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Du Fu (A.D. 7 12-770), Han nationality, with beautiful words, was named Shaoling Yelao, Du Shaoling and Du Gongbu. China's great realistic poets in ancient times were called poets. He wrote 1400 poems in his life. Originally from Xiangyang, Hubei Province, Gong County, Henan Province. The distant ancestor was Du Yu, a famous poet in the early Tang Dynasty, and his father was Du Xian. Tang Suzong, Official Left Addendum. After he entered Shu, he was recommended by his friends as a staff officer of Ren Jiannan Drug Rehabilitation Center, and Yuan Wailang was appointed as the school's engineering department. Therefore, later generations also called him Du Shiyi and Du Gongbu. Du Fu studied and traveled before he was thirty-five. During the Tianbao period, he went to Chang 'an and had no way to join the army. After ten years of hardships, he won a small position in which you Wei led Cao to join the army. At the beginning of An Shi Rebellion, he was exiled and captured by the rebels. After getting out of danger, the official got a left pickup truck. In the second year of Gan Yuan (759), he abandoned his official position and went west. Finally he went to Sichuan and settled in Chengdu. He once played Yuan Wailang in Jiannan Our Time Yanwu, so he was also named Du Gongbu. In his later years, his family moved eastward, staying in Kuizhou for two years and leaving the gorge. Wandering in Hubei and Hunan, he died of poverty and illness. Zi Mei lived in the historical period from prosperity to decline in the Tang Dynasty. Her poems are mostly about social unrest, political darkness and people's sufferings, which is called "the history of poetry". He cares about the country and the people, has a noble personality and exquisite poetic skills, and is known as the "poet saint". Du Fu is good at using many systems of classical poetry and creatively developing them. He is the pioneer of the new Yuefu poetry style. His Yuefu poems contributed to the development of the new Yuefu movement in the middle Tang Dynasty. His "May 7th" ancient novel, which is also a history of poetry, begins to narrate and focus on the whole story, marking the high achievement of China's poetry art. Du Fu also showed extraordinary creativity in the May 7th law, and accumulated complete artistic experience in the aspects of temperament, antithesis, refining words and sentences, which made this genre reach a fully mature stage. Du Gongbu has been handed down from generation to generation. Du Fu is as famous as Li Bai and is called the great Du Li. The core of his thought is the Confucian thought of benevolent government. He has the ambition to be a monarch, Yao and Shun, and then make the customs pure. He loves life, people and the great rivers and mountains of the motherland. He hated evil, criticized and exposed the corruption of the imperial court and the dark phenomenon in social life. He sympathized with the people and even fantasized that he was willing to make self-sacrifice to save their suffering. Therefore, his poetry creation always runs through the main line of worrying about the country and the people, which shows Du Fu's greatness. His poems are rich in social content, rich in the color of the times and distinctive in political inclination, which truly and profoundly reflect the political current affairs and broad social life prospect of a historical era before and after the An-Shi Rebellion, and are called the history of a generation of poems. The style of Du Fu's poems is basically gloomy and frustrated, and the language and text structure are full of changes, emphasizing the refinement of words and sentences. At the same time, his poems have many styles. Besides the five ancient poems, the seven ancient poems, the five laws and the seven laws, he also wrote many lines. There are also various artistic techniques, which are the epitome of the ideological art of Tang poetry. Du Fu also inherited the spirit of mixed sorrow and joy of Yuefu in Han and Wei Dynasties, got rid of the shackles of ancient Yuefu themes, and created many new Yuefu themes, such as the famous three officials and three parting. After his death, he was highly praised by Huang Fan, Han Yu, Yuan Zhen and Bai Juyi. Du Fu's poems have a far-reaching influence on Bai Yuan's new Yuefu literary thought and Li Shangyin's modern allegorical current affairs poems. However, Du Fu's poems were widely valued after the Song Dynasty. Yu Wang, Wang Anshi, Su Shi, Huang Tingjian, Lu You and others highly praised Du Fu, while Wen Tianxiang regarded Du Fu's poems as a spiritual force to adhere to national integrity. The influence of Du Fu's poems, from ancient times to the present, has long gone beyond the scope of literature and art. For details of his life, see Book of Old Tang Dynasty, Volume XIX. This is Du Gongbu. Three Officials and Three Farewells is the representative work of Du Fu's realistic poems. It truly describes the thoughts, feelings, actions and language of county officials, customs officials, old women, old people, brides, husbands and others in a specific environment, vividly reflects the social reality of that period and the profound disasters and pains of working people, and shows people tragic life tragedies. In these descriptions of life sufferings, on the one hand, the poet has deep sympathy for the people who have suffered greatly, and hates the enslavement and persecution of the people by officials; On the other hand, he supported the counter-insurgency war of the dynasty and hoped that the people would suffer hardships and cooperate with the dynasty to put down the rebellion. This complex and contradictory thought accords with the poet's thought of worrying about the country and the people.

