What means of transportation are available at Yongle Palace Tourist Area in Ruicheng County, Yuncheng City?

Traffic guide to Yongle Palace Tourist Area in Ruicheng County, Yuncheng City: City transportation: Take a motorcycle from Ruicheng Bus Station for 2 yuan, a taxi for 3 yuan (less than 3 highways), and it will take 10 minutes to reach the scenic spot.

The Yongle Palace in Ruicheng, Shanxi is a Taoist temple, formerly known as the Dachunyang Wanshou Palace. The palace was originally located in Yongle Town, 20 kilometers west of Ruicheng. According to the relevant classics (Tao Zang) and palace inscriptions, it was the birthplace of Lu Dongbin, one of the Eight Immortals of Taoism. After Lu's death, the villagers changed his former residence into Lu Gong Temple. At the end of the Jin Dynasty, the story of Lu Dongbin spread further and further, and the number of people worshiping it gradually increased. The ancestral hall was expanded into a Taoist temple, and was later destroyed by fire in the third year of Emperor Taizong of Mongolia (1231). The current Yongle Palace was built in the Yuan Dynasty. At that time, Qiu Chuji, the leader of the Quanzhen Sect, was very favored by the imperial court. This sect also regarded Lu Dongbin as its founder, so the emperor ordered the temple to be upgraded to a palace. Pan Dechong, a Taoist leader from the south and north of Hebei Province, was sent to preside over the construction of the palace. It took fifteen years to complete the main building in the third year of Zhongtong (1262). The murals were not completed until the eighteenth year of Zhizheng (1358). The construction period lasted for 110 years. For many years, it has been almost always associated with the Yuan Dynasty. Although there were minor repairs during the Ming and Qing Dynasties, the original appearance of the Yuan Dynasty was basically preserved. After liberation, because the old site of Yongle Palace was in the flooded area of ??the Sanmenxia Water Conservancy Project, starting in 1959, it took seven years to move all the buildings and murals to the new site for restoration and preservation.

There are five main buildings in Yongle Palace. Except for the palace gate which was built in the Qing Dynasty, the others were all built in the Yuan Dynasty. There are four buildings, namely the Dragon and Tiger Hall, the Sanqing Hall, the Chunyang Hall and the Chongyang Hall. The main hall and each hall have exquisite murals with a total area of ??960 square meters. They have rich themes and superb brushwork. They are masterpieces in the history of Chinese painting. The main hall of Yongle Palace is Sanqing Hall, also known as Wuji Hall, which originally enshrined the statues of Sanqing gods. Sanqing is a Taoist term. Taoism believes that there are three highest fairyland in heaven, called Wangqing, Shangqing and Taiqing. Among them live the three highest gods, namely Yuqing Yuanshi Tianzun, Shangqing Lingbao Tianzun, and Taiqing Taishang Laojun. There is another theory in Taoism about the transformation of Qi into the Three Pure Ones. The Three Pure Ones here refer to the incarnation of Yuanshi Tianzun. The Sanqing Hall is majestic and magnificent, with a tall platform, a fan on the front eaves, and no windows on the four walls. The method of reducing columns is used in the hall to make the space wider. The murals cover the four walls and the inside and outside of the shrine. The painting is 4.26 meters high, 94.68 meters long, and covers an area of ??403.3 square meters. It is like a huge ribbon that surrounds the entire hall. The authors are Luoyang Ma Junxiang and his son, and it was painted in the second year of Taiding in the Yuan Dynasty (1325). The whole hall is just a painting called "Chaoyuan Immortal Stick Picture", which is an image of gods worshiping Yuanshi Tianzun, the founder of Taoism. In the center are eight main gods, dressed as emperors and empresses, surrounded by more than 290 gods on duty, including emperors, immortals, real people, Tianding, strong men, stars, golden boys, jade girls, etc. Arranged in four levels, front and back, forming a long queue. The main statue is slightly larger, more than three meters tall, and the worshipers are more than two meters tall. The characters have different expressions, some are watching, some are talking to each other, some are thinking, and some are listening. Such numerous and huge statues of gods are organized in a unified composition, which is neat but not rigid, complex but not chaotic. The picture emphasizes echoes and pays due attention to changes, so that the crowds with consistent dynamics, consistent tendencies, and roughly similar clothing can be transformed through slight turns. and Gu Pan echoed each other. The lines in the painting are rigorous, concise and smooth, and some lines are several meters long. The facial expressions of the statues can be expressed with various lines. The eyebrows and eyes are particularly vivid. The changes of the corrugator muscles and the relationship between the eyes and other parts are handled accurately and skillfully, so that the same serious face shows different personalities. In addition, the colors of the painting are simple and clear, using the heavy-color hook-and-fill method, with mostly azurite green as the main color, and the background of the props is highly decorative. On the crown and the cover of the treasure, a large amount of lime powder is used to gild, which makes the color tone both bright and deep, and the picture becomes more clear-cut. "Chaoyuan Immortal Stick Picture" is magnificent and has vivid characters, which fully reflects the high level of our country's traditional line drawing technique.

