What is the treasure of Nanjing Museum?

In 2007, Nanjing Museum and Yangzi Evening News opened a column to introduce the collection, organized experts and people from all walks of life to discuss it by SMS and online voting, and selected 18 "treasures of the town museum" from the collection of more than 400,000 cultural relics. There are also two best series, one of which is 20 pieces, namely:

0 1 Golden Beast (Western Han Dynasty),1In the first month of 982, Wan Yiquan, a farmer in Mahudian Village, Xuyi, dug up a golden beast with a shovel while digging a canal. This magical luck is beyond the reach of most archaeologists in their lifetime. The golden beast weighs 9100g, contains 99% gold, is10.2cm high,16cm long and17.8cm wide. It is hollow and thick-walled, and it is the heaviest gold found in China at present. There is also a beautiful and peculiar copper pot under the golden beast, which contains gold wares, of which 9 semi-golden cakes weigh 2864 grams, horseshoe gold 15, forest toe gold 4845 grams, and gold plates 1 1 weigh 3260 grams.

The bronze pot interwoven with gold and silver (Warring States Period), together with the golden wares such as "Golden Beast", unearthed a bronze pot that respected gold, that is, a container for holding gold. The residual height is 24 cm, the caliber is 12.8 cm, the abdominal diameter is 22.2 cm, and the foot diameter is 13.8 cm, which is the perfect clay casting technology in China Bronze Age. Although the Golden Beast was identified as the Western Han Dynasty, this bronze pot was the product of the Yan State during the Warring States Period. The most significant historical significance is that there are three inscriptions on the copper pot: one in the mouth, which reads "Twenty metal chrome pots receive one win and five losses". This is the serial number, name, volume, wear and tear of a batch of vessels, which was the special quantifier of Yan State in the Warring States Period, so it can be confirmed that this pot was a vessel of Yan State when it was cast. The second inscription is on the inside of the circle foot. Although it was chiseled with a sharp weapon, there are about three or four words from the remnants, which may be "Queen's Right Wine" and should be the user's inscription. The third inscription is on the outer edge of the circle foot. * * * Inscription of 29 words. The inscription reads, "Ye Wang laid the foundation stone for Yi (Yang) for five years, and then he was old, and Meng Dongrong rose, and he was in a state of chaos. The content of "Zhang Chen's Gains in the Mainland and the Pursuit of the Yan State" is basically the same as that of the Zhang Chen Square Pot now in the University of Pennsylvania Museum, which can complement each other, so it is also commonly known as "Zhang Chenyuan Pot". This inscription reflects a major historical event in the middle of the Warring States Period: the abdication of the Prince of Yan and the reign of Xiangguozi, which led to three years of civil strife in the State of Yan. Under the instigation of the conspiracy of the King of Qi, the State of Qi seized the opportunity to send troops to attack the capital of Yan, and won a great victory in the case of "no fighting, no door closed" and seized the heavy weapons of the royal family of Yan. This copper pot is fantastic in shape, gorgeous in decoration, with three inscriptions in one, and its artistic value is unparalleled. It's a pity that this trip was not exhibited.

Guangling Wang Jinyin (Eastern Han Dynasty) is the only seal of Liu's royal family in Han Dynasty found at present. It is made of high-purity gold and weighs122.87g.. The printing surface is 2.375 cm long and 2.372 cm wide; The height of the turtle clasp is 2. 12 1cm, and the height of the platform is 0.945cm ... The turtle clasp is exquisite and beautifully decorated, and the seal script of Guangling Wang Xi is engraved with dense layout, smooth lines and straight lines. The origin of this seal is quite tortuous. In the 1970s, Nanjing Museum carried out a rescue excavation of the tombs near Yangzhou. According to the inscriptions of the unearthed cultural relics, it was preliminarily speculated that it was the tomb of Liu Jing, the king of Guangling in the Eastern Han Dynasty. The next year, the waste soil cleared from the grave was used to pave the road. When the local female farmer was digging, she accidentally found something that looked yellow and bright, put it in her pocket, and found it was a seal after going home to clean it up. Her husband used to be a migrant worker in the archaeological team, and he felt that this thing was unusual by experience. Later, the couple rushed to the Nanjing Museum for expert appraisal. After paying 400 yuan, who looked expensive at that time, the couple happily donated the gold and silver of Guangling King Xi to the country.