age

Interpretation of poetry:

Good rain is like knowing the needs of seasons and solar terms. It comes when it needs rain in spring. With the warm wind coming quietly at night, everything in the world is not noisy at all. The road in the field is covered with dark clouds, and only the lights on the river boat are burning brightly. Wait until dawn to see the soaked flowers. The flowers in Jinguan City are so heavy and enchanting.

Precautions:

1. Yes: just. 6. Path: country road.

2. Occurrence: Promote plant growth. 7. Red wet place: flowers wet by rain.

3. sneak in: secretly, quietly. 8. Weight of flowers: Because of the rain, flowers look full and heavy.

4. Moisturize: nourish plants with rain. 9. Jinguan City: another name for Chengdu.

5. all: all, all.

Background:

This poem was written in the spring of the first year of Baoying (762), and Du Fu lived in Chengdu Caotang. From last winter to February this year, there was a drought in Chengdu, so Du Fu was very happy when the spring rain came. He described a drizzle on a spring night with the joy of a long drought. Poetry is written from hearing to vision and even psychological feelings, from night to morning, with rigorous structure, delicate description and bright artistic conception. There is no need for words like joy and joy in the poem, but it reveals a happy atmosphere everywhere. This is a masterpiece depicting the rainy scene on a spring night and showing a happy mood.

Appreciate:

"Good rain knows the season. When spring comes," praise "rain" with a word "good" from the beginning. Personify the rain, saying that it "knows the season" and knows how to meet the objective needs. Spring is the season when everything germinates and grows. As long as it rains, it begins to rain. Next, it further explains that rain is "good", but "moistening things quietly" is good. Spring rain, usually accompanied by a breeze, carefully moistens everything. However, there are exceptions. Sometimes, it will be accompanied by cold wind, from rain to snow. Sometimes, it will be accompanied by strong winds and heavy rains. Although this kind of rain is in spring, it is not a typical spring rain. It will only hurt things, and it will not "moisten things quietly." Naturally, it will not make people "happy" and it is impossible to get a "good" evaluation. Therefore, the "knowing season" of the first couplet alone is not enough to fully show the "good" of rain. It was not until the second couplet wrote a typical spring rain accompanied by a continuous drizzle that the word "good" was implemented.

"Sneak into the night with the wind and moisten things silently." This is still anthropomorphic. The combination of "sneaking into the night" and "silence" not only shows that rain is drizzle accompanied by breeze, but also shows that rain is intended to "moisten things quietly" and has no intention of seeking "goodness" If you are interested in seeking "good", it will come during the day and create a little momentum for people to see and hear clearly. Just because it deliberately "moistens things quietly" and has no intention of seeking "goodness", it chose a time that does not hinder people's work and labor, and quietly and carefully went underground at the night when people were sleeping.

"The wild path is black, and the river boat is bright." If it rains so well, I hope it rains enough and stays up all night. If only for a while, the clouds will disperse, then "moistening things silently" is very incomplete. The poet grasped this point and wrote the third couplet. On a less gloomy night, the path is easier to see than the field, and the river is easier to distinguish than the shore. Look around: only the lights on the boat are on. Besides, you can't even see the river, and you can't tell the path clearly. The sky is covered with dark clouds and the ground is as black as clouds. It looks certain that it will rain until dawn.

"Xiao looks at the red and wet place, and Jinguan City is heavy." The tail couplet is about an imaginary scene. After a night of such "good rain", everything will be nourished and prosperous. One of the flowers of all things, the flower that best represents spring scenery, is about to drop with the rain. Wait until tomorrow morning to have a look! The whole Jinguan City is a peanut tree, "red and wet", red and heavy, and it merges into a sea of flowers.

Brief analysis:

Through the above analysis of poetry, it is not difficult to see that Du Fu conceived and wrote according to such an emotional thinking, that is, looking forward to rain-listening to rain-watching rain-thinking about rain. As the saying goes, "Spring rain is as expensive as oil", which is true. Everyone expects this precious spring rain to be like oil, and so do poets. When the spring rain floated down, the poet was even more surprised, even lying in bed listening, completely sleepless, eager to have a good play, lest it suddenly stop, so he pushed the door and looked into the distance, looking at the boundless spring rain, and saw the dense spring rain. The author was pleasantly surprised to associate it with the spring scenery of Jinguan City the next day.

