An example of asking Li Bai to study hard

Li Bai's Fishing Poems It is said that Li Bai once went to the Prime Minister's House and announced himself: "Fishing an Oko Li Bai at sea." The Prime Minister asked with a smile, "Sir, what is the hook line for fishing giant ao in Lincang?" Li Bai said, "Take the bright moon as the hook and the rainbow as the line." The prime minister asked again, "What do you use as bait?" Li Bai said loudly, "Just use the most disloyal scholar-officials in the world as bait." The prime minister's hair stood on end when he heard this. Thousands of years later, Su Dongpo commented on Li Bai's "playing like a bosom friend and treating him like dirt". His fishing theory of turning the tide and deterring small groups brought Li Bai's chivalry, courage and high feelings to the extreme. Li Bai's Chenxiang Pavilion chants peony. The famous sentence of Li Bai's Ode to Peony in the Immortal Pavilion has been told by people for thousands of years. It is about one day when Emperor Xuanzong of the Tang Dynasty and Yang Guifei were in Chenxiang Temple to see peonies, and the singer Li Guinian led a group of children to play the piano and sing. Emperor Xuanzong of the Tang Dynasty said to Li Guinian, "Why do you sing old words to Yan Fei? Tell you what, ask Li Bai to write new words. " Li Guinian rushed to the famous restaurant on Chang 'an Avenue to look for it. Sure enough, Li Bai was drinking with several literati and was as drunk as a fiddler. When Li Guinian conveyed the imperial edict to him, he fell asleep with his eyes slightly open and half closed. The imperial edict was wrong, so Li Guinian had to let his entourage immediately drag Li Bai to the front of the temple, and several people helped him and pushed him to the front of Emperor Xuanzong of Tang Dynasty. Seeing that Li Bai was drunk as mud, Emperor Xuanzong of the Tang Dynasty asked the minister to help him rest on the jade bed and ordered someone to bring the hangover soup. Yang Guifei had her noodles sprayed with cold water. Lying on the jade bed, Li Bai stretched out his foot to Gao Lishi and asked him to take off his boots. Gao Lishi was helpless and had to squat down to take it off for him. After a hurry, Li Bai woke up from a drunken dream. Emperor Xuanzong of the Tang Dynasty told him to write poems to amuse himself. Li Bai smiled and picked up a pen. In less than one breath, he wrote a three-word "Qingpingdiao": (1) The clouds miss the clothes and flowers, and the spring breeze blows the threshold. If Yushan didn't see her, it would be Yaochi meeting under the moon. (2) A red dew is fragrant, and the rain is heartbroken. Excuse me, who looks like Han Palace? The poor swallow leans against her new makeup. (3) Famous flowers fall in love with each other and smile like kings. Explain that the spring breeze is infinitely hateful, and the agarwood pavilion is northward. These three poems were written interactively by Peony and Yang Guifei. Flowers are people, people are flowers, and people's faces are smooth and harmonious, just like Montien's. From the structural point of view, the first song was written from space and introduced to the Moon Palace in Yuen Long. The second song was written at that time and was introduced to the balcony of King Xiang of Chu and the court of Emperor Cheng of Han Dynasty. The third song returns to reality, pointing to Chenxiang Temple North of Tang Palace. With the first spring breeze and the third spring breeze, they echo each other from afar. The first sentence of a song reminds me of the imperial concubine's clothes when watching clouds and the imperial concubine's jade capacity when watching peony flowers. The next sentence, Revlon, further dyed the peony flowers in the crystal dew, making it look delicate and charming, making the face more spiritual. The next two sentences imagine ascending to the fairy world such as Yushan, Yaotai and Yuegong where the Queen Mother lives. These landscapes can only be seen there, and Yang Fei is actually compared to a girl in the sky. The second song points out that King Xiang of Chu is a heartbroken goddess and a peerless beauty in front of him. Besides, Zhao, the empress of Emperor Han Cheng, depends on new makeup. The beautiful ones in front of her don't need powder, and they are all natural and amazing. Here, the goddess and Zhao Zheng are depressed. The first sentence and the second sentence in the third song combine Peony, Yang Fei and Xuanzong. This beautiful country should refer to Yang Fei, and the "spring breeze" in the third sentence is synonymous with the king. Tang Xuanzong was very satisfied with this poem. Later generations fabricated that Gao Lishi took off his boots because of Li Bai's orders and thought that he was humiliated. He said that Li Bai used Feiyan to despise Yang Fei's obesity and her adultery with Feiyan, which was not reliable.