Sentences praising pavilions and pavilions

1. Poems about praising pavilions and pavilions

Poems about praising pavilions and pavilions 1. Poems about pavilions and pavilions

Poems about pavilions and pavilions four Shou Teng Wang Pavilion [Tang Dynasty] Wang Poteng Wang Gao Pavilion is near Jiangzhu, wearing jade and singing and dancing. The painted buildings are flying toward Nanpu clouds, and the bead curtains are rolling in the rain on the west mountain. Where is the emperor's son in the pavilion now? Outside the threshold, the Yangtze River flows freely. In the third year of the Yuan Dynasty (676), Emperor Gaozong of the Tang Dynasty, the poet went to Jiaozhi to visit his father. He passed through Hongzhou (now Nanchang, Jiangxi) and participated in the banquet of Governor Yan. He impromptuly composed the "Preface to Prince Teng's Pavilion". At the end of the preface, he attached this condensed poem , an implicit poem, summarizing the content of the preface. The first sentence goes straight to the point, using simple and old-fashioned writing style, pointing out the situation of Tengwang Pavilion. Tengwang Pavilion was built by Li Yuanying, the son of the great ancestor Li Yuan, when he was the governor of Hongzhou. The former site was built in today's Jiangxi Province Xizhang is above the Jiangmen Gate and faces the Ganjiang River below. You can see from a distance or overlook it. The words "Nanpu", "Xishan", "Xianyun", "Tan Ying" and "Yangtze River outside the threshold" below all start from the first sentence "Gao Pavilion faces the Yangtze River". "Jiang Zhu" was born. The situation of Tengwang Pavilion is so good, but who in the pavilion comes to visit it now? I think that King Teng who built the pavilion has died. He came to the pavilion in a carriage with luanling carriages and jade pendants and held a banquet. Gone are the luxurious scenes. The first sentence is about space, and the second sentence is about space. Two sentences write about time. The first sentence is full of interest, and the second sentence is waning. The two sentences are contrasted. The poet uses the method of "standing and sweeping" to make readers naturally feel the ups and downs. In just two sentences, the theme of the whole poem is included. There is nothing left. The three or four sentences follow the second sentence and are even more developed. Since no one visits the pavilion, the beaded curtains inside the pavilion are of course deserted and pitiful. Only the rain from Yunxi Mountain in Nanpu keeps company with it at dusk and morning. This is The two sentences not only describe the loneliness of Prince Teng's Pavilion, but also describe the height of Prince Teng's Pavilion as the painted pillars fly up to the clouds in Nanpu. The bead curtain is caught in the rain in the Western Mountains, and describe the distance of Prince Teng's Pavilion. The scenes blend together and convey the distant feeling. Deep. At this point, the poet's intention has been fully included, but the method of expression is still relatively hidden and does not enlighten the writing. Therefore, after using the three relatively calm rhymes of "渚", "武" and "雨" in the first four sentences, It immediately switches to three long and soft rhymes of "you", "autumn" and "liu", and uses the cooperation of chapters and meanings to put special emphasis on time and play it, which is different from the emphasis on space in the first half of the poem. "Xian" The word "cloud" is intentionally or unintentionally connected with the "Nanpu cloud" above. The word "tanying" deliberately avoids the word "river" and deepens "river" into "tan". Clouds are in the sky and pools are underground. , leaning up and down, still writing about space, but then using the three words "Riyouyou", the space is immediately transferred to time, pointing out the length of time, not one or two days, but years and months, very naturally It gave rise to the feeling that the scenery has changed and the constellations have shifted. It also naturally reminds me that the person who built the pavilion is now here. Here, "how many" and "what" are asking questions in succession, expressing a compact emotion. Finally, from the time Turning into space, it points out that things have to change, stars have to move, the emperor's son has to die, but the Yangtze River outside the threshold is eternally flowing eastward. The word "threshold" and "jiang" echo the first sentence of the high pavilion facing the river, and God is perfect. Full of energy. Wanghai Tower [Song Dynasty] The iron urn between the Mi Fu clouds is close to the blue sky, and the misty flying towers are connected hundreds of feet. The sound of the Three Gorges River is flowing at the bottom of the pen, and the shadow of the sails of the Six Dynasties falls in front of the bottle. I draw the corner several times to remind the red sun, and the white sky rises in Cangzhou without incident. Smoke. Where is the sudden memory of enjoying the heart? The spring breeze and autumn moon are at a loss. The first couplet is the main picture - Wanghai Tower. In order to set off the height of Wanghai Tower, Zhenjiang City is first written, and its height is "between the clouds" and "near the blue sky", which lays a solid foundation for the dangerous building that looks at the sea with a hundred feet. The foundation of the building. The reason why the building can fly is because the eaves are raised, like a five-colored pheasant flying, and "misty" means a fairyland. The chin couplet writes about the close view - the Yangtze River, which is the most wonderful couplet in this poem. The poet seems to be While drinking, painting and reciting poems, the sound of the waves of the Yangtze River and the Three Gorges flows through the bottom of the pen, and the shadows of the sails of the Six Dynasties in the cup are drank together with the wine. I can't help but be inspired by poetry and painting. I draw pieces of white sails and recite at the same time. This poem comes out. The neck couplet describes the distant view - red sun and white smoke. The setting sun gradually sinks under the urging of the whining corners of the painting, and the quiet riverside in the distance is filled with white smoke. There are many poems like "the sun sets over the long river" and The artistic conception of "The Yanbo River makes people sad". Lu You climbed up to Xiantai [Song Dynasty] and the misty platform pressed over the city wall, leaning on his stick to watch

