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Enlarged view of Yellow Crane Tower in classical Chinese

1. Classical Chinese Yellow Crane Tower expands 400 words to expand the Yellow Crane Tower to bid farewell to Meng Haoran's trip to Yangzhou.

In March, this vibrant month came to the world again.

The grass quietly pokes its little head out of the ground; Flowers grin happily; Small animals don't sleep at home, they all jump out. Everything on the earth is full of vitality.

Meng Haoran and Li Bai, two good friends, walked silently on the tree-lined path arm in arm, not interested in seeing the beautiful scenery.

Unconsciously, Li Bai and Meng Haoran came to the edge of the Yangtze River. Li Bai said with a glass of wine in his hand, "Brother, we are going to Wanshui Qian Shan. Let me propose a toast to my brother and say goodbye to him. " Meng Haoran gulped it off when he left.

Li Bai took Meng Haoran's hand and said, "Dude, you must take care on the way to Guangling this time." Meng Haoran said, "Don't worry, brother, you should also take care."

At the urging of the boatman, Meng Haoran boarded the ship. As the ship drifted away, Li Bai waved on the shore: "Bon voyage, brother" and "Take care". Meng Haoran stood at the bow and waved goodbye.

Li Bai watched the lonely boat disappear in the vast Yangtze River.

As the surging river rushes away, Li Bai can't help chanting casually: "An old friend left the Yellow Crane Tower in the west, and fireworks went down to Yangzhou in March. The lonely sail is far from the blue sky, and only the Yangtze River flows in the sky. " After that, Li Bai shed tears.

2. The story of Yellow Crane Tower in classical Chinese was expanded to 400 words. All the immortals in the sky returned to the sky in their own yellow cranes, but they left a Yellow Crane Tower here. The yellow crane and the fairy flew away, but I don't know if they can come back. Only the white clouds in the sky fluttered back and forth in the blue sky, which turned into white horses for a while and cotton candy for a while, flying freely in the boundless sky and floating above the Yellow Crane Tower.

Wan Li is clear, with a river in the middle. Hanyang wood by the river is immortal, and it is still so clearly visible. Nautilus Island in the river is densely covered with spring grass. The earth is full of vitality, green grass and spring scenery in full of green. It's almost evening, but where is my hometown?

If you put the river in front of you and look at it from a distance, how can you not remind people of your hometown?

3. The Yellow Crane Tower expands the legend of the Yellow Crane Tower in White Clouds Fluttering and There is Never He-The Yellow Crane Tower Long ago, when the Yellow Crane Tower was not standing on the winding snake top, a kind local man opened a small hotel at the foot of the mountain to welcome guests from south to north and eliminate the fatigue of the journey. People affectionately call him Boss Xin.

On a cold spring day, an unusual guest suddenly came to the store-an old man in rags. Sophisticated, glassy-eyed, slow-moving, sophisticated, he ordered a bowl of wine, took it with trembling hands, and then vaguely drank the second and third bowls ... Xin Ran, the boss, went back and forth until he stumbled out of the hotel, when he suddenly remembered that the old man had not paid for the wine.

The next day, the old man came to the pub at the same time, sat at the same table, drank the same amount of wine, and finally left without paying for the wine. In this way, the old road came and went day by day, and half a year passed in the blink of an eye.

Boss Xin's parents died early, and he always regretted not being able to be filial under his parents' knees. Therefore, he regarded the old man with many wrinkles on his air-dried face as an elder and never invited him to drink. One day, an old man walked into the hotel with orange peel, drew a yellow crane with his neck staring at it on the simple wall, sang a song: "When the drinker clapped his hands, the crane flew down", and then drifted away.

The puzzled drinker and boss Xin tried to clap their hands and hum a tune gently. Sure enough, they found that the yellow crane on the wall came out of the painting with elegant long legs and beautiful wings, dancing in the air, and everyone was fascinated. The news came out that someone came to Wan Li just to watch the dancing of the Yellow Crane, and the business of the small restaurant became more and more prosperous, and Boss Xin also made a fortune.

