I urgently ask Du Mu to write about the background of Bo Qinhuai.

Smoke cage cold water moon cage sand, night parking near Qinhuai restaurant.

Strong women in business don't know how to hate their country, but they still sing backyard flowers across the river. Moral: The water vapor of rime hangs over Qinhuai River, and the moonlight reflects the sand bank along the river.

On a quiet night, the boat stopped on the shore and leaned against the boatman.

Singers don't know the legacy of national subjugation,

The hotel on the other side of Qinhuai River also sang "Flowers in the Garden of Yushu".

This poem is nostalgic. Jinling was once the capital of the Six Dynasties, and it was prosperous for a while. Today, seeing the decline of the Tang dynasty, those in power are fatuous and dissolute, and it is inevitable to repeat the mistakes of the Six Dynasties, and feel infinite sorrow. The first sentence describes the scenery, first trying to render the elegant night by the water; Two narratives, pointing out the location of parking at night; Three or four sentences of feelings, from the "near the restaurant" leads to the song of the merchant girl, there are many geisha in the restaurant, which is naturally free and easy; From decadent songs, it leads to "I don't know how to die and hate my country", attacking the powerful gentry for indulging in debauchery, which has profound implications; Introducing the tune of "backyard flower" from "national subjugation", Chen Houzhu's corpse lashed the debauchery of powerful people, which was profound and sharp. These two sentences express sober feudal intellectuals' worries about state affairs, and also reflect that bureaucrats and nobles are filling their decadent and empty souls with singing and dancing, leading a drunken life, which is a portrayal of two different aspects in the real life of the decline of the late Tang Dynasty. "A strong business woman doesn't know how to hate her country, but also sings" backyard flower "across the river." "backyard flower" is said to have been written by Chen Houzhu in the southern dynasties, and is called "the voice of national subjugation" by later generations. "Across the River" inherits a story of "national subjugation and hatred for the rich", which means that the Sui soldier Chen Shijiang was in Jiangbei, and the small court in the Southern Dynasties was in danger across the river, while Chen Houzhu was still addicted to singing, and finally he was captured and died. Literally, these two poems seem to criticize the singer, but in fact, the poet feels the decline of state affairs and the decline of the world in the late Tang Dynasty, criticizing those rulers who are addicted to singing and dancing and "don't know" that the country will die. The word "still singing" is meaningful, which skillfully links history, reality and imagined future, and shows the poet's concern and anxiety about the fate of the country. This poem was written by what the poet saw, heard and felt. The language is fresh and natural, and the conception is exquisite and meticulous. The whole collection of poems consists of scenery, events, feelings and meanings in one furnace, and the scenery is set for the feelings, and the feelings follow the scenery. Chen Houzhu's debauchery and subjugation satirized the rulers of the late Tang Dynasty, and implicitly expressed the poet's deep thinking on history and deep concern for reality. With deep feelings and profound implications, it is known as a masterpiece in the quatrains of the Tang Dynasty. This poem shows the poet's bitter satire on the rulers of the late Tang Dynasty and his deep concern for the fate of the country. Such rich connotations and profound themes are contained in just 28 words, each of which is concise. The language of poetry requires conciseness. Only simplicity can be implicit, and only implicit can be seen. So subtlety and exquisiteness complement each other. This poem vividly and typically shows the breath of the late Tang Dynasty in the artistic conception of scene blending, reminds people of the fate of the late Tang Dynasty from Chen Houzhu's debauchery and national subjugation, and euphemistically and implicitly expresses the poet's profound thinking on history and reality, with profound content, deep feelings, endless implications and thought-provoking.

Historical background

A businesswoman is a singer who waits on others. What they sing depends on the taste of the audience. It can be seen that the poem's saying that "business women don't know the national subjugation and hate" is a kind of ballad, and the real "national subjugation and hate" is the appreciators in that building-feudal nobles, bureaucrats and gentry. The "backyard flower", namely "yushu backyard flower", is said to have been made by Chen Houzhu, a dissolute and wrong country in the Southern Dynasties. This decadent voice has made the Chen Dynasty perish. However, in this declining era, some people use this voice of national subjugation for fun instead of thinking about national affairs. How can this not make the poet worry that history will repeat itself? The word "across the river" is inherited from the story of "national subjugation and hatred for the rich", which means that the Sui soldier Chen Shijiang was in Hebei, while the small court in the Southern Dynasties was in danger across the river, while Chen Houzhu was still indulging in debauchery. The word "still singing" skillfully and naturally connects history, reality and imagined future into a line, which is meaningful. "Businessmen don't know how to hate their country, but still sing" backyard flowers "across the river. They are called "swan songs" because of their beautiful and brisk style, showing bitter satire, deep sorrow and infinite emotion. These two sentences express sober feudal intellectuals' worries about state affairs, and also reflect that bureaucrats and nobles are filling their decadent and empty souls with singing and dancing, leading a drunken life, which is a portrayal of two different aspects in the real life of the decline of the late Tang Dynasty.

Writing background

Du Mu was very concerned about politics in his early days, and he was worried about the riddled Tang Dynasty. He saw that the ruling clique was decadent and fatuous, that the buffer region was in a state of chaos, and that there were frequent border troubles. He deeply felt that social crises were everywhere and the prospects of the Tang Dynasty were worrying. This thought of worrying about the times and hurting the world prompted him to write many poems with practical significance. Bo Qinhuai was also produced on the basis of this idea. When he came to Qinhuai River, which was still a prosperous river at that time, he was deeply moved and wrote this poem when he heard the singer singing "backyard flowers". The poem says that Jinling singers "don't know how to hate the country" and sing the song "backyard flowers". In fact, this is the history that the author (Chen) finally perished because of his pursuit of debauchery and pleasure, which satirizes that the rulers in the late Tang Dynasty did not learn lessons and shows the author's incomparable concern and deep concern for the fate of the country.

Chen Houzhu once wrote a poem "Flowers in the Back Garden of Yushu": the forest is on the shelf, and the new clothes are gorgeous and beautiful; Yinghu couldn't get in at first, so he greeted with a smile. Demon Ji's face is like a flower with dew, and Yushu Creek shines in the backyard; Flowers bloom and fall in a short time, and the ground is silent! This poem is regarded as the voice of national subjugation and an ominous sign.

Du Mu was very concerned about politics in his early days, and he was worried about the riddled Tang Dynasty. He saw that the ruling clique was decadent and fatuous, that the buffer region was in a state of chaos, and that there were frequent border troubles. He deeply felt that social crises were everywhere and the prospects of the Tang Dynasty were worrying. This thought of worrying about the times and hurting the world prompted him to write many poems with practical significance. Bo Qinhuai was also produced on the basis of this idea. When he came to Qinhuai River, which was still a prosperous river at that time, he was deeply moved and wrote this poem when he heard the singer singing "backyard flowers". The poem says that Jinling singers "don't know how to hate the country" and sing the song "backyard flowers". In fact, this is the history that the author (Chen) finally perished because of his pursuit of debauchery and pleasure, which satirizes that the rulers in the late Tang Dynasty did not learn lessons and shows the author's incomparable concern and deep concern for the fate of the country.