Traditional Culture Encyclopedia - Photography major - Accept things as they are.

Accept things as they are.

The 3 1 of the micro-quotations in the Red Chamber is a wonderful way of writing.

It is often said that there is no fixed method for writing. There is no fixed method for writing, not to say that there is no fixed method for writing, but there is no fixed method. It should be the perfection after mastering various methods and skillfully using various wonderful composition methods, just like a bee picking flowers and brewing a mouthful of honey. I have never heard any writer say that a grammar has never been used in writing. So, what wonderful composition methods did Cao Xueqin use in the book A Dream of Red Mansions? Talking about things is one of them.

In A Dream of Red Mansions, Zhen first dreamed of psychic knowledge.

In Jia Yucun's dusty family, the author wrote:

There is no material to fill the sky, and you will waste your time in the world of mortals.

Who will remember to give this department a wonderful biography?

After the poem, it is the hometown where the stone fell to the ground, the place where it was reborn, and the personal experience.

The story of the past. Among them, trivial matters and leisurely poems in the family boudoir are all available, or they can be used for recreation, but the dynasties and land countries have all been lost.

The empty Taoist priest said to the stone, "Brother Shi, your story is very interesting in your own words, so I wrote it here with the intention of creating a legend." In my opinion, the first one has no dynasty age to test, and the second one has no great virtue and loyalty to the court. "

There are only a few strange girl in the good customs, who are in love or infatuation, or who are only small but slightly good, and have no virtue of being a woman of wealth. I copied it vertically, lest the world dislike it. "Stone replied with a smile," why is my teacher so stupid? "If the cloud has nothing to test, today

Why is it so difficult for my teacher to do addition under the pretext of Han and Tang Dynasties? But I think that unofficial history has always been like this, so I don't need this one, but I am novel and unique, just taking it for granted, so why should I be detained in the dynasty? Besides,

Ordinary people rarely like to read books on governance, but many people love leisure.

At the beginning of Hundred Books, Cao Xueqin came straight to the point. From the beginning, he clearly declared his creative principles, that is, to be novel and unique, and to consider all aspects. The author first describes the main contents of this book as the hometown where the stone fell, the place where it was reborn, and personal experiences.

The story of the past. Among them, family boudoir trivia, leisure poetry, everything is available. Then he wrote the dialogue between Taoist priest and stone, pointed out the skills of writing books, pointed out the strangeness of life experience and pointed out a new way. This book is very different from the previous one. Describing a family's daily life is based on Jin Pingmei's words. Jin Pingmei wrote about the Ximen Qing family, all contacts and business officials in Ximen Qing, and his wife's tongue was covered with paper. Moreover, A Dream of Red Mansions also wrote Jia Fu and jointly wrote three historians, Wang Xue. Cao Xueqin's father is not Li's own son, but his stepson. The author is writing Jia Fu, describing the history of Wang Xue. Jia Lian in A Dream of Red Mansions is very much like Chen Ji in Jin Ping Mei. Baoyu's beating is similar to Li's official's son's beating. Therefore, A Dream of Red Mansions and The Three Kingdoms are about political disputes between emperors and generals, tearing at each other on the battlefield. Water margin writes heroes in rivers and lakes; Journey to the West tells the story of monsters. A Dream of Red Mansions depicts a strange new scene in the new world created by Jin Pingmei's ci.

However, it is only four words in the sentence, which is Cao Xueqin's writing style. A Dream of Red Mansions is a book of great truth and great fantasy. The big storyline and lively scene description are all illusions, imaginations and fabrications. Every word and deed and every detail of life of the little character are true, true and recorded. From the dialogues between the characters, we can see that the author recalls his past life and records it one by one, so his spoken language enters the text. A Dream of Red Mansions is a phonological literature. Reading A Dream of Red Mansions should be read in the northern dialect, so as to be intimate and tasteful, and to appreciate the wonderful tone and modality of the dialogue between the characters. If you read it in Hakka or Sichuan dialect, it tastes like chewing wax, and the language, tone and modality of the characters are gone. Some people sort out A Dream of Red Mansions, but they don't know this truth. They often use modern language grammar to standardize the characters' language in A Dream of Red Mansions, and even delete some characters' language words and expressions in A Dream of Red Mansions without any version basis, so there are many mistakes.

The word "everything is reasonable" is wonderful. If you savor it carefully, you will get a wonderful composition method. What's going on in the world is a general book, and everyone in the world can make biographies according to facts and reasons.

65438+26 September 2003? Thirty-two micro-quotations from the red chamber

Writing mission of making boudoir shine.

