Who can tell me all the information and some stories about Tang Bohu?

Tang Yin (1470— 1523) is an outstanding painter and writer in the history of China painting. Wuxian (now Suzhou, Jiangsu) people. The word "fear" at the beginning of the word "Bohu" is more obvious, and it is called "the Lord of the Peach Blossom Temple". In his later years, he believed in Buddhism and had six nicknames, such as lay man. Among the painters in China, Tang Yin is the most famous, and his name is well known to all women and children. "Tang Bohu Dianqiuxiang" and "San Xiao" are widely circulated among the people.

Tang Bohu is clever, but he is not romantic. His poems, books and paintings are called "three musts". In painting, Tang Yin is good at landscapes and figures, especially ladies. Its painting style is neat and beautiful, and it is called "Tang painting", which is highly praised by future generations. Calligraphy originated from the integration of Zhao Mengfu. It is beautiful and elegant, and it is quite kung fu. Besides, he can compose music and collect folk songs. So many talents are rare among the literati in the Ming Dynasty. Tang Yin is an outstanding representative of "Wu Pai", and he is as famous as Shen Zhou and Ming Sijia. He also exchanged poems with Zhu Yunming, Wen Zhiming and Xu Zhenqing, and became famous in Wuzhong, known as the "four gifted scholars in Wuzhong".

Tang Yin's early paintings include "Attacking Li Tang Far" and "Making Friends in China". In his early years, he worshipped Shen Zhou, the founder of Wu School. Shen Zhou and Zhou Chen were both famous painters in Suzhou at that time. Shen took Yuan painting as his ancestor, and Zhou took the Southern Song Dynasty college painting as his teacher. These are two schools in Paintings of Ming Dynasty. Although Tang Yin learns from Zhou Chen, he has the reputation of winning the blue. Tang Yin, who is also his strong point, has made great progress at one time, even surpassing his teacher Zhou Chen, and gained great fame by combining the brushwork of Yuan people with the style of Southern Song Dynasty.

Tang Yin painted the most landscape paintings and achieved the greatest success. Tang Yin's footprints are all over the mountains in Sichuan, and his chest is full of Qian Shan's mountains and valleys, which makes his poems and paintings have the vigor and vitality that Wu Shi people don't have, and turn them into chic. Most of his landscape paintings show majestic and steep mountains and rivers, pavilions and small bridges, beautiful mountains and rivers all the time, and some describe pavilions, gardens and the leisure life of literati. Landscape figure painting is magnificent, slightly beautiful and unique, with rich and diverse themes. Because Tang Yin seldom marks the year on his paintings and his painting style changes irregularly, it is difficult to infer the time when he painted, and it is also difficult to divide the changing process of his painting style by time.

After Zhou Chen, Tang Yinshi lived mainly in the Southern Song Dynasty, but sometimes his paintings were similar to those of Shen and Wen, such as the Southern Tour. This was given to Tang Yin by pianist Yang when he left Suzhou at the age of 36. Drawing figures, cars and donkeys is as delicate as hairspring on paper. There are three or four miscellaneous trees on the close-up slope. On the left side of the middle shot, in front of the rock, a noble man rode slowly on a donkey, followed by a boy servant with a negative piano. Just out of the rock mouth, the two pushers on the right hurried up. The winding mountain roads and undulating streams make the journey quite difficult. The whole painting is not colored, and the mountain is very gentle. One of the trees decorated its leaves with pepper, which is similar to Shen Hewen's leaf painting.

One of the representative works of Tang Yinxue's painting style in the Southern Song Dynasty is Snow Mountain Scroll. Although the painting is a snow scene, it is not appropriate to use a lot of pens, but from the combination of rocks, we can still see the shape of the cube painted by the Southern Song Academy. In the alpine thatched cottage, there are two Weng around the stove to drive out the cold, and there is a high earth riding a horse and carrying an umbrella of a boy servant, walking between Qiongshan and Yushu. The foreground of the painting is mainly three dead trees with straight, oblique and straight branches. The bright side is slightly white, while the dark side is particularly dark to show snow. In addition, the Hidden Fish in the Western Hills and the Shrubbery in Shinohara are also of this style, especially the Hidden Fish in the Western Hills is a long scroll divided into ten parts, which is a rare masterpiece in Tang Yin's works.

During the Southern Song Dynasty, the main styles of college sports paintings were Qingxi Map, Watching Spring and Listening to the Wind Map, and Holding the Piano and Going Home. These works are basically carved with a small axe, with thick brush strokes, and some of them also show some characteristics of the Southern Song Dynasty college paintings. Song Yintu in Qingxi is a typical work of chopping wood with a small axe, and it is a masterpiece of Tang Yinxue in Zhou and Chen Dynasties. The distant mountains on the screen are like huge monuments, and the hills are dense and sparse. The mountainside uses a cloud hook to compare the height of the mountain. This painting shows a Cosford sitting in the shade of a pine tree, holding his head high and thinking. Gao Shi's lines are dignified, quiet and lofty. And one of the pine trees is inserted between the rock walls. Gu Teng is around the mountain, and it often rises slightly with the wind, so it is sophisticated to use a pen.

