Explain the shooting skills of cool follow-up in detail.

There are many shooting methods for shooting moving objects, but the following shooting method is the most widely used and the most difficult. When and after the shutter is pressed, the camera should always move at the same speed as the moving object.

Follow-up shooting:

Move the camera smoothly along the moving direction of the target to keep the position of the target in the viewfinder unchanged, and press the decisive door while moving. Because the camera moves in the opposite direction to the background with the moving object, there are many flowing lines in the photo. The slower the shutter speed, the more obvious the flowing lines are.

The moving object in the photo is basically the same as the moving direction and speed of the camera, so a clear image is formed. The picture of the whole photo gives a strong dynamic effect. This method can be used to photograph sprinters, riders and drivers in sports. Its effect is that the athletes' images are clear and the background is blurred. The advantage is that the messy background can be avoided from destroying the picture, and the blurred background can set off the quickness of the action. The shutter speed of the following methods is usually115-1/60s. If you are not sure, you can take several photos with different shutter speeds for the same target to choose from.

Tracking shooting has the following ways:

① Parallel follow: The camera is at 90 degrees to the moving direction. When shooting, the camera follows the moving object in parallel.

The following questions should be paid attention to when shooting with parallel tracking method:

1. The moving speed of the camera must always be consistent with the moving body and moving speed.

2. The camera should follow the moving body on a horizontal line, and can't shake back and forth.

Press the shutter gently, neither too early nor too late. Generally speaking, it is advisable for the moving body to press the shutter between 75 degrees and 85 degrees when following in parallel.

The time to press the shutter should be the climax of the action.

5. The shutter speed depends on the moving speed of the moving object and the shooting effect you want to pursue. Generally, it should be between115 seconds and 1/60 seconds, and the fastest time should not exceed1125 seconds.

6. Make full use of the lighting effect of the scene, use side backlight and dark background, and the photos will be better.

② Longitudinal following: When the mobile body moves longitudinally, the camera follows. If the child swings up, the camera will rotate up.

③ Arc following: When the moving body moves in an arc, the camera follower moves in an arc and follows.

④ Cyclic following: When the moving body rotates circularly, the camera follows circularly.

⑤ Oblique following: When the moving body descends from a height, the camera can follow obliquely.

⑥ Zoom following: When the photographer faces the oncoming moving object, he uses the zoom lens to follow the shooting. At this time, there will be radiation around the moving body, which has the effect of popping out and has a strong sense of movement. The key point of shooting is that when the moving object is clearly in focus, the follower moves forward and pulls the lens from far to near, that is, from short focal length to long focal length. If the moving body moves backward, the lens can also be pulled from near to far. Pull the focal length with your left hand, press the shutter with your right hand, and press the shutter while pulling the focal length. Choose a place with a scenic background, so that a generating line can appear when zooming.

When shooting, special attention should be paid to safety issues due to oncoming moving objects. Choose a safe shooting spot before shooting to avoid passive body collision.

When shooting a long-distance and fast-moving object, you need to use a telescopic zoom lens. You can fix the camera on a tripod and zoom slowly during long exposure.

1. The camera is set to shutter first. The shutter is set to115-1/60 seconds.

Shutter speed: 1/30- 1/45, considering the safety shutter and the moving speed of general objects (such as the most common cars). I shoot by hand, but it's better to use a monopod if conditions are good. I read in a magazine that foreigners shoot cars with a monopod. If it is hand-held, you can turn on anti-shake such as Nikon's VR lens anti-shake (Canon should be the same), but if it is Pentax's fuselage anti-shake (Sony should be the same), it is recommended to turn it off. These are the actual shooting experiences.

2. Hand-held shooting, single autofocus.

First of all, you need to choose a focus first. Do not use the body to automatically select the focus mode. Just focus with a single AF. Of course, this is for entry-level machines and quasi-professional machines (I have both). As for the focus tracking system of a professional machine, I haven't tried it, so if it is a professional machine, I need to try it to know if I can keep focusing. Because the object is moving, the focusing system of the fuselage may misjudge. However, there is absolutely no problem with a single AF. All models can kill each other, just like the basic three-step layup in basketball.

3. aim at the target to be photographed and press the shutter half.

In fact, there is a method called trap focusing or focus locking, and the target will be exposed automatically as soon as it enters. According to netizens, one of my machines also has this function, but I still don't know how to use it. Tell me something basic. If the focusing performance of the fuselage is excellent, it is not necessary to press the shutter half for a pair of focusing. If it looks like an entry-level fuselage, you need to press the shutter half to focus, so that the focusing system of the machine can focus several times (that is, the user can pull the bellows several times), so that you can focus easily and accurately before exposure. So you can prepare your composition.

4. Keep the speed consistent with the moving direction of the subject and press the shutter!

We need to pan the camera here. It is necessary to press the shutter after focusing to keep the camera rotation speed consistent with the rotation speed of the moving object at the beginning of exposure, and keep the camera rotation speed consistent with the rotation speed of the moving object until the end of exposure. This so-called sense of time is so accurate that it takes a long time to keep the same speed. My success rate is 80% now, and I can't hold a monopod. Practice wasting about 6K shutter. As for relative synchronization, the principle is that the moving object and the camera remain relatively static, and only the background is moving, so that the background can bring out wonderful movement. )

Universal, suitable for all levels of fuselage:

Select a single focus for the fuselage. First, manually select the focus point, and then half press the shutter to focus in advance. When the moving object enters the composition you need, press the shutter to start exposure, and keep the rotation of the camera consistent with the speed and direction of the moving object during exposure until the final exposure is completed.

Skills:

For example, for cars on the road, the shutter speed is generally 1/30- 1/45, which is too fast to be dynamic enough and too slow to be blurred enough. The shutter speed of other objects can be increased or decreased with reference to the speed of the car. For example, F 1 can go to1125, children can play and run at115, and so on. Novices suggest taking pictures of cars on the road, on the grounds that it is the easiest to find the subject matter around them. If one car is not well photographed, another car will continue to shoot soon. You can succeed with more practice, and the most important thing is to practice the feeling that the rotation of the camera is consistent with the speed of the moving object. Just like playing basketball to practice dribbling, you will get familiar with the ball feeling after playing a few more times.

Special instructions:

Continuous shooting can be used to improve the success rate, such as 3 cards per second, 6 cards per second and so on. But during your stay in continuous shooting, be sure to keep the camera rotating at the same speed as the moving object. Remember! This is absolutely critical.