The mighty spring. Let go of the thousands of miles in front of the bottle, and wash away the ten years of dust on the empty clothes. The lingering water embraces the peaceful air, and the distant mountains are like borrowing people. I am even more happy that the intention is gone, and the gulls and herons are also on each other on the beach. The first couplet points out the title. The topography of the viewing platform and the timing of the climb. "Miaomiao" refers to the height of the platform, and "mighty" refers to the vastness of spring. Both adjectives are quite appropriate. But in comparison, the more fascinating I also recommend the word "press". The city, Yan, Yan, and Yi are originally tall and precipitous, but the towers are dominating them, which makes the city, Yan, Yan, and Yan look small and cramped. The poet uses the word "press" to describe the city. This feeling is expressed accurately and unswervingly, which not only shows the majesty of the platform, but also changes the platform and the city from static to active, from mutual isolation to integrated, giving the entire sentence a sense of flow. Chen, a native of the Qing Dynasty "Inscriptions to Selected Poems of Jiannan" says: "To read Fang Weng's poems, one must think deeply about the beauty of refining words, refining sentences, and vigorously beating the stove, in order to understand its true appearance." The first two sentences of the couplet are simple to express, but the next "pressure" The words "out", "yue", "li", and "connection" are all consistent with each other, but the state is ultimately inferior. The beauty of letting the old man refine the characters is that This can be seen here. The third sentence echoes the first sentence, and the towers are high, so that one can see far into the distance, thousands of miles away. The fourth sentence is derived from the second sentence, because of the majestic spring scenery, I feel relaxed and happy, and wash away the dust of ten years. The two sentences of "Concern" and "Zhao couplet" both connect the previous part and start the next part. When I gazed at my eyes and relaxed my mind, the scenery in front of me changed unknowingly. That is the neck couplet: "Lingering back to the water, embracing the peaceful energy, and the distant mountains are like the accumulation of people." "From the perspective of Fang Weng, who has washed his clothes clean, the winding river gurgling away has no turbulence and agitation, but is full of peace; the gentle peaks and mountains are moving here and there, but there are no steep ones. But it seems to be a profound philosopher. The neck couplet describes the scenery. But it is not a pure description of mountains and rivers. There are subjective thoughts and feelings of the poet in it. Wang Guowei's "Human Words" says, "There is a state of me, and there is a state of without me. There is me. In this state, I observe things with my color, and everything has my color." These two lines of poem "Fang Weng" create exactly the state of me. When spring comes, my heart is peaceful, so I can see that the mountains and rivers are so diluted, So leisurely. It is also the scenery of Xiangsiutai. In another poem "Deng Xiangfu Temple in Autumn Evening", it appears "Looking back at the palace in the dusk of rain is abrupt, and the remaining mountains are cold in the evening of autumn." "The desolation comes. What's the reason? It turns out that "the Central Plains has not returned to tears."

