Collection of Spring Festival couplets and New Year greeting messages

1. Harmony

The first part: 24-hour solar terms, Gankun competitive show

Part II: Fifty-six wonderful flowers, harmony and spring.

Horizontal Identity: Harmony between Man and Nature

Step 2 be harmonious

Part I: Harmony between heaven and earth, harmony between people and harmony with China.

Part II: The beauty of songs, dances and flowers lies in tonight.

Horizontal batch: good luck in the new year

3. Heshun

Part One: Harmony and Shun Qian Jiale

The bottom line is: people are blessed every month and every year.

Horizontal approval: Guotai Min 'an

live in harmony with

The first part: the party's heart and people's hearts are United, and scientific development has mushroomed.

Bottom line: the country is lucky, the family is lucky, the plan is lucky, and social harmony is rising.

Horizontal batch: Vientiane update

5. Smooth sailing. I wish you all the best.

6. Smooth sailing, good luck every year, all the best, step by step, horizontal approval: good luck.

7. Get rid of the old habits, five stresses and four beauties, and build a new style: say goodbye to the old and welcome the new.

8. A year of good luck comes with colorful clouds, from spring to the four seasons: all the best.

9. In the spring of the year, flowers are always in full bloom: welcome the new year.

10. Good luck all year round, and treasures from all directions come into the house: home and everything.

1 1. Scissors cut out articles in spring, summer, autumn and winter, smiling at guests from all corners of the country and nine continents: business is booming.

1. Bi Ye frogs croak; Huangshan squirrels sing.

2.c Hui Ruiying; Zishu Feng Qingdeng.

3.c phaeton ruiqi; The child is happy and healthy.

4. Pine trees are aging with age; Rats and the new year.

5. Spring tides bring good news; The Year of the Rat brings good news.

6. The spring breeze blows the green willows; The elven mouse jumps over the pine and cypress and the green.

7. Warm trees in spring; The golden mouse jumps over the pine tree.

8. Magpie and cranberries; The Year of the Rat is full of joy.

9. People are happy for health; Rats are in their prime.

10. Towards prosperity; Rats come to report good luck.

1 1. Towards infinite spring; The mouse is over twenty years old.

12. Rats come and go; Spring scenery updates.

13. The mouse is the first of the 12 zodiac animals; Spring comes first when you are old.

14. New rhythm mouse tune; Chickens crow in the morning and spring.

15. Glad to have a moustache pen; Happy topic swallow-tailed book.

16. Newly-made mice marry women; Beautiful scenery welcomes spring.

17. Get home next spring; Happy Year of the Rat.

18. Spring is noisy when you are young; The age of the mouse is sweet to smile.

19. Children change alternately with age; Rat Festival is updated in spring.

20. The child is the head of the ground; The mouse is the first of the twelve zodiac animals.

2 1. Relax at midnight; In the year of the rat, magpies speak incense.

22. The clock strikes midnight; There are firecrackers everywhere in the Year of the Rat.

23. Push the nail in a hundred years; Blessed land is in Chunshen.

24. Pig Peace; The mouse collar is rich in years.

25. Tianzhu belongs to heaven; The mouse arched the door.

26. pigs drive away the cold; Treasure mice bring warm spring.

27. Firecrackers spread to Kyrgyzstan; Chimonanthus praecox reports the Spring Festival.

Origin:

It is said that Meng Changjun, the monarch of Shu after the Five Dynasties, was a monarch who liked to be unconventional. On New Year's Eve at the end of 964, he had a whim to let a bachelor named Xin write two sentences on the mahogany board and hang them on the door frame of his living room as peach symbols. These two sentences are "Qing Yu in the New Year, Changchun in the First Festival". Enjoy the legacy of the previous generation in the new year. The second sentence is to the effect that festivals show that spring is always there. Since then, the form and content of Fu Tao have changed, not only by replacing "Shen Tu" and "Lei Yu" with parallel couplets, but also by expanding the connotation of Fu Tao, not only to ward off evil spirits and disasters, but also by adding the content of praying and wishing. This became the earliest Spring Festival couplets in China.

