Hello, Mr. Shu is in urgent need of film reviews.

At the beginning of the film, Mr. Li Yaohui (director of photography) skillfully completed the metaphor of the film with a long shot with actual sound. With the clarion call to promote real estate development, our eyes fell on a dusty northeast town. Similarly, our eyes fell on today's dusty China.

Since the beginning of the new century, Chinese mainland has started a modernization process that attracts worldwide attention, which is also an urbanization process. Beijing, Shanghai, Guangzhou, Shenzhen, Hangzhou, Chengdu ... The Yangtze River Delta, the Pearl River Delta, the Bohai Rim, Changsha, Zhuzhou and Xiangtan, Wuhan ... cities are all building a lot, and they all seem to want to become international metropolises overnight. Of course, the northeast will not be willing to be others, especially after the government implements it. " Ambitious, under the catalysis of commodity economy, state-owned enterprises are reorganized, rebuilt and rebuilt, and the leftovers and water are enough to make many local forces flock to them. Small and medium-sized minerals and small and medium-sized real estate developers bloom everywhere, from cities and counties to towns and villages. As for fairness, justice, order and morality, they will all be left behind.

Mr. Shu is just an ordinary northeast youth. He is hardworking, kind, honest, loyal and full of hope for life. The only gloom in his life is that in his childhood, he witnessed his father's eldest brother who committed hooliganism hanging from a tree by mistake, and his father died of depression. His subconscious has always maintained his own view on this matter, that is, eldest brother did not die in vain at all, just because of the environment of the whole era. In the1980s, China was full of harsh laws. Today, it seems that two of a kind's "sleeping in bed" can turn into hooliganism, either by shooting or reeducation through labor. Northeasters who follow ancient traditions are proud and can't tolerate this kind of behavior that destroys family style. The death of eldest brother planted the seeds of yearning for freedom and hatred and contempt for authoritarianism in Mr. Shu, which also led to his later tragic experience.

Mr. Shu has been engaged in electric welding for a long time, and his eyesight is getting lower and lower because of his hard work. In an accident, Mr. Shu burned his eyes, and after dressing, he could only distinguish the outline of things. His former employer kicked him away, so Mr. Shu had to accept the symbolic compensation for work-related injuries-2000 yuan. In the contempt of his younger brother, he accepted the offer of 1000 yuan, which was his only financial support after years of busy work. Mr. Shu, who was transferred, has no job anywhere. In the circle of partners who grew up together, he is even more humble. He was forced to drink and humiliated at his friend's wedding. Just because the other person is a relative of the village head and is in charge of the personnel power of the collective economy run by the village, he must be forced to kneel down and apologize for the truth he once said. "Who do you think you are just because you are a relative of the village chief?" Mr. Shu is outspoken, and his blood is as unrestrained as his dead brother. When the village head and the interest groups around him encroached on the rights and interests of the village and forcibly helped a mining group to requisition the land of the village, Mr. Shu told the truth that the villagers had been hiding for a long time. However, driven by economic interests and authority, Mr. Shu not only failed to respond, but also made amends after being humiliated. He once wanted to find a factory run by the village. This is the first tear in the film interpretation: the tear between Mr. Shu and the collective, and also the tear between the powerful and their followers.

Before Mr. Shu went to Changchun, the provincial capital, he met a deaf-mute girl in a friend's van. The beauty of the girl made him tremble. He is usually reserved and doesn't care about his face. He followed his face to the county seat and was fascinated all the way. This paragraph is the bright color that fascinates me in the whole movie. Those drooling songs in the northeast are this incredible scene. Mr. Shu's love made the audience share joys and sorrows, and also worried about it. In this story, Wang began to give full play to his acting skills all along, showing a strong sense of inferiority and a cheerful flame of love in the heart of an older young man in a rural area in Northeast China.

On Mr. Shu's first blind date, the girl politely refused Mr. Shu on the grounds that the other person's disability caused inconvenience in communication. Frustrated, Mr. Shu decided to make a living in Changchun and save some money to get married. When he came to the school opened by his childhood friends, Mr. Shu found that life in the city was not as beautiful as expected. His friends don't like his illiteracy and like to wander around. At the same time, put on airs and let Mr. Shu do the inferior chores. At the same time, in Mr. Shu's mind, his friends who are capable and enterprising actually have the problem of philandering in private. The collapse of idols and the disillusionment of reality made Mr. Shu very depressed. At the same time, he began to hallucinate, and the strict father appeared again. The contrast between childhood demons and reality made him lonely, and he missed the deaf-mute girl more in the big city. In the process of sending messages again and again, the same lonely deaf-mute girl opened her heart and accepted Mr. Shu. His decision to propose to his hometown and bid farewell to urban life is only the second tear implied by the film to the audience, and it is the tear between Mr. Shu and his dream, friendship and urban life. In this film, the short message joke complex conveyed by China people made the audience laugh, and the screenwriter confessed two simple love hearts with elegant and vulgar * * *, which is the most exciting joke in the film.