2. Who can tell me a few poems describing "pavilions and pavilions"

Title: Climbing the Yueyang Tower again

Era: Song Dynasty

Author: Chen Yuyi

Content: --------------------------

The red leaves are flying in front of the Yueyang Tower, and I don’t have to go back because of the railings.

The mirror in Dongting is thousands of miles away, but the mountains and rivers are in full bloom.

Title: Early Autumn in Jiang Tower.

Era: Tang Dynasty

Author: Bai Juyi

Genre: Five Rows

Content: --------------- -----

Although it is hot in the south, autumn is not too late.

When the lake is shining, the bamboo air is cool in the evening.

The pavilion. It's a good place to be a guest.

The water is clear and the apple leaves are white, and the magnolia branches are white. > Kuanglu is a step away from home, what is the difference between an official and a full man?

3. What are the ancient poems about "pavilions and pavilions"

1. "The Drunkard's Pavilion"

Song Dynasty: Ouyang Xiu

Chu is surrounded by mountains. The peaks and ravines in the southwest are particularly beautiful, and they look awe-inspiring and deep. Walking six or seven miles into the mountains, you can gradually hear the sound of water. The gurgling water flows out from between the two peaks, and there is a pavilion on the spring. Who built the pavilion? Who is the prefect of the mountain? That is to say. The prefect and his guests came here to drink, and they often got drunk. He was the oldest, so he called himself a drunkard. His intention was not to drink, but to enjoy the mountains and rivers.

If the sun rises and the forest falls, the clouds return and the cave becomes dark, and the darkness changes, it is like morning and evening in the mountains.

The wild fields are fragrant and fragrant, the beautiful trees are beautiful and dark, the wind and frost are noble and pure, the water falls and the rocks emerge, these are the four seasons in the mountains. Going in the morning and returning at dusk, the scenery in the four seasons is different, and the joy is endless.

As for the losers who sing songs on the road, and the travelers who rest in the trees. The former calls and the latter responds, hunched over and carrying them, going back and forth without stopping, this is Chu people traveling. Fishing near the stream, the stream is deep and the fish are fat. The spring is brewed into wine, the spring is fragrant but the wine is tart; the mountain delicacies are mixed with wild asparagus but aged in advance, which is also the prefect's banquet. The joy of a banquet is neither silk nor bamboo. The one who shoots is successful, the one who plays chess wins, the one who drinks and drinks mingled with each other, the one who sits up and makes a noise is the joy of all the guests. Anyone with pale face and white hair who seems to be slumped indicates that the prefect is drunk.

The sun has set on the mountain, the figures are scattered, the prefect has returned and the guests have followed. The woods are dark, the songs are rising and falling, the tourists are gone and the birds are enjoying themselves. However, birds know the joy of mountains and forests, but they do not know the joy of people; people know the joy of traveling from the prefect, but they do not know the joy of the prefect. He who can enjoy himself when he is drunk and can write about it when he is awake is a prefect. Who does the governor call? Luling Ouyang Xiuye.

2. "The Story of Yueyang Tower"

Song Dynasty: Fan Zhongyan

In the spring of the fourth year of Qingli, Teng Zijing was relegated to guard Baling County. In the next year, the government will be harmonious and people will be harmonious, and everything will be restored. Then the Yueyang Tower was rebuilt, its old structure was added, and poems by Tang Xian and modern people were engraved on it. It belongs to me to write down to record it. (Gu Tong: Ju)

I watched my husband Baling Sheng look like a man in a lake in Dongting. It carries distant mountains and swallows up the Yangtze River, which is a vast and boundless river. The sunrise and dusk are overcast, and the scenery is endless. This is the grand view of Yueyang Tower, which has been described by predecessors. However, it is connected to Wu Gorge in the north and Xiaoxiang in the South Pole. Migrant poets and poets often meet here, and the feeling of looking at the things is the same?

If the rain is falling, the moon is not open, the wind is howling, and the turbid waves are emptying; the sun and stars are dimming, and the mountains are hidden; the business trip is not going, and the rafts are falling; in the dusk, the tigers are roaring and the apes are crowing. . Climbing the tower, there are those who are nostalgic for their country, worried about slander and fear of ridicule, their eyes are full of desolation, and they feel extremely sad. (Yin Yao Yi: Yin Yao; Piao Yu Tong: Yin Yu)

As if spring and the scenery are bright, the waves are calm, the sky above and below is bright, a vast expanse of blue; sand gulls gather, brocade scales swim, and the shore is full of orchids. , lush and green. Or when the long smoke disappears, the bright moon shines thousands of miles away, the floating light leaps into the gold, the silent shadow sinks into the jade, and the fishermen answer each other's songs, how wonderful is this joy! When you climb the tower, you will feel relaxed and happy, forgetting your favors and disgrace together, drinking wine in the wind, and you will be overjoyed.

