Who will introduce me to some famous contemporary writers?

Li Ruobing, a contemporary writer, was born in Yanjiabao, Jianglu Township, Jingyang County, Shaanxi Province, 2005- 12- 15 Li Ruobing, 1926. National first-class writer. He has served as vice chairman of Shaanxi Branch of Writers Association, secretary of Party Committee, director of Chinese Writers Association, chairman of Shaanxi Federation of Literary and Art Circles, and director of Provincial Department of Culture. His original name was Liu, and when he was a child (shortly after his birth), he was sold to a family named Du as his son, so he used the names Du Xishan and Du Deming and the pen name Sha Tuoling. In order to commemorate his dead biological mother and remember the psychological trauma that an orphan will never heal, he changed his surname to his mother's surname, and later adopted his current name, Li Ruobing, under the pen name Li. Li Ruobing's wife He, 1928, was born in a teacher's family in Mizhi County, northern Shaanxi. /kloc-joined the Suide District Art Troupe at the age of 0/6 and performed operas such as "White-haired Girl". Sister He Hongxun's yangko opera "Feed the Chicken" was well received by Zhou Yang and recommended for publication in Liberation Daily, with Mr. He Jingzhi as the preface. Since then, he entered the newly liberated Xi and worked in the Northwest Federation of Literary and Art Circles. The two met and fell in love, and held a simple wedding, far apart. One went to the West Gobi and the other went to Beijing. From then on, Li Ruobing gave up his pseudonyms, such as camel bell, sand camel bell and Li, and began to publish his works under the name of Li Ruobing. He also uses the pseudonym He Shuyu. If the jade is frozen and expressed, it can mean "there is a piece of ice in the jade pot", which is the moral of their literary career and love. This is just as he wrote in an essay: "Life is destiny takes a hand, I was sold as soon as I was born, so that I have never seen my father in my life. This is a regret that I can't make up for in my life. " 1933 He started studying in Yunyang Town Primary School when he was seven years old. An accidental event changed the fate of his life. On this day, a children's exile troupe came down from Beishan, engaged in revolutionary propaganda activities, and lived in his cotton shop across the hall. When the troupe returned to Yan 'an, Li Ruobing wanted to join the troupe, but he failed to do so because of his uncle's disagreement. Later, he and his friends secretly found the office of the Eighth Route Army in Yunyang, hid it in a cotton-pulling car going to Beishan, and boarded a children's exile troupe while performing in Chunhua Wang Tie Village. 1938 10, when he was twelve years old, he left home with his children's anti-Japanese war troupe to take part in the revolution in Yan 'an, and happened to have an affair with his eldest brother who was a cook in the Eighth Route Army at the south gate of Yan 'an. From then on, Li Ruobing completely handed himself over to his mother Yan 'an. In the revolutionary holy land of Yan 'an, he participated in the Yan 'an Anti-Japanese War Troupe and conducted publicity and performance activities in the Shaanxi-Gansu-Ningxia Border Region. However, his interest in performance is not strong, but he has a strong interest in reading and art. In addition to reading all kinds of books, he also cultivated his talents because of his unrestrained and lively personality. In the revolutionary melting pot of Yan 'an, he is like a lucky grass, bathed in the glory and warmth of the party, and grows sturdily day by day. Since 194 1, I have studied in Yan 'an Military Art Cadre Training Class and Border Area Art Cadre School successively, and participated in the vigorous production movement of reclamation, farming and spinning. In several rows of caves in Hougou of Yan 'an New Market, he read traditional novels such as The Journey to the West's The Water Margin after the rehearsal. From then on, he began to love literature, paving the way for his later literary creation. He participated in the Yellow River Chorus conducted by Xian Xinghai. After that, I went to the border art school, where I farmed and studied literature. /kloc-0 joined the China * * * production party in May, 943. Later, he was transferred to the Northwest Art Troupe and the Central Party School to study and take part in the rectification movement. 1944 was admitted to the literature department of Lu Xun Art College. In Lu Yi, he began to practice writing while writing reading notes. Since then, he was transferred to the Propaganda Department of the Communist Party of China as an assistant secretary, and moved to northern Shaanxi with the central authorities until the recovery of Yan 'an. His first novel was a literary criticism, entitled Some Thoughts on Liu Hulan's Plays, and signed "Camel Bell". Li Ruobing took the pen name Camel Bell because he saw camels outside Yan 'an, and thought that this kind of life with heavy load was admirable. Camel bell is a song in the hearts of travelers. During this period, he used every minute to read excellent literary works at all times and all over the world, and also tried to write some small articles. It was at this time that one of his poetic pen names, the sand camel bell, was born! This is because he often sees the ugly and lovely figure of the camel on the Yanhe River and pays tribute to its tenacity, load-bearing and persistent belief spirit. 1945 he was transferred to Publicity Department of the Communist Party of China as an assistant secretary. /kloc-in 0/946, he was transferred to the Sixth Division of the Fourth Army of No.1 Field, presided over Li Qun Bao and participated in the Great People's Liberation War. During his busy military career, he seized every minute to write many poems, essays and stories. 