Appearance of the Forbidden City in Beijing

At that time, the front palace of the Forbidden City required magnificent architectural modeling, and the courtyard was clear and open, symbolizing the supremacy of feudal regime. The Hall of Supreme Harmony was located in the center of the diagonal of the Forbidden City, and there were ten auspicious animals at each corner, which were vivid and lifelike. The designers of the Forbidden City thought it would show the majesty of the emperor and shock the world. However, the imperial palace in the back requires deep courtyards and compact buildings. Therefore, the six palaces in the east and the west are self-contained, each with its own palace doors and walls, which are relatively arranged and orderly, coupled with palace lanterns and embroidered beds, all of which are arrangements that meet the needs of luxury life. After the imperial palace is the palace backyard. In the backyard, there are pines and cypresses that are not carved in the cold, and exquisite rockeries with beautiful stones, which are surrounded by buildings, pavilions, pavilions and pavilions, which are beautiful and quiet.

The Palace Museum is arranged along a north-south central axis, and the three main halls, the last three palaces and the imperial garden are all located on this central axis. And spread to both sides, straight from north to south and symmetrical from left to right. This central axis not only runs through the Forbidden City, but also reaches Yongdingmen in the south and Drum Tower and Bell Tower in the north, running through the whole city. It is magnificent, well-planned and extremely spectacular.

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What are the sentences describing the appearance of the Forbidden City?

(1) The steep stone mountain leaning against the wall of the North Palace is the famous Duixiu Mountain. Climb the mountain along the steep and winding ramp. There is a royal pavilion on the mountain, from which you can look around the beautiful scenery. It is said that it is a place for emperors and empresses to climb and play on the Double Ninth Festival. (2) Located in the center of Beijing, the Forbidden City is the largest and most well-preserved ancient palace complex in the world with rigorous structure, exquisite decoration and numerous cultural relics. The whole building is resplendent and magnificent. (3) The Forbidden City, also known as the Forbidden City, is in strict compliance with the feudal hierarchical etiquette system. It is orderly, and ordinary people can't not only enter, but also get close to it, which embodies the supreme imperial power in the feudal era. (4) In a place more than ten meters high at the meridian gate, there is a Chonglou, and the pavilion with double eaves and spires protrudes like five phoenix wings, which is magnificent, so the Forbidden City is also called Wufeng Tower. (5) There is a wall around the Forbidden City, surrounded by a river city outside the wall, forming a perfect defense system of the Forbidden City, which embodies the wisdom of working people in ancient China. (6) Walking across the Neijinshui Bridge, there is an open square in front of you. In the middle of it is a palace-style building, which is the Taihe Gate. There is a majestic bronze lion squatting on both sides of the door. (7) The palaces in the Forbidden City are arranged along a north-south central axis, and the three halls, the last three palaces and the imperial garden are all located on this central axis. And spread to both sides, straight from north to south and symmetrical from left to right. (8) Walking on this central axis, we can see that the whole building complex of the Forbidden City is square. People in ancient China knew that the sky was round, and it was hard to say and do this thing. If you were not careful, it became the opposite of founder, so it was still square, which made people feel practical and stable. In fact, what is compatible with Founder is harmony. Buddhism often says that harmony does not hinder. In the Forbidden City, the two are integrated. If Founder is talking about architecture, then harmony is understood as the profound cultural accumulation and vicissitudes of the historical background of the Forbidden City. (9) I swam in Tiananmen Square twice and returned outside the noon gate. In the appearance of the palace gate, I have been awed and praised the weather of the palace, which is extraordinary! Before