Jin Chan yeyu (Ming Dynasty) and Jin Chan yeyu are masterpieces of 420,000 pieces in Nanjing Museum. /kloc-unearthed from Suzhou tombs in 0/954, and became the hairpin of aristocratic women. The golden cicada with its feet tilted to one side and its wings slightly spread seems to be playing, supported by transparent jade leaves. The left and right outer wings of the golden cicada are 1.7 cm long, about 0.8 cm wide and only 0.2 mm thick. Jade leaves are 5.2 cm long and 3.2 cm wide. The leaves are polished thin, concave and arc-shaped, only about 0.2 cm thick, with main veins 1 strip and 4 branches on each side. They are made of sheep fat white jade from Xinjiang and Tian. The whole picture is dynamic and static, full of fun and high appreciation value, and it is the best handicraft in the middle of Ming Dynasty. Cicada is commonly known as cicada, so "golden cicada and jade leaf" is also "golden branch and jade leaf". I'm sorry that I didn't see it on display on this trip.

05 Silver Jade Clothes (Eastern Han Dynasty) 1969 Unearthed from No.1 Han Tomb in Tu Shan, Xuzhou. Xuzhou belongs to the fief of the king of Chu in the Western Han Dynasty and the fief of the king of Pengcheng in the Eastern Han Dynasty. The owner of Tu Shan No.1 Han Tomb is a certain generation of Pengcheng King in the Eastern Han Dynasty. In the Han Dynasty, jade clothes were worn by emperors, princes and senior nobles after their death. However, there was no strict hierarchy in the Western Han Dynasty, so it was found that the jade clothes of princes in the Western Han Dynasty were all made of gold and silver silk. During the Eastern Han Dynasty, a strict grading system of jade clothes was implemented. Only the emperor is qualified to wear gold and jade clothes when he dies, the prince can only wear silver and jade clothes when he dies, and ordinary nobles and princess royal can only wear copper and jade clothes. This silvery white jade coat of a Pengcheng king in the Eastern Han Dynasty is 170 cm long, and its appearance and shape are almost the same as that of a human body. From head to toe, it consists of five parts: hood, coat, trousers, gloves and shoes. * * * With more than 2,600 pieces of jade, the silver thread woven into jade clothes weighs about 800 grams.

The silver bronze Niudeng (Western Han Dynasty) 1980 was unearthed in the tomb of Liu Jing, Wang Guangling of the Eastern Han Dynasty in Yangzhou. It was the Han tomb where Wang Jinyin of Guangling was found in the abandoned soil the following year. It is 46.2 cm high and 36.4 cm long. The lamp is not only beautifully designed, but also skillfully uses the colors of two different materials, copper and silver, forming a perfect match of colors. The bronze bull lamp is exquisite in craftsmanship, and the overall decoration is based on moire, triangle and spiral patterns, decorated with dragons, phoenixes, tigers and deer, as well as various gods, birds and beasts. It is a perfect combination of practicality and artistry among many bronze lamps in Han Dynasty. The bronze bull lamp consists of a lamp holder, a lamp holder and a smoke pipe. All three parts are detachable, so it is quite convenient to use and scrub. The lamp holder is a tall bull with upright head, upturned horns, short and stocky feet and upturned tail, which is vigorous and powerful. The cow's belly is hollow, and it carries a round lamp plate. There is a flat handle on one side of the lamp board for turning the lamp board. The lamp board is decorated with two flexible rotating lampshades, one of which hollows out a rhombic diagonal pattern for a while, which plays the roles of heat dissipation, wind prevention and light adjustment. The dome-shaped cover is buckled on the lampshade, and the bent smoke pipe at the top of the cover is tightly sleeved with the short pipe protruding above the cow head, so that the smoke is dissolved by the clear water introduced into the abdominal cavity of the lamp holder.

