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Poems on Li Bai's evaluation

1. In terms of artistic achievements, Li Bai's Yuefu, Gexing and quatrains are the highest achievements. His songs completely broke all the inherent forms of poetry creation, no one relied on them, and his brushwork was diverse, reaching the magical realm of unpredictability and swaying. Li Bai's quatrains are natural and lively, elegant and chic, and can express endless feelings in concise and lively language. Among the poets in the prosperous Tang Dynasty, Wang Wei and Meng Haoran were good at the Five Wonders, while Wang Changling and others wrote the Seven Wonders well. Li Bai is the only person who combines the five wonders with the seven wonders. Du Fu's evaluation of Li Bai: "The pen is shaken by the wind and rain, and the poem makes the gods cry."

Li Bai (70 1-762), whose word is Taibai, is the most outstanding poet in the prosperous Tang Dynasty, and also a great romantic poet in the history of China literature after Qu Yuan, and is known as the "Poet Fairy". He had a rough experience and complicated thoughts. He is not only a brilliant poet, but also a ranger, assassin, hermit, Taoist and counselor. Confucianism, Taoism and Rangers are all reflected in him. "Retire after success" is the dominant thought that dominated his life. Li Bai left more than 900 poems to later generations. These brilliant poems show his mental journey all his life, and they are artistic portraiture of social reality and spiritual life in the prosperous Tang Dynasty. Li Bai was ambitious all his life, and he expressed his yearning for fame and fortune unabashedly. This is vividly expressed in Fu Liangyin, Reading Biography of Zhuge Wuhou, and Love Cai Sheren Bear. Li Bai liked Ren Xia since he was a teenager, and wrote many ranger poems, among which Knight Rider is the representative work. Three years of political life in Chang 'an had a profound influence on Li Bai's creation. There is a sharp contradiction between his political ideal and the dark reality, and unspeakable pain and resentment accumulate in his chest. Angry, he wrote a series of nostalgia for the ancients, such as "Difficult to Go", "Antique" and "Answering the Twelve Cold Nights of the King". A famous sentence that is sad for a person's life and difficult to send away. Li Bai lived a wandering life for most of his life, traveled to many famous mountains and rivers all over the country, and wrote a lot of beautiful poems praising the great rivers and mountains of the motherland to express his feelings of loving freedom and yearning for liberation. In this kind of poetry, the strange mountains and rivers complement his rebellious and unruly character. This kind of poetry occupies a large number in Li Bai's poetry works, and has been passed down through the ages, among which "Climbing Mount Tianmu in a Dream" is the most outstanding masterpiece. With dripping and carefree poems, the poet freely spread the wings of imagination, wrote various spiritual adventures and pursuits, and truly liberated the repressed soul in his dreams. And "Oh, how can I seriously bow and scrape to high-ranking people and people in high positions? They will never stand being shown an honest face!" His poems show the poet's lofty sentiments and become an important basis for future generations to examine Li Bai's great personality. As a great poet who loves the motherland, cares about the people and never forgets the reality, Li Bai is also very concerned about the important issue of war. Enthusiastic praise is given to the soldiers guarding the border (such as "Xia Sai Qu"), and the wariness of the rulers is mercilessly lashed (such as "Battle of the South of the City" and "Song of Ding Du"). Li Bai also wrote many Yuefu poems, describing the hard life of laborers and expressing their concern and sympathy (such as Long March and Midnight Wu Ge). ) Li Bai's poems and songs have the artistic charm of "the pen falls and the wind and rain shake, and the poem makes the gods cry", which is also the most distinctive artistic feature of his poems. As a romantic poet, Li Bai mobilized all romantic skills and realized the perfect unity of poetry content and form. Li Bai's poems are full of self-expression and subjective lyricism, and the expression of feelings is overwhelming. For example, when he entered Beijing as an official, he said, "Laugh to the sky. Are we Artemisia people? " When I miss Chang 'an, "the wind blows my heart and hangs Xianyang trees in the west." Such poems are very infectious. Extreme exaggeration, apt metaphor and amazing fantasy make people feel highly real. Reading these poems, such as "But since the water is still flowing, even though it is cut with a sword, it is even more worrying to raise a glass to dispel the sorrow" and "The white hair is three thousands of feet, and the sorrow is as long as long", readers can't help being infected by the poet's long sorrow and endless melancholy. Li Bai's artistic expression is particularly prominent in his poems, such as Climbing Mount Tianmu in a Dream, Difficult Road to Shu, etc. In Li Bai's poems, imagination, exaggeration, metaphor and personification are often used comprehensively to produce a fantastic, magnificent and moving artistic conception, which is why Li Bai's romantic poems give people a heroic, unrestrained and elegant charm. His language is clear, lively and meaningful, just as two of his poems say, "clear water gives birth to hibiscus, and it is naturally carved." Li Bai's poems and songs had a far-reaching influence on later generations. Han Yu, Meng Jiao and Li He in the middle Tang Dynasty, Su Shi, Lu You and Xin Qiji in the Song Dynasty, Gao Qi, Yang Shen and Gong Zizhen in the Ming and Qing Dynasties were all greatly influenced by Li Bai's poems.