Cao Xueqin's intention in writing A Dream of Red Mansions is varied, one of which is to spread the story in the boudoir. When writing A Dream of Red Mansions, the author Cao Xueqin felt that there were several strange women around him, either sentimental or infatuated, or a little brilliant and slightly better. As far as the women around me are concerned, they are respectable daughters. So Cao Xueqin came to a conclusion that daughters are made of water and men are made of mud. It's great to see a daughter, and a man stinks. In A Dream of Red Mansions, Cao Xueqin borrowed Jia Baoyu's words and told many absurd stories about his daughter.

Cao Xueqin felt that it was bitter for feudal society to treat people as people, especially women. Thousands of years of views on women are all women's disasters. Lu Xun said that men do bad things, but take women as scapegoats (to this effect).

In China's ancient literary works, female images mainly include the following categories: first, images who dare to fight for love and happiness, such as Cui Yingying and Du Liniang; Second, insulted and damaged images, such as Liu Lanzhi and Du Shiniang; Third, the images of poverty and sadness, such as the protagonists of palace resentment poems and thinking about women poems; The fourth is the image of playing with and insulting, such as the protagonist of Yan Shi.

Several women in the Water Margin are puppets without blood, meat, bones and air. They are men's accessories, have no opinions and are at the mercy of others. Sun Erniang and Gu Dasao, for example, are both dragon girls. Hu Sanniang has no will and no feelings; Pan Jinlian and Pan Qiaoyun are prostitutes cut open by the sword of heroes. Most of the women in Journey to the West are goblins, and all they think about is harming people. The women in the romance of the Three Kingdoms are even worse. They are dolls and props for men after fighting on the battlefield. A woman who talks twice will always be the object of robbery, deception and trafficking. The women in Jin Ping Mei are humble and dirty images that take pleasure in being insulted and ravaged.

Cao Xueqin painted a large group of innocent daughters in the character gallery of A Dream of Red Mansions. In Cao Xueqin's view, there are still people in the boudoir, which must not be eliminated. There are Lin Daiyu, Xue Baochai, Shi Xiangyun, Jia Tanchun, Qingwen, Yuanyang, Zijuan and Pinger in the People's Museum. Cao Xueqin, the author, eulogizes them with full enthusiasm, praises them, rejoices for them and grieves for them. The author described their heartbreaking experiences and tragic fate.

Cao praised these strange women with unprecedented affection, and sincerely respected, pitied and loved them in his heart. Xiao Xiaosheng treats women as ghosts, and Cao Xueqin treats her daughter as an adult. Cao Xueqin was great and did a good job. He is an eternal infatuation and a saint for 500 years. The poem says:

Class color is shy, and strange women are not strange.

It's sad to cry like a wolf, and it's painful to live a thin life.

65438+27 September 2003? 33 Cao Xueqin's literary view slightly quoted a dream of red mansions

Cao Xueqin was born in a century-old family. Although he didn't catch up with his heyday, when he grows up, he will always listen to the memories of his elders and yearn for the old dreams of Qinhuai. In the memory of the past, I feel that things are unpredictable and life is short. Therefore, when he adds or deletes A Dream of Red Mansions, he may write Lao Cao's family as the material in the book.

Cao Xueqin announced his literary view to the world at the beginning of A Dream of Red Mansions. The second is to make the world look brand-new; The third is to record it.

Novelty is an old manuscript that does not fall into the familiar set. It is a self-innovation institution. The ancients paid the most attention to style. Cao Xueqin was like a bee picking flowers and brewed honey. Later generations continued the Dream of Red Mansions, all of them were toddlers in Handan, and the Buddha's head was stained with dung. They were all works by dogs and minks, and few of them were excellent. Cao Xueqin thinks highly of himself and is determined to write a book that has never been seen before and has never been seen since.

Although the main idea is to talk about love, it is only a record of love. The main idea of talking about love is to cover up. The author emphasizes that there is a subtext in romance, but there is a moral behind it. There is truth and falsehood in a dream of red mansions, truth and falsehood, truth and falsehood, and truth in falsehood. Its vivid story and tortuous plot may have been fabricated by Cao Xueqin and Cao Jia at that time, but the general narrative is still a few words true. The story in the dream cannot be regarded as an illusion. A Dream of Red Mansions is a realistic record of its events. The author himself said that he had a dream and experienced a story personally.