In the Song Dynasty, it was quite common to write couplets on mahogany boards. Wang Anshi wrote in his poem "January Day" that "firecrackers are one year old, and the spring breeze sends warmth into Tu Su. Thousands of families always exchange new peaches for old ones, which reflects the grand occasion of hanging peach symbols on New Year's Eve every year. At the same time, with the appearance of the door god and the peach symbol symbolizing happiness and auspiciousness written on red paper, the mission of exorcising evil spirits and avoiding disasters shouldered by the previous peach symbol has gradually shifted to the door god, and the content of the peach symbol has also evolved into expressing people's good wishes for good luck and good harvest in the coming year.

The word "Spring Festival couplets" appeared in the early Ming Dynasty. When Zhu Yuanzhang, the founding emperor of the Ming Dynasty, was emperor, he liked ostentation and extravagance, and he also liked the peach symbols posted by the big family on New Year's Eve every year, so he wanted to promote them. One year before New Year's Eve, he issued an imperial edict requiring every household in Jinling to stick Spring Festival couplets written in red paper on their doorframes to welcome the Spring Festival. On the morning of New Year's Day, Zhu Yuanzhang made a tour incognito and went door to door to check the Spring Festival couplets. Whenever he sees a well-written Spring Festival couplets, he is very happy and full of praise. Zhu Yuanzhang was very angry when he saw that the family did not post Spring Festival couplets. He asked why. The attendant replied: this is a master who is engaged in killing pigs and cutting pigs. He is very busy during the New Year, and he hasn't had time to find someone to write. Zhu Yuanzhang ordered people to bring pen, ink, paper and inkstone, and wrote a pair of Spring Festival couplets for this family: "Split the road of life and death with both hands, and cut off the root of right and wrong with one knife." After writing, I will continue to patrol. After a period of time, Zhu Yuanzhang passed by here again when he returned to the palace. He saw that the butcher's house had not posted his Spring Festival couplets, so he asked what was going on. The host respectfully replied, "This pair of Spring Festival couplets was written by the emperor himself. We hang high in nave and burn incense every day. " Zhu Yuanzhang was very happy, so he ordered his attendants to give the family thirty taels of silver. It can be seen that the naming and promotion of "Spring Festival couplets" was promoted by Zhu Yuanzhang in every household by means of administrative orders and imperial edicts.

The Spring Festival is the "first of a hundred festivals" of the Chinese nation. In the historical civilization of China, there are many customs to celebrate the Spring Festival. So far, among the people, especially in rural areas, the most widely preserved customs are putting up Spring Festival couplets and putting up doors.

Sticking up Spring Festival couplets is the first thing people do to celebrate the Spring Festival. Whenever the Spring Festival approaches, every household will put brand-new Spring Festival couplets on both sides of the gate, with black characters on a red background, which is steady and bright. Express the family's best wishes for the new year, such as "six animals are prosperous and the grain is abundant". Some Spring Festival couplets also focus on reflecting different "happiness views" of different industries and families. Therefore, it is undoubtedly a meaningful way to observe folk customs to carefully study the Spring Festival couplets posted by people during the Spring Festival.

When did the custom of pasting Spring Festival couplets begin? So far, there is no accurate material research. But it probably started in the post-Shu period more than 1000 years ago, which can be confirmed in historical records. Besides, according to Wang Zhu's Collection and Sui Ji of Yanjing, the original form of Spring Festival couplets is what people call "Fu Tao".

In the ancient mythology of China, it is said that there is a ghost world, in which there is a mountain, a big peach tree covering three thousand miles, and a golden rooster at the top of the tree. Whenever the golden rooster crows in the morning, the ghost who travels at night will rush back to the ghost domain. The Gate of Ghost Domain is located in the northeast of Taoshu District, and there are two gods standing by the door, namely shentu and Lei Yu. If the ghost does something unnatural at night, Shencha and Lei Yu will immediately find it, catch it, tie it with a rope made of Miscanthus, and give it to the tiger. So ghosts all over the world are afraid of tea and stagnation. So people carved them into peach trees and put them at their doorsteps to ward off evil spirits and prevent harm. Later, people simply carved the names of Shencha and Lei Yu on the mahogany board, thinking that this could also eliminate disasters. This kind of red board was later called "Fu Tao". In the Song Dynasty, people began to write couplets on mahogany boards, one for killing evil spirits, the other for expressing good wishes, and the third for decorating the portal for beauty. They also write couplets on red paper symbolizing happiness and auspiciousness, and stick them on both sides of doors and windows during the Spring Festival to express people's good wishes for good luck in the coming year.

