Shen Fengying's Role Introduction

Shen Fengying, born in Wuxian County, Suzhou City, Jiangsu Province (now Suzhou City), is a Kunqu Opera actor, a national first-class actor, and a master of arts from Shanghai Theatre Academy. He has starred in Du Liniang in The Peony Pavilion and Chen Miaochang in The Jade Hairpin. In 2007, he won the 23rd Drama Plum Blossom Award (the highest drama award in China). On May 22nd, 2008, he participated in the Olympic torch relay in Suzhou.

Chinese name: Shen Fengying.

Shen Fengying Mbth

Alias: None

Nationality: China.

Ethnic group: Han nationality

Place of Birth: Wuxian County, Suzhou City, Jiangsu Province (now Suzhou City)

Date of birth: 1979

Occupation: actor

Graduate school: Nanjing Art Institute, majoring in performance.

Institution: (affiliated to the Institute) Suzhou Kunqu Theatre, Jiangsu Province.

Representative works: Peony Pavilion, Romance of the West Chamber, Jade Hairpin, Opening Melody, Prisoner, etc.

Education: Master of Arts, Shanghai Theatre Academy

Early experience

1994 studied art.

/kloc-0 graduated from Kunqu Opera Class of Suzhou Pingtan School in July, 1998.

After that, he graduated from Nanjing Art Institute with a major in performance.

In August, he entered Suzhou Kunqu Theatre in Jiangsu Province, where he studied under Liu and others.

In 2003, he studied under the famous Kunqu Opera performer Zhang.

Character honor

In 2000, he won the performance award of the first Kunju Opera Art Festival in China;

In 2002, young and middle-aged actors in Suzhou professional group won the gold medal in performance appraisal;

23rd Drama Plum Blossom Award in 2007 (the highest drama award in China);

In 2007, he won the "Top Ten Actors Award for Outstanding Young Actors in Kunqu Opera";

Outstanding Performance Award of the 5th Jiangsu Drama Festival in 2007;

In 2007, he visited China with Premier Wen Jiabao and performed as a representative of Japanese Kunqu Opera.

In 2007, he went to France to participate in the "China Intangible Cultural Heritage Art Festival" organized by UNESCO, the only representative Kunqu Opera performance.

In 2007, it was rated as one of the top ten people who moved Suzhou.

In 2007, he attended the New Year's Party of China People's Political Consultative Conference and presented the Kunqu Opera "Back Garden" to President Hu Jintao and nine other members of the Politburo Standing Committee.

In May 2008, he served as an Olympic torchbearer in Suzhou.

perform

Du Liniang's The Peony Pavilion.

Chen Miaochang, Hosta

. Jing Wenluan, Plantagenet Joe Vinegar

Cui Yingying in The West Chamber

Eternal life palace, Yang Guifei

representative works

Youth Edition Peony Pavilion

In April 2004, the live version of Youth Peony Pavilion, which was planned and produced by the famous writer Bai Xianyong, and the youth version of Kunqu Opera Peony Pavilion, which was created by artists from three places on both sides of the Taiwan Strait, began a global tour, which was a great success and caused a great sensation at home and abroad, bringing Kunqu back into the public's field of vision and contributing to the protection of Kunqu Opera.

In the youth edition of The Peony Pavilion, Shen Fengying was chosen as Du Liniang. This young actor belongs to the "Little Orchid" class of Suzhou Kunqu Opera Theatre. He is a piece of rough jade with great potential, but it is impossible to cut the jade, so the crew urged Wang Shiyu and Jiangsu Kunqu Opera Theatre to regard him as the "Dan Jiao Jiu" of China Kunqu Opera. Zhang organized a delegation from different provinces to the Soviet Union to personally guide the teaching. This is also one of the purposes of making the youth version of Peony Pavilion, and through the rehearsal of a play, the important work handed down from generation to generation is completed.