Ouch! Why should I try to seek the benevolent heart of the ancients or do something different from the two? Don't be happy with things, don't be sad with yourself; if you live high in a temple, you worry about its people; if you live far away in the rivers and lakes, you worry about your king. It means that you are worried when you advance, and you are also worried when you retreat. But when will you be happy? It must be said: "Be worried about the worries of the world first, and be happy after the happiness of the world." Alas! People from Weisi, who can I return to?

It was September 15th, six years ago.

3. "Song of Dengyouzhou"

Tang Dynasty: Chen Zi'ang

There are no ancients before and no newcomers after.

Thinking about the long journey of heaven and earth, I shed tears with sadness.

4. "Inscription on Yueyang Tower"

Tang Dynasty: Bai Juyi

There is a lot of water under the Yueyang City, and I can climb up to the dangerous building alone by the winding.

When the spring shore is green, it is even close to Mengze, and when the evening waves are red, it is close to Chang'an.

How hard is it for an ape to climb a tree and cry, nor is it difficult for a wild goose to fly across a lake.

This place is worthy of painting, and the palace is magnificent and the nobles can see it.

5. "Yellow Crane Tower/Climbing the Yellow Crane Tower"

Tang Dynasty: Cui Hao

In the past, people have taken yellow cranes to go there, but there are still yellow cranes here. building.

The yellow crane will never return, and the white clouds will remain empty for thousands of years.

There are Hanyang trees in Qingchuan and Parrot Island with luxuriant grass.

Where is Rimu Xiangguan? The smoke on the Yanbo River makes people sad.

4. What are the poems about "pavilions and pavilions"

1. King Teng's high pavilion is adjacent to the river, and he sings and dances with a jade-wearing mingluan.

—Wang Bo's "Tengwang Pavilion" 2. The iron urn among the clouds is close to the blue sky, and there are misty flying towers hundreds of feet apart. -Mi Fu's "Wanghai Tower" 3. The misty terraces press the city wall, and you can lean on your stick to watch the mighty spring.

— Lu You's "Deng Xiantai" 4. The solitary pavilion is suddenly inserted into the flying current, and the air pressure is as high as the Yuanlong Baichi Tower. - Yuan Haowen's "Hengbo Pavilion" 5. Dan leaves fly in front of Yueyang Tower, and I don't have to go back if I stay on the railing.

—Chen Yuyi's "Climb the Yueyang Tower Again" 6. The pavilions are suitable for guests, and the country is a good poem. ——Bai Juyi's "Early Spring in Jianglou" 7. There are embroidered doors, windows and carved ornate ornaments in the avenue of brothels.

—Wang Bo's "Lingaotai" 8. The purple pavilion and the alchemy towers are shining brightly, and the jade room and the brocade palace are exquisite. -Wang Bo's "Lingaotai" 9. The painted building is flying towards Nanpu clouds, and the bead curtain is rolling in the rain from the west mountain at dusk.

—Wang Bo's "Preface to the Pavilion of Prince Teng" 10. People in the past had gone by Yellow Crane, and the Yellow Crane Tower was vacant here. ——Cui Hao, "Yellow Crane Tower" 11. I heard about Dongting Water in the past, and now I go to Yueyang Tower.

— Du Fu's "Climbing the Yueyang Tower" 12. King Teng's high pavilion is near the river, and he wears a jade mingluan to sing and dance. -Wang Bo's "Preface to the Pavilion of Prince Teng" 13. There are two platforms on the left and right, with jade dragons and golden phoenixes.

—Cao Zhi's "Ode to the Peacock Terrace" 14. There are high mountains, lush forests and bamboos here. -Wang Xizhi's "Preface to the Lanting Collection" 15. If you want to see a thousand miles away, go to the next level.

—Wang Zhihuan's "Climbing the Stork Tower".

5. Write ancient poems about pavilions

Tengwang Pavilion [Tang Dynasty] Wang Bo

Tengwang’s high pavilion is near the river, and he wears jade to sing and dance.