The main part of Looking at Spring and Listening to the Wind is that two seniors sit side by side and watch the waterfall flow out of the cave. Although the waterfall is not big, it rushes and several streams leap out. Tang Yin painted water vividly, which is one of the characteristics of painters in Song Academy. This painting is characterized by abrupt mountains, clear light and dark, and marked with ink. The brush on the rock behind the tree is light and light, and gradually disappears into the clouds. The distant mountains are obvious, and the peaks are slightly seen. This implicit expression is the consistent painting style of Ma Yuan and Xia Jue. Bao Qin GUI Tu also has these remarkable characteristics.

The Historical Legend of Tang Bohu Igniting Qiuxiang

Tang Bohu San Xiao Dian Qiu Xiang

Tang Yin is a gifted scholar in Wuzhong, as well as Wen Zhiming and Zhu Zhishan. Tang Bohu is especially good at writing and painting. Although he is handsome, he is sometimes informal.

The wife of China, a bachelor of Wuxi aristocratic family, came to Wuzhong to burn incense with a maid and servant, and happened to meet Tang Bohu who came to visit Tiger Hill at the invitation of Wen Zhiming and Zhu Zhishan. At this time, Tang Bohu saw a beautiful handmaid in the crowd in Washington, and she was hooked up. She followed her to a temple unconsciously.

Liu Wuquan walked into the hall and upon the Buddha statue. Tang Bohu also knelt beside Meidochan. Meidochan accidentally left his handkerchief on the ground and was picked up by Tang Bohu. When people from Washington came to Tiger Hill, Tang Bohu met the little maid by a rock and returned her handkerchief. The handmaid looked at the scholar with the handkerchief and smiled.

Wen and Zhu didn't see it on the road, so they had to go back by themselves. When Washington and his party returned to the boat after swimming in Tiger Mountain, Tang Bohu also rented a boat to accompany them. The handmaid's name is Qiu Xiang, and she is Mrs. Hua's favorite handmaid.

When the boat came out to pour water on the way, Chou-heung just fell on Tang Bohu. Chou-heung saw Tang Bohu. He was not in a hurry, but smiled there and smiled for it. When the ship arrived in Wuxi, people from Washington all landed, and Tang Bohu quickly recovered. In front of Washington, Chou-heung saw Tang Bohu still chasing him foolishly, so she walked in with a smile. At this point, Tang Bohu won the beauty of her heart, San Xiao.

In order to pursue further, Tang Bohu changed his casual clothes and went to Washington to apply for a teaching position, named Hua 'an, to teach Wenhua and Hua Wu, two sons of Bachelor of Chinese Studies, to read and write. One day, Chou-heung sent tea to the Fahrenheit brothers. She saw a portrait entitled "A pair of idiots" on Hua 'an's desk and secretly showed it to her wife. Although the lady was furious, she really seldom saw the exquisite brushwork, and it was only after the second daughter-in-law was rescued by Tang Bohu's cousin that she offered to draw a statue of Guanyin as a model for her, that the lady turned her anger into joy.

At this time, Tang Bohu took the opportunity to ask Chou-heung to help me polish the ink, so as to further contact Chou-heung. Since then, Tang Bohu has met Lai Xiang for many times, but Chou-heung promised but didn't keep the appointment. Wen and Zhu came to Wuxi to visit after a long separation. Zhu Zhishan lied that Hua 'an was a runaway servant and wanted to take him home. Don't want to go back, and Hua doesn't want him to go.

Just when Wen and Zhu had no choice but to walk out of Washington, they chased them out and confessed everything, so the three men devised a plan to force the China bachelor to promise to choose one of all his handmaids as his wife. Mrs. Hua agreed, and all the maids in Washington got together to choose.

However, Tang Bohu looked at almost all the maids, but remained silent. He just whispered, I want to see all the maids because I am kind. The lady asked the second daughter-in-law puzzled. Second grandma said Chou-heung was the only one who didn't come out. After the lady told her, Chou-heung appeared, and Tang Bohu was very satisfied.

The next day, when the bachelor learned that Chou-heung had fled that night, he sent someone to Zhujiajian to inquire, but he heard that Hua 'an was at home. When Hua learned the truth, he rushed to the Tang family and saw that it was Hua 'an, so he invited Chou-heung. When the truth came out, Hua laughed. From then on, two families in Tang Hua thought they were in-laws and interacted with each other.