I am a middle-aged woman, but what should I do if I want to express myself when there are many people?

I have seen it. Do you want it? I can send it to you

Version 1:

The story of the film is adapted from a sexy news story that caused a sensation in Japan. Abe Sada is a servant of a wealthy family. Before that, she was a red geisha in Kyoto. Ishida Yoshizo is the head of the family. He falls in love with Abe Sada, and Abe Sada also falls in love with his romantic master. At first, Abe Sada could control his desires and emotions, and took the initiative to resign to the boss's wife, but later he became addicted to the physical pleasure of Ji Zang and could not extricate himself. The two eloped to a hotel and indulged in it day and night. In order to seek higher satisfaction of desires, the two experienced something almost perverted that others could hardly imagine. When the pursuit of the pair approaches death, the intercourse between the two has become close to a ritual, a ritual of release, a ritual of love and death. Finally, Jizo, who was exhausted, said to Abe Sada: "Strangle my neck while I sleep. Don't stop. The feeling afterwards will be too painful." So Abe Sada strangled him to death when he finally fell asleep. He killed Jizang and cut off Jizang's penis.

This film allows us to appreciate the Japanese perversion and worship of sex. In the film, the heroine Abe fell in love with a man, so between them, it became almost the entire life, day and night. Doing, endless doing, crazy and unrestrained doing, the abyss of endless desire, despairing, in which you experience the emptiness of existence. This is a profound film about human desire. There is no end, the end can only be death! So at the end of the film, Abe Sada, who got it, strangled her lover's neck with a belt and let him die in his sleep. Then she cut off his penis, and he lost his life, but she lost her soul. . To love you so much that I will kill you is such a cruel reality. Therefore, it is listed as one of the top ten banned films in the world.

Version 2:

In 1976, director Nagisa Oshima collaborated with France for the first time since he established his own business. It is based on the sensational "Abe Sada Incident" in 1936. The heroine Abe Sadao is a waitress at Yoshidaya, a Japanese restaurant in Nakano. She falls in love with the boss Yoshida Ishida at first sight. The two are in love and often have trysts in the reception room or remote banquet room of the store. Soon the two were discovered by Ishida Yoshizo's wife, so the two had to elope. In the end, because Abe Sada did not want Ishida Yoshizo to return to his wife, driven by a strong possessive desire to murder, Abe Sada strangled Ishida Yoshizo to death and cut off his... Immediately afterwards, the director's narration appeared on the screen, explaining when Abe Sadao and Ishida Yoshizo met, when Abe Sadao was arrested and the sentence he was sentenced. In the film, Nagisa Oshima portrays Sada Abe as a winner of love, a character who poses an extreme challenge to the theme of "sex" today. The genitals and other scenes in the film are not allowed according to Japanese law. Therefore, although the film was shot in Japan, all the development, editing, etc. were sent to France for processing by cooperating with France, so it can also be regarded as French version of Japanese movies.

Version 3: English short plot

Based on a true story set in pre-war Japan, a n and one of his servants begin a torrid affair. Their desire becomes a ual obsession so strong that to intensify their ardor, they forsake all, even life itself.

Version 4:

At the age of 14, her boyfriend was terminally ill and was forced to work as a prostitute. She had a rough life. I vow to use the most sacred means to experience the true meaning of love! Desire is too pure, so it is dangerous... For love, she held him in her left hand and held a knife in her right hand...

Content: On May 19, Japan's Showa era (year), the geisha Abe Sada, who had a rough life, held his hand A piece of male genitalia was caught wandering the streets of Tokyo. The incident shocked the whole of Japan. This strange story of cutting off the lover's genitals because of deep love is still talked about by many people today because of the legendary, crazy and extreme thoroughness of its story elements.

Sada Abe’s story has also been put on the movie screen many times.

Among them, the most controversial and famous one is "The World of the Senses" directed by Nagisa Oshima. After a lapse of more than 20 years, "Sensory New World", directed by Yoshihiko Obayashi, who has always been good at making youth movies, and starring Hitomi Kurome, reinterpreted this sensational story, with Kuroki who had a bold performance in "Paradise Lost" Hitomi plays the role of Sadao Abe, and in this film, the blurry colors and interweaving shooting techniques depict Abe Sadao's spiritual and crazy love, which is so poignant and romantic that it makes you breathless.

The photography and graphics of "A New World of the Senses" have always been seamlessly intertwined between color and black and white, creating a strong nostalgic color and a time and space where "past" and "present" alternate. The chaotic, poetic picture evokes a bit of melancholy in people, and the melancholy is like a dream. "A fallen woman, an infatuated half-life, the arbitrated Showa love history", the story of Sada Abe, no matter how many literary and artistic works are produced, there is only one character and eternity. The history that has happened is like the man's genitals that were cut off. It has existed, but it can never be repeated. And in the world of images, what cannot be resurrected? So whether the movie is good or bad, whether the viewer likes it or not, it depends on the people in the film. The sensory world, the new sensory world of the viewer, can finally be intimately connected across time and space... until many years later, "we will all become history"

Scene 1: The heroine wakes up in the soft sunshine. Come, lying on a stone platform in the cemetery, surrounded by several children in kimonos holding windmills, singing and laughing.

