Traditional Culture Encyclopedia - Photography major - No one knows that the smile of the world of mortals refers to litchi.
From Du Mu's Crossing Huaqing Palace Trilogy? Looking back at Chang 'an, Mount Li is like a pile of splendid scenery, and th
No one knows that the smile of the world of mortals refers to litchi.
From Du Mu's Crossing Huaqing Palace Trilogy? Looking back at Chang 'an, Mount Li is like a pile of splendid scenery, and th
From Du Mu's Crossing Huaqing Palace Trilogy? Looking back at Chang 'an, Mount Li is like a pile of splendid scenery, and the gates of Huaqing Palace on the top of the mountain are opened in turn. Riding a princess and laughing in the world of mortals, no one knows it's litchi? .
Explanation:
Looking back on Chang 'an, Mount Li looks like a pile of magnificent scenery. On the top of the mountain, thousands of doors of Huaqing Palace opened in turn. As soon as I rode, the smoke billowed and the princess smiled. No one knows that the south has sent litchi fresh fruit.
Appreciate:
This poem lashed out at the extravagant life of Xuanzong and Yang Guifei through the typical event of sending litchi, and its artistic effect was subtle, exquisite and well-known.
The first sentence describes the scenery of Mount Li where Huaqing Palace is located. The poet writes from the perspective of looking back at Chang 'an, just like a cinematographer. He first presents a broad and far-reaching panorama of Mount Li to the audience: lush trees, lush flowers and plants, palaces and castles stand among them, just like a beautiful group. Pile embroidery not only refers to the East Embroidery Ridge and the West Embroidery Ridge on both sides of Mount Li, but also describes the beauty of Mount Li.
Then, the scene moved forward, showing the magnificent palace on the top of the mountain. The normally closed palace door suddenly opened slowly. Then there are two close-ups: outside the palace, an emissary is riding a horse, flying fast, raising clouds of red dust behind him; In the palace, the princess smiled. Several shots seem to be unrelated to each other, but they all contain the suspense carefully arranged by the poet: Why are thousands of doors open? Why did a car come? Why did Yu Ji laugh again? The poet deliberately kept silent until the tense and mysterious atmosphere made the reader want to know, and then implicitly and euphemistically revealed the mystery: no one knew it was litchi. The word litchi tells the whole story. Biography of Yang Guifei in the New Tang Dynasty: I love litchi, so I want to live it, so I ride it and travel thousands of miles. Her taste has not changed, and she has arrived in the capital. Knowing this, the suspense in front was released at once, and those shots naturally merged.
The artistic charm of Du Mu's poems lies in its implication and profundity. In the poem, I don't understand that Xuanzong is dissolute and lustful, and the imperial concubine is spoiled and arrogant, but the vivid contrast between riding the world of mortals and the princess's smile has received much stronger artistic effect than directly expressing her opinions.
The word "princess smile" has a profound meaning. This reminds us of the historical story of Zhou Youwang's bonfire drama The Prince in the Spring and Autumn Period. Zhou Youwang praised Bo Feizi, laughed it off, lit a bonfire, and led to the country's demise.
The word "unknown" is also thought-provoking In fact, litchi is not unknown, at least the concubine knows, and the emperor who is not named in the poem knows better. This writing is to show that this matter is very important and urgent, and there is no reason for outsiders not to know. This reveals the absurdity of feudal emperors doing everything they can to please their favorite wives, which echoes the unusual atmosphere rendered earlier. This poem expresses the author's great indignation at the supreme ruler whose power is extravagant and unrestrained.
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