How to evaluate the movie "Sweet Honey"

Personally, I think "Sweetie" is one of Peter Chan's best movies and one of my ten favorite movies.

I think the most successful thing about "Tiantianmi" is not the love it has set up - but life, which is much stronger than this.

Kexin Chan accurately presents the words "stranger" and "wandering" in the camera.

I would like to talk about my favorite in two points.

First of all, the details of "Sweet Honey" are really awesome.

What is quality of life?

"Sweetness" is the quality of life.

You never thought that a domestic director could portray something like life so lifelike. This was later done by Pang Haoxiang in "Chi Ming and Chun Jiao", and "Sweet Honey" In this matter, it is better than "Zhiming and Chunjiao" - there are so many streets.

Rather than saying that Chen Kexin is really good at capturing details, it is better to say that Chen Kexin is too strong in creating characters. With a few strokes, a few strangers with different expressions appeared on the paper in a flash, making them unforgettable.

Letter, chef, broken English, all these details made Li Xiaojun stand firm. Part-time job, McDonald's, deposit machine, buying a house, all these details made Li Qiao stand firm. Then, when Li Xiaojun rode a bicycle Walking through the streets of Hong Kong, the strong and tantalizing sense of the times rushes towards my face.

I can’t deny that for a moment, I thought of my fathers, those fathers who smuggled immigrants to Canada, Boston and Hong Kong decades ago. Their days must have been the same.

It’s really awesome.

However, what shocked me most about "Sweetness" was not the love it described - it was a movie about "strangers" and "wandering".

In the film, not to mention the first male lead Li Xiaojun, whether it is the "Guangzhou girl" Li Qiao, Li Xiaojun's wife Yang Xiaoting played by Liming, or even the only one who did not belong to the role of "drifter" in the beginning Brother Bao, in the end they were all labeled as "strangers" without exception.

Hong Kong and New York are so similar and so different.

A line from Maggie Cheung in it is really heart-wrenching.

Li Xiaojun: "Hey, you said you were in Guangzhou?"

Li Qiao: "I was in Guangzhou last year."

Li Xiaojun nodded to himself, Li Qiao paused for a moment.

Li Qiao: "I was there last year...I'm not here this year..."

Relatively speechless.

Li Qiao: "I am from Guangzhou."

Li Xiaojun (laughing): "I have already estimated that we are comrades."

Li Qiao: "How big are you, comrade? We speak Cantonese, we watch Hong Kong videos, we drink Vitasoy, we are so close to Hong Kong..."

Li Xiaojun (embarrassed): "Yes, yes, Your behavior, manner, dress, behavior, and facial features all look like Hong Kong people..."

Li Qiao: "You are taking advantage of me."

Li Xiaojun was silent.

Li Xiaojun: "You can take advantage of me a little more..."

Li Qiao: "Then, you let me take advantage of you even though you knew it..."

< p>Li Xiaojun: "I'm afraid that if I don't let you take advantage of me, you won't come to me... Then I won't even have the only friend in Hong Kong."

Dark night, heavy rain, Lantern Festival , Teresa Teng's songs played on the lonely CD file, and two lonely strangers talked around the lamp.

There are no long sensational paragraphs, no emotional build-up, just a few simple sentences that poke your heart and lungs, and hit you hard, making you extremely sad.

It starts with a letter sent from a foreign land, and then runs through the entire Hong Kong with letters sent from a foreign land one after another.

Most of the scenes in it are so wandering - Li Xiaojun's rental house at his aunt's house after arriving in Fu, endless hotel rooms, the CD stand on New Year's Eve, the sauna room, Brother Bao's boat. In this movie, you never feel truly stable, even if you see Li Qiao getting a company and buying a car, even if you see the Statue of Liberty in New York.

They kissed in the rental house.

They had sex in the hotel.

His Xiaoting left him.

Leopard Brother with Mickey tattooed on her back also left him.

They get together and then separate, just like all the people in the world.

They finally met, in an international metropolis a hundred times stranger than Hong Kong, in front of Teresa Teng’s obituary.

Zoom in again and again, zoom in again and again.

What a sad ending, it makes me cry and I can’t help myself.

They finally met, but they still had to say goodbye.