While Cao Xueqin declared his literary view, he also took a clear-cut stand against prostitution. Dirty. Smelly wind. Moon pen and ink. It can be seen from some information in the book and three fat reviews that Cao Xueqin has seen that it is considered obscene. Jin Ping Mei at the beginning of this book. Cao Xueqin didn't make it clear in the book, which is taboo. Jin Pingmei had a stroke. There are more than 30 words in the pen and ink of the moon, with dozens of words in the middle that are not too explicit and dozens of words in the small description. Cao Xueqin lived in Kanggan period, when Zhang Zhupo's first wonderful book Jin Ping Mei was very popular. Cao Xueqin's father, Cao Yin, is a cool bookkeeper. He must buy and read the then popular Jin Ping Mei. And Cao Xueqin may have read it. In the criticism of A Dream of Red Mansions, there are three comparisons between A Dream of Red Mansions and Jin Ping Mei. However, Cao Xueqin suffered from wind disease. There is too much ink on the moon. Cao Xueqin is blowing. Moonlight mirror transplanted into A Dream of Red Mansions may produce a big picture. Moon ink has been deleted a lot. In other words, wind. The first draft of Bao Yue Jian may have a lot of explicit colors, which is modeled after Jin Ping Mei. Love description. But there are some colors. Cao Xueqin may think it necessary to keep the description of love. Like the sixth episode, Jia Baoyu first tried the cloud. Rain is the end of the day. At the same time, the seventh time I sent back the sigh of Gong Hua Zhou Rui's family, writing that Jia Lian was walking in Xi's room during the day. During sexual intercourse, Jia Lian's smile is written in the side pen, which is also a point. The twelfth time, Jia Rui mistakenly asked Jia Rong for Xifeng. Huan, still holding a pen. There is also the 21st time, Jia Lian had an affair with many mud wives and girls. This wind. The description of the moon is not inferior to Jin Ping Mei.

Cao Xueqin is a once-in-a-lifetime rhetoric master. His languages are all in Beijing, and his dictionary is very elegant. He carefully polished the language of Beijing dialect, created a unique language style of fresh and elegant in the Red Chamber, and achieved the peak of China's classical novels. His literary view is also ahead of the times.

13101October 8? Thirty-four quotations from the Red Chamber?

Tracking photography

We often say that life is literary creation. A talented writer is like a photographer, holding a camera and taking pictures of the real face of life. However, literary creation can only pursue the realm of no technique after synthesizing various techniques.

Cao Xueqin, the author of A Dream of Red Mansions, has reached the level of being unskilled on the basis of skillful use of various methods. For the first time, he said that if there are ups and downs, there will be traces of ups and downs, and there will be no loopholes. This is Cao Xueqin's attitude in writing A Dream of Red Mansions. Face life honestly. Cao Xueqin wrote a dream of red mansions in Beijing, with mixed narrative language, half writing and half writing, and the dialogue language of characters is all factual records. This is called writing without definite method. Cao Xueqin is good at using the description method, which is now the photography method. When writing, it seems to be careless, but in fact it is ingenious and carefully described by choosing the poetry in life. The highest skill is no skill.

"ups and downs, you must follow the track and dare not make a hole." This book is a true story. Even according to today's literary classification, A Dream of Red Mansions can only be classified as a long reportage, not a novel. The difference between reportage and fiction is that the former is a true story and the latter is a pure religion. Successful novel creation is based on real life, thus giving readers a sense of reality. However, truth is not equal to fact. To get to the bottom of it, Master Jin Yong is helpless. Reportage, on the other hand, is different. No matter how many artistically processed languages are used in the narrative and how many shocking psychological descriptions are made, the premise is that it does exist.

Since the author made a promise not to make a slight breakthrough, it was written with blood and tears. If we regard it as a novel and an artistic creation, it really fails the author's painstaking efforts. Red inkstone cloud: Whoever studies hard from now on will let you read, or the book will cry.

A dream of red mansions is actually a trace of description, dare not have any loopholes. As Zhifu said, "Things are practical, but there are twists and turns, ups and downs, reflections, hidden views, positive leaps, and even grass snake gray lines. In the empty valley, people are buzzing, one blow and two rings, the plank road is dark, the clouds are rainy, the two mountains are opposite, the clouds are bright, and the back is full of wrinkles. There are many secret methods in the book. I also searched the anatomy one by one and understood the notes. "

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Therefore, reading A Dream of Red Mansions should not only be understood literally, but also consider its historical background and whether there is something hidden. There are layers of puzzles in the book, which are confusing and puzzling. It is really puzzling.