Ten years later, the Taoist priest came back, took out a Yu Di from his waist, stroked it with his hand, and gently played a sweet tune. The yellow crane seemed to hear the master's call, slowly spread its wings and flew out of the city wall. The Taoist priest rode a crane into the sky, wandered around the clouds for several times before slowly flying away and finally disappearing. In order to commemorate this unforgettable old road and his crane, Mr. Xin invested to build a towering Yellow Crane Tower at the head of the yellow crane in Sheshan.

The Yellow Crane Tower, built in the Three Kingdoms period, has a history of 1700 years. Today, this new building is an artistic re-creation based on the Yellow Crane Tower in Qing Dynasty. It not only keeps the quaint legacy, but also is full of new ideas of the times. It embodies the wisdom and painstaking efforts of many outstanding contemporary designers in China.

The new Yellow Crane Tower * * * is a five-story building with antique reinforced concrete wood structure. Seventy-two red pillars rose into the sky, and sixty horns danced in the air. There is a golden wind chime hanging on every corner, or a crisp or * * * sound can be heard in the wind.

The whole roof of the Yellow Crane Tower is covered with yellow glazed tiles, resplendent and elegant. Under the pyramid-shaped roof, there are arcades on all sides, and a gold plaque with three Chinese characters "Yellow Crane Tower" is hung on the front.

From a distance, the Yellow Crane Tower looks like a general's helmet, creating a four-dimensional flying momentum. Coupled with the landing brake that goes straight into the sky, overlapping buildings and tall and straight foundations, it is more stable and dignified. When you climb a tall building, you can overlook Chutian. The vast Yangtze River runs through the north and south, the vast "turtle" and "snake" run through the east and west, the Yangtze River Bridge flies over the moat, and the three towns of Wuhan have a panoramic view.

How can a picturesque landscape make people feel extremely emotional? Cui Hao, a talented poet, wrote in the poem "Yellow Crane Tower": "In ancient times, yellow cranes carried saints to heaven, but now there is no yellow crane tower. The yellow crane never revisited earth, there have been no long white clouds for thousands of years.

Every tree in Hanyang has become clear due to sunlight, and Nautilus Island is covered with sweet grass. But I looked home, and the twilight was getting thicker. The river is shrouded in mist, which brings people deep melancholy. "

The poet expresses a kind of sadness of being far away from home and wandering in a foreign land; Now, Wuhan, a magnificent ancient building, has added beautiful colors to this ancient land of China and aroused people's infinite pride in so many beautiful mountains and rivers.

4. The Yellow Crane Tower expands Cui Hao's early poems, writes more about women's feelings and reflects women's life; Later, I went to the frontier fortress, and the frontier fortress poems I wrote were generous and heroic, and my poetic style became bold and unrestrained.

But Cui Hao's most famous poem is the Yellow Crane Tower. According to legend, this poem touched the great poet Li Bai.

In the Song Dynasty, the Chronicle of Tang Poetry in Jigong made a bet on the poem Yellow Crane Tower, saying, "The legend in the world is too white:' There is no road in front of you, and Cui Hao inscribed a poem on it.' He wrote the poem Phoenix Terrace to compare the ending. "

The Biography of Tang Caizi, a new study in the Yuan Dynasty, also recorded that Li Bai boarded the Yellow Crane Tower because he saw Cui Hao's poem, that is, "Doing nothing, gathering hands for philosophers." Of course, this legend is not necessarily true. Ji Yougong expressed his doubts behind the note.

However, Li Bai's poem "On Nanjing Going to the Phoenix Tower" is indeed similar to Cui Zuo in writing. As for his poem "Nautilus Island": "Parrots have been to Wujiang River, and Jiangshangzhou passed on the name of parrots.

Parrot flies west to Longshan, he is green, the tree of Zhou Fang! Spring breeze and warm clouds bring the fragrance of orchids, and peach blossoms fall into the river to form layers of brocade waves. At this time, the relocation of guests is extremely eye-catching. Who is Lonely Moon in Cheung Chau? "Not only the first four sentences are similar to Cui Shi in format, but also the style of the whole poem is forced by Xiao.