Plum bottles with red and cold three friends (Ming) patterns in the glaze, and porcelain accounts for half of the cultural relics in Nanjing Museum, with a total collection of more than 200,000 pieces. Plum bottles, which prevailed in the Yuan and Ming Dynasties, have always attracted people's attention. Two plum bottles collected by Nanjing Museum, namely, "Plum bottles with three friends' patterns of red and ancient in glaze" and "Plum appreciation bottles", are among the treasures. The former is the only well-preserved red plum vase in Hongwu glaze. It was unearthed in 1957 on the "Princess Tomb" earthen bag near Xianglong Mountain, Dongshan Bridge, Jiangning County. The owner of the tomb is Ming Taizu Judy. In-glaze red is a kind of porcelain newly fired in Jingdezhen in Yuan Dynasty. It is made by coating copper-containing pigment on white porcelain blank, then coating transparent glaze and firing at one time. However, the high-temperature copper red glaze requires strict temperature in the kiln, and bright red is the rarest. Three friends in cold years refer to three evergreen plants, pine, bamboo and plum, which symbolize lofty aspirations and are commonly used themes in literati paintings in the Yuan Dynasty. Perhaps because of the pursuit of picture symmetry, since the Ming and Qing Dynasties, there has been a banana in the decoration of Sanyou, including this plum bottle. This plum bottle is 4 1.7 cm high, with beautiful appearance and complete shape. Unfortunately, I didn't see the glaze red on this trip, but I saw the "plum vase".

Geographical Map of the Great World (Ming) and Geographical Map of the Great World are the maps of the world drawn by Matteo Ricci, an Italian Jesuit missionary, when he preached in China. After the map was printed in Beijing during the Wanli period of the Ming Dynasty, the printed version has been lost in China. Grand Universal Geographic Map, a palace color picture book in the thirty-sixth year of Wanli in Ming Dynasty (1608), is the earliest and only existing map of the world in China. This map was originally an old relic of the Qing dynasty, and it flowed out of the palace during the turmoil of the abdication of the Qing emperor. Almost before going to sea, it was bought back by the preparatory office of Beiping History Museum. It was incorporated into the preparatory office of the National Central Museum in 25 years, and this precious map of the world has been treasured by Nanjing Museum. When Matteo Ricci drew the Great Geographic Map of the World, he took the map of the western world as the blueprint, changed the prevailing pattern of putting Europe at the center of the map and East Asia at the center of the world map, and created a model of drawing the world map in China. Among the five continents in this painting, each continent is distinguished by different colors. Mountains are depicted as landscapes, rivers as hyperbolas and oceans as dark green. The whole map is harmonious and layered. Outside the map circle, there are some small maps, such as the nine-day map, the celestial instrument map, the solar eclipse map, the lunar eclipse map, the equatorial northern hemisphere map, the equatorial southern hemisphere map, the China atmospheric map, etc., which contain astronomical geography knowledge and broaden the horizons of China people at that time. Whales, sharks, sea lions and other 15 kinds of marine animals are painted in various sea areas, and 8 kinds of land animals such as elephants, lions, ostriches and dinosaurs are truly painted on the Antarctic continent.

09 Xu Wei's Miscellaneous Flowers (Ming), Xu Wei is a gifted scholar and a madman, and a strange man is also a madman. On the way to the imperial examination, he failed in eight imperial examinations, during which he became Hu Zongxian's staff. Since then, he has made many strange and dirty moves against Japan, which can be said to be an absolute behind-the-scenes hero. After being implicated in the Yan Song case, he was very depressed, but he passed on his experience to Li's sons and made extra contributions to War of Resistance against Japanese Aggression. Although he was a failure in the imperial examination, his level of poetry and calligraphy can be marked by the word "home". In painting, Xu Wei is a master of freehand brushwork in flowers and birds. From the early Qing Dynasty to modern times, Shi Tao, Zhao, Wu Changshuo, Qi Baishi and other masters were deeply influenced by him. The flower scroll is 30cm long and1053.5cm wide. In this long scroll of more than ten meters, Xu Wei painted peony, pomegranate, lotus, phoenix tree, chrysanthemum, pumpkin, lentil, crape myrtle, wisteria, plantain, plum blossom, orchid, bamboo and so on. Xu Wei, flying with great momentum, is Xu Wei's masterpiece. Unfortunately, I didn't see it on this trip.