2. Ancient poems about the late celebrity's evaluation of Li Bai: Du Fu: "The pen falls in shock and rain, and the poem becomes tears." (Send Li Twelve White and Twenty Rhymes)

Du Fu: "White is invincible, floating in the air, thinking differently; Fresh and open, Junyibao joined the army. " ("Recalling Li Bai")

Du Fu: "One hundred poems of Li Bai's fighting for wine are buried in Chang 'an Restaurant. The emperor called instead of getting on the boat, claiming that the minister was Brewmaster. " (Song of the Eight Immortals in Drinking)

He Zhang Zhi: "Immortality" (poem of skill).

Hao Wei: "Bai has been fighting with the ancients for a long time, and he is obsessed with ghosts." Many scholars speak highly of Li Bai.

Su Shi: "Li Taibai and Du Zimei, with peerless attitude, have crossed over a hundred generations, and all poets in ancient and modern times have been abandoned. However, since the Wei and Jin Dynasties, the wind and dust have also decreased. " (After Huang Zisi's poetry anthology)

Han Yu: "Du Li's article is in full swing." ("Adjusting Zhang Ji")

Li Bai's poems and songs, Pei Min's sword dance and Zhang Xu's cursive script in the Tang Dynasty are called "Three Musts".

Bai Juyi: "Anyone who is also a master of poetry is called Du Li's works in the world. This is incredible, people can't catch it. "

Yang Sheng 'an: Li Taibai is an ancient and modern poet. (Preface to Selected Poems of Zhou Shou 'an)

Yan Yu: There is no difference between Li and Du Ergong. Taibai has one or two beauties, and the beauty of the son cannot be said; Zi Mei has one or two beauties, too white. The beauty of children should not be too white and elegant. Taibai can't be depressed for the beauty of children. Taibai's Sleepwalking in Tianmu, Farewell, etc. The beauty of a child cannot be said. Zimei's "Northern Expedition", "Military Vehicle Shop" and "Farewell the Old and Welcome the New" are too white to do. On Li and Du as the foundation of poetry, and emperors as the support of ministers. Shaoling's poems are like Sun Wu's. Taibai's poetic style is like Li Guang. ("Cang Hua")

Wang Shizhen: Li Qinglian and Wang Longbiao are the best at five-character quatrains. They say that they are good at playing because they have a swan song of the Tang Dynasty. Although Shaoling is a fierce enemy, its charm is extremely unpredictable. (Yi Yan Yuan Yan)

Fu Ruojin: Taibai's genius is free, so his poems are self-contained. Zi's aesthetics is excellent and talented, so his poems have many styles, and the planting principle is mostly weathering. There are 300 poems, and the beauty of children is a masterpiece. (Qingjiangji)

Gao Kun: The lyrics of Taibai Fairy are successful in many words, so Yuefu lyrics are salty and good. Or it began with an article "Difficult Road to Shu", which was loved by the sage. This is a pity for people with shallow material. Otherwise it will be the same. The meaning of white is not limited. Today, his works, such as Farewell, Sauvignon Blanc, Wuqi Qu, Gao Ming Qu, Liangyuan Yin, Tianmu Yin and Lushan Ballad, are short in duration and magnificent, almost as high as the autumn atmosphere in Nanshan. Although Shaoling still has some concessions, Yu Zi is insignificant. (Collection of Tang Poems)

Lu: "Tang came from Li, and Kun Yao lived all his life. The poet who speaks after it is out of reach. " (Preface to Jiangxi Sectarianism)

Modern: Yu Guangzhong: "Wine enters luxury intestines, seven is divided into moonlight, the other three is divided into rigidity and softness, and the embroidered mouth is half full of Tang.

