Surrealist character works

Surrealism artists mainly include Rousseau, Joan Miro, salvador dali, Ernst (m.ernst), Rene Magritte (r.magritte), Pablo Ruiz Picasso and others. Miro (Joan Miro, 1893— 1983) deliberately disturbed the normal perceptual order and expressed the improvisation of the mind under the guidance of intuition in an almost abstract language. Therefore, there will be symbolic symbols and simplified images in his works, which will make his works have a sense of freedom and childlike innocence. Known as "a master of children's art, primitive art and folk art". In his heyday, animals and some symbolic objects used simple lines with clean and bright colors. He seems to look at the world with innocent eyes, but from time to time he smiles sarcastically at this chaotic world newspaper. The painter of the work. His main work is Dutch home interior. Salvador dali (1904— 1989) adopted the opposite expression to Milo. Dali believes that artists should accurately record the image of the subconscious, so he uses "figuration" to accurately copy the illusion produced by abnormal logical thinking, and combine all irrelevant things to make the picture full of dramatic effects and bring people visual and new spiritual shock. What's more, he turned passionate creation into a flowing process, and called these processes "paranoid critical way", that is, he added or replaced the absurdity and strangeness of his inner world to the external objective world, and often reflected the subconscious process in a way of decomposition, overlapping, synthesis and interleaving. Some of his works contain religious mystery and pornography. His major works include The Man Throwing Stones at Birds, Eternity of Memory, and Foresight of Civil War.

Surrealism literature advocates that there is a so-called "other side" world besides the real world, that is, the unconscious or subconscious world, which is more real than the former. It emphasizes that the poet listens to the call of the subconscious, writes the coincidence of dreams, dreamland and things, and advocates the automatic writing method to achieve "pure mental automatic response" by recording dreams and instantaneous subconscious. The works pursue magical and peculiar artistic effects and are full of unexpected image metaphors. Some works are imaginative and novel, but most of them are obscure and the language lacks logic and standardization.

Surrealism denies realism and traditional novels, and is hostile to all moral traditions, believing that this is the root of mediocrity and hatred. The reason why the novel becomes the darling of literature is that it adapts to the readers' pursuit of reflecting life logically. It wants to break all this, pursue "purely mental automatic reaction, and try to express the practical function of thinking orally, in writing or in any other form through this reaction. It is not subject to any rational supervision, does not consider any aesthetic or moral consequences, and records this thinking. " Surrealists look for and collect the primitive state of human thinking in public places such as cafes and cinemas, and create on this basis. The masterpiece is Najia, a novel published by Brighton 1928. In the late 1920s, there was a split within the movement. 1930, Brighton published the second declaration of surrealism, reaffirming the principles of the movement: the absoluteness of resistance, the thoroughness of disobedience and the destructiveness of rules and regulations. Since then, the movement has been at a low ebb, and almost only Brittany has persisted. During his exile in the United States during World War II, his propaganda never stopped. After Brittany returned to France in 1946, she continued to run magazines, hold exhibitions and give radio speeches, which set off a wave of surrealism movement, which influenced many countries in Europe and America, but its momentum was far less than that in the 1920s.

Surrealism has a long history. This school is attractive and vital, and many modernists are influenced by its theory. Surrealism film applies surrealism in literature to the creation of film genre. It inherits the principles of Andre Breidon, the advocate of this creative idea, and emphasizes the authenticity of irrational behavior, the meaning of dreams, the emotional power of uncoordinated images and the persistent pursuit of personal pleasure. It once became the mainstream of French avant-garde films in the 1920s, and later became an important wing of American experimental films and underground films. In the field of commercial feature films, surrealism does not constitute an independent genre, and its influence is limited to individual shots or paragraphs of the film. Surrealism in Adu Kilo's films is a typical work of this kind of research.

In the 1920s, French avant-garde filmmakers found that the photographic nature and montage alignment skills of the film made it the most ideal expression of surrealism. This view has always been popular among anti-traditional filmmakers and has been put into practice. Surrealist films openly oppose narrative style.

Generally speaking, Drucker's Shell and Monk is the first surreal film, but more attention is paid to luis Bunuel's An Andalusian Dog and The Golden Age. The former is a series of dreams of a homeless man with mental problems, while the latter is a Freudian analysis of sexual desire and love. Sexual desire and orgasm, violence and blasphemy, and weird humor are the themes used by surrealist films to compete with traditional film forms. The real purpose of film is to stimulate the deepest impulse of the audience with free film form. Bunuel once declared that the Andalusian dog was a "passionate call for murder". Western film researchers agree that after bunuel turned to feature films, the influence of surrealism still looms in his works from time to time. In experimental films and underground films, the representatives of surrealism tendency are Mayer-Delian and Kenneth Angel in the United States. In the field of feature films, western film researchers tend to attribute the description of abnormal psychology, potential sexual impulse and irrational behavior to the surrealism of feature films. So, like Hitchcock's series of films: Dr. Edward (1945), Ecstasy (1958), North by Northwest (1959), Psychopaths (1962). During the periods of 1983 and 1984, surreal fashion was fully revived. 1985, Lagerfeld completed the "Cake Hat" and "Anle Ribbed Hat". Nowadays, surreal fashion styles and patterns abound. It is found that surrealist painters are most concerned about the human body and its parts. Fashion also shows the human body, but it covers it a little more. As a fashion covering human body art, designers look for various ways to reproduce the beauty of human body. The golden breastplate introduced by Saint Laurent perfectly expresses the amazing effect of the human body. In fact, from a psychological point of view, the result of female breast decoration only emphasizes what is hidden in the decoration. Of course, the human body can also be expressed through some hints. 1984 Carter Badger embroidered a provocative French sentence on the windbreaker: "I'm not wearing pants". In the eyes of surrealist designers, this may be the most accurate definition of fashion. Although, according to common sense, it is a bit too much. However, it does express the connotation of surreal fashion. It must be admitted that in surreal fashion, pornographic elements can be seen everywhere. We also found that surrealist designers made great efforts in stage decoration. The reason is that as a stage around the neck cap, it is easy to become the visual center of people.

Although there are similarities between fashion and surrealism, they are different from surrealism. The surreal style of fashion is mainly to cater to the plane fashion of fashion industry. Because through advertisements, newspapers, art and photography, surrealism is widely spread. Among them, the urging of designers and fashion critics also played a key role. Surrealism photography came into being in 1930s, and was deeply influenced by surrealism literature and art and surrealism painting. Surrealism seems to have become history today, especially in China, where surrealism photography died before it was produced. Even if it can appear, it is only "surrealism photography" or "pseudo-surrealism photography". Nevertheless, as an important part of the history of photography, it is necessary to understand it.

It is difficult to interpret surreal photography in words, because such works are not records of real experiences. It is very difficult to comment on surreal photography with everyone's common experience, and it may be far-fetched to understand surreal photography only from syntax and propositions.

Because surrealist photography does not take recording reality as its own responsibility, the objects in its works cannot be its original intention in the objective world. Every object appears as a visual image symbol, and surrealist photographers use these symbols as words to create "image sentences", which are difficult to translate into "language sentences" and often contain a kind of emotion, a ray of poetry, some sensibility and a little politics.

Surrealism originates from Dadaism, whose motto is to change the world, eliminate wars and diseases, and make freedom, primitive love, spontaneous germination and dreams eternal. In fact, surrealism disappeared as early as 1966 with the death of Andel Braden, and then surrealism was repeatedly abused and misused, and was named as "new surrealism" and "new cubism".