10 Brick Painting of Seven Sages in Bamboo Forest (Northern and Southern Dynasties) and Biography of Ji Kang in the Book of Jin: Ji Kang lived, "Only Ruan Jihe of Hanoi made friends with God, and Xiang Xiu of Hanoi, Yan, his brother's son Xian and Lang Xie made friends with him, so I made a trip to the bamboo forest, and the world. These seven people are all celebrities in the late Wei Dynasty and the early Jin Dynasty. They often travel together in the mountains and enjoy wine and music. 1960, brick paintings of seven sages of bamboo forest were found in the tomb of the Southern Dynasties at the northern foot of Gongshan Mountain in Xishan Bridge, Nanjing. Originally distributed in the north and south walls of the tomb, each made of nearly 300 bricks, both 2.4 meters long and 0.88 meters high. It is the largest, richest and best preserved brick painting of its kind. For the sake of symmetry, the screen has a period of high reputation in the Spring and Autumn Period. In the picture, Ji Kang combs a double bun and looks at Qiu Hong, playing five strings. Ruan Ji wore a robe, a leather mattress with one hand and a knee, whistling in his mouth; Dan Tao wrapped his head in a towel, holding his sleeves in one hand and drinking water with a cup in the other; Wang Rong leans on a few, and his hands are like jade; Xiang embroidery wears a hat, revealing a shoulder and closing her eyes; Liu Ling stared at the cup in her hand and tasted it with her other hand. Ruan xian hung the ribbon behind his head and played the ukulele; In his heyday, he wore long hair, tied a rope around his waist, meditated and played the banjo. Eight people sit on the floor, each with a look, each figure marked with an identity, separated by ginkgo, pine, locust and weeping willow trees. It is a group of independent and harmonious large-scale portrait brick paintings. This is the earliest physical figure painting discovered so far in Wei and Jin Dynasties, and it is also the earliest existing group of seven sages of bamboo forest. In view of its unique value and irreplaceable uniqueness, National Cultural Heritage Administration clearly stipulates that this national treasure cultural relic is prohibited from leaving the country for exhibition.

1 1 Blue and white Shoushan Fuhai pottery (Ming Dynasty), with a heavy carcass and a tall shape, is painted with Shoushan Fuhai pottery on the outer wall, which combines humanistic meaning and superb porcelain-making technology, showing amazing artistic tension. This is the work of Huang Zhong and Lu Da, the official kiln porcelain in Xuande period of Ming Dynasty. Blue-and-white porcelain is generally blue-and-white on a white background. As a great tool of the official kiln, the blue-and-white Shoushan Fuhai pattern furnace is represented by rare white flowers on a blue background, which is time-consuming and material-consuming, full of choppy waves, and the abdomen is painted with mountains and rivers, which means Shoushan Fuhai. This large blue and white official kiln also has a "longevity bottle" with the word "longevity" painted in various fonts. Unfortunately, I only saw the latter on this trip.

12 golden bodhisattva statue (Qing dynasty). This Buddha statue is made of high-purity gold and is 88 cm high. Both the Buddha's body and the lotus are decorated with pearls and precious stones, showing the royal style. It was made by skilled craftsmen of the court in the heyday of the Qing Dynasty. This golden bodhisattva wears a five-leaf crown and is coiled in a bun. After the crown, the monk belt hangs to both sides, and there is a white hair symbolizing wisdom between the eyebrows. Bodhisattva stands barefoot on the double lotus pedestal, with crystals embedded in each petal and pearls embedded in the middle of the lotus pedestal.

13 gold-plated bronze box inkstone (Eastern Han Dynasty), as for writing tools, handmade ink with pine smoke as the main raw material appeared in China in the Han Dynasty, and paper was invented at the same time, so various inkstones appeared one after another, and entered the stage of combining practicality and artistry, and the production technology level was unprecedentedly improved. This gold-plated bronze box inkstone inlaid with animal models was unearthed in Xuzhou in 1970 in a tomb of Pengcheng king of the Eastern Han Dynasty. Length 25 cm, width 14.8 cm and height 10.2 cm. Gold-plated with red coral, lapis lazuli and turquoise. The box cover and the box body are combined into a prone animal by the mouths of the child and the mother. The head is shaped like a dragon, eyes are triangular, eyes are wide open, eyebrows are raised and decorated with double horns. Squatting on the ground, grinning, chin stretched forward, cleverly forming an ink storage pool. The abdomen is slightly bulging, and a smooth rectangular inkstone is built in. The stone is Lintao stone in Gansu province, with a round millstone on it. The tail is curled and hidden under the abdomen. Protruding back and protruding wings. There is a bridge buckle in the center of the back, which can be tied up for easy lifting. The overall shape of the copper box inkstone resembles a toad, with double horns on its head, wings on its body, staring teeth and crouching on its limbs. It was an auspicious beast at that time.

