Traditional Culture Encyclopedia - Hotel reservation - Is the plot of the Druna Hotel the same as that of the East Palace?

Is the plot of the Druna Hotel the same as that of the East Palace?

The Korean drama "Druna Hotel" also began to catch fireflies. Netizens said that this is the rhythm of playing the East Palace. The story after that should not be the same, right? The man used fireflies to deceive the feelings of the woman and exterminate the whole nation. If so, then the screenwriter should have seen the East Palace, right?

What do you mean by fireflies in the Druna Hotel? Is it true that the Druna Hotel collided with the East Palace?

Korean drama "Druna Hotel" is a hit. Recently, more and more people say that this play is a bit like "East Palace", and even the stalks of catching fireflies have appeared. So, is this the rhythm that guards must lead people to destroy the whole family?

I'm more sure that I saw the story of the East Palace. The male owner of the East Palace deceived Xiaofeng with fireflies, and then killed Xiaofeng's family. This Korean drama is probably the same setting.

Netizen's point of view:

Seeing netizens analyzing past lives, the guards took officers and men to destroy the hostess. This is not the stem of a firefly.

The similarity is too high. Has the screenwriter seen the East Palace? The screenwriter who had a good sense of cp at the beginning should not write crooked.

? ! I finally quit the East Palace Group and walked out of sadness. I plan to watch an iu Korean drama, but I can't escape after coming to Korea.

Ha ha ha Dong Gong is really a "peerless sweet drama". How many people are still lying at the bottom of the pit?

"The guards took officers and men to destroy the hostess."

Seeing the plot, the man taught her to write her name, but I feel that the woman killed the man, unlike the man who ruined the family, the man must have died for the woman.

In short, the hostess feels guilty about them, and the reincarnation of the second man may appear later.

Why do we meet in this life after thousands of years?

The plot needs, in order to show that the hostess should hate it and never repent, so there is no chance for a thousand years. Meeting a man in this life is also a thread led by my mother-in-law (actually, after watching 6 episodes, I think the reason why the woman was trapped in the Moon Pavilion is too unsatisfactory, and there is no heinous crime to the point where the world can't tolerate it. This setting is far worse than the reason why ghosts become ghosts.

Can someone help me analyze the emotional line between these two people? I feel that they love each other without any process, especially how did the man's feelings for the woman come from, because he saved him?

Netizen's point of view:

Overall zero, take care of me, want to know about you and this hotel. This is very exciting. But xing must be moved. There is no doubt that grandpa said that most people are more afraid of the president than ghosts, but that man is not afraid and dares to talk back to her. The full moon has been strong and lonely for so long. It should be novel to these things. Before, she was full of magic, but the man wanted to protect her. Moreover, the remnant star was more curious about him when she dreamed of her.

I feel a little mysterious. The screenwriter means that these two people were doomed in their last lives. Coupled with the beauty and mystery of the full moon, as well as the kindness and curiosity of Canxing, it is logical to get along. The key is how they fell in love in the previous lives behind them.

Where is the foreshadowing? Before Magu put flowers on the man's chest, the two were indifferent. Since he put them in, men began to dream, and their feelings suddenly advanced by leaps and bounds. Next, they take turns kissing and being jealous. Obviously, before Ma Gu put out the flowers, the man at most occasionally said those unknown so words to the woman, thoughtful, and at most just curious about her. More, maybe a little sympathy, not even ambiguity. It's really far-fetched to transition from here to like at once, and the foundation is still not enough.