the fragment is vivid. What Simon told the reader was not a story of joys and sorrows, but a vague impression. In the novel, words and punctuation are harmonious, giving people visual thickness.

Simon wrote more than 20 novels in his life. His first novel The Forger was published in 1945, and his first important work The Wind was published in 1957. Since then, it has entered the peak of creation, and works have been published almost every year. The war experience directly contributed to his creation of the classic novel Flanders Highway in 1960, and won the "trendy literature prize" of that year. 1962 produced a hotel with unique creative techniques, and then he completed history and fashion in 1967 and 1969. These four masterpieces of the 1960s made him occupy a decisive position in the French literary world. 1970 and 197 1 year, he created Olivon for the blind and the conductor. Sanlian and Family Poems met with readers in 1973 and 198 1 year. After entering the 1990s, his work Botanical Garden was published in 1997.

Simon served as a member of the jury of "Medici Prize for Literature", one of the five French literary awards, from 1968 to 1970. 1985, at the age of 72, he won the Nobel Prize in Literature, which indicated that the artistic achievements of the French "New Fiction School" were affirmed by the international literary world. Western critics believe that he is an outstanding novelist with the most realistic tendency.

"French literature has lost one of its greatest writers."

Claude simon is brilliant, but he keeps a low profile. According to the writer's habit before his death, the news of his death was announced to the public on the 9 th.

For his death, French Prime Minister De Villepin commented that "the French literary world has lost one of the greatest writers". De Villepin said that Simon's works are unique in writing. His novels show the world an amazing historical picture of the last century with great personality, and Simon witnessed the war and violence of mankind in the last century. Reno Donodio Vabre, French Minister of Culture, said that as a representative writer of the French "new novel" genre, Simon enjoys a high reputation both in France and in the world literary world.

The climax of "new novels" entering China began in 1980s. It was in this era that Simon's works were translated and introduced to China. The Series of Twentieth Century French Literature published by China includes Simon's masterpiece Flanders Expressway, which, together with Eraser by Alain Rob Gerye, has become two works that China creative critics can't avoid when talking about the genre of French "new novels". A generation of famous artists will die, but they left a valuable creative legacy to future generations.

Creative experience

Simon has published more than twenty works, mainly novels with unique styles. The road of literary creation he experienced can be said to be a microcosm of the development and innovation of contemporary French literature. According to the opinions of most critics, his creation can be roughly divided into three stages:

The Forger (1945), The Wire Rope (1947) and Gulliver (1952) are the three earliest works in the first stage of Simon's literary creation, which basically adopt traditional techniques.

By the mid-1950s, the publication of His Sacrifice to Spring (1954) was the beginning of his creative tendency, while the successive publication of Wind (1957) and Grass (1958) further strengthened Simon's anti-traditional modernist tendency, which was his formation.

In 1960s, Simon's creation entered the second stage. And all this is reproduced through the scattered memory of the protagonist. The greatest feature of the work is the combination of poetry and painting. The author tries to replace the temporality of traditional novels with the spatiality of painting, and integrates reality, memory, feeling, imagination with the subjective space-time of stream of consciousness and Baroque spiral structure, making novels and paintings as eternal and diverse as painting, thus reflecting this kaleidoscope-like world.

Following Flanders Highway, the second stage works include Luxury Hotel (1962), History (1967) with the theme of Vicissitudes and Time Can't Stay, and The Battle of Las Vegas in Facate with a changed style and more colorful colors (. The appearance of these four works shows that Simon has made great achievements on the road of exploration and his unique style has matured.

The third stage of Simon's literary creation mainly refers to the novels Blind Olivier (1970), Conductor (197 1), Three-fold Painting (1973) and Lessons from Things (65433). This stage is characterized by "the adventure of words", as Jean Rigadou, a theorist of new novels, said: "Novels are no longer the narration of life adventures, but the exploration of words and forms." The works are rich in pictures, simple and profound in philosophy, rich in metaphors, meticulous in description, combined with poetry and painting, and intertwined with light and shadow, which is worthy of being a classic of the New Fiction School.

Main work

Nobel Prize in Literature's acceptance speech

At the end of 1950s, claude simon began to attract serious attention in the literary world, and it was at this time that a literary school called "new novel" prevailed. This school of writers broke away from the rules of traditional novels and refused to abide by the rule that a novel must have a true story and be told in a clear and coherent time sequence. The works of New Fiction School look like montages or collages edited by language, and the writing scope is memory field and seemingly free association. The fragments of memory materials in different periods are combined according to the echo of content or emotion, not according to the normal time sequence of continuous development. The influence of plastic arts is obvious. In an image, all the combined elements appear at the same time, and the perception of these elements, which are linked and expressed at the same time, is realized through the creative activities that readers or viewers participate in emotionally. In Simon's novels, we first saw the growth of life through language and memory, saw the vitality and tenacity of creation, and revived the present and the past with soul and life through the language and narration that we seem to be not its master but its tool. Simon's novel art can be regarded as the expression of something living in the body, whether he is willing to accept it, whether he understands it, whether he believes it-this is a hopeful thing, although the living environment is full of cruel and absurd facts, it is so clear, profound and rich in Simon's novels.

Mr. claude simon:

In order to understand the characteristics of your novel, you must be able to be a painter and a poet at the same time. In such a short and limited time, I have to limit myself to doing another kind of work: reporting-and doing it quite abstractly and briefly. If I can at least show the high respect your work has aroused among readers, then I will be satisfied.

On behalf of Swedish Academy, please accept your admiration and warmest congratulations.

Finally, please accept this year's Nobel Prize in Literature presented by His Majesty the King.

Lars Gyllenstein, Permanent Secretary of Swedish Academy