Traditional Culture Encyclopedia - Hotel accommodation - Appreciation and Translation of Chen's Two Stories of Climbing Yueyang Tower
Appreciation and Translation of Chen's Two Stories of Climbing Yueyang Tower
Pinghu is sunny and windy, there is no wind ウ カ, and the sails are falling at night. The guest on the roof is in autumn, and the sunset is alive in Junshan. Looking north can be compared to returning to Bai Shou, and chatting south can see Feng Dan. Hanlin looked for some time, but the poem was not finished in Baling.
The magnificent Yueyang Tower stands east of Dongting Lake and west of the Yangtze River. The sun sets, there is no night breeze, and the signs on the pavilion remain the same. Boarded the border of Wu and Shu (Jingzhou) and wandered in the dusk of lakes and mountains. How are you feeling today during your trip to Wan Li? I have been running for three years to avoid the war. Going upstairs to pay homage to the ancients, my temples are like frost. Looking at the ancient trees in the distant mountains, there is infinite sadness.
Pinghu reflects the sky, Wan Li is calm, and geese are flying in the air. Many people in Yueyang Tower are watching autumn scenery and the sunset on Junshan Mountain. You can see that Bai Shou is in the north and Feng Dan is in the south. I enjoyed the scenery all the way, but I haven't written a poem in Baling.
Note 1 Curtain j Ο ng (jó ng): the sign of a hotel or teahouse. Sunset is late: the sunset is slowly sinking. Too late, too slow. 2 Wu and Shu are equally divided: During the Three Kingdoms, Wu and Shu fought for Jingzhou, and Lu Su, the general of Wu, led 10,000 troops to Yueyang. Horizontal segmentation, here refers to segmentation. 3 migration (xǐ) inclination (yǐ): vagrancy. More than three years is difficult: the Northern Song Dynasty perished in the spring of 1 126 (the first year of Song Qinzong Jingkang), and it has been three years since this poem was written. Take advantage of danger: refers to climbing stairs. By, by. Danger means height 5 hanging ancient: mourning hanging. 6 sunny is not as clear and calm as Feng. 7) Autumn: Late autumn. Junshan: The full name of Junshan Island is located in Dongting Lake in the east of Yueyang, Hunan. 9 Whitehead: White hair. This refers to the withered but not withered white grass. Ten Feng Dan: Maple leaves turned red by frost.
Appreciation of Two Poems about Climbing Yueyang Tower (Part One)
The second poem of "Climbing Yueyang Tower" is a seven-character poem. The first is the poet's opening work of Yueyang Tower, so it is carefully crafted and serious. The first part describes the geographical location of Yueyang Tower, which is grandly launched from a macro perspective with Dongting Lake and the Yangtze River as the background. In a seven-character poem, the poet skillfully uses the words "east" and "west" and connects them with lakes and rivers, which shows the location of Yueyang Tower. Then I wrote down what I saw when I lifted my eyes, saying, "The curtain is still and the sunset is late." This sentence is a colorful stroke of the whole poem, which seems ordinary, but in fact it is delicate. "Curtain Scene" is a close shot, "Sunset" is a long shot, and the close shot and the long shot are integrated. The poet's line of sight scanned from near to far, gradually released and merged into the boundless twilight. The static curtain shows that the lake is calm; The sunset reminds us of the tranquility of the night. Such poetic imagery can not help but arouse the poet's rich reverie.
The couplets in the poem are produced from the static and soothing description of the scenery and transformed into strong lyricism. Like variations of music, these two poems seem to repeat the above themes, but their styles are quite different. "Landing in Wushu to divide the land equally" is also about the geographical location of landing, but it adds a heavy sense of history; "I want to see the scenery at dusk by leaning against the lake and mountains", but I feel a little disappointed. This gradual change is a contrast, a transition, and a description of the integration of things and me. Here, the subject image of the poet appears in the poem inadvertently and naturally. He is thinking, wandering, blending into the scene and expressing his feelings through the scene.