3. Comments on Li Bai's poems: As we all know, Li Bai was the most famous poet in the prosperous Tang Dynasty.

Studying Li Bai's writing style and life experience will help us understand the basic characteristics of poetry creation in the prosperous Tang Dynasty. In the teaching of ancient poetry, in order to make students interested in poems far from the real language and understand the connotation of beautiful poems, we must first let students know the poet's life and ideological character, so as to understand his creative style, artistic conception and beautiful thoughts contained in poems.

Based on this, I read Li Bai's poetry collection and some related materials, and have some superficial understanding of Li Bai's creative style and life experience. I. Li Bai's life and ideological character I think Li Bai's life runs through two main lines: one is his official career, and the other is the influence of Taoist thought on him.

Li Bai comes from a rich and educated family. Let him "carry Liu Jia at the age of five and watch hundreds at the age of ten."

He grew up in Shu as a teenager. Zhongshu is a place with a strong Taoist atmosphere, and the environment has a great influence on his immortal Taoist belief.

The influence of Taoism has been with him almost all his life. 18 years old, learning vertical and horizontal techniques.

In my opinion, it is precisely because of the influence of these things in his youth that he has a proud, elegant and free-and-easy temperament, and his poems also have that kind of strong, rushing feelings and unrestrained momentum. In the 12th year of Kaiyuan (724), Li Bai began to travel about life, asking for recommendations many times, but failed.

In the first year of Tianbao, Li Bai was called to Beijing, which was the most brilliant moment in his life. But not long after, he was vilified by powerful people and his career was hit again, which made him full of dissatisfaction and disappointment with the court, but he also cared about state affairs and hoped to make achievements.

Since the Anshi Rebellion, Li Bai thought it was time to serve the country, entered the Wang Yong shogunate and joined the army generously, but was later convicted of rebellion. Was pardoned on the way.

When he went to the southeast of Li Guangbi, he joined the army again, but he was half ill and died at the age of 62. In my opinion, Li Bai idealized the life philosophy of the scholars in the prosperous Tang Dynasty who actively joined the WTO, and at the same time had the Confucian thought of "helping the poor and keeping peace" of the poets in the Tang Dynasty. Therefore, his overly idealistic life design is bound to fail.

But he has always yearned for such an ideal. Therefore, he kept running back and forth between success and failure, which made him often fall into grief, injustice and disappointment, and maintained a spirit of conceit, self-confidence, openness and high spirits.

Li Bai was deeply influenced by Taoism, strategists and Confucianism all his life. Among them, the influence of Taoism runs through Li Bai's life. The reason why this part is put forward separately is because Taoist belief in immortals occupies an important position in his thought.

When I was a teenager, I lived in central Sichuan, where Taoism was relatively developed. I naturally came into contact with it, and then I learned the vertical and horizontal techniques. During his career, he held many Buddhist ceremonies.

Because of this, Li Bai has shown the idea of dreaming, eating, drinking and having fun in time in many poems. In addition, his arrogant, informal, elegant and free-spirited temperament also comes from this ideological basis, and He Zhangzhi once called him "the fallen fairy".

"Crazy" is the symbol of his life. His chivalry, fairy interest and binge drinking greatly stimulated the arrogant and wild factors in his personality, which made his personality consciousness always in a state of expansion and formed his unique romantic, wild and arrogant personality. Although his poems often reveal the feeling that life is like a dream, he is enjoying life, but this is actually due to his deep yearning for unrestrained and free life, eager to let nature take its course and blend into nature.

In his poems, Li Bai often expresses his yearning for freedom and his arrogant and independent personality spirit through the description of fairyland and immortal life, and expresses his resistance to reality and secularity with the free and easy life of immortals. In the absurd imagination, strong self-awareness, naive pretentiousness and distinctive personality are fully displayed. Second, Li Bai's creative style Li Bai is a talented poet bred by the culture of the prosperous Tang Dynasty. The vitality, emotion and spirit of poetry in the prosperous Tang Dynasty have been fully demonstrated in Li Bai's poems.

