Which do you prefer, crime without a license or chasing after a murderer at night?

I have seen both TV plays, both of which are plot reasoning. It's very nice to watch the duel between Tianjin and Harbin, and the small case of chasing the murderer at night is a series of major cases. Pan Yueming and the two women who played the weekly tour were both very good, but it was a pity that the little policewoman's acting skills were too poor, which held her back. I can never see the emotional guilt of the characters she conveys from her affected expression, which is as cold as Harbin in winter.

You guess the murderer was with him in the white night, but you know who the murderer is without a license early in the morning. The former is more interesting.

It's quite good, not to mention Qin Hao's acting skills. Everyone knows how good it is. Deng Jiajia felt her acting skills in the witness of the whole people, and her innocence further deepened my affection for her. Everyone's point of view is different, so their point of view is different.

Personal white night looks better. Innocence dragged on a bit, but the plot of white night went deeper. If I can't remember the names of some of her characters, it is enough to show that she is just acting for the plot, but she just can't remember the names. She thinks that undocumented men always can't find evidence, but they suspect others are stupid by feeling. She never talks about evidence, and keeps pestering mistress and the police. She thinks this man has the same view of God as our audience. The victim called someone who really didn't believe her, and she wanted to play the recording. The deceased had a meal in his stomach. If you don't believe me, you have to say that you were forced to go in after death. The scene was destroyed, leaving beer with fingerprints. Don't believe it. There are surveillance videos when mistresses and lawyers leave. Don't believe them. I don't believe it. I don't know what he believes. Or that's how TV plays set this role.