13101October 9? Cao Xueqin, a dream of red mansions 35 micro-citation, who used it against his will

In A Dream of Red Mansions, Cao Xueqin lambasted some talented and beautiful novels for being familiar with the old manuscripts. Now Cao Xueqin's works are full of talented people and beautiful women who are familiar with the old manuscripts. It means that he has read those papers full of talented people and beautiful women before, otherwise how could he know. The dark side's own books are unfamiliar. It means to use Jin Pingmei's words in turn to turn out Jin Pingmei's case and make a big fuss.

Some critics have pointed out that Jin Ping Mei is more spiritual than by going up one flight of stairs in A Dream of Red Mansions, which contains many acid descriptions such as showing off talents. Although Jin Pingmei's language is rough, her criticism of love species is thorough. The author is not in Jin Pingmei's text, but in A Dream of Red Mansions. Moreover, the investment is extremely deep. Compared with Jin Ping Mei, the language of A Dream of Red Mansions is much more delicate. The author wrote a poor child's review of our family's past prosperity. The author writes this review vividly, with fine fullness, scattered levels and colorful. There are regrets, sighs, sadness, anger, criticism and ostentation in this review, so A Dream of Red Mansions is a crying book. Jin Ping Mei is a book of enlightenment, while Water Margin is a book of cynics. There is bodhisattva's compassion in The Journey to the West, compassion in A Dream of Red Mansions and broad compassion in Jin Ping Mei, which is a kind of humanistic compassion.

13101October 9? 36 Defects in A Dream of Red Mansions

The writer Liu's motivation is his enthusiasm for A Dream of Red Mansions. Although he is wild, he deconstructs a dream of red mansions and deconstructs a dream of red mansions. However, orthodox redologists and lovers of Dream of Red Mansions are drifting away, making Dream of Red Mansions a plaything appreciated by the minority. Now some Redology scholars have a blind worship of A Dream of Red Mansions, and they dare not look up. In fact, there is nothing wrong with looking up. Blind beautification of a Dream of Red Mansions and blind deification of Cao Xueqin are blasphemies against them. A Dream of Red Mansions, as a novel, has the general rules and characteristics of reciting novels as an art form. It came into being in Qianlong dynasty, and it was impossible to break away from the characteristics of the times at that time. Therefore, the study of A Dream of Red Mansions must be combined with historical background and factors of the times. To measure A Dream of Red Mansions by any modern western literary theory is to cut the foot and fit the shoe. A Dream of Red Mansions has artistic features and distinctive personality that are beyond the reach of future generations. But there are also congenital defects and acquired defects.

First of all, A Dream of Red Mansions is incomplete. Although Cao Xueqin wrote the second half of the draft roughly, it was not completely handed down. Brokeback Venus is beautiful, but China people like happy endings. Only in this way, Cheng Canwei and Gao E constitute the works. Cheng Weiyuan and Gao E distorted Cao Xueqin's original intention in every way, which was far from Cao Xueqin's original intention.

Secondly, in terms of ideological content, although the author of A Dream of Red Mansions objectively has certain critical significance to feudal society, subjectively, the author often shows appreciation and praise for aristocratic life in the book, and has an involuntary nostalgia complex for the lost prosperity, so the book of A Dream of Red Mansions is shrouded in a faint illusory atmosphere.

Thirdly, in terms of attitude towards life, A Dream of Red Mansions is deeply influenced by Laozi and Zhuangzi's thoughts. The book is full of negative and pessimistic nihilistic thoughts, and even when criticizing feudal society, it is often contaminated with morbid negative emotions.

Fourthly, A Dream of Red Mansions is a novel against China's classical novels, which describes many trivial things in life. This kind of description is innovative, but it leads to the tedious story and the slow pace of plot development, which makes it difficult to arouse people's interest in reading in some places.

2014165438+1October 24th? "A Dream of Red Mansions" 37 Fu Shi: Hold high the hook of desire

Jia Fu, "those who are rich are many, and those who have no plans are also. Their daily expenses of ostentation and extravagance are not saved. Although the shelf outside didn't fall down much, the inner bag came up. " But after all, not many people know the situation of Jiafu, and more and more people are scrambling to hold the dying tree of Jiafu. There are also a series of slaves, such as Leda and Lin Zhixiao. Is there any chance to inherit the title sideline, such as Jia Yun and Jia Qin? There are also relatives who are far behind, such as Granny Liu, who want to have a windfall. Of course, Jia Yucun and Fu Shi want to win more nutritious vines by relying on seemingly strong trees.

