Appreciation of Sha Tin Mountain Residence

Poetic Prose and Poetic Feelings —— Appreciation of Yu Guangzhong's prose "Sha Tian Shan Ju"

This paper briefly analyzes the famous poet Yu Guangzhong's prose work Sha Tian Shan Ju,

Artistic features of language, thoughts and feelings. ?

Keywords Yu Guangzhong's prose appreciation

Yu Guangzhong's prose "Shan Jutu in Shatian", which is selected from the textbook of senior high school, with its unique brushwork, describes the scenery characteristics he enjoyed on the balcony of Shan Jutu in Hong Kong, and describes the surrounding scenery in detail, including both external scenery and internal feelings and scenes. The profound cultural connotation and poetic language of the article show the author's love for the motherland and its culture, and the deep homesickness is unforgettable. Here is a brief analysis of the author's ideas, language features, thoughts and feelings.

1? This article has clear thinking, rigorous structure and exquisite layout. The opening of the article is unremarkable, but in this ordinary narrative, we feel the author's affection. Then the author further described the sea of "a thousand acres of Lantian", the mountain of "hidden Zen machine is not light and easy to say", the sunset glow of "brass burned into red gold and turned into purple and gray smoke", the diffuse clouds, the roaring and rolling wind and the roar of the train.

The author is passionate, and finally ends with a poem and begins with care. The whole paper takes "balcony view" as a clue, and strives to grasp different beautiful scenery, making the layout of the article seamless, which also provides a solid foundation for the detailed description and full expression in the article, and successfully expresses the theme of the work and the author's homesickness. Of course, the sea, mountains, clouds, wind and other scenery in this paper are intertwined, and the author combines these scenery artistically without any trace of separation. ?

2? The language of this article is elegant and poetic. Yu Guangzhong is a poet, and his articles can be said to be poetic prose. The exquisiteness and accuracy of (1) language. It's as if the author painted the magnificent mountains and rivers of the motherland with the magic brush of Ma Liang, and saw that "the farthest jade turned into a wisp of smoke", "the mountain shadow was sleeping in the dark", "Qian Shan's majestic momentum was like pressure" and "turning the sea into white waves" and so on. In addition, the use of a large number of reduplicated words strengthens the sense of rhythm of the language: bright, Shanshan, bright, gloomy, boundless, scattered, far and near, morning and evening, etc. (2) The use of rhetorical devices such as personification, metaphor and parallelism. Let the scenery be spiritual and give people rich imagination and beauty. "The sea is blown into a thousand acres of Lantian by the wind, and countless lilies bloom one after another" "The valley is a village girl who loves music" "I went to the pulpit and said that all the smoke and clouds eavesdrop through the window" "Ma Yuan Xia Gui criticized, let the wind blow, let the eagle fly and let the misty eyes stretch back and forth" and so on. Judging from the full text, the author writes the scenery in his pen as an emotional person. ? (3) The use of allusions increases the depth of the article. "Tao Ju's nine festivals have been held twice, and Su Yue's Mid-Autumn Festival has been held twice", "Living in the mountains, I am not a scenic spot, and even Wang Can't help going downstairs", all these allusions show the author's heart, "going downstairs" to do what he has long wanted to do, so that the motherland can be reunified at an early date, and the article appears subtle and profound, and also leaves readers with a far-reaching aftertaste.

? 3? The emotion and scenery of the article are integrated, and all the scenery words are emotional words. In addition to direct lyricism, the description of the scenery contains the author's deep affection. The author praises the magnificence of the motherland's rivers and mountains, but what is deeper is the deep homesickness and yearning for the reunification of the motherland. This article was published in 1987, before the return of Hong Kong. Standing on his balcony, the author looks at "The Vast Mainland" and is bound to be filled with emotion, especially at the end of the sentence, "After Xiangyun, there is smoke in Chu, and the mountains are long and the waters are far away. Eighty thousand in five thousand, all in it ... "What's in it? We seem to feel the author's beating heart, longing for love and homesickness, eager to return to the embrace of the motherland, and bring readers a strong emotional resonance. Looking at his "homesickness" again, we can feel his usual homesickness. There is no homesickness in the full text, but there are many homesickness. ? Yu Guangzhong compared prose and poetry to his right-hand man, calling his prose a "left-handed muse". However, the writing style of this left hand is not inferior to poetry at all. From this article, we feel the charm of poetry, but also deeply feel the poetic attachment to our homeland and national feelings for our motherland.