Traditional Culture Encyclopedia - Hotel reservation - What is Kong Yiji's face like? Is there anything good to express the theme?

What is Kong Yiji's face like? Is there anything good to express the theme?

Lu Xun wrote about Kong Yiji's "face" five times in Kong Yiji. These descriptions of "faces" can not only depict the characters' personalities, promote the development of stories, highlight the theme of novels, but also show the artistic ingenuity of the author in painting and expressing emotions. Careful consideration of this point will certainly be of great benefit to our understanding of the novel.

The first time I described Kong Yiji's "face" was when he appeared: Kong Yiji's "face was blue and white, and there were often some scars between wrinkles". The "green and white" face is not only a portrayal of Kong Yiji's emaciated and anaemic life, but also implies his inner anguish and spiritual depression. Kong Yi was a lower-class intellectual who was devastated by feudal education and feudal imperial examination system. He was down and out all his life, hit a wall everywhere, "never went to school" and had no way to make a living. Plus, he is too lazy to start work, so even the problem of food and clothing is in jeopardy. He is too poor to have the red-faced and fat-headed happiness of upper-class dignitaries, but only a description of "green white face" and "blue white face", together with that "dirty and torn" gown, meticulously and accurately depicts the typical appearance characteristics of Kong Yiji.

The second time I wrote Face, I revealed what books Kong Yiji had stolen: "Kong Yi has blushed and the veins stood out on his forehead, arguing that' stealing books is not stealing … stealing books! .....' Can the scholar's business be regarded as stealing?' "Kong Yiji's face was originally" innocent ",but when someone mocked him wantonly and exposed his inner bitterness and dull pain, he was flushed with anxiety and the veins stood out. On the one hand, it shows that Kong Yiji's life is so rough that he has to steal it. On the other hand, Kong Yiji's argument exposes his psychological defects of pretentiousness and arrogance, which is actually a tortuous performance of his "having a guilty conscience". Kong Yiji was ashamed, panicked and gaffed, because he was not a habitual thief, but had to do it occasionally. This kind of self-knowledge is more sincere and valuable than those thieves and prostitutes who don't change their faces and jump.

The third time he wrote "face" was after he drank: "Kong Yiji drank half a bowl of wine, and his red face gradually improved. Others asked,' Kong Yiji, can you really read?' "Kong Yiji drinking for fun in the laughter of all, more than half a bowl of wine, courageous, and his face recovered. He wanted to have a drink calmly, but even this miserable gift of praying for others not to give, they repeatedly asked him three questions and four questions, and they did their best to be sarcastic. This short and subtle facial change vividly shows that the world is cold and human feelings are warm and cold.

The fourth time I wrote about Kong Yiji's "face", someone asked him, "Why can't even take out half a scholar?" "Kong Yi immediately showed signs of depression and anxiety, and his face was covered with gray." Kong Yi is already a scholar, obsessed with the imperial examination road of "learning to be excellent and becoming an official", because he was laughed at for falling behind in the examination room, and his face was gray and defeated. The description of this "gray" face shows Kong Yiji's sad psychology of disappointment, depression and embarrassment at this moment, and also shows his rigid, inflexible and pedantic habits, which are deeply poisoned by feudal thoughts.

The last time the work described Kong Yiji's "face" was when he was "walked" to the hotel by hand. "His face is dark and thin, and his figure is out of shape." Kong Yiji was maimed, his hands "crawled" and he was completely reduced to a "quadruped". At this time, "his face is black and thin." It is conceivable how he survived after suffering from inhuman torture. The hotel owner denied the money, but he was still shameless and sarcastic. Kong Yiji had to answer in a low voice, revealing a look of "pleading". Others also feel absolutely just and cynical. Kong Yiji was miserable and helpless, so he had to "climb" out of the hotel. This unique "black" on his face seems to indicate that Kong Yiji's life is in danger and aggravate the tragic fate of the hero.

Kong Yiji's "face" from "blue and white" to "red", "blue and white" to "gray" and "black and thin" is an intuitive expression of the evolution of the characters' inner feelings. The author vividly depicts Kong Yiji's pedantic character by describing the subtle changes of the characters' demeanor. When reading a work, you should think carefully.