His poetry creation is full of passion and magical imagination, which is not only vast and spectacular, but also beautiful and natural. It can be said: "The charm of Li Bai is the charm of the prosperous Tang Dynasty."

The evaluation of Li Bai's creative style can be discussed from his quatrains, Yuefu and songs: Looking at Tianmen Mountain is one of Li Bai's seven masterpieces: "Tianmen cuts off the Chu River, and Higashi Shimizu flows here; The green hills on both sides of the strait are opposite, and the sails are alone. " What he wrote was the poet's aesthetic feelings and emotional moments in the embrace of nature and daily life, and it was a natural and natural work with a wave of his hand.

The feeling of that moment, infinite charm, showed the beauty of nature and universal human nature, the beauty of human feelings, the simplicity of truth, full of interest in life. Of course, it is not enough to explain the wonder of Li Bai's seven wonders just by saying "Looking at Tianmen Mountain from afar".

Li Bai's seven unique poems are mostly landscape poems and farewell poems. In these poems, there is a temperament that is integrated with nature, and with its naive childlike innocence, it is integrated with mountains and rivers.

No matter how you write about scenery and love, there is a natural and clear air, such as watching Lushan Waterfall, making Baidi City as early as possible, and asking questions in the mountains. "Flying down three thousands of feet, it is suspected that the Milky Way has fallen for nine days." "When you bid farewell to the colorful clouds in Bai Di, you will return to Jiangling for a day.

The apes on both sides of the strait can't stop crying, and the canoe has passed Chung Shan Man. ""Ask me what to do, but I just laugh. Peach blossoms and flowing water are gone, and heaven and earth are gone. "

His quatrains are fresh, but they contain elegant and natural Shen Feng. Another example is "Five Poems of Traveling to Dongting with Ye Lang, Assistant Minister of Punishment of Uncle Jia, and Jia Sheren, a Chinese Book". Secondly, "Nanhu is smokeless in autumn night, and it can ride straight into the sky.

Let Dongting Lake enjoy some moonlight on credit and enjoy the moon and drink happily. "Make a glass world with water, moon and white clouds as a whole, and the wonderful imagination generated in this world is written as bright and beautiful, like entering the realm of immortals.

To talk only about the achievements of the Seven Wonders is simply to obliterate the achievements of Li Bai's poetry. Li Bai's five wonders are also unparalleled.

Among the poets in the prosperous Tang Dynasty, Li Bai was the only one who had both the Five Musts and the Seven Musts. His five-character quatrains are often lively in style, showing endless emotional charm with clear and fluent language, natural and implicit, true and concise, and rich in connotation, which is the highest realm of quatrains.

4. What are the comments on Li Bai's ancient poems? 1. Li Bai's Memories of Du Fu in Spring (Tang Dynasty)

Li Bai's poems are unparalleled, and his superb creativity is far beyond ordinary people. Fresh and beautiful, Junyibao joined the army.

Interpretation: The first sentence praises his poems as the best in the contemporary era. The second sentence is an explanation of the previous sentence, which means that the reason why he "has a way in his poem" lies in his extraordinary thoughts and interests, so his poems are unparalleled. Then praise Li Bai's poems as fresh as Yuxin and elegant as Bao Zhao.

2. Li Bai's second dream (Tang) Du Fu

Clouds are floating in the sky, but old friends have gone for a long time.

Interpretation: The wanderer in this poem refers to Li Bai. The so-called "I will think of you in a floating cloud", people compare floating clouds to vagrants, which means that their whereabouts are all floating. The meaning of this poem is: clouds are floating around all day, long time no see for distant friends. It can be seen that the poet's heart is full of yearning and melancholy.

3. Looking for Li Bai (contemporary) Yu Guangzhong

Wine enters the intestines, and seven points enter the moonlight.

Interpretation: Expressing Li Bai's lofty sentiments but feeling lonely. The moon has been a symbol of loneliness since ancient times, so the seven-point moonlight can be described as an image.

4. Song Eight Immortals are drinking (Tang) Du Fu

Li Bai wrote hundreds of poems about fighting wine. Chang 'an went to a restaurant to sleep, but the son of heaven didn't get on the boat, claiming to be Brewmaster.