The first volume of Ying Lu Kui Sui, written by Fang Hui in Song and Yuan Dynasties, pointed out: "Taibai's poem is a poem with great influence. It was processed in May and June, and the ending sentence contains a sigh, so it is still not very restrained." Therefore, this poem has always been highly respected.

Yan Yu's Cang Lang Shi Hua in the Southern Song Dynasty holds that "Cui Hao's Yellow Crane Tower should be the first of seven-character poems in the Tang Dynasty." It was not until Sun Zhu's influential Three Poems of Tang Dynasty in Qing Dynasty that Cui Hao's Yellow Crane Tower was placed in the first poem of "Seven-character Rhyme".

Of course, The Yellow Crane Tower is a masterpiece mainly because of the aesthetic implication of the poem itself. First, the artistic beauty of combining image with reality.

The former site of the Yellow Crane Tower is in Huanggu Jitou, HuangHeshan (Snake Mountain), Wuchang. According to legend, it was built in the Wu period of the Three Kingdoms and was repeatedly destroyed and repaired. The balconies, pillow mountains and rivers in the past were magnificent and ethereal, and there were some doubts about the "Fairy Palace".

According to legend, the immortal rode the yellow crane here (A Record of Qi Xie), and rode the yellow crane here every time he escaped and ascended the immortal (A Record of the Taiping Universe). The poet climbs the building and looks into the distance, imagining things. The first four sentences of the poem begin with legends, which lead to inner feelings. The scenery contains feelings and images.

Immortals ride on cranes and never return. Immortals go to empty buildings, leaving only blue sky and white clouds, which are long for thousands of years. It not only contains the feeling of the passing of time and the vastness of the world, but also vaguely reveals the vastness and heroism of the Yellow Crane Tower, and the beautiful legend of the fairy crossing the crane adds magical and charming colors to the Yellow Crane Tower, which makes people daydream far and wide.

The Yellow Crane Tower is named after its Yellow Crane Mountain. The so-called "immortal riding crane" is a myth attached to the name. However, the poet skillfully uses these legends to grow out of the void, thus making this poem attractive in art.

Then I wrote a real scene, and the scenery on the other side of the river is beautiful: the sunny river, the clear and numerous green trees in Hanyang, and the grass on Nautilus Island is very lush. Parrot Island in Hanyang was originally a sandbar in the Yangtze River southwest of Wuhan. Legend has it that it was named after Mi Fei wrote "Parrot Fu" here at the end of the Eastern Han Dynasty, and it was gradually washed away by the river. Today's Nautilus Island is no longer the hometown before Song Dynasty.

The scenery in front of us is bright and open, full of vitality, which makes people feel relaxed and happy, and they linger, even until the sunset on the riverside and the dusk strikes. Cui Hao roamed the south.

After a long absence from home, I feel homesick in the face of the heavy twilight and the boundless kitchen smoke: "But I look home, and the dusk is getting dark? There is a sad mist on the river waves. " The poet goes with the flow, which not only shows the author's rich and complicated inner feelings, but also shows the colorful natural scenery, changing feelings and changing scenery of the Yellow Crane Tower, resulting in a beautiful and moving artistic conception.

As A Qing poet Shen Deqian commented on this poem in the thirteenth volume of "Collection of Tang Poems": "The meaning is like the first, and the words are written in a vertical pen, so they are good at making great achievements through the ages." The second is the magnificent weather and colorful painting beauty.

Painting in poetry has always been regarded as an artistic standard of landscape poetry, and the Yellow Crane Tower has reached this wonderful realm. In The Legend of the Fairy Riding a Crane, the first couplet depicts a close-up view of the Yellow Crane Tower, which means that the building is surrounded by mountains and waters and the situation is magnificent.

In the lyric poem lamenting that "Yellow Crane will never come to earth again", Zhuan Xu described the prospect of Yellow Crane Tower, showing the spectacular sight of towering buildings and white clouds. The beautiful scenery of the neckline directly outlines the bright sunshine on the river outside the Yellow Crane Tower.

