What about photography?

According to its content, photography can be divided into landscape photos, still life photos, portrait photos, custom photos, news photos and so on. In photography, when photos can be divided into different types, according to this inference, it is naturally a syllogism deduction, so we enter the classification of species+genus differences. If we find a Chinese word, we will inevitably associate big words with small words, so the relationship between premise and conclusion seems self-evident. The spiritual activities involved are covered in this reasonable definition, and the extension of the mind is forcibly decomposed into essence by the container of reason. This so-called essence is brought into a speculative vacuum by the wings of reason and will not encounter any resistance again. But can such a leap soar in your mind? The logic of photography lies in expressing the diversity of existence. The creator chooses a special way to show us some possibility of his own existence, and obtains poetic significance where rational logic is meaningless. The word "logic" borrowed here is not in the same category as the rationalist logic originated from Elias' ontology, but it is on the road of parmenides's opinion that the poetic meaning becomes clearer. The logical tradition of western existentialism formed by Elias School only draws a definition, that is, people are talking animals, but the spiritual field is categorically rejected. When answering the question of human existence, Neo-Existentialism tried to rebuild human existence (survival) on the road of parmenides's prohibition, and art achieved self-sufficient development under this new existence. What shakes is the traditional logical deductive ontology, and the foundation of photographic reconstruction should still lie in the foundation of existence. It is only based on the existence structure of the new ontology, and explains the "existence/existence" of photography in a way of display rather than deduction. Just like non-Euclidean geometry reconstructing Euclid's geometric method (Cassirer's On Man), as far as photography is concerned, the first research field that can be cut into is the controversial topic of documentary and art, and "the existential view of documentary and art" is a topic worth combing. In the past, there were four typical views on the debate between documentary and art, all of which were carried out in the opposition of dualism. In the recent view, the extension of documentary was expanded, so that art was included. If we clean up from the new concept of existence, documentary and art are not considered to be diametrically opposed. The purpose of deconstructing the traditional photography view in this way is to clean up the sludge attached to photography itself and restore the original appearance of photography after cleaning up. Therefore, it will be a new vision for us to discuss the problem part of photography from the perspective of new ontology. Just as the axis of traditional thinking method is traditional ontology, new ontology is still the axis of new vision thinking. As far as the three factors guiding the language turn are concerned, the new ontology fundamentally shakes the center of logos, while symbolism, linguistics and postmodernism all criticize and subvert the traditional ontology in the chapter of the new ontology, and the vision of the traditional ontology is limited to the premise derived from the new ontology, that is, some deduction in time. The contemporariness of time is the embodiment of parmenides's traditional ontology to Hegelian ontology, because in the traditional ontology, time is only a kind of existence. The current horizon makes the traditional ontology lose its historical existence domain and become a pure existence (existence and time). The identity of time and self is the most prominent feature of modern thought (a modern point of view). The traditional ontology, which lacks historical vision, is increasingly questioned, and the binary opposition it brings is increasingly difficult to interpret the unique character of human existence, because the time dimension, as a way of existence, makes the structural matrix of existence be put into the process of existence, and then existence can be understood by itself. Main characteristics: the object must actually exist. Genre is divided into news photography, portrait photography, landscape photography, still life photography and so on. Plastic arts: It is an artistic style that photographers use cameras as the basic tools to shoot people or scenery according to their own creative ideas, and now they are processed by darkroom technology to create visual artistic images that reflect social life and natural phenomena and express the author's thoughts and feelings.