Poetry is praising the lofty quality of Spring Rain's obscurity and selfless dedication. The description of this love for the spring rain is so delicate and realistic, full of twists and turns, which can't help but make people marvel at Du Fu's artistic skill in observing things and feelings. No matter in tempering words, or in capturing images and describing details, it embodies the superiority of observing words and observing colors and being meticulous. By comparing and appreciating Du Fu's poems with his gloomy style, we will certainly deeply understand another life interest in Du Fu's poems.

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Voiceover:

After reading Delighting in Rain on a Spring Night, it is easy for people to think of Zhu Ziqing's Spring, and the description of spring rain leaves a deep impression on people. "Spring water is as expensive as oil". The sudden spring rain cheered many farmers and old people waiting for the spring rain to plow their fields, and also cheered many people who sympathized with the workers, observed their lives and hoped that they would live a better life! Du Fu's Delighting in Rain on a Spring Night reflects his thoughts and feelings of caring for farmers and observing the sufferings of working people.

Comments:

"Detailed Notes on Du Fu's Poems" says: "A shower and a strong wind are enough to damage things. Syncope' syncope' syncope', written in a continuous way, is the closest chance to occur naturally. "A Review of Ying Kui's Rhythm and Sui Hui" quoted Ji Yun as saying: "This is a famous piece with exquisite structure, and the second half is especially divine." Han Yuyan: "Du Li's article is there, and the light is long."

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References:

1. This is a masterpiece depicting the rainy scene on a spring night and expressing joy.

2. praise "rain" with a "good" word from the beginning. In life, "good" is often used to praise people who do good things. Praising rain with "good" now will arouse the association of people who do good things. Next, personify the rain, saying that it "knows the season" and knows how to meet the objective needs. Isn't it? Spring is the season when everything germinates and grows. As long as it rains, it begins to rain. Look how nice it is!

3. The second couplet further shows the "good" of rain. Rain is "good" because it is timely and "moistens things silently". Spring rain, usually accompanied by a breeze, carefully moistens everything. However, there are exceptions. Sometimes, it will be accompanied by cold wind, from rain to snow. Sometimes, it will be accompanied by strong winds and heavy rains. Although this kind of rain is in spring, it is not a typical spring rain. It will only hurt things, and it will not "moisten things quietly." Naturally, it will not make people "happy" and it is impossible to get a "good" evaluation. Therefore, the "knowing season" of the first couplet alone is not enough to fully show the "good" of rain. It was not until the second couplet wrote a typical spring rain accompanied by a continuous drizzle that the word "good" was implemented.

4. "Sneak into the night with the wind and moisten things silently." This is still anthropomorphic. The combination of "sneaking into the night" and "silence" not only shows that rain is drizzle accompanied by breeze, but also shows that rain is intended to "moisten things quietly" and has no intention of seeking "goodness" If you are interested in seeking "good", it will come during the day and create a little momentum for people to see and hear clearly. Just because it deliberately "moistens things quietly" and has no intention of seeking "goodness", it chose a time that does not hinder people's work and labor, and quietly and carefully went underground at the night when people were sleeping.

If it rains so well, I hope it rains enough and stays up all night. If only for a while, the clouds will disperse, then "moistening things silently" is very incomplete. The poet grasped this point and wrote the third couplet. On a less gloomy night, the path is easier to see than the field, and the river is easier to distinguish than the shore. What about now? Looking around, "the wild path is dark, and the river boat is bright." Only the lights on the boat are on. Besides, you can't even see the river, and you can't tell the path clearly. The sky is covered with dark clouds and the ground is as black as clouds. All right! It looks certain that it will rain until dawn.

6. Tailing is an imaginary scene. After a night of such "good rain", everything will be nourished and prosperous. One of the flowers of all things, the flower that best represents spring scenery, is about to drop with the rain. Wait until tomorrow morning to have a look! The whole Jinguan City (Chengdu) is a peanut tree, "red and wet", red and heavy, and merged into a sea of flowers. So, what about the seedlings in the field? What about the Woods on the mountain? Everything. Everything?

7. Pu Qilong said: "It is easy to write about rain and cut the night, but difficult to cut the spring." This poem "Delighting in Rain on a Spring Night" not only cuts the night and cuts the spring, but also writes the noble character of a typical spring rain, that is, "good rain", which shows the noble personality of poets and all "good people".