The tail couplet echoes around the beam, whispering tactfully, indirectly showing the hazy evening scene on the lower reaches of the Yellow Crane Tower. On the whole picture shown in the poem, the close view, distant view, sun view and night view of the Yellow Crane Tower appear alternately, with wonderful changes and magnificent weather. Against each other are the immortal yellow crane, the famous building resort, the blue sky and white clouds, the Qingchuan sandbar, the green trees and grass, and the sunset river, which are vivid and colorful.

The whole poem is full of artistic meaning and aesthetic feeling. Third, the musical beauty with natural timbre and clear syllables.

Rhyme has strict metrical requirements. In fact, the Yellow Crane Tower is not the standard seven laws. The fifth and sixth words in the first and second sentences are actually "Yellow Crane", the third sentence is finished with six strokes, and the fourth sentence is finished with three tones.

It's almost the syntax of ancient poetry without antithesis. The words "Hanyang Tree" and "Nautilus Island" in the fifth and sixth sentences seem to be right or wrong. The reason why it is considered as the masterpiece of "Seven-character Rhyme" lies in its natural tone and clear syllables, in addition to the artistic conception and painting beauty analyzed earlier.

The first four sentences of this poem are blurted out, followed by letters, in one go, and go straight down with the trend, so there is no time to take into account the metrical antithesis of the seven laws. "Although the scenery is broken on May 6, the gas is overflowing and the income is the same, so it is valuable."

(For Fang's comments in the Qing Dynasty, see Poetry in Tang and Song Dynasties, Volume 5. ) Because the whole poem is finished in one breath, it reads naturally and smoothly.

In addition, the repeated use of disyllabic words, rhymes, reduplicated words or sentences, such as "Yellow Crane" and "Return", disyllabic phrases, reduplicated words such as "Here" and "On the River", and reduplicated words such as "Youyou", "Lili" and "Lush" all contribute to the sound of this poem. The fairy of the past has flown away by the yellow crane, leaving only an empty Yellow Crane Tower.

The yellow crane never revisited earth, there have been no long white clouds for thousands of years. Every tree in Hanyang has become clear due to sunlight, and Nautilus Island is covered with sweet grass.

But I looked at my hometown, and the twilight was getting thicker, and the mist of sadness was filled on the river waves. Cui.

5. Enlarge the ancient poems of Yellow Crane Tower and Cui Hao, and expand them by 200 words: the gap between beautiful vision and ordinary river towers has paved a lost background in my heart. The legendary immortal flew away by the Yellow Crane Tower, leaving only the empty Yellow Crane Tower here.

The natural landscape of the Yellow Crane Tower, where the Yellow River meets the sky, is more and more magnificent and spacious because of the white clouds. With the infection of this scene, my mood gradually brightened, and the feelings in my chest grew wings: the long history and beautiful legend of the Yellow Crane Tower reappeared in front of my eyes, but in the end, things changed and the crane disappeared. What can people leave to stand the test of time? Flying to the yellow crane never revisited earth, only the long white clouds remain empty for thousands of years.

Origin: The Yellow Crane Tower is a seven-character poem written by Cui Hao, a poet in the Tang Dynasty, and was selected as one of the 300 Tang poems. The place where the Yellow Crane carried saints to heaven a long time ago is now only the Yellow Crane Tower.

The yellow crane never revisited earth, there have been no long white clouds for thousands of years. Every tree in Hanyang has become clear due to sunlight, and Nautilus Island is covered with sweet grass.

But I looked home, and the twilight was getting thicker. The river is shrouded in mist, which brings people deep melancholy. Appreciation of works: This poem describes the beautiful scenery overlooking the Yellow Crane Tower and is a masterpiece of nostalgia.

The first four sentences are about visiting the past, and the last four sentences are about standing on the Yellow Crane Tower. Poetry is not harmonious, but the syllables are clear and not awkward.

Become the envy of all previous dynasties. This poem was very famous at that time. It is said that Li Bai boarded the Yellow Crane Tower and was asked to write a poem. He said: "I have a scene in front of me, and Cui Hao wrote a poem on it."

