What books did Mr. Lu Xun write? (all book titles)

The books written by Mr. Lu Xun include:

Novel collection:

"The Scream" was published by Beijing Xinchaoshe in August 1923

" "Wandering" August 1926, Beijing Beixin Bookstore

"New Story" 1936, Shanghai Cultural Life Publishing House

Collection of essays:

"Grave" March 1927, Weiming Society

"Hot Wind" November 1925, Beijing Beixin Bookstore

"Huagai Collection" August 1926, Beijing Beixin Bookstore

< p>"The Sequel to the Huagai Collection", May 1927, Beixin Book Company, Beijing

"The Sequel to the Sequel", 1948, Shanghai Publishing Company

"The Collection", October 1928 September, Beixin Bookstore, Shanghai

"Sanxian Ji", September 1932, Beixin Bookstore, Shanghai

"Nan Qiang Bei Diao Ji", April 1934, Shanghai Tongwen Bookstore

"Two Hearts Collection" 1932, Shanghai Hezhong Bookstore

"Lace Literature" June 1936, Shanghai Lianhua Bookstore

"Pseudo Free Book" October 1933, Shanghai Qingguang Bookstore

"Quasi Feng Yue Tan" December 1934, Shanghai Lianhua Bookstore

"Qiejieting Essays" July 1937, Shanghai Sanxian Bookstore

"The Second Collection of Qiejieting's Essays", July 1937, Sanxian Bookstore, Shanghai

"The Last Collection of Qiejieting's Essays", July 1937, Sanxian Bookstore, Shanghai

< p>"Collection to Collection" May 1935, Shanghai Public Book Company

"Collection to Collection" 1938, Lu Xun Complete Works Publishing House

"Supplement to Collection to Collection" "1952, Shanghai Publishing Company

Single volume of translated works:

"Bixia Translation Series" April 1929, Shanghai Beixin Bookstore

"Modern Japanese Novels Collection" June 1923, Shanghai Commercial Press

"Problems of Modern New Literature" April 1929, Shanghai Dajiang Bookstore

"Peach-colored Clouds" July 1923 June, Beijing Xinchao Society

"Art Theory", June 1929, Shanghai Dajiang Bookstore

"Symbol of Depression", December 1924, Beijing Weiming Society

< p>"Literature and Criticism" June 1929, Shanghai Haimo Bookstore

"Out of the Tower of Ivory" December 1925, Beijing Weiming Society

"Travel to the Moon" 1903 , Tokyo Evolution Society, Japan

"Little John" January 1928, Beijing Weiming Society

"Worker Sui Huiliov" May 1922, Shanghai Commercial Press

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"Thoughts·Landscapes·Characters" May 1928, Beixin Book Company

"Translation Series of Modern Novels" July 1922, Shanghai Commercial Press

"Modern Times" "Trends in the History of Art" 1929, Beixin Book Company

"Collection of erosenko's fairy tales" July 1922, Shanghai Commercial Press

"Little Peter" November 1929, Shanghai Spring Chao Bookstore

"Literary Policy" June 1930, Shanghai Haimo Bookstore

"Art Theory" July 1930, Shanghai Guanghua Bookstore

"Destruction" September 1931, Shanghai Dajiang Bookstore

"Harp" January 1933, Shanghai Liangyou Book Company

"October" February 1933, Shanghai Shenzhou Guoguang Society

"A Day's Work" March 1933, Shanghai Liangyou Book Company

"Table "July 1935, Shanghai Culture and Life Bookstore

"Russian Fairy Tales" August 1935, Shanghai Culture and Life Bookstore

"Dead Souls" 1938, Shanghai Culture and Life Publishing House

"Bad Boys and Other Curiosities", June 1936, Shanghai Lianhua Book Company

"Medicinal Plants and Others", June 1936, Shanghai Commercial Press

"Mountain People Singing" 1938, Complete Works of Lu Xun Publishing House

"Translation Supplement" March 2008, Fujian Education Publishing House

"Underground Travel" 1906 In March 1909, Shanghai Pupu Bookstore and Nanjing Qixin Bookstore

"Collection of Foreign Novels" March 1909, volume one; in July 1909, volume two was compiled and translated by the Zhou brothers in Kuaiji, distributed and published by Zhou Shuren Unknown society

Academic monograph:

"A Brief History of Chinese Novels" December 1923, Volume 1; June 1924, Volume 2, Peking University Xinchao Publishing House

"Outline of the History of Chinese Literature" 1938, Lu Xun's Complete Works Publishing House, compiled by Lu Xun's Complete Works Committee

"The Historical Changes of Chinese Novels" 1938, Lu Xun's Complete Works Publishing House, compiled by Lu Xun's Complete Works Committee

Collection of other works:

"Wild Grass", a collection of prose poems from Beijing Xinchao Society, July 1927

"Morning Blossoms Plucked at Dusk", September 1928, a prose collection from Peking Weiming Society Collection

"Collection of Prefaces and Postscripts to Ancient Books" In 1938, compiled and compiled by the Lu Xun Complete Works Committee of Lu Xun Complete Works Publishing House

"Collection of Translated Prefaces and Postscripts" In 1938, compiled and compiled by the Lu Xun Complete Works Committee of Lu Xun Complete Works Publishing House Compiled

"Books from Two Places" 1933, a collection of letters between Lu Xun and Xu Guangping at Shanghai Qingguang Bookstore

"Lu Xun's Letters" 1937, compiled by Xu Guangping at Sanxian Bookstore

"Lu Xun's Diary" compiled by Xu Guangping of Shanghai Publishing Company in 1951

Introduction to Lu Xun:

Lu Xun (September 25, 1881 - October 19, 1936), formerly known as Zhou Zhangshou, Later he changed his name to Zhou Shuren, with the courtesy name Yushan and then Hecai. "Lu Xun" was the pen name he used when he published "Diary of a Madman" in 1918. It was also his most influential pen name. He was a native of Shaoxing, Zhejiang. Famous writer and thinker, important participant in the May Fourth New Culture Movement, and the founder of modern Chinese literature. Mao Zedong once commented: "Lu Xun's direction is the direction of the new culture of the Chinese nation."

Lu Xun spent his life in literary creation, literary criticism, ideological research, literary history research, translation, introduction of art theory, and introduction of basic science. He has made significant contributions to many fields such as the collation and research of ancient books. He had a significant influence on the ideological and cultural development of Chinese society after the May 4th Movement. He is well-known in the world of literature, especially in the ideological and cultural fields of South Korea and Japan. He has an extremely important position and influence, and is known as "the largest territory on the cultural map of East Asia in the 20th century." writer".