Fu Shi, the provincial judge, was in charge of grain, grass, water transportation and other affairs. Originally, I was also a nobody. Since I became this official, I have used my brain a little, and my financial resources have been rolling in, and my family is rich at once. However, people say that it is good to enjoy the cool by leaning against a big tree, and Fu Shi, who is bent on making progress, suffers from no such background and tries his best to find it. It should be an accidental opportunity, but opportunities always favor those who are prepared. Fu tried to see Jia Zheng, who was a square man. Jia Zheng likes to pretend to be a scholar-type official, which is easy to fool. Just pretend to be knowledgeable and modest in front of him. Think about Jia Zheng's deep hatred for bamboo slips, and he is very disgusted with the marriage between Sun Shaozu and Jia Fu. The reason is that bamboo slips are greedy for their fame and potential, and they only worship at their doorstep when they have unfinished business, so they are not family friends. I want to try Fu's flattering kung fu, melting rain, moistening things silently and reaching the peak. Throughout the ages, who can refuse such soft and secret kung fu? There are such people in our unit. No matter who comes to be the principal of this school, she can get along with the principal's wife. She really has this ability. Why can't others do it? I think I'm either too lofty to forget my self-esteem, or I'm all thumbs trying to curry favor but I can't find a suitable way, or I don't think it's necessary to do my job honestly. Either you don't want to invest in leadership, and with that money, you might as well eat it in your stomach and wear it on your body. However, this kind of person is not suitable for Fu to try. He wants to invest, he wants to climb higher, and it is not a good thing to send someone or personally lead the family around, contact feelings and get to know each other. Of course you can't go for nothing. You should bring something with you every time. Things can talk. Over time, I learned more information and inadvertently lost a lot of detours. Of course, it is more important to do something outside in the name of Jia Fu. Therefore, Fu has painstakingly managed the relationship with Jia Fu for many years.

Of course, Fu was not satisfied with his present position. He has a higher goal-to enter the upper class and become a truly powerful class. But is it so easy? Think about it, only by getting married. But he broke out and had a shallow foundation. Who looks down on him? After a big turn, Fu wanted to focus on Jia Baoyu, but he still didn't know Jia Fu's attitude and dared not propose rashly. He can only slowly infiltrate many advantages of his sister into Jia's family. Of course, his efforts were not in vain. Baoyu knew Fu's name and the girl was very beautiful and clever, so he gave birth to admiration. Every time he goes, he wants to meet her. In this way, it looks promising, but Fu tries not to know. Besides, if you really want to get married, Jia Zheng is not so easy to fool. He is sometimes very accurate in judging people. Therefore, Fu's dream of strengthening himself through marriage will eventually fail.

"Followers" like Fu are everywhere in that society. When the Eight Immortals crossed the sea, they all showed their abilities. He is good at weaving vines on trees (sorry, Yu Xiang, that's what I said. Next, I'll give an example of my backyard, hehe), and then he can climb up, enjoy the sunshine and accept the rain and dew. Of course, if the foundation is unstable, trees may fall and vines may wither. I once saw such a scene in my backyard (full of weeds and several unique trees): the branches of the buttonwood tree hung low and I could reach it when I stood. Then the vines of the morning glory first climbed a small bush, and then one day at a certain moment, a leap caught the drooping branches of the buttonwood, like soldiers one after another. Jia Fu actually doesn't have to look down on Fu. Jia Fu himself sent Yuan Chun to the palace, not just to gain political capital? Jiafu is actually a vine. That's understandable. What hurts me is that this method has sacrificed so many good girls. Zhang Jinge of a small family refused to give in to his parents' submission and hanged himself. Yuan Chun, who grew up in a big family, could only secretly shed tears when he got home, complaining about why his parents sent him to that shady place. Fu became a victim of his career and economy. Who can blame? I can only reluctantly give my youth to the broken wall, and I can only secretly lament the fleeting time.

Fu is a little Jia Yucun. I thought Fu had read a book, but I found that reading was fruitless and poor. It is better to sell your self-esteem and win a place among the nobles of Houmen. It is often difficult to stick to myself, but getting worse is a moment of turning around, so I got stuck in it and didn't want to stop until I couldn't walk any further. The world is bustling, all for the benefit, all for the reputation. As a teenager, Qin Zhong finally realized that he still had to think more about official career economy, thinking that he had made a mistake. This is the rule of that society. Who can escape from the dust net? Jia Yucun can't, and neither can Fourier. Many literati can't stand loneliness and finally submit to powerful rules. We have seen Fu's shallow heart, but we should criticize the society that made scholars rebel. Society teaches them to read, but makes them read bad books. They can't govern the country and ensure national security. They just want to hold high the hook of desire and strive for higher status for themselves. It is still the world of Fu examiner.