Spring Festival is the first and most important traditional festival of China Lunar New Year. As the Spring Festival approaches, thousands of families write and paste Spring Festival couplets, which is a national custom that has been circulated for thousands of years, symbolizing good luck and expressing people's yearning for a better life. This is unique in the world. Mr. Zhou, a master of contemporary art, said: "Spring Festival couplets are the greatest, most magnificent and unparalleled literary activities in the world."

As early as the Warring States period more than two thousand years ago, the Central Plains region hung "peach stalks" on the Spring Festival, also known as "peach symbols". Fu Cha Dunchong's Yanjing Spring Festival couplets in Qing Dynasty recorded: "Spring Festival couplets are also Fu Tao. Since entering the customs, some scholars have written Spring Festival couplets under the eaves of the city in order to moisten their pens. After the sacrifice, it gradually tilted up and thousands of families took on a new look. " Pop away from the traditional Spring Festival couplets; The relationship between Spring Festival couplets and peach symbols can also be seen in Wang Anshi's poem "On the narrowest day of every family, always change new peaches for old ones" in the Song Dynasty.

What is a peach symbol? According to Huainanzi, this "peach symbol" is made of peach wood one inch wide and seven or eight inches long. Write the names of Shen Tu and Lei Yu on the mahogany board and hang them on both sides of the door. Or draw these two gods-left and right. The ancients used Fu Tao's calligraphy and painting Er Shen to suppress evil spirits. This is also known as the "door god" among the people. Fang Meng, the queen of Shu, wrote in the Five Dynasties more than 700 years ago: "Qing Yu in the New Year is a promise. Changchun. " It is the earliest Spring Festival couplets in China. Since Meng Chang wrote Fu Tao, scholars have followed suit and regarded Spring Festival couplets as elegant things. The wind of writing Spring Festival couplets has gradually spread.

However, in the Song Dynasty, Spring Festival couplets were still called "Fu Tao". Couplets are not only carved on peach symbols, but also pushed on pillars, which are later called "couplets". After the Song Dynasty, Yichun Post Station used couplets to write powder notes. Some people collect the ancient sayings of The Book of Songs, while others collect Tang and Song poems. According to legend, there is Wang Li's Spring Festival couplets: "The northern country is vast, and thousands of doors are fresh." This is the Spring Festival couplets hanging on people's teeth and cheeks.

Fu Tao is really called Spring Festival couplets. That was in the Ming Dynasty. According to Ming Dynasty scholar Chen, "Spring Festival couplets began in". Jinling, the imperial capital, can't send a letter before New Year's Eve. Officials are at home, and a pair of Spring Festival couplets is added at the door. The emperor can go out to watch. "Zhu Yuanzhang not only traveled incognito personally, watched the laughter, but also personally presented the Spring Festival couplets to Bachelor Tao An and others. The emperor's advocacy made the Spring Festival couplets increasingly prosperous, and finally formed an enduring fashion. Couplets are called couplets, commonly known as couplets. Concise and profound, neat and balanced, word for word, is a unique art form of Chinese language. It can be said that couplet art is a cultural treasure of the Chinese nation. The types of couplets can be divided into Spring Festival couplets, Happy Couplets, Shoulian couplets, elegiac couplets, decorative couplets, trade couplets, communicative couplets and miscellaneous couplets (including humorous couplets ...).