Interpretation: Li Bai can write a hundred poems by drinking ten barrels of wine. He is also happy to live an ordinary life, lying drunk in a restaurant in Chang 'an. He was unruly and unrestrained, and the son of heaven summoned him. He refused to get on the boat because he was drunk, saying that he was Brewmaster and wouldn't go to anyone.

5. "Tiao Zhang Ji" (Tang) Han Yu

Du Li's articles are in full swing.

Interpretation: It is said that Li Bai and Du Fu's articles are well written, full of flames and shining brilliantly into the distance.

6. To Li Bai (Tang) Du Fu

Drinking crazy songs for nothing, who is arrogant?

Interpretation: It is a waste of time to drink and sing happily every day. Who is a hero like you for?

7. Wu Jian (Tang) Du Fu

The whole world wants to kill people, and I only care about talent.

Interpretation: Here, "everyone wants to kill people" and "only pity talents" highlight the opposition between Du Fu and "the world". "It's a pity" and "I only care about talents", which shows Du Fu's preference and acquaintance with Li Bai.

8. "Send Li Twelve White and Twenty Rhymes" (Tang) Du Fu

There used to be fanatics, nicknamed immortal.

Interpretation: Explain that Li Bai is not a mortal at all and can walk such a difficult road. Is it because Venus is too white?

9. Drinking the bright moon alone (contemporary)

Wine into sorrow, seven points into moonlight.

Interpretation: It is based on the evaluation of Li Bai. Li Bai is addicted to alcohol and has chivalrous spirit. Therefore, Li Bai wrote countless poems in his life, but several poems describing moonlight are particularly famous.

10. Li Bais Tomb (Tang) Bai Juyi

On this side of the quarry, there are endless weeds around the cemetery, and white clouds are far away. Poor spring bones, there have been earth-shattering articles.

Commentary: Li Bai's grave is located by the quarrying river, surrounded by a lot of farmland and grass. The bones buried under this desolate dragon have written words that make the gods cry.

5. Comment on Li Bai's ancient poems-Appreciation of Li Bai's gift to Wang Lun.

Li Bai was about to go by boat when he suddenly heard singing on the shore [1].

Peach Blossom Pond is as deep as that in Wang Lun, a few thousands of feet.

Make an appreciative comment

Li Bai wrote 100 poems about drinking, according to my unchanging habit all my life. According to Yuan Mei's Addendum to Poems in the Garden, Wang Lun, a complete stranger, wrote to Li Bai and invited him to visit Jingxian (now southern Anhui). The letter enthusiastically wrote: "How is your husband? There are miles of peach blossoms here. Is it delicious, sir? There are thousands of hotels here. " Li Bai left happily. See Wang Lun is a hero of Jingchuan, hospitable and charming. So I asked where the Taoyuan Restaurant was. Wang Lun said, "Peach blossom is also called pool water, but there is no peach blossom; Wanjia, the owner's surname is Ye Wan, there is no Wanjia Hotel. " Li Bai smiled and said, Leave for a few days and write down the poem as a farewell when you leave.

Obviously, this poem was blurted out by Li Bai, which naturally became wonderful, so it has been read by people all the time. However, because it is as natural as life, people often know what is wonderful, but not why. There are still some comments on three or four sentences of the poem by later poets, but the first two sentences are colloquial and straightforward. In fact, combined with the above background, the first two sentences are also extremely successful.

"Li Bai will go by boat" means that I will leave Taohuatan by boat. Spoken English simply flowed out without thinking, showing a natural and unrestrained manner of coming on impulse and returning after excitement.

The words "suddenly smell the song on the shore" and "suddenly smell" show that Wang Lun's arrival is really unexpected. I heard it before people arrived. From the warm and hearty singing, Li Bai expected that Wang Lun must have come to see me off.

This farewell shows that Li Bai and Wang Lun are both informal, happy and free people. In the secluded mountain village, there is no complicated etiquette sent by the upper class. Wang Lun didn't seem to be at home when Li Bai left. Wang Lun came back and learned that Li Bai had left. He immediately rushed to the ferry with wine to say goodbye. Li Bai, who left without saying goodbye, is free and easy and not polite; Wang Lun, who is singing farewell songs, is also generous and enthusiastic, and won't let the children touch the towel. In just fourteen words, they wrote down their optimistic personality and their informal friendship.

