Traditional Culture Encyclopedia - Photography major - Chongqing Three Gorges Museum latest exhibition time + exhibition duration
Chongqing Three Gorges Museum latest exhibition time + exhibition duration
Chongqin Three Gorges Museum has a special exhibition recently! Friends who love art or are interested can participate. Do you want to know the specific time of the special exhibition and how long the exhibition will be on display? Come quickly Let’s take a look with the editor.
Three Gorges Museum opening hours
Tuesday to Sunday 9:00-17:00 (no admission after 16:00)
Closed on Mondays (on national holidays) Open as usual on statutory holidays
Recent Special Exhibitions
Musha: Pioneer of the European Art Nouveau Movement
Time: 4.23-7.219:00-17:00
Location: Temporary Exhibition Hall A on the first floor of Chongqing Three Gorges Museum
Ticket: 50 yuan
Alphonse Mucha (1860-1939, Czech painter and decorative artist, One of the advocates of the Art Nouveau movement. His works have both distinct characteristics of the Art Nouveau movement and a strong personal touch.
He is involved in illustrations, posters, paintings, theater design, jewelry design, decorative arts, etc. In many fields, he is the designer of the Czech white lion flag, the first set of banknotes, the first set of stamps and police uniforms, and the creator of the indoor murals in the Mayor's Hall of the Prague Civic Hall and the stained glass of St. Vitus Cathedral.
His works are characterized by rhythmic lines, concise outlines and soft and bright watercolor effects. The female images he creates are sweet, graceful and charming, complementing the surrounding plant and flower patterns, and are exquisite.
The 244 cultural relics on display in this exhibition, including color lithographs, oil paintings, posters, illustrations of the Lord's Prayer, design manuscripts, photography works, clothing, jewelry, ceramics and furniture, etc., will outline for you a A microcosm of the European Art Nouveau period
Three Thousand Great Thousands - An Exhibition of Zhang Daqian’s Anti-Japanese War Paintings
Exhibition Time: .7.13-.10.13
Exhibition Exit location: Exhibition Hall on the 4th floor of China Three Gorges Museum, Chongqing
Organizers: China Three Gorges Museum, Chongqing, Sichuan Museum, Jilin Provincial Museum, Chongqing University Art College
Exhibit status: *** There are 84 works related to Zhang Daqian on display, including 21 pieces from Jilin Provincial Museum, 31 pieces from Sichuan Museum, and 32 pieces from China Three Gorges Museum in Chongqing.
Tickets: Free
Source of "Three Thousand Great Thousands". The Buddhist cosmology "Three Thousand Worlds" is the source of Zhang Daqian's name, the commonly used seal name, and the world he created in his paintings. This year coincides with the 120th anniversary of Zhang Daqian's birth, and our museum takes this as its title. Planning an exhibition to commemorate this 20th century Chinese painting master
Xishanqing Appreciation - Imitation of Ancient Landscapes from the China Three Gorges Museum Collection Exhibition in Chongqing
Exhibition Time: .6.1-. 10.20
Exhibition location: Calligraphy and Painting Hall on the 4th floor of China Three Gorges Museum, Chongqing
Exhibition format: Free admission
Once upon a time, Western scholars took Chinese landscape paintings from the Song Dynasty Together with German classical music and ancient Greek sculpture, it is known as the peak of the three major classical arts in the world. It can be seen that landscape painting plays a decisive role in representing traditional Chinese culture. As the spiritual resting place of literati and officials, landscape painting also occupies an important position in the history of Chinese painting. . Starting from 2020, the China Three Gorges Museum in Chongqing will launch a series of landscape painting exhibitions with the theme of Chinese landscape paintings in its collection, divided into three phases. From the perspective of real landscapes, imitation of ancient landscapes and sentimental landscapes, the audience can appreciate the "feasible, promising, livable and livable" aspects of landscape paintings. The unique charm of "tour".
Mingwen Zhengming's landscape scroll imitating Ni Yunlin (partial)
Minglan Ying's copy of Wang Youcheng's landscape scroll
Ming Dong Qichang's Yunshan Xiaoyin scroll
Ming Li_(wěi landscape painting fan)
Qing Wang_caotang reed boat painting axis
In the first phase of the real landscape exhibition, through the "scenic scenery smoothing the spirit", " The four units of "Journey to the Pleasure", "Garden Secluded" and "Real Scene Entertainment" show the audience the beautiful natural scenery described by ancient painters. These works combine the reality of nature and the artist's own mood, reflecting a subjective The blend of emotions and objective objects encompasses the spiritual world of millions of phenomena. If real-life landscapes come more from the painter’s “learning from nature”, then the imitation of ancient landscapes in the second issue comes from the painter’s “learning from the ancients”. In the tradition of Chinese painting, the two cannot be neglected. Subtle copying of the works of the previous masters, or imitating the style and brushwork of the painting is a shortcut for many painters to achieve dialogue with the ancients and improve their own techniques. The paintings of previous generations always exert influence on the paintings of future generations, and the paintings of future generations always inherit the achievements of the paintings of previous generations. This is the inheritance of the history of painting development. Most of the famous masters are knowledgeable in other fields and can express their own opinions. They have both profound traditional skills and unique personal features. They learn the essence of tradition, then flexibly use it to develop it to the extent of "borrowing the past to create the present". This issue of the Imitation of Ancient Landscapes Exhibition has been selected. The collection of 82 pieces/set of landscape paintings from the Ming Dynasty to modern times not only reflects the painter's skills and inheritance of painting styles from their predecessors, but also shows the diversity and creativity of their own creations.
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