Chunyang Hall, also known as Huncheng Hall and Luzu Hall, was named after the name of Lu Dongbin Road, Chunyangzi. This hall is the same as Sanqing Hall. The ceiling caisson is extremely skillful and the hall is very spacious. The four walls and fan walls are covered with murals, in the form of comic strips, depicting the life story of Lu Dongbin from his birth to becoming an immortal and saving people. There are fifty-two paintings in total, with strong folk colors. The general name of the mural is "The Manifestation of Emperor Chunyang's Immortal Journey". The composition is rigorous, coherent and natural. Each storyline is connected by natural scenery such as mountains, rivers, clouds, trees and rocks. The painting shows the social life of the Yuan Dynasty, including pavilions, restaurants, teahouses, and garden villas. The characters include high officials, businessmen, common people, farmers, beggars, bachelors, etc. Various costumes, utensils and facilities were also drawn.

On the back of the fan wall, there is a scene of Zhongli Quan converting Lu Dongbin. The picture is broad and the scenery is beautiful, with mountains and water. The master and the apprentice sat side by side, Zhong Liquan was talking eloquently, while Lu Dongbin lowered his head and meditated. The forms of the master and the apprentice appeared in the wall. The murals in this hall were painted by Zhang Daoli, an ancient disciple of Zhu Hao, and others, and were completed in the 18th year of Yuan Zhizheng (1358).

Chongyang Hall is also known as Qizhen Hall. In the hall are Wang Chongyang and Qizhenren, leaders of the Quanzhen sect of Taoism. Qizhen, also known as Northern Qizhen, founded seven Taoist sects of Quanzhen Religion respectively. For example, Ma Yu, named Danyangzi, founded the Yuxian sect; Tan Chuduan, named Changzhen, founded the Nanwu sect; Liu Chuxuan, named Changsheng, founded the Suishan sect. Qiu Chuji, named Changchunzi, founded the Longmen sect; Wang Chuyi, named Yuyang, founded the Gangshan sect; Hao Datong, named Taigu, founded the Huashan sect; Sun Buer founded the Qingjing sect. The murals in this hall are mainly about the myths and legends of Wang Chongyang, and they are also painted in the form of comic strips. From his birth to the enlightenment of the Seven Lives, there are 49 paintings, each with a title. On the back of the fan wall are images of gods worshiping the Three Pure Ones. The main image is on top, and the gods are congratulating each other. The maids are on both sides, with plump faces and flowing clothes. The artistic value is very high.

Dragon and Tiger Hall, also known as Wuji Gate, is the gate of the original Yongle Palace. There are also murals in the hall, with the painting of Shencha Yulei (pronounced like Shenshu Yulu). These are two door gods. Ancient books say: There is a mountain called Dushuo in the sea, with peach trees on it. It stretches for three thousand miles. There is a ghost gate in the northeast of the low branches. It is the place where all ghosts come and go. Shen Cha and Yu Lei are two God guards the gate and is in charge of checking the ghosts. When encountering evil spirits or evil spirits, they would be tied up with reed ropes and fed to tigers. Therefore, at the end of each year, people often draw sacred tea leaves and hang reed ropes on the door to drive away ghosts. There are also paintings of divine generals, divine officials, city gods, land, etc. in the Dragon and Tiger Hall. The legend of the City God is derived from the water (i.e. Huang) and Yong (i.e. the city) among the eight gods of the ancient wax sacrifice. The earliest recorded one is the Wuhu City God, which was built in the Wu Dynasty of the Three Kingdoms. After the Tang and Song Dynasties, the city god was worshiped all over the country. He is the god who protects the city in the Taoist ghost and god system. These statues of gods are painted majestic, with angry eyes, and very powerful.