Scene 2: The heroine works as a maid in a hotel. , people around her have been pointing fingers and saying that she is a woman, but her diligent work seems to show that she is just a good family woman living in a foreign land. The male owner of the hotel defends her so that she can work as an ordinary person. Probably in his thirties, he occasionally goes back to the store.

Scene 3: On a rainy and snowy winter day, a ragged old man who looked like a beggar fell into a puddle and was being pointed at. When the heroine went to help him, the old man under the eaves said to her gratefully: I know you, but you don’t remember. We used to be at xxx place. Your skills are very good. I will never forget it. You came here specially. Yours. I have money, she said, taking out a cloth bag from her arms. Under the old man's repeated pleas, the heroine took off each other's pants, but she soon discovered that the old man was impotent, and the old man finally left in anger. .

Scene 4: After the male owner Ji Zang and the heroine Ah Chang flirted with each other for a long time, they finally couldn't bear it and had sex. After many days of intercourse, they peeked at Ji Zang and him. Abe, who was having sex with his wife, had a whole scene in his mind of killing the boss's wife.

Scene 5: Jizo and Abe eloped away, drinking and having sex every day. On a rainy night, the two of them were like a pair of ordinary lovers. The umbrellas were playing and singing in the rain, scaring away passers-by who were approaching.

Scene 6: Ji Zang and Abe would invite prostitutes to sing in front of people. Becoming more and more bold, Ji Zang stuffed a cooked egg into Abe's face in front of the prostitute and asked her to expel the egg like a hen. Abe asked Ji Zang to eat the egg.

Scene 7: Jizo invited many prostitutes at the same time. He and Abe were in front of everyone, while the prostitutes were playing with each other on wooden boards. The dancing old man danced an ancient Japanese dance in the audience, and everyone in the audience There was a lot of confusion.

Scene 8: Because of promiscuity, it was difficult for Ji Zang to hire another prostitute. Only an old woman came to play the piano for them. Abe suggested that Ji Zang and the old woman play the piano for them. Woman, the strong Ji Zang made the old woman urinate all over the floor

Scene 9: Ji Zang's economy began to be tense. In order to maintain his life of wine and meat, he introduced Abe to a local middle-aged official as a temporary job. Although Abe was unhappy when talking about prostitutes, she behaved no differently in bed than when she was with Jizo.

Scene 10: Preparations for World War II have begun, and soldiers can be seen everywhere on the streets. The official has been dismissed, and the economy of Jizang and others has become increasingly tense. Jizang runs around every day to make a living but to no avail. He returned home and met Abe. Jizo's sexual ability declined due to pressure and promiscuity. In order to satisfy Abe, he asked Abe to strangle him as he did before. With the desire and demand for each other, the two of them have become separated in their own hearts. Not knowing the danger of life and death, Ji Zang was strangled to death.

Scene 11: Abe finally collapsed completely. She cut off her lover's genitals and wandered on the streets as if she were holding the treasure of her own life.

This film was banned due to its large number of unconcealed and unacceptable endings. If you use a narrow personal perspective to measure it, you can make some positive conclusions about the director's theme. For people with strong individualism who regard sex and love as the same thing, this is simply an innocent love story. The hero and heroine fall in love, elope, are immersed in love and give everything to each other... but it is a messy description of personal life. Anti-moral behavior, adultery, promiscuity, no avoidance of sex or even publicity. Sex is like a symbol of love, the crystallization of love, and a gift. In the heroine's heart, sex symbolizes love and is the whole of her world. Everything else can be abandoned, and little do you know that you are slowly heading towards a mental breakdown. The film nakedly describes the entire process of a man and woman immersed in a life of promiscuity, destroying social morality in various ways for business or art. As an early heavyweight restricted film, it set the stage for Japan's next modern A The development of film sets a model and also sets the standard for some morally corrupt behaviors that are pursued privately.

Movie introduction

This is a Japanese film, but the original, unabridged version is still banned in Japan. The story describes the thrilling love story between a maid and her master in a remote mountain village in Japan during World War II. In particular, the shocking ending of the film can be said to be both reasonable and beyond imagination. The film is adapted from a true event. At that time, this incident caused a sensation throughout Japan. The love model described in this movie had a profound influence on later Japanese literature. Junichi Watanabe's novel "Paradise Lost", which became a sensation a few years ago, was influenced by this movie. This movie can make you believe that happiness and tragedy are often just a thought away, and that extreme happiness will lead to sadness.

Expression techniques

Stills from "Kingdom of the Senses" Throughout the film, due to the costumes and scenes, the viewer can hardly determine when the story took place. What is shown in the film is a classical Japan of paintings, legends and imagination. But one shot gave away the secret. Aji went out to get a haircut and met a group of heavily armed soldiers. On one side of the street, people waved national flags and military flags to see off the young men who were about to go to the battlefield.

Director Nagisa Oshima arranged this scene not simply to express the style of the times. As a director who has witnessed the student anti-American and anti-war movements and has always enjoyed being anti-establishment, juxtaposing the fanaticism of war with the fanaticism of love cannot be summed up as a statement of "yes or no war", but is also a profound reflection of the times. Deep irony, an affirmation of anecdotes that have been obscured in orthodox history.