Mr. Shu, who tasted the sweetness of love for the first time, is eager to get married. He turned to his younger brother, who was already working in the county, for help, hoping to find a crown car as a wedding car, so as to save face at the wedding. It's a pity that my brother, who didn't get along well since childhood, has long been a stranger. This young man, because he drives a rich business owner in the county, has long been unable to tolerate his brother, a simple and heavy rural man. He was determined to get rid of the countryside, and then his mother went to live in a new town developed by the village and became a prominent urban resident. He opposes his brother Mr. Shu getting married in the countryside, because after marriage, his brother will take root in the countryside and his mother will definitely live with Mr. Shu. So he agreed on the surface and only lent his brother a Passat the night before the wedding. Driven by anger and vanity, Mr. Tree and his younger brother fought. Unfortunately, he is no match for his brother. On the eve of the wedding, his face was swollen, his dignity was completely thrown to the ground, and his heart was extremely painful. The lost Mr. Tree began to miss his brother's free and tough breath, which was the third tear in the film. Mr. Tree and his family were torn apart, as were his dead brother and his living brother. Let Mr. Shu start to fall into the brink of collapse, half stupid and half foolish. This film, at the moment when the audience thought that Mr. Shu had lived a happy life from then on, took a sharp turn for the worse, laying a gloomy foreshadowing and worrying the audience for a long time.

On the wedding day, Mr. Tree has fallen into a semi-crazy state. He wants to escape from this secular world with his bride in his arms. Unfortunately, there is no room for him to intervene. In the rural wilderness of Northeast China, he and his bride are surrounded by many friends to play, but Mr. Shu's blankly shows that he is out of tune with the world, and the laughter around him shows that Mr. Shu is out of the secular drama tension. The film seems to be moving towards the bride, who feels ashamed and resentful in the ridicule of everyone, and returns her humiliation to Mr. Shu on the wedding night. The woman's position above the man and the bride's screams also took away the last warmth left by Mr. Shu in this society. Mr. Shu, the poor ordinary youth in Northeast China, can't even keep love because of his kindness and honesty. He can only be heartbroken, he can only be crazy, he can only fight fate with lies and predictions, and finally, he is completely crazy. Here, with his vacant and crazy acting skills, Wang vividly interprets Mr. Shu's inner transformation, which is comparable to solo dancing in bullfighting.

In China's history, when morality was in decline, rituals were broken and people's hearts were not ancient, there would be wise prophets, such as Qu Yuan, Confucius, Wei Yuan and Hu Shi. So Mr. Shu became such an allegorical figure. Unable to resist the times, he had to convince the villagers with the ancient folk superstitions believed by the people in Northeast China, scare the dignitaries and helpers with the Jade Emperor and Fox Fairy, and the relatives of the village head who once made him kneel had to kneel back to him. Wonderful irony, China people are not afraid to do evil before they die, but the Jade Emperor and Fox Fairy are asking for it. What I am afraid of is the little devil Yan in the underworld. When all beliefs come here, they can only flinch in front of interests and reality, and they can only use death to scare all kinds of people who can't live their lives. But even if Mr. Shu becomes a "fortune teller", he is still unable to save his friend Xiaozhuang's life, as his monologue in the film says; "Xiaozhuang is like my older brother". Unfortunately, such a free and unrestrained, kind and lovely soul has become a martyr in China's radical modernization. Only in hallucinations and beautiful dreams can they sing and dance and sing loudly for a free life. What shocked me was that everyone rushed to the mine, the sky and the whole background turned red, and the manic color on everyone's face was frightening. Mr. Shu leaned against the only dead tree between heaven and earth, and his eyes revealed more than indifference and despair. The climax of the film here is self-evident. Human greed and awe of nature have been restored here. Ironically, after Xiao Zhuang's death, Mr. Shu lost hope and gradually became a tool for many powerful people to rely on. When the mine opened, he had to bribe the fortune teller to face the increasingly hollow mine. The fortune teller boasted that he wanted to build an atomic bomb from coal gangue. From a "prophet" to a "fortune teller", Mr. Shu can't stand the support of power and interests. How ridiculous. As for Mr. Shu's lovely deaf-mute wife, she walked in a corner of the Northeast Plain with a big belly, and the montage flashed by. It was just Mr. Shu's new fantasy. He has no "father" and "brother", only the return of his wife and the reverie of continuing his descendants support him to walk in this land shrouded in dark cages and grow old gradually.