What does it mean to start at the end of Qingping and end in Cao Meng?

1. "It starts at the end of duckweed and ends in the grass" means that strong winds gather in the place where duckweed grows, then blow and finally subside in the grass. In other words, each other is easy to rise and fall, and it can't last long. All kinds of things happened unconsciously, and finally subsided after some vigorous actions.

2. The original text is from Feng Fu, written by Song Yu, a writer at the end of the Warring States Period.

Original text:

The wind is born in the ground and begins at the end of the green apple.

Invasion of the valley, anger at the mouth of the soil bag.

The fate of Mount Tai lies in dancing under the pine and cypress.

Wandering, arousing anger.

Thunder, go back to the wrong point.

Cutting trees depends on cutting stones, and Lin Mang is killed on the tip.

Until it failed and was separated by Lippi,

Punching is dynamic and scattered.

So, when it is cool and magnificent, it floats and lifts.

Take Gaolingcheng and enter the deep palace.

Dihua leaves vibrate, hovering between cinnamon peppers, soaring and floating on the water.

Will hit the essence of hibiscus.

Hunting back, leaving, almost Xinyi, was caught by Yang, and went back to the cave to run to the mausoleum, depressed and fragrant.

3. Translation:

The wind is generated on the earth, rises from the tip of the green grass, gradually expands to the valley, growls at the mountain pass, and dances wildly under the pine and cypress forest along the ravine. The wind is uncertain, forming a collision sound; The wind flies like anger, the wind is like thunder, and the wind is intertwined. Sand and stones fly, and strong winds destroy and break trees, impacting the forest Yuan Ye.

When the thistle wind gradually subsided, the wind weakened and spread in all directions, so we had to drill into the small hole and shake the door bolt. After the wind and dust settled, the scenery became clear and bright, and the breeze gradually drifted in all directions. As a result, the cool and comfortable majestic wind fluttered up and down, jumped over the high wall and entered the deep palace.

It is blowing flowers and fragrant, swirling between laurel trees and pepper trees, and flying slowly on the fast-flowing water. Then, the wind blew the lotus on the water, swept the grass, separated Qin Heng and blew Xinyi.

Extended data:

The article Feng Fu takes the wind as the theme and is divided into four levels:

1. First, write a dialogue about the wind between Song Yu and King Chu Xiang, and put forward that Shu Ren can't enjoy the wind of King Chu Xiang;

2. Then describe the nature and dynamics of the wind;

3. Re-describe the majestic personality of the king, pointing out that it is "cool and refreshing, clear and clear, the more you wake up, the more you invent your eyes and ears, the better."

4. Finally, the characteristics of female wind in Shu Ren are described, pointing out that it "drives away the temperature and makes it wet, the center is miserable, and the disease makes it hot", which is not good for people.

5. With exaggerated techniques, the work contrasts the luxurious life of the king with the poor and miserable life of Shu Ren through the comparative description of "the majestic style of the king" and "the feminine style of Shu Ren", and exposes the inequality in social life.