The painted building is flying towards Nanpu clouds, and the bead curtain rolls into the west mountain rain at dusk.

The shadows of Xianyuntan are long and leisurely, how many autumns have things changed and the stars have moved?

Where is the emperor's son in the pavilion now? Outside the threshold, the Yangtze River flows freely.

Wanghai Tower [Song Dynasty] Mi Fu

The iron urn between the clouds is close to the blue sky, and the misty flying towers are connected hundreds of feet.

The sound of the Three Gorges River flows at the bottom of the pen, and the shadow of the sails of the Six Dynasties falls in front of the bottle.

I draw the corner several times to remind the sun of red, and white smoke rises from Cangzhou without incident.

Where is the sudden memory of enjoying the heart? The spring breeze and autumn moon are at a loss.

Climbing to Xiantai [Song Dynasty] Lu You

The misty terraces press the city wall, and you can lean on your stick to watch the mighty spring.

Let go of the thousand miles of sight in front of the bottle, wash away the dust of ten years on the empty clothes.

The lingering water embraces the peaceful spirit, and the distant mountains seem to contain people.

I am even more happy that my wits are gone, and the gulls and herons on the beach are also making love.

6. Who can tell me a few poems describing "pavilions and pavilions"

Title: Climbing the Yueyang Tower Again

Era: Song Dynasty

Author: Chen Yuyi

Content: --------------------

Dan leaves fly in front of Yueyang Tower, but railings remain I don't need to return.

The Dongting mirror is thousands of miles flat, but it requires the king and the mountain to show off.

Title: Jianglou Early Autumn

Era: Tang Dynasty

Author: Bai Juyi

Genre: Five Rows

Content: ------------------

Although it is very hot in the South, autumn is not too late to come.

When the lake light rises towards the sunset, the bamboo air cools down in the evening.

The pavilions are suitable for guests, and the country is suitable for good poetry.

The breeze is refreshing, the water is full of apple leaves, and the white dew is magnolia branches.

If you want to make a cloud and spring plan, you must set up a trap.

What’s more, if you take one step away from Kuanglu, you will become an official?

7. Beautiful sentences describing the scenery of pavilions and pavilions~

Original publisher: Dumi Library

Beautiful sentences describing pavilions and pavilions Part 1: Description Beautiful sentences about pavilions and pavilions. Sentences about pavilions and pavilions. 1. The deep red of the pavilion tip; the ancient dark green of the pavilion pillars; and the fantasy gray-white of the stone tables and chairs form a beautiful picture. The pavilion is surrounded by green trees, gurgling water, bees singing and butterflies dancing, making it feel like walking into a fairyland. The breeze blows on my face, I take a nap with my good friends in the pavilion, and recall the childish joy of my childhood. 2. Entering the first floor of the teaching building from the main entrance, you can see a corridor from east to west, and on the wall of the corridor is the art garden of the students. . Go straight up the stairs to the second floor. There is a rectangular mirror at the corner. Are you neat and tidy above the mirror? Several big characters are very eye-catching. Then go up the stairs to the third floor. Our classroom is at the east end of the second floor. 3. There are six steps at the bottom of the pavilion, all paved with 70-centimeter-long stones.

To prevent slipping, the stones are evenly engraved with diagonal lines. In summer, people sit on the steps, some listening to the radio, some playing poker, and some chatting. 4. Go up a few steps of low stone stairs to the corridor of the pavilion. Follow the corridor to the center of the pavilion. There is a stone table and four stone benches. The pavilion is surrounded by various flowers. and fruit trees, and at the bottom of the pavilion is a crystal clear pond. 5. Linjiang Building was originally the site of a hotel called Guangfulong Inn. It later became a hotel and changed its name. Inside the thick wooden door, there is a small courtyard facing a three-story silver-gray building. In front of the corridors on the ground floor and second floor of the building, there are three arched eaves decorated with stone and algae, which look like six huge never-falling petals embedded in the front of the house from a distance. 6. There is a column at the top of the small pavilion. It is brown and looks like a squatting Buddha sitting on the top of the pavilion. And what about the roof? It consists of many neat and beautiful brown glazed tiles. There are four long wavy strips on the four corners of the roof, with various small animals on them. They are lifelike, and some look like flying ones