Kunqu Opera is a performing art with a glorious history. It once dominated the drama stage in China for 200 years, but it has encountered a crisis of inheritance since the beginning of the last century. In the early years of the Republic of China, Kunqu Opera almost disappeared from the stage in China. Fortunately, a "Kunqu Opera Studio" was set up in Suzhou with a willing heart, and a group of outstanding actors with the word "biography" were trained, who will become the standard bearers of Kunqu Opera in the 20th century. He Zhang is the successor of these "handed down" generations of masters. I studied under Zhou, Zhang and Zai. Today, Yu Jiulin of the "Xiaolan" class is under his tutelage, and Zhang is officially accepted as a disciple. In the sense of inheritance, the two men inherited the playing style handed down from generation to generation by the master. This belongs to the authentic, orthodox and decent style of Kunqu Opera.

Qin Zhou, executive deputy director of China Kunqu Opera Research Center, consultant of Youth Peony Pavilion, professor of Suzhou University and doctoral supervisor, said: "The two protagonists of Youth Peony Pavilion are very natural, and it is more appropriate to use Du Liniang and Liu Mengmei who are similar in age to interpret them. Of course, they need to be honed, and the temperature is not very good. Being an actor is a gradual process. At present, their performances are more about passion than technology. After they performed 50 to 100 performances, it may be that the technology is more passionate. These two are fish and bear's paw, and they need to get to know each other gradually. With their own consent, we hope that they will study for a master's degree in drama and drama to help improve their cultural literacy. It is undeniable that these two actors are very beautiful, and it turns out that Bai has a good eye. "

Shen Fengying: Yu Jiulin and I were classmates of the Theatre Academy. Later, we entered the Kun Theatre together. What Mr. Bai Xianyong asks us is that we must work hard for next year. Teacher Wang Shiyu said that you two actors have a good image, but your basic skills are not enough, which is unbearable. Therefore, Mr. Bai Xianyong and Mr. Wang Shiyu worked out a complete training plan, and gave us systematic and intensive training, including body building, singing, performance and literature appreciation. Rehearsal starts at 7: 00 a.m. and ends at 6: 00 p.m. Every day, and it is common to work overtime at night. Later, Mr. Wang Shiyu invited the dance teacher to open his shoulders and waist with ballet, so as to change our habit of containing chest and restraining. Because our age has passed the developmental stage, the bones have been formed, and the training is not difficult. There are sometimes cries and screams at the training site. I still remember the devil's training a year ago, and it's hard to imagine whether I can persist in such training again. At that time, I lived by my fingers every day. Mr. Bai is very strict with us. He told me that the first time we met Liu Mengmei, we should have the feeling of first love, love at first sight. You can't stare at Liu Mengmei, but a good family must be half shy. After standing in line for hundreds of times, as soon as I relaxed, Mr. Bai immediately pointed out and asked for a fresh start. I went to Hong Kong to perform in May this year, and the climate changed a lot. Mr. Bai was worried that Yu Jiulin and I had physical problems, so he left us in the hotel to drink ginseng chicken soup.

Youth Edition Peony Pavilion Praise

This mysterious and gorgeous love story has fascinated all beings from ancient times to the present. When it appeared at that time, it immediately set off a whirlwind in the drama world, causing an uproar. -Sina. com

Peony Pavilion is a drama that can make people cry frequently, because of the lingering love story and the long-forgotten beauty of Kunqu Opera. -Southern Weekend

This is the greatest opera I have ever seen in my life. -Marianne MacDonald, Professor of Drama, University of California.

Nothing is more "indulgent" than the legendary Kunqu Opera Peony Pavilion, a three-night love story. It's like going through such a strange and strange journey, which is both exciting and inexplicable, but I find myself still in a familiar world. -British "Daily Telegraph" drama critic is _ Brown

In essence, this is a beautiful and strange scenery. After watching the first scene, I deeply feel that it is an honor to see this drama. Du Liniang of Shen Fengying played Elegance and Exquisiteness, and her daughter's dream of spring was thought-provoking. I didn't expect to be so moved. It is this kind of emotional communication, gorgeous costumes, shining music, and stories with the theme of reincarnation that make me plan to return to Wales, Terez to experience the return of Hades.