the May Day holiday, I will swim in the palace with my friends, and I appreciate the palace more. After all, it is a palace. Only this weather has opened my mind and made me sigh! The glazed Yuanyang tile, the scarlet lacquer, the upright stanchion, the carved beams and the painted buildings, and the three-story marble stone steps altar, overlooking the southern things, make people lament that "a gentleman should live here"! At this time, Yu not only thinks that today's high-rise buildings are different from them: today's high-rise buildings are also different, and they are dazzling in front of others, and they are very * * *. Make people look at it, it is refreshing and confusing! The main hall of the ancient palace is also solemn and magnificent, with all the seats, which is very arrogant and very manly. Make people look at it with awe and innocence! This is my experience of visiting the Forbidden City, and the difference between ancient and modern castles and pavilions is the change of people's temperament since ancient times. (1) Zhonghe Hall is the place where the emperor rests before going to the Hall of Supreme Harmony ceremony and accepts the worship of deacons. In the middle of the hall, there are four Chinese characters of "Allow to be in a trance", and two four-legged unicorned animals stand on the left and right sides of the throne below, all made of gold, glittering and majestic. (11) The Palace at the front of the Forbidden City, at that time, required magnificent architectural modeling, and the courtyard was clear and open, symbolizing the supremacy of feudal regime. The Hall of Supreme Harmony was located in the center of the diagonal of the Forbidden City, and there were ten auspicious and auspicious beasts on each corner, which was vivid and lifelike. The designers of the Forbidden City thought it would show the majesty of the emperor and shock the world. However, the imperial palace in the back requires deep courtyards and compact buildings. Therefore, the six palaces in the east and the west are self-contained, each with its own palace doors and walls, which are relatively arranged and orderly, coupled with palace lanterns and embroidered beds, all of which are arrangements that meet the needs of luxury life. After the imperial palace is the palace backyard. In the backyard, there are pines and cypresses that are not carved in the cold, and exquisite rockeries with beautiful stones, which are surrounded by buildings, pavilions, pavilions and pavilions, which are beautiful and quiet. (12) The Palace Museum is arranged along a north-south central axis, and the three main halls, the last three palaces and the imperial garden are all located on this central axis. And spread to both sides, straight from north to south and symmetrical from left to right. This central axis not only runs through the Forbidden City, but also reaches Yongdingmen in the south and Drum Tower and Bell Tower in the north, running through the whole city. It is magnificent, well-planned and extremely spectacular. (13) A huge stone carving in the middle of the back step of Baohe Hall is very eye-catching. This is the famous Yunlong stone carving, with clouds carved on it, blue sea water and steep cliffs, and nine vivid Youlong playing beads between sea water, cliffs and flowing clouds, which makes people think. (14) Every rainy day, the rain falls on the three-story platform above the three halls of Taihe, Zhonghe and Baohe, and the merged water flows out from the stone faucets, with thousands of faucets and thousands of streams, forming a spectacular scene of thousands of dragons spitting water. (15) Beijing is a national historical and cultural city with a history of 3, years. Beijing was the capital of the Six Dynasties in history. In the more than 2, years since Yan State, many magnificent palace buildings have been built, making Beijing the city with the largest number of imperial palaces, gardens, temples and tombs in China. Among them, the Forbidden City in Beijing was called ouchi Miyagi in the Ming Dynasty and the Forbidden City in the Qing Dynasty. It used to be the imperial palace of the Ming and Qing Dynasties, where 24 emperors lived. The building is magnificent and magnificent, which perfectly embodies the traditional classical style and oriental style of China. It is the largest existing palace in China and even the whole world, and it is a valuable cultural heritage of the Chinese nation.

