Wine flag wind in Xinghua Village Pavilion. Water soluble. Yang remains red. Originality _ Translation and Appreciation

Wine flag wind in Xinghua Village Pavilion. Water soluble. Yang remains red. -Song Xie Yi's "Jiang Shenzi Xinghua Village Pavilion Wine Flag Wind" Xinghua Village Pavilion Wine Flag Wind. Water soluble. Yang remains red. Wine flag wind in Xinghua Village Pavilion. Water soluble. Yang remains red. Crossing the boat in the wild, willow green is shaded. Looking at the mountains in the south of the Yangtze River, people are far away and the grass is empty.

Smoke cage outside the sunset building. The powder melts. Pale eyebrows I remember when I met you on the screen. Only the Guanshan Mountain tonight is the same as the moon thousands of miles away. There are 300 Song Ci poems, which are translated and annotated by scenery and people.

The wine flag of Xinghua Village Pavilion is facing the wind. The river dissolved and the red color faded. No one crossed the wild boat, and the willows on both sides were thick with green shade. Looking at the mountains in the south of the Yangtze River, there is no figure.

Only grass is even blue. The sunset outside the building is a smoke cage. The powder is fragrant and the eyebrows are pale. I remember last year, I saw you in the photo. The mountains are heavy tonight, thousands of miles away, and the bright moon is with you.

The theme of the words of thanks is to cherish people and express the feelings of lovesickness in recalling the past. First of all, start with space and expand a three-dimensional space realm. The wine flag of Xinghua Village Pavilion flutters gently in the breeze, and the clear water flows quietly. Flowers have withered, and the spring breeze is blowing, rolling up bursts of residual red. This is the late spring village and the specific environment in which the author lives. All this shows that "running water is weaker than spring", which adds a bit of melancholy to the author's mentality. Xinghua village is attached to wine, which comes from Du Mu's poem Qingming. "Where is the restaurant? The shepherd boy refers to Xinghua Village. " Later, hotels were named after Xinghua Village.

"Crossing the boat in the wild, willow green is shaded." In the sentence "Wild Crossing", Wei's poem "Xixi Chuzhou" is used to express the sadness of the environment. The scene of "a bright future" inevitably adds a touch of sadness to the poets. Willow is often associated with sadness and hatred of parting, and willow has become a symbol of parting. "In front of the building, the green and black road branches, with a touch of willow and an inch of tenderness." (Wu Wenying's "hyacinthus orientalis Pine, Listen to the Wind and Rain") "Thick shade of green" also means green and dark. The quiet and desolate wild crossing symbolizes the willow tree that leaves sorrow and does not hate, which contrasts with the light melancholy color formed above. All this paves the way for the homesickness of "the mountains in the south of the Yangtze River are far away, no one can see them, and the grass is empty", rendering the environmental atmosphere. After the above rendering and bedding, the "invisible" "people" did not appear out of thin air. "Wangjiang Nanshan, people are not seen, the grass is empty." Xie Yi is from Linchuan, Jiangxi, and also from Jiangnan. Although he was able to write poetry all his life, he got off to a bad start in the examination room, tried and tested, and died in cloth. Such a down-and-out scholar, in a foreign land, is in a miserable mood. It goes without saying that he looks at the south of the Yangtze River, and the green hills are faint and endless, and the feeling of acacia separation arises spontaneously. The only thrill is far away in Jiangnan, but I can't see it. All he can see is endless spring grass, which is connected with the sky and extends to the infinite distance. Spring grass is the object that easily causes parting lovesickness. "The Songs of Chu Recruit Hermits": "Wang Sun swims without returning, and spring grass grows." "If you stay away from hate like spring grass, you can go further and live." (Li Yu's "Qing Ping Le, Don't Come to Spring Half") The poet looked at the spring grass in the sky with a telephoto lens. The Iraqis didn't know where it was, and they were fascinated and hated.