Yan Yu's evaluation of Canglang's poems: "Cui Hao's Yellow Crane Tower should be the first of seven-character poems in Tang Dynasty." .

6. Appreciation of Cui Hao's Yellow Crane Tower In 650 AD, a yellow crane carried a saint to heaven, and now only the Yellow Crane Tower is left.

The yellow crane never revisited earth, there have been no long white clouds for thousands of years. Every tree in Hanyang has become clear due to sunlight, and Nautilus Island is covered with sweet grass.

But I looked home, and the twilight was getting thicker. The river is shrouded in mist, which brings people deep melancholy. Cui Hao's early poems mostly described boudoir feelings and reflected women's life. Later, I went to the frontier fortress, and the frontier fortress poems I wrote were generous and heroic, and my poetic style became bold and unrestrained.

But Cui Hao's most famous poem is the Yellow Crane Tower. According to legend, this poem touched the great poet Li Bai.

In the Song Dynasty, the Chronicle of Tang Poetry in Jigong made a bet on the poem Yellow Crane Tower, saying, "The legend in the world is too white:' There is no road in front of you, and Cui Hao inscribed a poem on it.' He wrote the poem Phoenix Terrace to compare the ending. "

The Biography of Tang Caizi, a new study in the Yuan Dynasty, also recorded that Li Bai boarded the Yellow Crane Tower because he saw Cui Hao's poem, that is, "Doing nothing, gathering hands for philosophers." Of course, this legend E799BE5BAA6E997AE7AD94EB893E5B19E3133323865335 may not be true, but the success of the plan shows the suspicion that there is something else behind the note.

However, Li Bai's poem "On the Phoenix Terrace in Nanjing" is indeed similar to Cui Zuo in writing. As for his poem "Nautilus Island": "Parrots have been to Wujiang River, and Jiangshangzhou passed on the name of parrots.

Parrot flies west to Longshan, he is green, the tree of Zhou Fang! Spring breeze and warm clouds bring the fragrance of orchids, and peach blossoms fall into the river to form layers of brocade waves. At this time, the relocation of guests is extremely eye-catching. Who is Lonely Moon in Cheung Chau? "Not only the first four sentences are similar to Cui Shi in format, but also the style of the whole poem is forced by Xiao.

The first volume of Ying Lu Kui Sui, written by Fang Hui in Song and Yuan Dynasties, pointed out: "Taibai's poem is a poem with great influence. It was processed in May and June, and the ending sentence contains a sigh, so it is still not very restrained." Therefore, this poem has always been highly respected.

Yan Yu's Cang Lang Shi Hua in the Southern Song Dynasty holds that "Cui Hao's Yellow Crane Tower should be the first of seven-character poems in the Tang Dynasty." It was not until Sun Zhu's influential Three Poems of Tang Dynasty in Qing Dynasty that Cui Hao's Yellow Crane Tower was placed in the first poem of "Seven-character Rhyme".

Of course, The Yellow Crane Tower is a masterpiece mainly because of the aesthetic implication of the poem itself. First, the artistic beauty of combining image with reality.

The former site of the Yellow Crane Tower is in Huanggu Jitou, HuangHeshan (Snake Mountain), Wuchang. According to legend, it was built in the Wu period of the Three Kingdoms and was repeatedly destroyed and repaired. The balconies, pillow mountains and rivers in the past were magnificent and ethereal, and there were some doubts about the "Fairy Palace".

According to legend, the immortal rode the yellow crane here (A Record of Qi Xie), and rode the yellow crane here every time he escaped and ascended the immortal (A Record of the Taiping Universe). The poet climbs the building and looks into the distance, imagining things. The first four sentences of the poem begin with legends, which lead to inner feelings. The scenery contains feelings and images.

Immortals ride on cranes and never return. Immortals go to empty buildings, leaving only blue sky and white clouds, which are long for thousands of years. It not only contains the feeling of the passing of time and the vastness of the world, but also vaguely reveals the vastness and heroism of the Yellow Crane Tower, and the beautiful legend of the fairy crossing the crane adds magical and charming colors to the Yellow Crane Tower, which makes people daydream far and wide.