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Introduce the symmetrical beauty of the Forbidden City in Beijing

Look at the future of the documentary from the characteristics of the Forbidden City Keywords: The Forbidden City documentary stunt large-scale TV documentary "The Forbidden City" was broadcast on CCTV, which was concerned and debated by the media, cultural and film circles. It became a very important cultural phenomenon in 25. Some people think that "in the process of China documentary development, the innovation and experiment of the Forbidden City is undoubtedly a milestone." Looking at the whole film of the Forbidden City, we can easily find that, as the editor-in-chief of the film Zhou Bing talked about the creative concept of the Forbidden City, he highlighted: innovation. He said: "Whether a film is good or not depends on how many original factors there are. Lies in the innovation of ideas and information; Lies in the innovation of artistic creativity; Lies in the use of new technologies. " Great and many attempts have been made in the artistic creation of this documentary. This also represents the basic features and routes of future documentary creation. These features can be summarized in three points: First, the application of modern technology and the continuous broadening of the exhibition stage. Mr. Thomas Skinner, an international judge who once served as the "Magnolia Award" of the fourth Shanghai TV Festival, said: "The reason why China documentaries can't go global is to give up the application of various advanced technical methods in pursuit of the' absolute truth' of the recorded content." [1] The maturity of computer 3D animation technology has brought revolutionary changes to the image art.. Popular communication tools, such as movies and TV plays, are swimming in the changes brought by computer 3D animation technology, and TV documentary, an art style born in the cracks, will certainly not fall behind this trend. In order to make the shot picture more perfect and powerful, The Forbidden City adopted international advanced animation technology and borrowed various shooting techniques from movies. 3D production combined with real-life shooting, time-lapse photography (such as clouds over the Forbidden City) and fixed-point shooting laid a good foundation for improving the quality of the whole Forbidden City. From it, we can feel that 3D animation has also brought many changes to the creation of documentary. Broadening the authenticity of time and space has always been a difficult principle to follow in documentary creation, especially for documentaries with historical themes like the Forbidden City. As a building, the Forbidden City has undergone tremendous changes in both time and space during the hundreds of years of historical changes. How can we show such time and space nearly truly? Computer technology can be accomplished. In the title of the Forbidden City, the camera first shows the interior of the solemn Hall of Supreme Harmony, and the yellow picture gives people a very real feeling. However, as the camera moves back and the door is pushed out, the appearance of a group of tourists pulls history down to the present. Time and space have been crossed in one shot. At the beginning of the documentary, it first shows a bright moon hanging in the sky, then the camera moves down, breaking through the clouds, showing the prospect of the earth, and in the process of falling slowly, it shows the whole change of Beijing from the Zhou Dynasty to the present in the form of animation. The application of these technologies has shortened the boundary between time and space, and displayed thousands of years of history in simple changes, making the audience clear at a glance. In the display of space, the use of computer technology is even more powerful. The Forbidden City is a complex and huge architectural system. Traditional aerial photography can only show the appearance, but if the real scenes are reproduced one by one, it will break the audience's overall impression of it. However, through computer animation, the two methods can be well integrated. In The Forbidden City, computer stunts show us such a scene of the Forbidden City: moving from the front door to the north quickly, passing through Tiananmen Square, passing through the whole Forbidden City along the axis of the Forbidden City, and then moving the lens up to show the panoramic view of the Forbidden City, or walking backwards. Such a breakthrough in the sense of space undoubtedly shows the whole picture of the Forbidden City more stereoscopically and truly. The breakthrough of time and space has expanded the documentary stage, which makes the documentary's performance of time and space no longer bound, but expanded to a greater extent, making the creation and display of historical and big space themes easier and more vivid. The diversification of expression and the change of expression are the obvious characteristics of the Forbidden City. In order to better explain and show the content that traditional methods can't achieve better results, the application of modern technology has also played an important role here, with regular shooting, fixed-point shooting and time-delay shooting coming on stage one after another. In the Forbidden City, this technique can be seen everywhere. In showing the Millennium changes of Beijing, the original picture description and commentary can only give the audience an abstract impression. However, through the processing of computer technology, the historical changes of Beijing are shown in the form of animation, which is true and intuitive. Impressed the audience very deeply. When showing the structure and construction process of the Forbidden City, three-dimensional animation is used to show the structure and construction process of the main hall of the Forbidden City, which is also very intuitive and easy to understand. It is also the main hall. When it shows that he has experienced a fire and burned down, it does not use traditional but boring explanations, nor does it use real fire scenes to increase costs, but uses simulated scenes, which is more real and economical. The use of modern tools brings long-term benefits to documentary expression, which enriches the means of expression. Individualization of creation in the way of expression, how to make a historical truth more modern, how to convey more information in a limited picture, and how to integrate more creators' thoughts and emotions. With the more application of technology, the above problems can be revealed implicitly, and the personalized style of documentary becomes more and more obvious. In general documentaries, personal opinions always lack individuality for one reason or another. The display of the picture also lacks individuality in pursuit of authenticity. However, the use of technology not only lightens the role of commentary, but also increases the expressive language and personality characteristics of the picture. The Forbidden City is just showing such a personality. The cloudy sky highlights the heavy sense of history, the rolling dark clouds and the instantaneous changes of seasons show the changes of history. The overall tone of the picture is dark yellow and black, which is solemn and profound. Zhou Bing believes: "We strive for photographers' creativity and unique discovery perspective throughout the filming. I have always been eager to show extraordinary visual effects in this film. As long as we have creative display within the scope of our control, we should make our creators and audiences have extraordinary visual experience, and present strong and touching pictures ... In our film, we strive to present extraordinary visual creation in many chapters ... "[2] However, in the Forbidden City, especially in the first three episodes, the production of three-dimensional animation is a little too much. Just as some viewers mentioned in their comments: "Computer stunts are used too much, since it is a historical documentary, it should be based on real objects, and the pictures are too decorated ..." Technology can only be a means forever, and in a documentary, it can only serve the theme of expressing reality, so it cannot be a distraction. The rendering of artistic techniques leads to the inner authenticity. The Oxford Modern Advanced English-Chinese Dictionary interprets the root document of documentary as a record of human nature (indicating facts or events of human nature), while Longman English Dictionary puts it more directly, "Providing facts through art: documentary". From here, we can see that artistic features play an important role in authenticity. Therefore, the truth of documentary does not exclude artistic expression. In the investigation of artistic expression, we can also find the proper use of artistic expression, which has a very strong response to documentary and achieves good results. "The Forbidden City" specially hired professionals with international standards such as photography, music creation and animation production to join. Including Zhao Xiaoding, who was nominated by academy award for best cinematography, Hu Yuan, who won the Golden Eagle Award for Best Documentary, Director Award and Photography Award, Chi Pingmian, who has been a first-class photographer in Japan for 33 years, Su Cong, who won the Oscar for Best Music, Tang Jianping, director of the composition department of the Central Conservatory of Music, and famous composers.