14 people, birds and animals carved jade ornaments (Neolithic age). Jade ornaments carved by people, birds and animals are the earliest carved patterns of people, birds and animals unearthed in China so far, and are jade treasures in Liangzhu culture. 1970 was unearthed in the Neolithic site in the southwest of Zhang Pu Town, Kunshan City and Taihu Water Town. Jade ornaments are 5.5 cm high and 0.5 cm thick. It is made of tremolite nephrite, white with green spots. The production adopts techniques such as line carving, round carving, through carving, drilling and polishing, with fine carving and unique composition. The main body is a sideways figure with hands raised. Eyes with a concave head, and the curve of the edge hooks the mouth and nose. Five parallel strings are carved on the top of the head to represent the crown hat, and the towering arc above the crown hat symbolizes a bunch of feathers. There is a beast with a tail on the top and a tail on the bottom, and the front and rear limbs are connected with the feather crown. At the top is a relief bird with a small head and a short neck, a flat beak and an upturned tail, which is extremely vivid. When unearthed, it was placed in the round hole of a stone shovel under the owner's right foot. It should be extra embellishment on the graupel. As a weapon (it may not have evolved into a ritual vessel at that time), it shows the military authority that the tomb owner had before his death. The tomb owner's unusual social status at that time should be a clan dignitary with military power and divine right.

15 jade cong with human face and animal face (Neolithic age). Jade cong is a kind of jade with an inner circle and an outer circle. It is an instrument used by ancient people to worship God, about 5000 years ago. In the middle and late Neolithic period, jade cong appeared in Liangzhu culture in Jiangsu and Zhejiang, Shi Xia culture in Guangdong and Taosi culture in Shaanxi. Jade cong in Liangzhu culture is the most developed, and a large number of jade cong have been unearthed and handed down from generation to generation. 1982 A jade cong with a combination of human face and animal face was unearthed at No.4 tomb of Sidun site in the northeast of Changzhou, which is a masterpiece of exquisite jade carving technology in Liangzhu culture. Jade cong is 7.2 cm high, 8.5 cm wide on the side and 6. 1 cm in the inner hole. It is made of tremolite nephrite, milky white with green and ochre red markings. The shape is a short square cylinder with an outer circle and an inner circle. The upper and lower parts are decorated with different animal face patterns. The upper segment is a face, and the lower segment is a face. This is a set of symbolic patterns showing gods riding on wild animals, which is the core of people's religious beliefs in Liangzhu culture.

16 celadon beast statue (Western Jin Dynasty), 1976 unearthed from Zhouchu family tomb in Yixing, one of the top ten national treasures in Nanbo, with a height of 27.9 cm and a caliber of 13.3 cm. According to the epitaph, it was the second year of Yongning in the Western Jin Dynasty (302). The statue of the god beast is slightly pear-shaped, with three horizontal lines on both sides of the shoulder and abdomen, the upper part is small and the lower part is large, arranged in a zigzag pattern, and the flat bottom is slightly concave. There is a beast stacked on the abdomen, with abrupt eyes, staring up at the nose, round beads in the mouth, rope-like forefoot everting, hind paw propping down, and five small semicircular flat transverse ridges arranged up and down. The blue glaze is slightly grayish white and the enamel is moist, but the glaze color is uneven due to uneven heat. There are lines, seals and stickers all over the body to represent mane, wings and beard, and the word "Eastern Zhou" is engraved on the bottom. The celadon beast statue is not a simple porcelain jar, but a special funerary object, which is a masterpiece and has sacred significance. This celadon is very big, with an amazing appearance of a god beast, and the whole body is engraved with patterns, which is very shocking The animal statues are unique in shape and have the typical characteristics of porcelain in the Western Jin Dynasty. Unearthed in the tomb of Ji surname, no reliable similar information has been found so far, which is quite precious. 1993, the national cultural relics were listed as national treasures.