-Tang Nuo Hutla, British drama critic of The Times.

Bai Xianyong's New Edition of Hosta

Hosta, written by Gao Lian. Write a love story between Taoist Chen Miaochang and scholar Pan Bizheng. See History of Ancient and Modern Women and Zhang Yuhu's Misliving in Zhenguan Women in the Ming Dynasty. Chen Jiaolian, a young girl in the play, was separated from her family when Jin Bing went south and became a Taoist in Jinling. Her name is wonderful. Pan Bizheng, the nephew of the master, will try to be the last one to come. After the Jurchen Pass, after some twists and turns such as drinking tea, playing the harp and stealing poems, Chen and Pan will combine privately and finally get married. The author describes Chen Miaochang's complex psychology of passionate pursuit of love and shyness. Qiu Jiang's Farewell is full of scenes and poetry. Qin Tiao, Qiu Jiang and so on. It was kept as a play by local operas and the performance was very prosperous.

From "Peony Pavilion" to "The Jade Hairpin", they experienced more than 100 stage experiences, and the "docks" they walked through were not only all over the country, but even as far away as Europe and America. Yu Jiulin and Shen Fengying, who are used to big battles, had lost their youth when they staged the youth version of The Peony Pavilion at the beginning of the year, which was exactly the same as when they grasped the opportunity and were young.

By the way, the performance of "The Jade Hairpin" made these two plum blossom winners who have attracted much attention in Kunqu opera feel quite stressed. "How can a good actor have only one play?" Shen Fengying said that actors should speak by their own images, and "endless art" is what young actors demand of themselves. Yu Jiulin's pressure seems to have added another layer. He told reporters that "The Jade Hairpin" is a typical Shengdan drama, which is different from the traditional Kunqu Opera with Hua Dan as the main line. This play is very important to young people. "The youth version of Peony Pavilion tries to pay equal attention to two lines, but for most audiences, it is still a story of a woman who died for love and lived in born to love. This time, the clues of the scholar in "Jade Hairpin" are very clear. Pan Bizheng likes Chen Miaochang and actively explores and pursues him. It is very enjoyable to play. "

Hosta is not shaped by its true colors. The success of the youth version of Peony Pavilion is not unrelated to the youthful and beautiful images of Yu Jiulin and Shen Fengying. Yu Jiulin, who looks handsome, is plain and elegant, while Shen Fengying, a Suzhou girl, is full of tenderness between her eyebrows and eyes. Even the usual chat is very quiet. These two actors are very close to the roles of Liu Mengmei and Du Liniang. It's no secret that Yu Jiulin and Shen Fengying, who played The True Color in those years, have a new orientation for The Jade Hairpin, which is to create characters by performance. Shen Fengying made great efforts to play Chen Miaochang well. In addition to accepting the guidance of teacher Hua, she also pays special attention to observation and experience. "Chen Miao often becomes a monk, and his manners and intonation are different." The guqin I studied for a while also made Shen Fengying come in handy this time. Although it is not really played on the stage, the fingering and feeling are there, and it is ok in the performance.

After nearly 200 stages, Yu Jiulin and Shen Fengying have lost their youth. However, "The Jade Hairpin" made the two winners of Kunqu Opera Plum Blossom Award feel another kind of pressure.

Personal life

Shen Fengying's father is engaged in the maintenance of ancient buildings and classical furniture. His mother is a housewife and has a brother.

Shen Fengying told reporters in 2005 that she got married in 2002. The marriage lasted for three years, and he was outside the hospital. Shen Fengying thinks this has something to do with his limited personal energy. He would rather let her stay at home, but the peony pavilion can arrange it. He has to devote himself wholeheartedly. It is definitely impossible to be distracted by his family and have children in recent years. The two broke up peacefully, because having no children is like having an unsuccessful love. Shen Fengying said that, in the final analysis, girls should put their families first, and only when their artistic level reaches a certain level will they find a partner, organize a family and take care of their careers.