Couplets vary in length, only one or two words are short; It can be hundreds of words long. There are various forms of couplets, such as pairs, pairs, flowing pairs, couplets, set sentence pairs and so on. However, no matter what kind of couplets and forms are used, they must have the following characteristics:

First, the number of words should be equal and the sentences should be consistent. In addition to deliberately leaving a place for a word to achieve a certain effect, the number of words in the upper and lower couplets must be the same, neither more nor less.

Second, it is necessary to be honest and have a harmonious tone. The traditional habit is to "pucker up and fall flat", that is, the ending word of the last sentence of the first couplet is puckered up and the ending word of the last sentence of the second couplet is flat.

Third, the parts of speech should be relative and the position should be consistent. It is generally called "virtual to virtual, real to real", which means that nouns to nouns, verbs to verbs, adjectives to adjectives, quantifiers to quantifiers, adverbs to adverbs and related words must be in the same position.

Fourth, the content should be related and run through from top to bottom. The meaning of up and down links must be interrelated, but they cannot be repeated.

In addition, the traditional practice of hanging couplets must be written straight and pasted vertically, from right to left and from top to bottom, and cannot be reversed.

The horizontal criticism closely related to couplets can be said to be the title and center of couplets. Good reviews can make the finishing point and complement each other in couplets.

Blessing SMS:

1. Please bring my best wishes to the Spring Festival. I wish you a smooth sailing, two dragons playing with pearls, three suns opening Thailand, four seasons making a fortune, five blessings, June 6th, seven stars holding the moon, spring breeze all around!

2. The green earth blown by spring breeze, the blue sky in summer, the full moon reflected by autumn water and the snowflakes flying in winter are all blessing you: Happy New Year, fool!

3. It's another year. May the change of time bring you good feelings, float my blessings and linger around you.

4. At dawn, happiness is around you; The sun is shining at noon, smiling in your heart; In the evening, the sun sets, and joy follows you for 365 days. Happy new year!

5. I wish you Pepsi, Fanta, Sprite, Red Bull, dream life, lots of fresh oranges, wow, ha ha every day, happy Pepsi every month, Gao Legao every year, and always attract attention!

Customs:

Spring Festival couplets belong to a kind of couplets. Couplets are divided into Spring Festival couplets, birthday couplets, elegiac couplets, door couplets, hall couplets, temple couplets, scenery couplets, business couplets, game couplets and so on, and Spring Festival couplets are just one of them. The so-called couplets are those hung or pasted on the colonnade or doorframe in front of the hall. So couplets are also called couplets. This kind of couplet is two equal strings of words, which stand opposite each other and have a certain connotation. That is to say, there is no limit to the number of words in couplets, but they must be equal, meaningful in content, regular in level and level, and neat in antithesis. All those who meet these conditions are couplets, otherwise they are not couplets.

Couplets are a unique literary form in China with a long history. Originally originated from the word peach. Fu Tao is two red wooden boards hung on doorframes in ancient China, with figures or handwriting painted or engraved on them to ward off evil spirits. Fu Tao appeared before the Qin and Han Dynasties. At that time, during the Spring Festival in China, there was a custom of hanging or carving Fu Tao around the gate, namely "Shen Tu" and "Lei Yu".

So why can mahogany avoid evil and exorcise evil spirits? According to China's ancient myth "Shan Hai Jing", there was a mountain in ancient times that was a ghost world, called the ghost domain. At the gate of this ghost town, there is a big peach tree whose crown can cover the sky for three thousand miles. There is a golden rooster living in the tree, which is responsible for the dawn every day. Whenever the golden rooster crows in the morning, the ghost who travels at night must return to the ghost domain. On both sides of the gate of the ghost domain stood two gods. Their names were Shen Tu and Lei Yu. If ghosts do unnatural things at night, Shen Tu and Lei Yu will immediately catch them, tie them up with ropes and send them to the tiger, so all ghosts are afraid of Shen Tu and Lei Yu. In this way, Shen Tu, Lei Yu and Taomu were used to exorcise evil spirits and avoid disasters. They carved the shapes of Shen Tu and Lei Yu on mahogany, or carved their names on mahogany boards and hung them at the door to ward off evil spirits and prevent harm. This kind of red board is called "peach symbol".