17 gilded Lama Pagoda (Ming Dynasty), this gilded Lama Pagoda was discovered in the underground palace of Hongjue Temple Pagoda in Niushoushan, Nanjing, Jiangsu Province on 1956. It is 35 cm high and consists of three parts: tower foundation, tower body and tower gate. Taki is a sumeru throne with a height of 16 cm. On the front of the pedestal, there is a statue of Erlang, on the right, there are two lions playing ball, on the left, there are two deer fighting horns, and on the back, there is Yunlong. The bottom of the pedestal is engraved with an inscription, which records the manufacturer and provider of Lama Pagoda. There is a group of Buddha statues on Mount Sumi, which contain pearls, precious stones, crystals, agates, jade and ashes. The stupa on Mount Sumeru is Tibetan and has four doors. Buddha statues of Sakyamuni and Wei Tuo are placed in the stupa, which consists of a wheel, thirteen days, a treasure cover and a treasure bead. There is a celadon jar in every corner of Mount Sumi. One jar contains the teeth and ashes of an old man. This pagoda belongs to the tantric stupa, which is mainly used for Five Dhyani Buddhas or burying Buddhist relics. Mainly built in China after the Ming Dynasty, there are about ten places in China. There are only two King Kong Throne Pagoda: Yuanzhao Temple in Wutai Mountain and Miaozhan Temple in Guandu, Kunming, Yunnan. The "mini" King Kong Throne Pagoda unearthed in Nanjing Hongjue Temple Pagoda is the only one, which is precious.

18 Shen Shou embroidered the statue of Jesus (Republic of China), and Shen Shou 1874 was born in wuxian county. In the Qing Dynasty, he was the chief embroiderer of the Ministry of Agriculture, Industry and Commerce, and went to Japan to inspect embroidery and embroidery schools. Shen Shou was particularly interested in Japanese artists' new attempt to combine oriental embroidery with western sketches and oil paintings. After returning to China, he further pondered and studied, and on the basis of enriching his embroidery skills, he created "simulated embroidery", which changed the traditional embroidery method of China with tangible colors and little light and shadow, and made China's embroidery skills reach a new peak. In the early years of the Republic of China, Shen Shou decided to show China's embroidery to the world in the form of "simulated embroidery", just as the upcoming Panama World Expo in the United States was soliciting exhibits from China. In order to make it easier for the world to accept China's superb skills, she chose an Italian postcard with a portrait of Jesus as the original and began to re-create. This oil painting, originally the work of an Italian painter in the late Renaissance, is based on the story of Jesus' rebirth in the Bible. Shen Shou creatively used new stitches such as virtual needle and rotating needle, and carefully selected more than 100 kinds of self-dyed silk threads according to the needs of skin texture of characters and the changes of light and dark levels of oil paintings, so as to embroider this portrait of Jesus vividly. More subtly, Shen Shou also embroidered one of more than 100 silk threads of different colors used in this embroidery into a cross and put it above Xiu Xiang for the audience to judge, so as to prove that all parts of Xiu Xiang were dyed after embroidery. The statue of Jesus won the first prize in 19 15 San Francisco Panama World Expo, which made this Expo very influential in China. This trip also saw one of the four screens of Luohan embroidered by Shen Shou, which is also an absolute masterpiece in embroidery.

19 blue glazed famille rose rotary heart bottle (clear), blue glazed painted famille rose open rotary heart bottle is a unique bottle type created by Gan Long Imperial Kiln, and its technology is extremely complicated. A rotatable inner bottle is arranged in the hollow bottle. The outer bottle is painted with colorful clouds, cliffs, Banqiao and other scenery, while the inner bottle is painted with Ganlong hunting scenes. When the liner rotates, it seems that a large group of people walk through the mountains, and the momentum is extraordinary. This bottle is 70 cm high, 20 cm in diameter and 24 cm in bottom diameter.

In the early morning of September 15th, the 18th year of Jiaqing, more than 200 Tianjin people, led by eunuchs, attacked the Forbidden City from the East Gate and Xihuamen, trying to climb over the wall and enter hall of mental cultivation, where the emperor lived. When Emperor Suining heard that there was a change ahead, he immediately ordered his followers to go to war. When he reached the steps of hall of mental cultivation, he found two figures on the roof and immediately shot them with a shotgun, killing them. The fierce battle ended at noon and the incident subsided. At this time, Emperor Jiaqing was on his way back to Beijing from the summer resort. Knowing that his son had led the rebellion, Jiaqing named Ning Min "the King of Heshuo". Ning Min is 3 1 year old this year. Emperor Jiaqing always liked the emperor's second son (the eldest son died young, actually the eldest son). With his outstanding performance in the "Gui You Change", Yongning succeeded to the throne and became Daoguang Emperor seven years later. When Ning Min was awarded the title of "Prince of New Moon", Emperor Jiaqing gave him a golden seal and a principal book as proof of his identity. The gold seal buckle is slender and powerful, and it is good at bearing loads. It is a dragon head, a turtle body, a dragon tail and a dragon claw. The gold album is in the shape of a three-sided screen, which can be folded and engraved with Manchu and Chinese characters.