Alternative nude art photography pictures

Nude art is the sculpture and painting art of ancient Greece and the Renaissance. Here are the alternative nude art photography pictures I have compiled for your reference!

Alternative nude Art photography pictures

Body art is erotic in the eyes of most people, but in the eyes of artists, the human body is the best creative element. Arthur Cadre, a dancer and photographer from France, shot a series of works called "Creatures of Wonderland". In the picture, Arthur Cadre is like an elf of nature, dancing his body and leaving a mark in every corner of nature. Lower figure.

Classification of human body photography

Classical beauty

Classical beauty of human body photography

Since human body photography has been From the beginning, there was a tangled relationship with classical paintings, so nude photography shrouded in a classical atmosphere became the earliest fashion. At the same time, in modern and even contemporary body photography, the classical atmosphere, as a kind of nostalgic emotion, still pervades the lenses of many masters. Even classicism does not mean restoration in a certain sense, but can become a kind of fashion - fashion has always been in a cycle of change, and it will always come back again after many years.

From an overall technical perspective, the Pictorialist photographers of the late 19th century mainly used soft light and other techniques to make the nude a suitable subject for photography. Some photographers also use some classical printing techniques that are now lost, and use their elegant and delicate picture effects to produce classical and romantic style features, which are close to the nude effect in paintings. Some nude scenes processed by Impressionism have gradually become representative works of pictorial photography in international salons. A large number of photographers, including Weston and Steichen, completed nude photography through a classical, painterly atmosphere and hazy approach before embracing modern nude photography.

When photography entered the 1920s, the painterly style of human body photography gradually receded into the background. Modern body photography expression methods emerged in droves, but this did not prevent the "resurgence" of the painterly style. These photographers tried to respond to the glory of early Italian-style nude photography and made many efforts. Although their works cannot once again become the mainstream of human body photography, it still reminds us that the classical and beautiful human body in photography will always be a theme that can be revived. For example, the "Tang Jiali Body Photography Series" by contemporary Chinese photographer Zhang Xulong is one of the more successful shooting practices.

Partial close-up

Partial close-up of human body photography

When human body photography came out of the classical artistic conception, photographers suddenly discovered that the thinking of the human body was no longer It must be expressed with the help of a perfect whole. Close-ups of local fragments can also bring body photography to the ideal destination. Later, the famous photographer Ralph Gibson, who made important contributions to the practice of the human body, expressed this view on the feeling of the human body: "I am particularly interested in the form of local fragments, from which I can find the shining points. I am interested in the entire human body." Not interested; I need to refine the form. "

As an aesthetic practice, photographing partial fragments of the human body began in the 20th century. In the human body composition in the 19th century, the preponderance was the complete human body experiment of the academic school, which served as the material for painters and sculptors. In the 19th century, photographers could not imagine the fragments of the human body that we recognize today. First of all, all Victorian nude photography was associated with high art and pure science, and human body fragments were clearly considered "obscene" and a kind of voyeurism, and were rejected by critics. Furthermore, it is difficult to imagine photographers choosing the fragmentary vision as any aesthetic possibility, being entirely attracted to the aesthetic composition of the whole human body.

Since the 1920s, many photographers have begun to focus on partial fragments of the human body. Some photographers began to express partial torso of the human body, excluding only the head or gaze of the human body from the picture, thus retaining a complete body. This approach just turned the aesthetic taste of the 19th century upside down. At that time, the head was the center of taste, the dominant part of the body, and the seat of the heart and spirit. Perhaps it is as a radical rebellious mentality that modern photographers first drove the head out of the composition.

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In the subsequent partial manifestations of the human body, three classifications can be roughly formed. One is a piece of realism, where the body parts appear as very realistic objects, emphasizing the clarity and realism of the objects. The second is the partial fragment of formalism, which emphasizes lines, shapes, volumes, and abstractions, making the body a geometric constituent material. The third type is deformation or blurred local fragments, which create an illusion through local deformation, making the human body form a specious and unpredictable visual temptation.