After gaining momentum ahead, the poet finally issued the loudest and strongest cry in an almost calling way: "Wan Li is still far away, and it is more difficult to rely on risks for more than three years." These two poems express the resentment in the heart of the minister. The antithesis of "Wan Li" and "Three Years" tells their stories from the span of space and time respectively, and has received the artistic effect of double superposition, which makes people feel deeply. The poet's "visit from Wan Li" is just an elegant expression of Wan Li's escape, but he is helpless. The anguish in my heart can only be dispelled by looking into the distance. "More than three years is difficult", which is already unbearable, but climbing mountains here is really unbearable. At this point, poetry has been full of twists and turns, pushing feelings to the extreme.
In the last couplet of the poem, Gu Ying felt sorry for himself and ended the whole article with infinite sadness. At this time, the poet has reached the age of forty and has reached the age of no doubt, so he said "hoary head"; It is not hurting the present, but "nostalgia for the past", which is implicit and meaningful; "Wind and frost" clearly refers to natural things, which is a metaphor for social reality, pun intended; And "Old Wood Cang Bo" is a coat that wraps the poet's image, and it is infinitely sad and hateful. This couplet seems to be a poet talking to himself. They are anxious and sad for the sake of state affairs, family affairs, themselves and those fellow villagers who have lost their homes like themselves. When they feel sad, in the autumn and frost season, they feel that the times are like wind and frost and extremely cold. Old dead trees and desolate lakes are just like the author himself. The endless desolation of being demoted to the end of the world and the infinite sorrow of the country's destruction and death are self-evident.
Secondly,
The first song is about going upstairs, and the second song is about scenery and going home. When the poet boarded Yueyang Tower, he saw that "the sky entered Pinghu, the sun was shining and there was no wind", and the evening sails and geese were floating in the air. This depicts a variety of scenery: sky, lake, reflection, sunset and wild geese, which constitute the unique beauty of Dongting Lake. On the surface, the word "sunny and windless" seems a bit trite, but it has the same effect as "the desert is lonely and the long river sets the yen", without any modification, but it only describes the magnificence of the lake, which is even more unique. The second co-author also wrote about the scenery, and once again pointed out that the time was at night. From the third couplet, the poet's return journey was written, and the poem was once again led to the scenery. Looking north, I saw white grass sparse, looking south, I saw maple leaves red. This couplet description pushes the whole poem to * * *, and the antithesis is neat and chic. The last two sentences are that the poet only cares about the scenery, and his poem was finished before he arrived in Jiangling, which set off the beautiful scenery between the Dongting of the Yangtze River from the side. Like the first poem, the whole poem is "sad", because the two poems describe the same series of things, and their feelings are the same, but they are just obscure. In fact, this poem expresses the feeling that the author can only appreciate the scenery after the death of the Northern Song Dynasty.
Two themes of climbing Yueyang Tower This poem describes what the poet saw and felt when he climbed Yueyang Tower. Although he was visiting Yueyang Tower, he was worried about his country and people, so he went upstairs and wrote a patriotic poem.
The creation background of two poems about Yueyang Tower was in the second year of Jingkang in Northern Song Dynasty (1 127), when Jin Bing broke through Kaifeng, the Northern Song Dynasty perished. At that time, Chen was demoted to (now southeast of Kaifeng, Henan Province) as a small official in charge of wine tax, and naturally joined the ranks of refugees, and went south to Hunan, wandering around Hunan and being displaced. He was exiled to Dongting Lake and went to Yueyang Tower several times. He grieved with his friends about state affairs, drank wine to drown his sorrows, and wrote several poems to commemorate his events, including these two "Going to Yueyang Tower". Poetry: Climbing Yueyang Tower Two Authors: Chen Song Dynasty Poetry Classification: Climbing the Building, Writing Scenery, Lyricism.
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