How does the director direct the lens?

How do professional directors accurately control every shot in the film?

Then there is the shooting aspect, such as whether to use lifting to overlook the top-down chase scene; It is the director's skill to follow the camera stabilizer or express it with some shots.

According to the script, the director needs to control the plot of the whole film, perfectly express the content of the script in the lens, and properly grasp the theme of the story, and finally complete an art film. A film director needs to have a keen vision and be able to see the subtle changes in every picture, so as to control the quality of the whole film.

In short, the director is the core of a film, which determines the lens presentation of the film, including the early lens design, shooting process and post-editing, and is the chief engineer.

1. Communication as a director and photographer should start from the script stage. What's the style of your play? Find a photographer with the right style.

The two sides trust and respect each other, but of course there will be differences on some issues. Therefore, communication between directors and photographers has become the key to resolving differences and better cooperation.

In essence, the relationship between director and photographer is often compared to marriage. Their job is to turn an idea, a passionate impulse-a feeling-into a concrete and visible form. Mastering some basic knowledge can communicate with photographers more effectively and help them do their jobs well.

4, that is to say, the "director" wanted it and filmed it. The cameraman should also read the script, so as to better understand the director's intention. Where does the flight take off? It's up to the camera. The director usually doesn't care, he only looks at the monitor. If not, he will ask for a new camera.

The director teaches you how to make a microfilm and how to make it.

The microfilm photographer's lens must be steady. Many people shake the videos taken by DV too much to watch. I just don't pay enough attention to it when I "pay attention". Follow-up shooting means that the camera keeps following the moving subject, so the picture taken is called follow-up.

Observe the environment before shooting. Observing the environment before shooting is mainly for two points. The shooting method of big scenes. If the microfilm is fixed from beginning to end, it will look dull and boring. Diversified presentation of scenery.

India's adaptation of movies has also set off a craze this year: after the live shooting, editing will begin, and rough cutting, fine cutting, dubbing, soundtrack, subtitles and special effects will be carried out through editing software. The first step is to copy the materials into the computer, and then sort them out by time, place and serial number.

Before starting the machine, the director, producer and related creators should write a comprehensive plan for the recording of the whole microfilm production. When and where to shoot interior and exterior, which shots to shoot interior and exterior, which actors to perform, what kind of scenery and props are needed, and so on. , must be specific and clear.

How should directors communicate with photography?

As a director and photographer, communication should start from the script stage. What's the style of your play? Find a photographer with the right style.

The two sides trust and respect each other, but of course there will be differences on some issues. Therefore, communication between directors and photographers has become the key to resolving differences and better cooperation.

In essence, the relationship between a director and a photographer is often compared to marriage. Their job is to turn an idea, a passionate impulse-a feeling-into a concrete and visible form. Mastering some basic knowledge can communicate with photographers more effectively and help them do their jobs well.

This reflects the relationship between tacit understanding and professionalism, which depends on whether the director can accurately express his ideas and whether the photographer can properly understand them.

The director has three jobs at the scene: scene control, lens scheduling and actor scheduling. In other words, the director asked for it and filmed it. The cameraman should also read the script, so as to better understand the director's intention. Where does the flight take off? It's up to the camera. The director usually doesn't care, he only looks at the monitor.

How to understand "director photography"

1, the photographer listens to the director, no doubt. Many directors are also transferred by photographers. . Such as the great director Zhang Yimou. Intentionally or unintentionally, many friends who do camera work have to go in the end. .

2. It means that when shooting, the actor directs the camera to perceive the absent audience at that time. A film and television work (Yǐ ngshò zu ǐ p ǐ n) is an artistic product recorded on film by a camera and projected by a player.

3. The director's shooting styles are varied. For example, Stephen Chow's nonsense style. Ning Hao's black humor style. Wang's martial arts and funny style. Xu zhēng's humorous comedy style and so on.

4. Have a complete and detailed understanding of the overall film production and be able to control the overall situation. A successful director must have very strong leadership and be able to control the overall situation, and various problems will be involved in the filming process.

5. Clear oral expression and good written expression, clear thinking, and strict logic of expression. (Don't speak too fast, don't have too strong an accent) Literary accomplishment reflects the artistic accomplishment of the director to a certain extent.

6. So, should the director follow his own heart or cater to the audience's preferences when making a movie? I think if you want your film to have a good attention and reputation, the director should investigate the audience's current tastes and preferences when making a film.