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Whether warm or indifferent, sensitive or numb, dull or dull, the story of youth can never be filled with mercury. Especially when young, it is inevitable to toss and tangle, full of lingering hormones, and there is a smell of clean and jerk in confusion.

Self-righteousness and irrationality are the nicknames of youth. The film of the same name, based on Feng Tang's novel Everything Grows, tries to tell such a story.

Of course, the growth of everything is not a masterpiece, but it is direct enough. A large number of close-ups were cut to the woman's pupil, lips and neckline, and the picture was full of hazy and ambiguous tones and old-fashioned texture. It is also the mottled walls of the old campus, the old dormitory, the lined hot water rooms and public toilets, and the hot and humid summer.

Director Li Yu did not hesitate to give a shot of broken glass containers, formalin sputtering, skulls and human bones scattered all over the place. The blood-red sunset, the silhouette of a human figure, and the performance of several passionate scenes are absolutely unrestrained. Comic processing provides a more explicit expression possibility for the "growth" of blood boiling.

Liu Qing played by Fan Bingbing is full of "special" and grandstanding, which makes Qiu Shui played by Han Geng more girlish. They are all authentic performances, and the performance is acceptable.

More importantly, the affection and love that happened in Renhe Medical College mixed Feng Tang's experience in Concord. Feng Tang's self-mockery and self-description are also full of him deceiving the world with the pen name "Quanyong" and "Gulongju" in his spare time. Behind the "golden sentence" that runs through the whole film, it seems that Feng Tang is waving his hand: even if it is soft, women will still fall in love with me wave after wave.

Feng Tang never hides any secrets about love and sex. Since the magnolia officinalis kicked the specimen container into pieces, the film has remained small and fresh. However, in essence, the core of all kinds of rudeness permeating the surface is pure love, even excessive love: respecting the previous work and not laughing at each other, "the spring breeze is not as good as you" leads to self-pity and self-injury.

Qiu Shui is in a rational and almost rigid medical school, but his classmates are full of young people's charm and unrestrained. When people want to spread themselves in the dark, the tentacles of love are scattered everywhere. With a thousand years of feelings, the first love with Xiaoman was involved in Tchaikovsky's sorrow and occasional phone calls. Finally, Qiu Shui and Liu Qing, whom he knew in the society, got closer and closer.

Love and not love, not too far. Besides, at an age when I don't know what love is.

Then, when Xiao Man ran away with the director, all the resentment in Autumn Water melted into a symbol: sexy running ass. It is not only contempt for money and material desires, but also anger at self-incompetence. To this end, whenever Xiaoman expresses his desire to return to Qiu Shui by phone, he will always get Qiu Shui's howl. Finally, Xiaoman mortuary hospital, suffering from ovarian cancer, took one last look at Qiushui.

"At that moment, I realized what a self-righteous person I am. I thought I could see through life at a glance, but life slapped me in the face. What saddens me most is that I always thought I was infatuated, but it was me who gave up at the beginning. " These words, gu colchicine can only say to myself.

A thousand years know autumn waters. Although youth is full of absurd words and deeds, it is completely inconclusive to immerse itself in it. After unprotected sex, the Millennium used colchicine to lift her legs around the campus, hoping to avoid the possibility of pregnancy. Knowing that Qiu Shui was in Liu Qing's house, the Millennium also rushed over and vowed to make a scene.

Of course, the end result is that self-righteous love has become mutual suspicion and mutual harm. In the quarrel, Qiu Shui is bluffing and ashamed to admit it, and the paranoia and madness of the Millennium are hard to let go. Just like a thousand years can be broken, Qiu Shui is simply a fragile person. Unfortunately, "I left you because I love you" fell into the trap of sitcom.

The more you mention the word love, the less you understand it.

Qiushui disagreed with Liu Qing's false promises to others from the bottom of his heart, and finally broke up with Liu Qing because of this "trivial way". But in the end, he just loves himself. I had a quarrel with Liu Qing and thought, "I don't want stars in the sky, I want happiness on earth." Rejected by the Millennium, he shouted, "This is a funeral, and I'm finished." Finally, I still can't find Liu Qing.

It's fragile self-esteem that makes you talk nonsense and make a determined effort. And this is a necessary growth lesson for youth.

Qiushui certainly loves Liu Qing: "At that moment, if she is a plant, my eyes are water, and I have to moisten her to shine." Liu Qing also loves Qiu Shui: "I like such people all my life. I want to exhaust all my amorous feelings, so that you can't feel at ease when you are not with me in the future. " But restlessness and hand in hand may not be lucky enough to draw an equal sign.

To dismantle the mess of love clutch, we must rely on external forces. Following the convention, as the counterpart of pure campus, the gloomy society once again bears the stigma. Liu Qing was jailed for selling medical equipment, leaving Qiu Shui with a gentle night. The last sentence is: "You are the last person I hold this summer." Five years later, Qiushui saw Liu Qing reading a martial arts novel in the booth through the glass of the cafe, just like the good times when a five-star hotel first met.

Who wants to remember the vicissitudes of life and laugh it off for what? The ending song sounded, "How much love can be repeated".

Li Yu said in an interview that he appreciated Feng Tang's "bad taste with a sense of culture". In fact, the film "Everything grows" lacks a sense of culture and is not bad enough.

However, In addition to sorting out the popular elements of the times, such as Love of a Tracker, Song of a Brave Man, Shame of the Lonely, Hunting, A Chinese Odyssey and Titanic, All Things Grow reveals the other side of youth: appearing in your own life, dancing and rolling around, and then leaving them as if nothing had happened.