After the film, the pain of lovesickness, which people can't see, naturally turns to recalling the past. The five sentences in Sunset ... The words in the picture are all memories of the past, the time from the first movie to the next movie. The five sentences are all about "remembering", and all of them should be dominated by "remembering". However, the phrase "writing is like looking at a mountain, and I don't like peace" is particularly taboo, so the author begins with memories and immediately describes the image, not the narrative. In the beautiful moment of sunset, the smoke outside the building is light, and in this charming environment, there is a stunning beauty. The powder is tender and full, the aroma is pleasant, and the eyebrows are pale. Instead of describing her face and figure, the poet used parts to replace the whole metonymy rhetoric, only writing her eyebrows and pink incense, and the rest can be imagined. This is even more fascinating than telling stories at will. This is a very vivid image that will never disappear on the fluorescent screen of the poet's memory. Then fill in the past with a supplementary writing: "I still remember the year when we met." This shows that everything above happened in the upstairs painting screen. Finally, the author asks a question: "Did you leave soon after you met, or did you live together for a while?" The author no longer gives any explanation. Lyrics are like paintings. Painting can't occupy the whole paper, but draw everything, leaving appropriate blanks. There should also be blanks in the lyrics, leaving readers room for imagination.

Recalling this, I suddenly stopped and pulled the time back to my eyes. "Only Guanshan is here tonight, thousands of miles away, and the light is the same." After the sail of memories passed, the poet had to face the reality. After the mountain, spring grass is in the sky, looking at the beautiful woman, goodbye for no reason. The poet thought: There is only a bright moon in the sky tonight, shining on me, a stranger, and on her, a thousand miles away. We can only pour out our lovesickness to the bright moon. Let's exchange ideas through the bright moon! "Beauty walks in the dust, and the moon is thousands of miles away." (Xie Zhuang's Yuefu in the Southern Song Dynasty) "I hope that people will live for a long time and have a good scenery for thousands of miles." (Su Shi's "Water Tune") The poet's mood may be similar at this time. Xie Yi writes Xitang Ci. Mao Yun said, "Xitang's small orders are light and lovely." Etymological Congtan said that the word "beautiful and meaningful" is also quite close.

Creation background One year at the end of spring, in a post station called Xinghua Village in Huangzhou, the poet Xie Yi wandered alone outside the post station. Facing the beautiful scenery in the south of the Yangtze River, the poet can't help thinking of his former lover, and an irresistible emotion fills the author's heart. So the poet returned to the posthouse, asked the handyman for pen and ink, and wrote this poem "Jiang Shenzi" on the wall. Xie Yi (1068-113) did not escape, and was named Xitang. Linchuan (now Fuzhou City, Jiangxi Province) was a southerner in the Song Dynasty. A writer in the Northern Song Dynasty, one of the 25 inheritors of Jiangxi Poetry School. Also known as "Linchuan Xie Xie" with his brother Xie Yi. Together with Rao Jie, Wang Ge and Xie Yi, they are called "four outstanding Linchuan poets of Jiangxi Poetry School". He once wrote 300 poems about butterflies, named "Thank Butterflies". Born in the first year of Xining, Zhao Zhuan, Song Shenzong, he lost his father in his childhood and his family was poor. Together with Wang Ge and Xie Li, I worked hard at Lv Xizhe's place, and my poems and essays were excellent. I took the imperial examination twice, but I failed. Song Huizong Evonne Zheng He died of illness in his native land for three years at the age of 45. Xie Yi

The children at home have not been driven away, and the oriole singing the song of idleness is still sleeping. There is a lonely village at the foot of the mountain and a lonely plateau on the horizon. The autumn wind is everywhere, and the village is rainy. Yellow leaves of the Yellow River cover the bridge, and an ancient tree is seen in the deserted village. The clear river winds around the village, and everything in the village looks elegant in the long summer. The abandoned village has seen the sun again and fallen leaves are falling. Don't laugh at the farmhouse music brewed in the muddled month. In the harvest month, the dishes for guests are very rich. Liu Fuqiao, Qingyijiang Village, Yunzhe Temple, Jiuhuashan Road. The children came back from school early, so they were busy flying kites in the east wind. Bamboo fence and the hut in the fence, in an obscure village, are quiet and harmonious. The grass in the lonely village is far away, and the apricot flowers fly in the setting sun. Looking at sparkling wine, clusters of smoke villages and rows of frost trees. A wisp of lonely kitchen smoke rises in the village on the edge of Ran Ran, and the returning geese have already flown to the distant horizon. Outside the forest, pigeons rest in the spring rain, and the apricot blossoms are numerous on the first day of the house. I miss my cold dreams and listen to Jiangcun night flute.