The Yellow Crane Tower is named after its Yellow Crane Mountain. The so-called "immortal riding crane" is a myth attached to the name. However, the poet skillfully uses these legends to grow out of the void, thus making this poem attractive in art.

Then I wrote a real scene, and the scenery on the other side of the river is beautiful: the sunny river, countless green trees in Hanyang, and the grass on Nautilus Island is very lush. Parrot Island in Hanyang was originally a sandbar in the Yangtze River southwest of Wuhan. Legend has it that it was named after Mi Fei wrote "Parrot Fu" here at the end of the Eastern Han Dynasty, and it was gradually washed away by the river. Today's Nautilus Island is no longer the hometown before Song Dynasty.

The scenery in front of us is bright and open, full of vitality, which makes people feel relaxed and happy, and they linger, even until the sunset on the riverside and the dusk strikes. Cui Hao roamed the south.

After a long absence from home, I feel homesick in the face of the heavy twilight and the boundless kitchen smoke: "But I look home, and the dusk is getting dark? There is a sad mist on the river waves. " The poet goes with the flow, which not only shows the author's rich and complicated inner feelings, but also shows the colorful natural scenery, changing feelings and changing scenery of the Yellow Crane Tower, resulting in a beautiful and moving artistic conception.

As A Qing poet Shen Deqian commented on this poem in the thirteenth volume of "Collection of Tang Poems": "The meaning is like the first, and the words are written in a vertical pen, so they are good at making great achievements through the ages." The second is the magnificent weather and colorful painting beauty.

Painting in poetry has always been regarded as an artistic standard of landscape poetry, and the Yellow Crane Tower has reached this wonderful realm. In The Legend of the Fairy Riding a Crane, the first couplet depicts a close-up view of the Yellow Crane Tower, which means that the building is surrounded by mountains and waters and the situation is magnificent.

In the lyric poem lamenting that "Yellow Crane will never come to earth again", Zhuan Xu described the prospect of Yellow Crane Tower, showing the spectacular sight of towering buildings and white clouds. The beautiful scenery of the neckline directly outlines the bright sunshine on the river outside the Yellow Crane Tower.

The tail couplet echoes around the beam, whispering tactfully, indirectly showing the hazy evening scene on the lower reaches of the Yellow Crane Tower. On the whole picture shown in the poem, the close view, distant view, sun view and night view of the Yellow Crane Tower appear alternately, with wonderful changes and magnificent weather. Against each other are the immortal yellow crane, the famous building resort, the blue sky and white clouds, the Qingchuan sandbar, the green trees and grass, and the sunset river, which are vivid and colorful.

The whole poem is full of artistic meaning and aesthetic feeling. Third, the musical beauty with natural timbre and clear syllables.

Rhyme has strict metrical requirements. In fact, the Yellow Crane Tower is not the standard seven laws. The fifth and sixth words in the first and second sentences are actually "Yellow Crane", the third sentence is finished with six strokes, and the fourth sentence is finished with three tones.

It's almost the syntax of ancient poetry without antithesis. The words "Hanyang Tree" and "Nautilus Island" in the fifth and sixth sentences seem to be right or wrong. The reason why it is considered as the masterpiece of "Seven-character Rhyme" lies in its natural tone and clear syllables, in addition to the artistic conception and painting beauty analyzed earlier.

The first four sentences of this poem are blurted out, followed by letters, in one go, and go straight down with the trend, so there is no time to take into account the metrical antithesis of the seven laws. "Although the scenery is broken on May 6, the gas is overflowing and the income is the same, so it is valuable."

(For Fang's comments in the Qing Dynasty, see Poetry in Tang and Song Dynasties, Volume 5. ) Because the whole poem is finished in one breath, it reads naturally and smoothly.

In addition, disyllabic words, reduplicated words or phrases will be used many times, such as disyllabic words such as "Yellow Crane" and "Return", and disyllabic phrases such as "Here", "Riverside" and "Wandering".