1948 worked as a secretary in the political department of the Northwest Military Region. After the founding of New China, 1950 transferred from the army to the Northwest Federation of Literary and Art Circles and entered the researcher class of Beijing Central Literature Research Institute for further study. During this period, he read a large number of literary masterpieces, extensively dabbled in books on history, geography, psychology, aesthetics, logic and philosophy, and began to publish some short comments, poems, essays, novels and other works. From 65438 to 0953, he was transferred to the Xi branch of the Chinese Writers Association as a professional writer, and began the arduous course of literary exploration and geological exploration. In June of the same year, Li Ruobing worked as a professional writer in northern Shaanxi petroleum exploration area, and in September, he served as deputy battalion chief of Jiuquan Geological Exploration Brigade of Northwest Geological Bureau. Later, he recalled: I was the deputy battalion commander of Jiuquan Geological Brigade. Although it is a temporary duty, it is actually quite practical. When I was with various geophysical prospecting workers such as geology, surveying, drilling, earthquake, gravity and magnetism, I almost forgot that I was a literary and art worker, and what I thought most about was the progress, achievements and development of exploration work. I can't rule out exploring myself, but one of them. From the beginning, he was moved by their dedication, so he had a strong impulse to express the noble work and life of geologists in his works. Soon, his essay Notes of Northern Shaanxi was published in People's Literature. 1954, he entered the Qaidam basin in Qinghai for the first time with geological exploration workers. Li Ruobing said in his book Scenery of the West: "My hometown is in the west, but I don't know why I always yearn for the west of the west. It seems that there is a mysterious and strange charm that attracts me and makes me walk towards it. " "From the early 1950s, I entered the long and narrow Hexi Corridor from Chang 'an with joy, and together with petroleum geological prospectors, I searched for oil and conducted prospecting in the vast Jiuquan Basin." Since then, Li Ruobing and his "Qaidam" have enjoyed a high reputation in the literary world of China and occupied an important position in the field of prose creation. At this time, a brand-new world was presented to him, and what he saw and heard was so fresh and unique, which greatly inspired his creative inspiration. Li Ruobing's creative desire and artistic inspiration were activated in this fiery source of life. He seized the interval of his exploration work and spent two years writing essays and reportage works such as In the Qaidam Basin, The Footprints of Explorers (formerly known as the foot of Qilian Mountain), In the Cold Season, The Adventure Girl in the Gobi Desert. 1956, Writers Publishing House published his first collection of essays, On the Road to Exploration. In the same year, he joined the Chinese Writers Association. The vast western region, colorful students exploring in the wild and endless creative sources have brought Li Ruobing unlimited temptations. 1957, re-entering the Qaidam basin. The vast Gobi desert and entrepreneurs struggling there have aroused the strongest feelings in the writer's heart. He walked along Golmud, Dachaidan, Xiaochaidan, Lenghu and Youquanzi until he reached Mangya and Ga Skur Lake and reached the edge of Qaidam. As he walked, he thought and wrote, with a flame burning in his heart, sometimes almost one article a day. He wrote down the wonderful scenery, the spirit of the explorer and the mystery in his heart. So there are Love on a Winter Night, Travel in Tea Card, Chronicle of Golmud, Riding in Altun Mountain, Ode to Youquanzi, Night on the Oil Sands Mountain, Missing You, Qaidam, Mountain Lake Grassland, Night Travel in Gobi, Silhouette of Qinghai-Tibet Highway and Qilian Snow, etc. 1959, Writers Publishing House published again a collection of essays reflecting entrepreneurs in Qaidam Basin, which was recognized as Li Ruobing's representative work and established his position in China's literary world. In the same year, China Youth Publishing House published a collection of essays "Journey Collection" for him; 1963, Dongfeng Literature and Art Publishing House published his reportage collection Red Road. 1964, China Youth Publishing House published his prose collection "Mountain and Lake Grassland". Just when the writer's creation was fruitful, the "Cultural Revolution" began and Li Ruobing stopped writing for five years. 1972, as soon as he came out of the cadre school, he returned to Yan 'an and plunged into the Loess Plateau in northern Shaanxi. He went deep into life along the road that the CPC Central Committee and Chairman Mao moved to northern Shaanxi, and almost visited every revolutionary site there. Looking back at the red years and examining the changes and living conditions here, he often has tears in his eyes. He visited northern Shaanxi many times and arrived at 1978. He successively wrote more than ten series of famous essays such as Hard Years, Yan 'an in My Heart, Glorious Course, Happy Liangjiacha, Great Course and Offering this Flower in My Heart, which were published as Sunrise in the Spring of God. /kloc-in the summer of 0/980, Li Ruobing could no longer restrain his yearning for the majestic ocean and the long river sunset, and broke into Qaidam for the third time. His published essays include Middle School Students in the Lake, From Mount Eton Braque, Report on Chaerhan Salt Lake, Dream of Yangguan, etc. 1987, the writer went to Qaidam for the first time in his 60s, and went to Tarim Basin in Xinjiang, and published documentary essays such as Kunlun Waterfall, Impression of Korla, Burning Years, Kikucha Music and Dance Land, and The Mystery of Taklimakan. In recent years, he has published more than ten collections of essays, including Longing for Love, Lines on the Plateau, Letters from Tarim, Flowers and Trees Everywhere, and Selected Prose of Li Ruobing. In 1980s and 1990s, Li Ruobing successively served as Party Secretary and Vice Chairman of Shaanxi Writers Association, Vice Minister of Propaganda Department of Provincial Party Committee, Director of Provincial Cultural Relics Department and Chairman of Provincial Federation of Literary and Art Circles. In his words, "the burden is heavy and the work is arduous. I want to put aside my own creation and do my bit for the development of culture and art in Shaanxi. "However, his works are still circulating. His co-written song" Shandandan bloom Red "is still being sung, and the dance" Imitating Tang Music and Dance "organized by him also has a long performance. Li Ruobing thought about going west again and stepping into Qaidam for the sixth time. He said: "My hometown is in the west, and my spiritual home is in the west. "It goes without saying that what forces the West attract writers to go there again and again. That is: the vast west has not only her broad mind, but also the national spirit of the people living in that land.

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