Perhaps it is because their thoughts and temperament are in harmony that Li Bai is cited as a homonym and Wang Lun's friendship is cherished. Affection, hence to the beauty of the peach blossom pool, affectionately to sing a way:

"Peach Blossom Lake is deep in thousands of feet, not as good as Wang Lun."

Combined with the situation here and now, these two poems seem to blurt out and have natural feelings. Poets often use the depth of water to compare the depth of people's feelings. For example, Wang Lun's friendship is really as deep as a pool of stagnant water, but it is generalized and smacks of poetry. The current writing is like two friends saying goodbye by the boat. One is "I advise you to have another glass of wine" and the other is "one glass after another". Li baijiu is full of passion and flying in the air. He raised his glass to the running water at his feet and said, "Peach Blossom Pond, not to mention how deep you are, is not as deep as Wang Lun's friendship!" There is a naive and natural interest in the prospect of spoken language and eyes, which vaguely shows the great poet's uninhibited personality. Therefore, Shen Deqian of A Qing Dynasty said, "The love of Wang Lun is a common language, if compared with the love of thousands of feet. The wonderful place is just in a transition. " (Tang Poetry)

When the ancients wrote poems, they generally avoided calling them by their names, thinking that they had no taste. However, this poem begins with calling one's own name and ends with calling the other's name. On the contrary, it is sincere, kind, free and easy, and very affectionate.

"Clear water produces hibiscus, and carving is natural." Later generations love to use Li Bai's words to evaluate Li Bai's poems, which is very learned. It is true that Li Bai's improvisation of poetry is effortless. He is passionate, outspoken, naive and unpretentious, but he has an unexpected beauty. "Seemingly ordinary and strange" is dazzling and unremarkable, and this kind of kung fu is extremely difficult to learn. The above poem "To Wang Lun" embodies Li Bai's natural and delicate poetic style.

The traditional proposition of China's poetry is implication. For example, Yan Yu, a poetic theorist in the Song Dynasty, put forward four taboos in writing poetry: "The language should be straight and the meaning should be shallow. Avoid dew in the pulse, and the taste is short. " Shi Buhua, a poet in A Qing, also said that poetry "should not be expensive". However, the expressive characteristics of Li Bai's above poem are: frankness, directness and few words. Its "straight language" and its "pulse dew" are not shallow, but its "meaning" is stronger. Its "straightness" contains feelings, and the true feelings flow from the depths of the soul, so it is very artistic. Thus, the literary phenomenon is complicated. There are also various artistic techniques that cannot be "static".

Precautions:

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6. With regard to Li Bai's poetry collection, this paper evaluates Li Bai's thoughts and sentiments of freedom and liberation and his personality of civilian tendency, which also enables him to explore all kinds of human beauty in social life more deeply. There is a yearning for a quiet life here, such as the third part of Midnight Wu Ge: a new moon hangs over the capital, and ten thousand laundry hammers are beating. The autumn wind blew Yi Dao's voice, and every household remembered the people guarding the border. When will the border war be settled and when will my husband end his expedition? There are praises for working life, such as "Song of Autumn Pu" XIV: "Fire shines on the heavens and the earth, and red stars are everywhere. Langlang moonlit night, winding cold Sichuan. " All these poems, without exception, use the ideal light wheel to make the theme of daily life glow with poetic style. Li Bai is indeed an outstanding poet in China. The great wanderer enriched the scenery of the Tang Dynasty with his feet and poetic pen. He swept away sturm und drang, and then, the smoke in Dongting, the wind and cloud in Chibi, the apes in Shudao and the mighty river suddenly flew. In poetry, the poet is smart and heroic, like a cloud in the sky; He wandered between the eight poles, galloping freely, like a fine horse galloping on the Yuan Ye. In the poem, the poet sweeps away the worldly dust and completely restores his immortal posture: above, he looks for the green void, below, the yellow spring. His romance, madness, love and hate, loneliness and pain, dreams and awakening, heroism and vagrancy all reached the extreme.

