I can't understand it, but I'm shocked. What's the problem?

On the Internet, we often see an expression pack directed by Ang Lee, which reads "I don't understand it, but I am shocked". This word comes from an interview with Ang Lee. When talking about how to become a director, he said a film that had a great influence on himself: The Fountain of the Virgin directed by Bergman. Ang Lee was only a teenager when he saw the film.

Ang Lee's original words were: "The first art film I saw was ingmar bergman's The Virgin Spring, which gave me a great shock. After reading it, I sat in the examination room, unable to move for a long time, unwilling to go out, and watched two movies in a row. "

Later, Ang Lee's original words were interpreted by netizens as "I don't understand, but I was greatly shocked". This stalk means something like "I don't understand one thing, but I think it's very powerful."

Shooting of the film "Virgin Spring";

The Spring of Our Lady is adapted from a folk narrative poem, Tres dotter i Wnge, which was popular in Sweden in the13rd century: Karin, the youngest daughter of the Taoer family, was killed by several shepherds while attending church in Lu Yu. Later, these shepherds came to Taur's village by mistake and were finally recognized by the girl's father, so they took revenge.

It is a typical Old Testament style of "a tooth for a tooth, an eye for an eye", which marks the transformation of Sweden from paganism (Nordic polytheism) to Christianity. The creation of "The Fountain of Notre Dame" is also the first time Bergman filmed an adapted script-the adapted version came from Ulla Isaksson, and he injected a moral inner tension into this simple poem.

1960 is the happiest moment in ingmar bergman's life. Emotionally, he married the pianist Kbi Laretei for the fourth time. In his career, he also found a photographer who made him quite satisfied-Sven Nikvester, who later became his royal photographer. Spring of the Virgin is the first work of Nikvester.

We can see that, to a great extent, the success of this film, Nick West's photography is as important as Bergman's scheduling: at the beginning of the film, a huge shadow hangs over the ferocious face of the eldest daughter Ingrid, and after she blows hard, the stove finally starts to burn.

But there is an evil energy hidden in her eyes, which is a perceptual threat to Christian belief and lingers in the film; For example, there are "pagan animals" in the film: frogs, crows and goats of three shepherds.