His poetry creation has a strong subjective color, which is mainly manifested in his emphasis on expressing heroism and passionate feelings, and rarely describing objective things and specific time in detail. Free and easy temperament, independent personality, and strong emotions that are easy to touch and erupt form the distinctive features of Li Bai's lyric style. He often erupts, and once his feelings are aroused, he rushes out without restraint, just like a hurricane in the sky and an overflowing volcano. His imagination is very strange, often has unusual connections, and changes with the flow of emotions.

7. What are the comments on Li Bai's ancient poems? Du Li's articles are in full swing. (Han Yu)

Hou Li has a beautiful sentence, which is often like a pit. (Du Fu)

Li Bai's poems are unparalleled, and his superb creativity is far beyond ordinary people. (Du Fu)

Li Bai wrote hundreds of poems about fighting wine and went to sleep in a restaurant in Chang 'an. The son of heaven didn't get on the boat, calling himself Brewmaster. (Du Fu)

Everyone wants to kill people, but only I have pity. (Du Fu)

Drunk sleep autumn quilt, hand in hand with Japanese counterparts. (Du Fu)

A cold wind is blowing from the distant sky. What are you thinking, old friend? . (Du Fu)

Drinking crazy songs for nothing, who is arrogant? (Du Fu)

Gao Che Li Fu filled the capital, and you were brilliant, and you were haggard. (Du Fu)

Poetry can never be separated from talent, talent, land, talent and talent. I got Li Taibai from the genius, Du Zimei from the earth and Wang Mo from the genius. Taibai wins in charm, Zimei wins in rhythm, and Mowa wins in reason and interest. Too white is easy to tune, and the size of the child is beautiful. Every word conforms to the teachings of Mahatma. (Xu Zeng)

But what impressed me the most was Yu Guangzhong's Looking for Li Bai, which was often used in writing at that time.

-drinking crazy songs and living in vain. Who is the hero?

I still have those proud boots.

Gao Lishi raised his hand in shame and indignation, and everyone left.

Place refugees and wounded soldiers everywhere.

Practice the rhythm of Huma and Qiangdi

Leave it to Toure to lament carefully.

Since that year, he has been fascinated by Zhang Zhi.

Recognizing you as a fallen fairy makes you more pretentious.

Put a spell on a small hip flask.

Hide yourself, even your wife can't find you.

Complain that Chang' an is small and the pot is long.

In all the poems, you predicted.

It will suddenly run away, maybe tomorrow.

Only when the ship breaks the waves is the wind.

Make enemies like a forest, everyone wants to kill.

How can cirrhosis kill you?

Wine enters the intestines, and seven points enter the moonlight.

The remaining three points into a firm but gentle roar.

Embroidered mouth spit, half a prosperous Tang Dynasty.

From Kaiyuan to Tianbao, from Luoyang to Xianyang

The noise of a car riding a crown running all over the road

Not as good as a song you wrote a thousand years later.

Crystal quatrains tapped me on the forehead.

Echo caused by local bombs

Enough to degrade the world.

It would be embarrassing to let Yelang go again.

So far, your birthplace is still a mystery.

Longxi or Shandong, Qinglian Township or Broken Leaf City?

Why don't you go back to your hometown?

Where are you drunk? You said it was not a foreign country.

Missing is the only fate of genius.

Where will you go after death?

Apes don't cry, but Toure also advises you not to cry.

As soon as I turned around, I was bald under the prison window.

Seven immortals and five friends can't save you.

Kuangshan was locked in the fog and there was no way to get in.

The fire is completely half a grain of cinnabar.

How to chase the rosy clouds in Nie Ge's tea?

The moon in the bottle, maybe that's your hometown.

Have you been looking up at it all your life?

Whether you go out laughing or crying to the west.

Chang 'an has fallen.

Twenty-four Wan Li's return trip

There is no need to disturb Dapeng or recruit cranes.

Throw the glass into the air.

It spins into a flying saucer

The mysterious gegenschein is getting faster and faster.

Take you back to the legend.

8. Later generations' evaluation of Li Bai's poems is opposite to Su Shi's: "Li Taibai and Du Zimei have crossed over a hundred generations with peerless gestures, and poets of ancient and modern times have abandoned them. However, since the Wei and Jin Dynasties, the wind and dust have also decreased. " (After Huang Zisi's poetry anthology)